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Springfield! Springfield! | |||
{{Multiple issues| | |||
Movie & TV Scripts | |||
{{Refimprove|date=October 2013}} | |||
Screencaps & Framegrabs | |||
{{In-universe|date=October 2013}}}} | |||
The Simpsons | |||
{{Infobox television | |||
Other | |||
| show_name = Street Sharks | |||
| image = Street Sharks Title Card.png | |||
| caption = Title card | |||
| genre = ]/]<br/>] | |||
| runtime = 22 min.<ref> on ]. Retrieved May 23, 2017.</ref> | |||
Movie Scripts > Jaws 3-D (1983) | |||
| creator = Martha Moran<br/>] | |||
Jaws 3-D (1983) Movie Script | |||
| director = Ron Myrick<br/>Seth Kearsley<br/>Ron Harris | |||
(Crunch) | |||
| starring = ]<br/>]<br/>]<br/>D. Kevin Williams<br/>]<br/>Terry Berner<br/>J. Michael Lee<br/>Pam Carter<br/>Jim Hoggatt | |||
(Highest girl) Come on, slow poke! | |||
| composer = Reed Robbins | |||
Don't lean forward! | |||
| theme_music_composer = Michael Benghiat<br>Lois Blaisch | |||
Don't lean forward! | |||
| executive_producer = Allen Bohbot<br>Mark Freedman<br>]<br>Robby London<br>Michael Maliani | |||
(Laughing) | |||
| country = United States<br/>Canada | |||
(Man ) Come on, Overman. | |||
| language = English | |||
Give us a break, will you? | |||
| company = ] | |||
Look at the clown | |||
| distributor = ] | |||
in the jockey shorts! | |||
| network = ] (1994–1997) | |||
Kelly, come on. Pay attention. | |||
| first_aired = September 11, 1994 | |||
Hey, girls! | |||
| last_aired = May 18, 1997 | |||
Do it like this! Ooh! | |||
| num_seasons = 3 | |||
(Man ) Damn it, Kelly! Do the job! | |||
| num_episodes = 40 | |||
Next time we're goin' | |||
| list_episodes = | |||
right into the lagoon. | |||
| related = '']'' | |||
The lagoon is my favourite! (Laughs ) | |||
}} | |||
Damn boat. | |||
'''''Street Sharks''''' is an American-Canadian animated series about the adventures of crime-fighting half-man/half-]s. It was produced by ] and aired from 1994 to 1997, originally as a part of the ] lineup.<ref>{{cite web|author= |url=http://www.tv.com/amazin-adventures/show/29016/summary.html |title=Amazin' Adventures on |publisher=Tv.com |date= |accessdate=2011-03-13}}</ref> Later, in 1996, the Street Sharks teamed up with the ] and the show became '''''Dino Vengers Featuring Street Sharks'''''. It was created to promote an existing ] toy line of the same name. The creators were David Siegel and Joe Galliani of Mr. Joe's Really Big Productions. | |||
l flooded the... Damn boat! | |||
(Girl) Come on, Richie. | |||
l got a date tonight! | |||
(Skier) Through the gate! | |||
(Richie ) Come on, baby. | |||
OK, guys, here we go. | |||
Oh! That's right. Good. | |||
(Woman ) You've been chosen | |||
for your neatness, | |||
courtesy toward others | |||
and your Southern grace. | |||
We enforce our dress code here, | |||
so keep your hair and nails trimmed. | |||
And, please, | |||
don't alter your costumes. | |||
Once you've got your Sea World | |||
guide apparel, | |||
the shorts are short enough. | |||
(Girl giggles ) | |||
Show any cheek and you'll be back | |||
shovellin' french fries. | |||
(Girls giggling) | |||
Now, let's continue with our welcome | |||
speech again. All together now. | |||
(All) Welcome to Sea World, | |||
the world's largest marine life park. | |||
Above and below the surface | |||
of our unique Undersea Kingdom... | |||
(Man ) The park opens on Saturday. | |||
All this week has been, | |||
and continues to be, preview week, | |||
during which family and friends | |||
attend Sea World as our guests. | |||
This is the Undersea Kingdom, | |||
four years under construction, | |||
at a cost of more than $34 million. | |||
Four pressurised viewing tunnels | |||
radiate out into the lagoon. | |||
There's the Sunken Spanish Galleon, | |||
Jonah's Marine Fun House, | |||
the Deepwater Coral Forest, | |||
all connected to Central Control. | |||
And a deluxe restaurant and lounge, | |||
all 40 feet below the surface. | |||
The complex is built | |||
in our manmade lagoon, | |||
which connects to the ocean | |||
by a deep channel. | |||
The new additions to Sea World | |||
are the brainchild | |||
of entrepreneur Calvin Bouchard. | |||
(Kelly) Hi, guys! | |||
(Girl) Now you can close the gate. | |||
(Gate motor whirring) | |||
(Thud) | |||
(Man ) Jesus! | |||
Overman, l thought you said | |||
those tracks were secure. | |||
Hey, l welded | |||
the damn thing myself. | |||
(Worker) Something's | |||
hung the gate up. | |||
(2nd worker) Better get Brody. | |||
He'll be pissed. | |||
Whoo! | |||
(Guy ) Here's the lagoon. | |||
Set up for the turn. | |||
(PR man ) l call your attention | |||
to the Sea World skiers, | |||
who are entering the lagoon | |||
in a preview | |||
of the opening day ceremonies. | |||
(Reporters chattering, indistinct) | |||
Here come my pride and joy. | |||
(Female reporter) | |||
Can we talk to Mr Bouchard? | |||
- Beautiful. Just beautiful! | |||
- (Girl skier) Hi! | |||
(Man ) ..this exciting complex. | |||
We WOULD like to avoid | |||
references to his colourful past. | |||
