| Revision as of 02:36, 14 May 2018 edit2600:1700:6a30:31b0:6889:fb9d:e11c:aeec (talk) →Love '76← Previous edit | Revision as of 02:39, 14 May 2018 edit undoJim1138 (talk | contribs)Extended confirmed users, Pending changes reviewers, Rollbackers297,704 edits rv removal of sourced content which appears to pan-outNext edit → | ||
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| In a New York Times profile<ref>{{Cite news|url=https://query.nytimes.com/gst/abstract.html?res=9E00EFDE1E3DE036A05753C2A9609C946790D6CF|title=New York Times, He Did It His Way, June 20, 1976|last=KORNHEISER|first=TONY|date=June 20, 1976|work=|access-date=|via=}}</ref> he claimed, "Look what this country needs is a white, male superstar they can hang their hat on. They want him clean, and they want him now. That's why I'm playing it this way. I can be what they want. I can fill that void." After years of toiling in obscurity, Bob Pascuzzi bankrolled a promotional roll-out meant to generate interest from financial backers that would result in a deal for an album and concerts. To "attract they backers was to rent out Westbury Music Fair for one show, put Lemongello in the spotlight... It cost Lemongello $32,000 for the hall, the musicians, the arrangements and the publicity." With backers in place, the details of assembling the songs and personnel for the album coalesced. "He made the album - one side was completely done in the studio: the other side is a re-mixing of all his old tapes from live shows, even some that were recorded on cheap cassettes," wrote Kornheiser in the New York Times profile. Prophetically, a concert promoter opined: "He drew 2,400 people in New York, which is heavily Italian, where he spent 100 grand into commercials. For 100 grand you gotta get 2,500 curious people. Benny the Horse gets 2,500 curious people. Now he can work lounges the rest of his life. Benny the Horse can work lounges. Big deal... But can he deliver the goods? Can he deliver in Cleveland? In Chicago? In the places where he didn't buy TV time?" It turned out that he could not. And the short promotional blitz did not evolve into a career memorable for the music. Instead, it is a career memorable for its marketing and promotional gambit, which succeeded with a one-time return. It was not a sustained career so much as it was a financially successful gambit staged for a small, defined audience. | In a New York Times profile<ref>{{Cite news|url=https://query.nytimes.com/gst/abstract.html?res=9E00EFDE1E3DE036A05753C2A9609C946790D6CF|title=New York Times, He Did It His Way, June 20, 1976|last=KORNHEISER|first=TONY|date=June 20, 1976|work=|access-date=|via=}}</ref> he claimed, "Look what this country needs is a white, male superstar they can hang their hat on. They want him clean, and they want him now. That's why I'm playing it this way. I can be what they want. I can fill that void." After years of toiling in obscurity, Bob Pascuzzi bankrolled a promotional roll-out meant to generate interest from financial backers that would result in a deal for an album and concerts. To "attract they backers was to rent out Westbury Music Fair for one show, put Lemongello in the spotlight... It cost Lemongello $32,000 for the hall, the musicians, the arrangements and the publicity." With backers in place, the details of assembling the songs and personnel for the album coalesced. "He made the album - one side was completely done in the studio: the other side is a re-mixing of all his old tapes from live shows, even some that were recorded on cheap cassettes," wrote Kornheiser in the New York Times profile. Prophetically, a concert promoter opined: "He drew 2,400 people in New York, which is heavily Italian, where he spent 100 grand into commercials. For 100 grand you gotta get 2,500 curious people. Benny the Horse gets 2,500 curious people. Now he can work lounges the rest of his life. Benny the Horse can work lounges. Big deal... But can he deliver the goods? Can he deliver in Cleveland? In Chicago? In the places where he didn't buy TV time?" It turned out that he could not. And the short promotional blitz did not evolve into a career memorable for the music. Instead, it is a career memorable for its marketing and promotional gambit, which succeeded with a one-time return. It was not a sustained career so much as it was a financially successful gambit staged for a small, defined audience. | ||
| Lemongello |
Lemongello claims to have sold 1.8 million copies of ''Love ‘76.'' However, according to Both Sides Now, a well known and trusted record label database, as well as a May 31st, 1976 article in ''Time'' magazine, the album sold 43,000 copies by the end of the commercial's run. <ref>{{Cite web|url=http://www.bsnpubs.com/nyc/privatestock/privatestock.html|title=Private Stock Album Discography|website=www.bsnpubs.com|access-date=2018-04-01}}</ref> <ref>http://content.time.com/time/magazine/article/0,9171,947685-1,00.html</ref> | ||