(Woman ) Did the Undersea Kingdom | |||
really cost $30 million? | |||
Aren't those kids great? | |||
Mr Bouchard, is there anything | |||
special goin' on openin' day? | |||
Well, this afternoon, at the main | |||
gate, we'll be pleased to announce... | |||
the welcomin' of Mr Philip FitzRoyce. | |||
Oh, really? ls that true? | |||
No lie, he gonna be here. | |||
Now, we got drinks at the bar. | |||
They free. Come on, follow me. | |||
(Reporters laugh) | |||
- What's it look like? | |||
- lt's off the track. | |||
- How'd that happen? | |||
- l can't tell, but she is jammed. | |||
Just wouldn't close, Mike. | |||
(Overman ) Now what do we do? | |||
Somethin' knocked the | |||
son-of-a-bitch right off the track. | |||
Just secure the damn gate, all right? | |||
- Think you can handle that? | |||
- On overtime, maybe. | |||
You got enough overtime. | |||
- Your party. | |||
- You buy the beer, Brody. | |||
Well, look, you're in charge. | |||
See you guys later. | |||
l got more important things to do. | |||
- No overtime. | |||
- OK. See you, Mike. | |||
(Shouting) No overtime! | |||
(All shouting, laughing) No overtime! | |||
(Dolphins clicking) | |||
(Clicking loudly) | |||
(Clicking continues ) | |||
(Dolphins clicking, cage rattling) | |||
Hi, Mike. | |||
- Oh. Ah. Hey, Dan. | |||
- Hey. | |||
Havin' gate problems? | |||
The dolphins tried | |||
to open them again. | |||
- Where's the boss? | |||
- Up with Shamu. | |||
Thanks. | |||
(Woman ) Come on, Cindy. | |||
Come on, Sandy. Come on. | |||
- Hey, Liz. | |||
- Hey. Come on. | |||
lt's the boss hard hat. | |||
Where's your boots? | |||
l only wear 'em to bed | |||
and in the shower. | |||
- Where's Kay? | |||
- She's down that way. | |||
Yee-hah! Ride 'em, cowgirl. | |||
- Hi, Mike! | |||
- Hey! | |||
- l'll be with you in a minute. | |||
- All right. | |||
Use your spurs. | |||
Hey, Liz! | |||
Good boy. That was nice! | |||
- Hey. | |||
- Hey! | |||
Liz, he did that great. l don't wanna | |||
do it again. Do me a favour. | |||
Put Cindy and Sandy | |||
in the lagoon for a run. | |||
OK. | |||
- How you doin'? | |||
- Great. | |||
Hey, you. Come here. | |||
(Shamu squeaks ) | |||
Come here, kiddo. | |||
That's the feeding place. | |||
- ls this whale house-broken yet? | |||
- Nope. | |||
- Then he can't come to dinner. | |||
- You takin' me to dinner? | |||
Soon as we pick up my brother. | |||
When's Sean coming? | |||
We're gonna meet him | |||
at the main gate. | |||
(Dan ) Kathy. | |||
Cindy and Sandy don't wanna go. | |||
Am l gonna lose you | |||
to a couple of neurotic fish? | |||
- Mammals. | |||
- Mammals. Mammals. | |||
(Dan ) Something's bugging 'em. | |||
lt's play time. They'll be | |||
beggin' us tomorrow. Put 'em up. | |||
You got it. | |||
- l'm begging you tonight. | |||
- You don't have to beg. | |||
Take me to dinner! | |||
All right. Let's try sushi. | |||
- Mike! | |||
- l'll change. | |||
Come here. Who's a good boy? | |||
Are you a good boy? | |||
Yes, you're a good boy. | |||
(Shamu gurgles ) | |||
And you get a fish. | |||
(Calvin ) Ladies and gentlemen, | |||
here he is now. | |||
Ladies and gentlemen, Mr Philip | |||
FitzRoyce, with a capital R, | |||
is here to film us, meet our resident | |||
day scientific staff. | |||
- Hey, what's this? | |||
- Oh, no. | |||
Philip the Great. | |||
l am able to combine | |||
business with pleasure, | |||
which, they tell me, is the secret | |||
to a long and happy life. | |||
- What, FitzRoyce? | |||
- Mmm. | |||
Sure is. | |||
Any further questions, | |||
in the bar, if you please. | |||
For the first one who buys. | |||
- Look at Calvin. Best of buddies. | |||
- Ah, best of friends. | |||
(Mike ) A regular Barnum and Bailey. | |||
(Kay ) l'm sure they'll | |||
be very happy together. | |||
Perfect. | |||
lnto the Undersea Kingdom they go. | |||
(Chuckle ) | |||
Hey, Mikey! | |||
- Hey, hey! Hey! | |||
- Oh! | |||
- How you doin'? | |||
- All right! | |||
- My brother, the cowboy. | |||
- Hey! Hug me, huh? | |||
- Oh, OK. | |||
- Hey. | |||
(Kay shrieks ) | |||
You put on weight, you need a shave | |||
and you're too tall. | |||
Well, two out of three l can fix. | |||
(Laughs ) Get that gear | |||
and let's go. Come on. | |||
- So, nice boots. | |||
- Thanks! Aw, gee. | |||
How'd you do on your finals? | |||
Great. A gentleman's "C," | |||
an incomplete, but l aced Phys Ed. | |||
- (Kay ) A real Einstein. | |||
- Glad you're here. | |||
(Thud) | |||
(Thud) | |||
There you go, Charlene. | |||
- (Man ) Shelby showed up yet? | |||
- (2nd man ) Haven't seen him. | |||
(Woman ) What are they doing? | |||
(Man ) Kelly's really | |||
gettin' this one down. | |||
(Woman ) See that big guy? He gets | |||
knocked on his ass every time. | |||
(Woman laughs ) | |||
- All right, Charlene. | |||
- All right! | |||
Here, let me help you out. | |||
Work with me, work with me. | |||
Let's go. | |||
- There we go. | |||
- Wait. One more. | |||
- Hey, Mike. | |||
- All right. Yeah? | |||
ls Shelby workin' overtime? | |||
Not on my say-so. | |||
He was supposed to knock off. | |||
Have you met my kid brother? | |||
lf he's messin' with that bitch | |||
at the souvenir stand, | |||
it's gonna be his ass. | |||
- You tell him. | |||
- Charlene, l'm not his mother. | |||
- You're his boss. | |||
- Yeah, ask Woodbury, OK? | |||
(Man ) Come on, Kelly. You can do it! | |||
- They're playing stand-off. | |||
- Uh-oh. | |||
My brother considers himself the | |||
stand-off champion of New England. | |||
And the western states. | |||
- Go get 'em. | |||
- (Growls) | |||
(Whooping, laughter) | |||
Hey, l wasn't ready! | |||
l tell you, it's a game of balance. | |||
l told you he'd fall on his ass. | |||
(Man ) Hey, who's this guy? | |||
This is for beers. You buyin'? | |||
Ready? | |||
My fly's open. (Chuckles ) | |||
(Bystanders gasping) | |||
- No fair! | |||
- (Guy ) Whooo! | |||
Well, it's, uh... | |||
not only a game of balance, | |||
it's a game of deception. | |||
Come on, l'll buy you two | |||
and the one you owe me. | |||
- OK. | |||
- All right. | |||
(Bystander) All right. | |||
(Girl) See you later, Kelly. | |||
Hey, l want you. | |||
Come on, right now! Let's go. | |||
- Kathryn, Mike. | |||
- (Mike ) Hi. | |||
- You know each other? | |||
- l see my brother nailed you. | |||
- Your brother? | |||
- Yeah. | |||
Without that old crotch trick, | |||
he'd never have won. | |||
- That's his best move. | |||
- Runs in the family. | |||
Well, it worked. | |||
- What are we drinkin'? | |||
- Champagne of the working classes. | |||
- Beer. You owe me a couple. | |||
- That's right. Comin' up. | |||
Two beers. | |||
So, you work at the park, huh? | |||
- Mm-hmm. l'm a water skier. | |||
- Oh. | |||
(Laughs ) Your brother's cute. | |||
Yeah. Him and Kathryn have, uh, been | |||
together for a year and a half. | |||
How about you? | |||
Desperately unattached. | |||
Lonely, confused. | |||
Generous and loving to a fault. | |||
lt's all in my eyes. | |||
(Man ) Come on. | |||
(2nd man ) OK. | |||
We'll cop a lot of | |||
good stuff tonight. | |||
- l've got the tanks. | |||
- Shh! | |||
- ls the van OK here? | |||
- Yes, it's OK. | |||
We're off Sea World property. | |||
Nobody uses this road. | |||
Shh! | |||
Yeah. | |||
Yeah. | |||
Climb over the fence, | |||
and take it easy with the raft. | |||
(Clatter) | |||
(Whispering) Damn it! | |||
You asshole. | |||
Now we gotta drag it | |||
all the way down to the water! | |||
- Ready to go? | |||
- OK. Who's payin'? | |||
Ah. | |||
- Watch out. Snakes. | |||
- Oh, come on. Don't bullshit me. | |||
Chicken, huh? | |||
- (Croaks ) | |||
- (Man gasps ) | |||
All right, steady. | |||
- Steady. | |||
- Got it. | |||
OK. Here we go. | |||
- Come on, paddle! | |||
- l am. | |||
Let's go out to the centre. | |||
l sure hope this is worth it. | |||
- (Laughing) | |||
- (Mike groaning) | |||
- Hey, Kelly, is this your car? | |||
- Sure is. | |||
Hey. Get off of there! | |||
(Moaning, groaning) | |||
- You wanna take a walk? | |||
- Yeah. | |||
Hey, what about baby brother? | |||
- Aww! | |||
- Aww! | |||
Little baby brother. | |||
Kelly, can you give him a ride home, | |||
or shall l call his mommy? | |||
- Nah, if he'll come quietly. | |||
- No way. l scream and shout. | |||
Oh, God, it stinks out here. | |||
Let's get away! | |||
- See ya. | |||
- Hey, let's go swimming. | |||
- N-no, l hate the ocean. | |||
- Aww! Hey, l've got a better idea. | |||
- Like lagoons? | |||
- Lagoons? | |||
- Lagoons. | |||
- (She laughs ) | |||
(Engine starts ) | |||
Oh. How come Sean | |||
doesn't visit more? | |||
- He hates the water. | |||
- What? | |||
Yeah. Remember that shark attack l | |||
told you about when we were in Amity? | |||
Well, that's why he goes | |||
to school in Colorado. | |||
lf our parents didn't live | |||
on an island, he'd never get wet. | |||
- (She laughs ) | |||
- My dad, he's the same way. | |||
God, l love this place. | |||
l hated it when we first came here. | |||
What's the matter? | |||
Did you get a telephone call?. | |||
Venezuela? | |||
Guess l'm gonna have to start | |||
learning Spanish. | |||
- Ooh, baby. | |||
- Yeah. Yeah. | |||
That's wonderful. That's wonderful. | |||
Oh, shit. | |||
Reality. | |||
How long? | |||
Just a short year and a half. | |||
l'd love you to come, you know. | |||
Yeah. | |||
But what about the six months | |||
l've got left here | |||
and the job opening up | |||
at the Scripps lnstitute? | |||
What about that? Huh? | |||
Simple. Just give up your life | |||
and follow me. | |||
(She laughs ) | |||
- Oh, l'm happy for you. l am. | |||
- l know you are. | |||
What are we gonna do? | |||
- Aha. | |||
- Mm-hmm. | |||
(Both chuckling) | |||
- Ooh! | |||
- (Laughs ) | |||
(Chuckles ) | |||
Come on. | |||
- Oh, l don't go in the water. | |||
- You don't swim? | |||
Not even with friends? | |||
Oh, uh, l swim. | |||
l just, uh, l... l... | |||
(Sighs ) lt's something that happened | |||
when l was a kid. | |||
l don't go in the water. | |||
(Laughs awkwardly) | |||
Hmm. | |||
l bet l can overcome | |||
your childhood fears. | |||
l bet you can. | |||
Come on. | |||
My boots! | |||