| The artist attracted the attention of ], who signed Lemongello in April 1976. By choice, Lemongello ended his self-promotional efforts and released his second album, ''Do I Love You'', in early 1977. The album and its subsequent singles failed to chart. <ref>http://www.bsnpubs.com/nyc/privatestock/privatestock.html</ref> | The artist attracted the attention of ], who signed Lemongello in April 1976. By choice, Lemongello ended his self-promotional efforts and released his second album, ''Do I Love You'', in early 1977. The album and its subsequent singles failed to chart. <ref>http://www.bsnpubs.com/nyc/privatestock/privatestock.html</ref> | ||
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| ==Later career== | ==Later career== | ||
| {{BLP unsourced section|date=May 2014}} | {{BLP unsourced section|date=May 2014}} | ||
| On January 15th, 1983, Lemongello and his cousin, pro bowler Mike Lemongello, were kidnapped from a construction site. The kidnappers forced Mike to withdraw money from a bank. Once he did this, the two were dumped in the woods. Two weeks after the incident, ], a former pitcher for the ], turned himself in to police. <ref>http://people.com/archive/peter-lemongello-fizzled-as-a-torch-singer-but-police-claim-not-as-an-arsonist-vol-18-no-2/</ref> | |||
| Around the same time, Lemongello was accused of masterminding two acts of arson, setting fire to two luxury houses his construction firm were working on near ]. <ref>http://people.com/archive/peter-lemongello-fizzled-as-a-torch-singer-but-police-claim-not-as-an-arsonist-vol-18-no-2/</ref> In April of 1983, he was put on ten years probation for the crime and was ordered to pay $110,000 to reimburse insurance companies. <ref>https://news.google.com/newspapers?id=B_ELAAAAIBAJ&sjid=glkDAAAAIBAJ&pg=4299,70364&dq=mark+lemongello+kidnapping&hl=en</ref> | |||
| Years later, Lemongello continued his career in ], billed as Branson's "Italian Crooner". Most recently he has adopted ] and appears frequently across the country. | Years later, Lemongello continued his career in ], billed as Branson's "Italian Crooner". Most recently he has adopted ] and appears frequently across the country. | ||
Revision as of 02:39, 14 May 2018
| Peter Lemongello | |
|---|---|
| Born | (1947-02-11) February 11, 1947 (age 77) Jersey City, New Jersey, United States |
| Genres | Pop, Lounge |
| Occupation(s) | Singer, Entrepreneur |
| Instrument | Vocals |
| Years active | 1968–Present |
| Labels | Private Stock Records, Epic Records, Rapp Records |
Peter Lemongello (born February 11, 1947) is an American singer from Jersey City, New Jersey, and North Babylon, New York, best known for his double album Love '76, the first album to be sold exclusively through television advertising.
Early career
Lemongello spent the first part of his career as a cabaret singer, with several appearances on national TV, including The Tonight Show Starring Johnny Carson. He released his first two records (under the name Pete Lemongello) on the Rare Bird record label to no fanfare. In 1973, he signed to Epic Records. There he released one single, released in December of 1973, that failed to chart, and he was subsequently dropped from the label.
Love '76
Frustrated by his lack of record sales, Lemongello hit upon the idea of creating an album to be sold exclusively on TV. Using a city-by-city marketing strategy, he and his partners began their Love ‘76 advertising campaign with an around-the-dial TV blitz in the New York market starting January 1, 1976, and ran commercials on all six New York channels 70 to 100 times a week. Sales of the double album skyrocketed him to fame in the New York area, and the campaign entered Los Angeles and Las Vegas.
In a New York Times profile he claimed, "Look what this country needs is a white, male superstar they can hang their hat on. They want him clean, and they want him now. That's why I'm playing it this way. I can be what they want. I can fill that void." After years of toiling in obscurity, Bob Pascuzzi bankrolled a promotional roll-out meant to generate interest from financial backers that would result in a deal for an album and concerts. To "attract they backers was to rent out Westbury Music Fair for one show, put Lemongello in the spotlight... It cost Lemongello $32,000 for the hall, the musicians, the arrangements and the publicity." With backers in place, the details of assembling the songs and personnel for the album coalesced. "He made the album - one side was completely done in the studio: the other side is a re-mixing of all his old tapes from live shows, even some that were recorded on cheap cassettes," wrote Kornheiser in the New York Times profile. Prophetically, a concert promoter opined: "He drew 2,400 people in New York, which is heavily Italian, where he spent 100 grand into commercials. For 100 grand you gotta get 2,500 curious people. Benny the Horse gets 2,500 curious people. Now he can work lounges the rest of his life. Benny the Horse can work lounges. Big deal... But can he deliver the goods? Can he deliver in Cleveland? In Chicago? In the places where he didn't buy TV time?" It turned out that he could not. And the short promotional blitz did not evolve into a career memorable for the music. Instead, it is a career memorable for its marketing and promotional gambit, which succeeded with a one-time return. It was not a sustained career so much as it was a financially successful gambit staged for a small, defined audience.