Kick 'em off, cowboy. | |||
- Kelly! | |||
- Come on in, Sean. lt's fun. | |||
Come on. | |||
- Here? | |||
- Yeah, OK. | |||
Somewhere down there | |||
is the best coral. | |||
A guy in Miami will give us | |||
$200 for the good stuff. | |||
Put it in the basket. | |||
l'll pull it up. | |||
(Kelly laughing in distance ) | |||
Come on, hurry, Randy. | |||
l love this park at night. | |||
lt's so deserted. | |||
Yeah. So quiet. | |||
Wait a second. | |||
lsn't that Kelly's car? | |||
Stop, stop, stop. Shh! Wait a second. | |||
Stop. | |||
Shh. | |||
(Giggling) | |||
l don't believe it. | |||
She got him in the water. | |||
Never underestimate the power, huh? | |||
Attention. You, in the water. You are | |||
trespassing on Sea World property. | |||
Come out of the water with your hands | |||
raised high above your head. | |||
l'm OK. My brother works here. | |||
Uh, l'm Kelly Ann Bukowski, | |||
from the ski team. | |||
You turkeys have any lD? | |||
Wait a minute. | |||
- Mike? Kay? | |||
- Brother? | |||
Mr Bullhorn sees all, knows all! | |||
Dead is what you are! | |||
You keep your hands | |||
to yourself, young m... | |||
- (Kelly screeches ) | |||
- Here, take this. | |||
(Mike ) Yell for mother! | |||
(Mike, Sean shouting, indistinct) | |||
Finish up down there, damn it! | |||
Come on, Randy. | |||
We gotta get outta here! | |||
- (Muffled thud) | |||
- Now what? | |||
Ow! | |||
(Shouts ) | |||
(Kelly) Mike! | |||
(Girls screeching) | |||
(Kelly yelling, indistinct) | |||
(Yelling, screaming) | |||
- (Kay ) You cheater! | |||
- (Screams ) | |||
(Sean ) That's what you are! Dead! | |||
Some guys can sleep in | |||
in the morning. | |||
Some of us have to | |||
be at work early. Good morning. | |||
Some of us don't have to baby-sit a | |||
park full of slugs and fishes either. | |||
Yes, we just live | |||
like slugs and fishes. | |||
The dog does not | |||
eat on the counter. | |||
(Groans ) l put your wet clothes | |||
in the dryer, sweetie. | |||
- Thanks. | |||
- Mmm. What are we eating? | |||
Mmm. Thank you. | |||
Hey, is this my beeper | |||
or your beeper? | |||
- l dunno. l'll use this beeper. | |||
- Use that beeper. | |||
Talk to you later. | |||
l'll have my beeper | |||
beep your beeper. | |||
l'll have my beeper | |||
beep your beeper back. | |||
- Bye. | |||
- See you later. | |||
Aye. | |||
Coffee? | |||
Just throw it in my eyes, | |||
it'll work faster. | |||
That's what happens | |||
when you stay up all night | |||
workin' out childhood phobias. | |||
That's right. | |||
Make fun of your baby brother. | |||
l was this close to doing it | |||
in the water last night, | |||
and that's a first. | |||
- This close, huh? | |||
- Shut up! | |||
(Laughs ) | |||
Sorry. l didn't know it was therapy. | |||
Just admit it. You messed me up. | |||
l admit it. l messed you up. | |||
ls everything all right | |||
with you and Kathryn? | |||
(Phone ) | |||
Hello? Yes, sir. | |||
Calvin, l had my crew | |||
on that yesterday. | |||
Well, l know. | |||
l don't want that to happen either. | |||
(Sighs ) Tomorrow. | |||
OK, OK. Calvin, l'll be right there. | |||
- The boss, right? | |||
- l gotta go to work. | |||
- Yeah, can't do better than that! | |||
- Really. | |||
(Squeaking) | |||
Yeah. Yeah! | |||
Who's a good girl?. That's my baby. | |||
(Dan ) Kay? | |||
(Kay ) How are Cindy and Sandy? | |||
Well, Cindy's OK, | |||
but Sandy's still nervous. | |||
(Kay ) Don't quit, Danny. | |||
He can go higher. | |||
(Kay ) That's it! | |||
OK, girls. There are my girls. | |||
Thank you. Come on. Ready...and go! | |||
That's it. | |||
What is this? | |||
You ready? l said go! | |||
lf those are the best behaviours, | |||
l'd hate to see the worst. | |||
May l help you? | |||
Are you looking for somebody? | |||
No, l don't think you can. | |||
l'm looking for someone in authority. | |||
Well, l'm Dr Morgan, | |||
the senior biologist. | |||
Oh. | |||
Really? | |||
Charming. Philip FitzRoyce. | |||
l know you. l know your work. | |||
We were at that Law of the Sea | |||
Conference together last summer. | |||
Right. Helsinki. Save the Whales. | |||
They made a hero out of me. | |||
You know what l never understood? | |||
Why did you ram that Japanese whaler? | |||
(Chuckles ) Because he got in my way, | |||
ruined my best shot. | |||
Yeah. l was impressed. | |||
Good. Then perhaps we can have | |||
a drink and some dinner tonight? | |||
Oh, l'm sorry, Mr FitzRoyce, but... | |||
that's a behaviour l just don't do. | |||
Nice spins, Danny. | |||
l'll meet you at the holding tank. | |||
Hey, aqua girl! | |||
- Hi, Mike! | |||
- Five. | |||
(Grunts ) | |||
He don't sleep in, he don't live in. | |||
Tell Shelby Overman | |||
he can take a flyin' leap | |||
at a rollin' doughnut on a gravel | |||
driveway, you hear? | |||
Hold it. | |||
Didn't he come home last night? | |||
- No. | |||
- He didn't show up here either. | |||
- l figure he's home hung over. | |||
- l don't want him around my place! | |||
He's gone. You take his stuff. | |||
Charlene, what's goin' on, huh? | |||
- Shelby Overman's AWOL again. | |||
- Oh, no. l'm sorry. | |||
- What, is this all his stuff? | |||
- Yeah. Doesn't figure. | |||
He left his passport and his... | |||
and his credit cards. | |||
Driver's licence, pawn tickets. | |||
l don't think he could have been | |||
planning to go too far. | |||
You don't think | |||
something happened to him? | |||
No. No, look. | |||
He is curled up, drunk someplace. | |||
When l find him, | |||
he's in deep trouble. | |||
We'll let you know | |||
as soon as we hear anything. | |||
- Wanna help me out? | |||
- Yeah. Take care, Charlene. | |||
- Help me look in the lagoon? | |||
- You bet. | |||
Hey, l'm mad at that old boy, | |||
but l don't mean him any harm. | |||
You hear me? | |||
l don't mean him any harm! | |||
Down a little more. | |||
Turn it. | |||
Batteries are fully charged, Mike. | |||
- Thank you, Danny. | |||
- Thanks, Danny. | |||
Control room, submersible | |||
is now entering the lagoon. | |||
- Roger. | |||
- l can monitor it from here. | |||
(Technician ) 'Testing, one, | |||
two, three. Can you read me, Kay?' | |||
(Kay ) 'l read you. | |||
Communication's fine. | |||
'For Charlene's sake, | |||
l sure hope he's all right.' | |||
(Mike ) 'There's Cindy...or Sandy? | |||
l don't know how to tell them apart.' | |||
(Kay ) 'Cindy's a lot larger.' | |||
(Mike ) 'Control, this is Venture One. | |||
'We're at 25 feet, | |||
headed for the Spanish Galleon.' | |||
l can see you now. Hi, Mike. | |||
'Overman broke divers' rules | |||
last night, out there. | |||
'Went down to shackle | |||
the sea gate alone. | |||
'lf anything happened, the current | |||
would have washed him up here, | |||
'toward the centre of the lagoon.' | |||
(Kay ) 'What about | |||
the filtration pipes?' | |||
'lt's too strong a current | |||
the other way. | |||
'The flow's all into the lagoon. | |||
'There's a million gallons | |||
of fresh salt water every hour.' | |||
(Kay ) 'Could he be trapped | |||
in the Spanish Galleon?' | |||
(Mike ) 'The superstructure could have | |||
kept him from floating.' | |||
(Kay ) 'Mike! Oh, God. | |||
For a second l thought...' | |||
(Mike ) 'Yeah, yeah. l know it. | |||
We call him Oscar. | |||
'You stay here, Kay. l'll go into | |||
the galleon for a closer look.' | |||
'Uh-uh, l'm goin' with you.' | |||
(Mike ) 'Goddamn dolphins! | |||
What the hell are they doing?' | |||
'l don't know. They've been acting | |||
strange for days. Look at 'em.' | |||
(Kay ) 'Control, | |||
we're leaving the sub. | |||
- 'We'll be out of radio contact.' | |||
- OK, Dr Morgan. | |||
'Grab your ABS bottles, Kay. | |||
Let's go.' | |||
'OK, sweetie.' | |||
(Squeaks excitedly) | |||
(Squeaks ) | |||
(Muffled scream ) | |||
(Muffled exchange ) | |||
(Mike, Kay, muffled) 'Go! Go!' | |||
(Kay ) Mike! Quick! Mike! | |||
- The gate! Get the gate! | |||
- Shark! | |||
- God! | |||
- What's happening? | |||
(Dan ) Close, damn it! Close! | |||
Shit! | |||
- Oh, God! Are you OK? | |||
- What the hell was that? | |||
- Yeah! What is that? | |||
- You OK? | |||
My guv'nor's | |||
the 16th Earl of Haddenfield. | |||
Shake hands with the first Calvin | |||
of Sea World. | |||
- Enchant. | |||
- He know French too, huh? | |||
Excuse me, Mr Bouchard... | |||
Wait a minute. | |||
We're havin' dinner here. | |||
- This better be important. | |||
- lt is, sir. | |||
(Whispers ) Mike and Dr Morgan | |||
were pursued by a shark. | |||
lt is important. Come with me. | |||
(Kay ) Calvin, it was a great white. | |||
Ten feet long, exhibiting | |||
a typical feeding pattern. | |||
On us, Calvin! | |||
The damn thing tried to feed on us. | |||
- Where is it? | |||
- Right here. | |||
- Huh? | |||
- (Whistles ) | |||
You know, Cal, this | |||
could be a stroke of luck. | |||
lf we kill this beastie on camera... | |||
l can guarantee you media coverage. | |||
Lure him into a staging area, | |||
and at the precise moment, | |||
slit his belly wide open. | |||
- Can you do that? | |||
- You try and stop 'im, mate. | |||
(Chuckles ) | |||
That's how we earn our bread. | |||
Well, Jack is oversimplifying | |||
matters, as is usual. | |||
But...yeah, l can do that. | |||
(Kay ) No! | |||
(Mike ) No? | |||
What do you mean, no? | |||
l don't know | |||
if it's occurred to any of you-all, | |||
but there isn't a great white alive | |||
in captivity anywhere. | |||
Now, we're unique here, Calvin, | |||
you know that. | |||
lf any facility can | |||
maintain a white, it's us. | |||
lf we could dart him, w-we could get | |||
him in a holding tank... | |||
Hold it! This is crazy, this is nuts. | |||
White sharks are killers. | |||
l know 'em. | |||
My father, my brother, myself. | |||
They're murderers. No, Kay. | |||
Calvin, they die magnificently. | |||
(Laughs ) | |||
That would really be a spectacular | |||
event. No doubt about that, huh? | |||
What are we doing, Calvin, | |||
planning a network special?. | |||
We could be the first people on the | |||
planet to have a great white alive. | |||
Not if my guv'nor | |||
gets it first, miss. | |||
OK. Say he kills it. | |||
Well, that's it. | |||
lt's one shot, over, gone. | |||