Lemongello claims to have sold 1.8 million copies of Love ‘76. However, according to Both Sides Now, a well known and trusted record label database, as well as a May 31st, 1976 article in Time magazine, the album sold 43,000 copies by the end of the commercial's run.
The artist attracted the attention of Private Stock Records, who signed Lemongello in April 1976. By choice, Lemongello ended his self-promotional efforts and released his second album, Do I Love You, in early 1977. The album and its subsequent singles failed to chart.
Later career
 | This section of a biography of a living person does not include any references or sources. Please help by adding reliable sources. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. Find sources: "Peter Lemongello" – news · newspapers · books · scholar · JSTOR (May 2014) (Learn how and when to remove this message) |
On January 15th, 1983, Lemongello and his cousin, pro bowler Mike Lemongello, were kidnapped from a construction site. The kidnappers forced Mike to withdraw money from a bank. Once he did this, the two were dumped in the woods. Two weeks after the incident, Mark Lemongello, a former pitcher for the Houston Astros, turned himself in to police.
Around the same time, Lemongello was accused of masterminding two acts of arson, setting fire to two luxury houses his construction firm were working on near St. Petersburg, Florida. In April of 1983, he was put on ten years probation for the crime and was ordered to pay $110,000 to reimburse insurance companies.
Years later, Lemongello continued his career in Branson, Missouri, billed as Branson's "Italian Crooner". Most recently he has adopted The Great American Songbook and appears frequently across the country.
Today Lemongello lives in Boca Raton, Florida, with his wife Karen, and his son Peter, Jr.
Peter, Jr. is also an entertainer and is currently the lead singer of the vocal group The Crests with original founding member, J.T. Carter. The group (with Lemongello) made it's national television debut in March, 2018 on PBS as part of TJ Lubinsky's "My Music: Doo Wop Generations." The group was featured singing The Crests' 1959 hit, "The Angels Listened In."
In late 2012, Lemongello re-recorded his 1976 song "Can't Get Enough Of You Girl" with producer and songwriter Jimmy Michaels. The re-recording appears on the re-issue of the Michaels album More Things Change.
On November 17th, 2017 Lemongello released "Let It Snow," as a Christmas single. His autobiography, Tenacity Beyond The Mafia, Based On The Story of Peter Lemongello is the basis for the upcoming documentary "Love 76, The Wild Saga of Peter Lemongello," scheduled to be released in 2019.
Parodies
Lemongello was spoofed in the episode of Saturday Night Live that aired May 22, 1976, with Chevy Chase playing a singer named Peter Lemon Mood Ring, who changed colors with every song. Chase reprised the parody in his 1989 film Fletch Lives.
Singer-songwriter Will Dailey released a promotional video in 2009 for his album Torrent, in which he is forced by his managers to make a (fictitious) commercial for Torrent in the style of the Love '76 commercial.
Discography
- Love '76 (1976), Rapp Records
- Do I Love You (1976), Private Stock Records
References
- http://www.imdb.com/name/nm1711180/ IMBd Direct
- http://www.45cat.com/artist/peter-lemongello
- “The $390,000 Man” Time; Monday, May. 31, 1976
- KORNHEISER, TONY (June 20, 1976). "New York Times, He Did It His Way, June 20, 1976".
- "Private Stock Album Discography". www.bsnpubs.com. Retrieved 2018-04-01.
- http://content.time.com/time/magazine/article/0,9171,947685-1,00.html
- http://www.bsnpubs.com/nyc/privatestock/privatestock.html
- http://people.com/archive/peter-lemongello-fizzled-as-a-torch-singer-but-police-claim-not-as-an-arsonist-vol-18-no-2/
- http://people.com/archive/peter-lemongello-fizzled-as-a-torch-singer-but-police-claim-not-as-an-arsonist-vol-18-no-2/
- https://news.google.com/newspapers?id=B_ELAAAAIBAJ&sjid=glkDAAAAIBAJ&pg=4299,70364&dq=mark+lemongello+kidnapping&hl=en
- "J.T. Carter's Crests". Retrieved 2018-04-08.
- "J.T. Carter's Crests with Peter Lemongello, Jr. on PBS". Retrieved 2018-04-08.
- http://snltranscripts.jt.org/75/75umoodring.phtml
- Will Dailey Love '76 parody on YouTube
External links
- The Official Peter Lemongello Website
- "The $390,000 Man"; Time Magazine; May 31, 1976 Retrieved May 9, 2007
- Official Peter Lemongello MySpace Music Page