But a live great white... | |||
You think about that, Calvin! | |||
Nightly bulletins on the progress | |||
of the killer shark. | |||
Pictures of us nursing it | |||
back to health | |||
and lowering it into a holding tank. | |||
Now, that's world news! | |||
Think of the lines at the gate. | |||
Then you miss the sport of the kill. | |||
Now, wait up, Jack. Wait up. | |||
(Philip ) Killing is guaranteed press. | |||
But this other is much, | |||
much more interesting. | |||
OK, this is MS-2-22. | |||
This is quinaldine, but l had to | |||
guesstimate the dosage. | |||
- Kathy? | |||
- Right. Thanks, Danny. | |||
All right, we're ready in Control. | |||
You all set? | |||
'We're ready down here.' | |||
(Kay clears throat) | |||
With those TV monitors rolling, | |||
you're gonna have more coverage | |||
than a space launch. | |||
Good. Just the way l like it. | |||
The colour of your wet suit's | |||
one hell of a choice. | |||
- The shark's gonna love you. | |||
- Exactly. | |||
- lt helps me get the close-ups. | |||
- You're the showman. | |||
Honey, is this suit | |||
gonna protect you? | |||
Have you felt...? | |||
lt won't bite through, | |||
but it will yield to pressure. | |||
So she might just get | |||
a little...squeeze. | |||
Oh, that's great news. | |||
Look, why do you have to do this? | |||
Why don't you let Her Majesty's | |||
number one son take care of it? | |||
Because it's my job, remember? | |||
Yeah, but l just don't | |||
want it to be you. | |||
You build the stuff, l swim around | |||
in it. That was the deal. Right? | |||
Hmm? | |||
l love you, too. | |||
lf we get into any trouble, | |||
all we have to do is pull the pin. | |||
- What are those? | |||
- (Jack) Mills bombs. | |||
- What? | |||
- Mills bombs, sonny. | |||
Grenades. A chap in Her Majesty's | |||
ordinance makes them up for me. | |||
(Philip ) 'Baby claymores. | |||
Good dispersion. | |||
'Some concussion | |||
but they do the trick.' | |||
Well, not in my water. Take 'em off. | |||
You tend to your knitting, | |||
my dear, and l tend to mine. | |||
(Mike ) Hold on a second there. | |||
There's no explosives underwater. | |||
There's acrylic down there, | |||
a very fragile environment. No bombs. | |||
(Philip ) 'Brody, this is insur...' | |||
(Mike ) 'No, l don't think | |||
you understood me! | |||
'l built this park, and l'm not gonna | |||
see some visiting fireman blow it up | |||
'because he wants to kill a fish!' | |||
Calvin, are you listening | |||
to all this? | |||
No grenades. | |||
For Christ's sake, guv'nor. | |||
Remember Australia? | |||
Oh, don't worry, Jack. | |||
After all, it's only a little fish. | |||
Son of a... | |||
The pin has to be pulled. | |||
Right. Get rid of this stuff. | |||
Everybody aboard here? Let's go. | |||
Shove off. | |||
(Kay ) 'l need one clean belly shot. | |||
'lf l miss, l'm gonna have to reload | |||
and hope l get him with the second.' | |||
(Philip ) | |||
This is a good place to start. | |||
(Engines stop ) | |||
(Mike ) Hit the lights. | |||
Shall we dance? | |||
Why not? l'm beginning to feel like | |||
King Richard going to the Crusades. | |||
(Philip ) Ready, Jack? Get the gear. | |||
(Jack) Brown bread, guv'nor. | |||
You all right? | |||
Good luck. | |||
You only get one shot. | |||
(Mike ) Yeah, l know. l know. | |||
(Mike exhales ) | |||
What about Kathryn? | |||
lt'll stick in the shark. | |||
Hit her, and it'll go right through. | |||
Just buoy him up, | |||
slow him down, right? | |||
Dorsal fin, middle of the back. | |||
Seen anything yet? | |||
We'll get him on the monitors. | |||
(Kay grunting) | |||
(Kay screams ) | |||
Quick! Mike, He's making a run! | |||
Quick, shoot him! | |||
(Philip ) He's getting away! | |||
Damn it! | |||
(Mike ) Get outta the way, Kay! | |||
(Kay ) Now! | |||
Come on. | |||
Right. There you go. | |||
You did it, baby. | |||
Here's the ladder. Hold on. | |||
Come on. Give me your fins. | |||
- Give me your fins. | |||
- Let's go! | |||
(Dan ) Up you go. | |||
You all right? | |||
(Gasps ) | |||
- Close one. | |||
- (Mike ) Get this stuff off her. | |||
- (Liz ) That was great! | |||
- What am l, a bloody porter? | |||
- How about a hand with this? | |||
- First things first. | |||
- Mustn't ignore the ladies. | |||
- Don't ignore the help. | |||
(Mike ) Looked hairy down there. | |||
(Liz ) You OK? l was worried. | |||
You sure know how | |||
to scare the hell outta me. | |||
Be sure he's wrapped, OK? Keep him | |||
wet. Let's get him in a tank. | |||
(Calvin ) 'Film all right? | |||
TV picture looked cloudy.' | |||
Calvin. Kathryn's fine, | |||
Philip is fine, Jack is fine. | |||
'Dan and Liz are fine. | |||
l am OK too.' | |||
But...is the film OK? | |||
lt's absolutely first-rate, Cal. | |||
You'll be very happy. | |||
ls everyone OK? lt did look | |||
pretty dangerous down there. | |||
lt looked pretty dangerous | |||
from down here too, Calvin. | |||
(Kay ) We may have to work him | |||
all night, keep him moving. | |||
Down, Danny. Down, down. That's it. | |||
Be sure the oxygen keeps | |||
running through his gills. | |||
We don't wanna lose him. | |||
(Door opens ) | |||
Close the door! | |||
Whoever you are, this is off limits. | |||
Liz, uh, get the hose running. | |||
l wanna try aerating him, OK? | |||
(Door closes ) | |||
Even to me, the fearless harpoonist? | |||
Nah, you're OK. | |||
Come on in, sailor. | |||
Are you new in town? | |||
Yeah. Came by to get me | |||
a woman and a tattoo. | |||
- Wanna see the tattoo? | |||
- (Chuckles ) | |||
Well, l'd rather see the woman, | |||
get a look at the competition. | |||
There isn't any other woman, | |||
there isn't any tattoo either. | |||
l'm lonely. | |||
- l'm sorry, darlin'. | |||
- Damn mammal. | |||
This one's a fish. | |||
A simple, beautiful fish. | |||
OK. | |||
Mike! Mike! What are you doing? | |||
Are you crazy? | |||
- Liz, take a hike. | |||
- OK. | |||
lf this is the only way | |||
we can be together, | |||
this is the only way | |||
we can...be together. | |||
Welcome aboard, sailor. | |||
Get that hose and hold onto it. | |||
- Yeah. OK. | |||
- Open the mouth. | |||
Say "hi" to your new friend. | |||
This is the first time | |||
you've ever done my work with me. | |||
Yeah, well, it's a real thrill. | |||
Maybe tomorrow you can work with me | |||
and help me pour foundations. | |||
(Laughs, screams ) | |||
Get away! Get clear! Get clear! | |||
Didn't he give you any signs? | |||
No! One minute he was dead out, | |||
the next he was wide awake! | |||
(Kay ) No food. No medication. | |||
lt's the only live one in captivity, | |||
guys. Let's keep him that way. | |||
Huh? Don't do anything | |||
that's gonna traumatise him. | |||
(Applause ) | |||
(Woman on PA) 'Welcome to the opening | |||
of the Undersea Kingdom. | |||
'The magical mysteries of Jonah | |||
and the Whale, the Coral Forest | |||
'and the Sunken Spanish Galleon.' | |||
Gotcha, guv'nor. | |||
(Calvin ) lt's a whale with a brain | |||
larger than most folks, | |||
able to earn beaucoup bucks. | |||
Kay and l went down in the sub, | |||
and we searched over all this area | |||
before the sharks hit us. | |||
What if Overman went down | |||
on the other side? | |||
The tide might have pulled him out, | |||
but his body should have shown up. | |||
Brody, did you check | |||
the filtration pipe? | |||
No, the current's | |||
too strong goin' the other way. | |||
We got a million gallons of sea water | |||
flowing into the lagoon every hour. | |||
The man's irresponsible. | |||
When he turns up, fire him. | |||
Hold it, Calvin. He's a good man. | |||
He just messes up once in awhile. | |||
l'm gonna hold you responsible. | |||
(Man on PA) 'She gets to ski | |||
by herself, because she's the best.' | |||
- How's it doin'? | |||
- l just got our first printout. | |||
Our advance sales are three times | |||
ahead of our other parks. | |||
Not unexpected. | |||
Where's the great white? | |||
- ln the tank room. | |||
- Put him in pool six. | |||
Tell people to put that information | |||
on welcomes, rest stops and wrap-ups. | |||
l thought we were to wait | |||
on Dr Morgan's word. | |||
Look. l run the park, l sell | |||
the tickets and l make the decisions. | |||
Move the fish! | |||
l wanna be able to stand in line | |||
to see it before three. | |||
..three and down, and up, and turn. | |||
(Whooping) | |||
(PA) 'The Sea World water ski team | |||
'in a dazzling display | |||
of coordination and brilliance. | |||
'The Silver Bullets!' | |||
- All right! | |||
- Lookin' good! | |||
There they go! | |||
Yeah! The helicopters! | |||
Hi, Sean. You were real hot. | |||
l want some time for us alone. | |||
You got a few minutes? | |||
- You bet. | |||
- Great, Kelly. | |||
Listen. Ready for some fun? | |||
Fantastic! | |||
Let's ride the bumper boats. | |||
Bumper boats? | |||
This is the entrance | |||
to the Undersea Kingdom, | |||
a complex of underwater tunnels | |||
that show you first-hand | |||
the miracles of the deep. | |||
There's no extra charge | |||
for this unique attraction. | |||
Our underwater tunnels are | |||
not only fun, but informative. | |||
Oh, look at that. | |||
(PA) 'Consumed alive in history, | |||
Jonah found out what it was like | |||
'to live in the belly | |||
of the ocean's greatest animal. | |||
'Our special Jonah and the Whale | |||
showcase is at 11:00, 1:00 and 4:00 | |||
'in the amphitheatre | |||
inside the Undersea Kingdom.' | |||
(Hissing) | |||
(Mechanical voice ) Ha-ha-ha-ha. | |||
This is Captain Sink. | |||
Welcome to my cave | |||
of fun and surprises. | |||
(Girls) Oh, yuck! | |||
(Mike laughs ) | |||
l sure am gonna miss these guys. | |||
How 'bout it, Casper? | |||
You wanna take the money | |||
and run to Venezuela with old Mikey? | |||
- ?Quieres un pescado? | |||
- You speak Spanish? | |||
(Laughs ) | |||
(Sighs ) l think they're gonna | |||
miss you, too. | |||
Now you and l are gonna have to have | |||
a serious conversation sometime... | |||
about what's really goin' on. | |||
You and me. | |||
l know. l know. | |||
(PA) 'Mike Brody. Mike Brody. | |||
Call your office, please.' | |||
See ya later. | |||
(PA) 'Sea World, | |||
in honour of opening day...' | |||
Oh, Casper. | |||
What's a girl to do, huh? | |||
Thank you. | |||
'..a great white shark | |||
in holding pool number six. | |||
'You will be able to view the one | |||
and only great white in captivity.' | |||
(PA) 'The great white shark's roamed | |||
the ocean for millions of years. | |||
'A proud animal...' | |||
Excuse me. Oh, God! | |||
'..while alone, is a predator...' | |||
Excuse me! What is he doing here? | |||
Calvin ordered him moved. | |||
Why didn't he ask me? | |||
Why did he go ahead on his own? | |||
(PA) 'This shark, | |||
a first of its kind to be held...' | |||
No, Danny! Danny! | |||
Liz, get a hose ready, | |||
l wanna aerate him now! | |||
Come on, Danny. Get the back. | |||
(PA) 'Please, uh, remain calm. | |||
'That's Dr Morgan | |||
and assistant members of our staff. | |||
'Uh, please don't interfere | |||
in any way.' | |||
Excuse me. | |||
(Kay ) Liz! Liz! | |||
Come on, boy. | |||
That's it. come on. | |||
Turn it, Danny. | |||
- Shit! | |||
- Come on. Come on! | |||
No. Boy, come on! | |||
Excuse me. | |||
(PA) 'Let me bring your attention | |||
to some other events...' | |||
(Philip ) Kathryn. | |||
'..the seal and otter show | |||
and of course...' | |||
Kathryn. | |||
Bad luck. | |||
(Sighs ) | |||
Go ahead. | |||
Photograph it. | |||
- Look out! | |||
- Kelly. Kelly. | |||
l don't know. l-l don't... No. No. | |||
Come on, you'll love it. | |||
lt's fun. Trust me. Come on! | |||
What is this thing? | |||
l-l... Are you sure? | |||
Are you sure | |||
we should be doing this? | |||
Oh! Oh, God. | |||
Can this hold two people? | |||
Oh. Push. Push. | |||
Oh, my God. | |||
Are you steering this, or am l? | |||
(People laughing, chattering) | |||
Go! Go! Get away! Get away! | |||
(PA) 'We invite you to enter | |||
the magical world of the Coral Forest | |||
'where you may observe the wonders | |||
of the deep without ever getting wet. | |||
'The Spanish Galleon plays host | |||
to many colourful fish | |||
'that we have assembled from | |||
the different oceans of the world.' | |||
- Look at all of them! | |||
- Oh, yeah! | |||
(Girl) That looks like a butterfly. | |||
(2nd Girl) You're right. | |||
(Man ) Oh, my God! Look at that! | |||
Kay, you don't want to see this. | |||
Everybody is assuming | |||
this was a shark attack. | |||
- Now, l wanna make sure. | |||
- OK. All right. | |||
Did you guys pull him out? | |||
(Mike gasps ) | |||
That's Shelby Overman. | |||
- Kay, l told... | |||
- Miss... | |||
Mike. Ray. | |||
lf this was a shark attack, | |||
l've seen it before. | |||
OK? | |||
Oh, Mike. | |||
Oh, my God! | |||
Let's go find Calvin. | |||
Come on! Come on! | |||
(Man ) l'm getting contradictory | |||
readings from the filtration pumps. | |||
(Leonard) Such as? | |||
- High pump rate, low outflow | |||
and a pressure build-up | |||
on the inboard tunnel valve. | |||
- That's number two. | |||
- Could be an obstruction. | |||
Well, that's not my department. | |||
See if you can locate Brody | |||
or Calvin, will you? | |||
(Calvin ) Very posh. | |||
Yes, it's quite a display. | |||
Tell me. How do you contain the | |||
sharks in this part of the lagoon? | |||
lt's that old shark screen, | |||
that bubble screen. | |||
You know, sharks don't like that. | |||
lt's what they call, uh... | |||
marine segregation. | |||
Dr Bouchard. Telephone. | |||
Ah, excuse me, gentlemen. | |||
Be comfortable now. | |||
Here you go, sir. | |||
Bouchard here. | |||
What about the pumps? | |||
Ah, nah, nah, nah. | |||
Don't wait for Brody. | |||
Just, uh...shut down number two pump | |||
and switch over to number one. | |||
Simple as that. | |||
Because it costs too much to replace | |||
and they burn out! | |||
Tell Brody to get down here | |||
to the Neptune Room on the double! | |||
- Thank you. | |||
- (Man ) You're welcome. | |||
Well, gentlemen. | |||
Chin-chin. | |||
- Oh, cheers. | |||
- Cheers. | |||
(Kay ) There they are. | |||
- Calvin, l've got bad news. | |||
- Keep your voices down, sit down. | |||
Sit down! | |||
Was it the shark? | |||
lt was a shark. | |||
lt was a shark... | |||
with a bite radius | |||
about a yard across. | |||
Don't be silly. That would indicate | |||
a shark of some 35 feet in length. | |||
You said it exactly. | |||
- Our shark still has all its teeth. | |||
- Yeah. | |||
That means it was a baby. | |||
Our shark couldn't | |||
have killed Overman. | |||
lts mother did. | |||
You talkin' about | |||
some damn shark's mother? | |||
Don't you hear what she's sayin'? | |||
l'm listening! | |||
Well, she gave birth way out to sea, | |||
and the baby swam | |||
through the sea gate | |||
that you left open, Brody! | |||
No! Overman was killed | |||
inside the park. | |||
The baby was caught | |||
inside the park. | |||
lts mother is inside the park. | |||
(Echoing) She's right there! | |||
(Screaming) | |||
(Woman ) How did that thing | |||
get in there? | |||
- The animals are in the lagoon! | |||
- Ski show! | |||
Control, this is Bouchard. | |||
Listen carefully! | |||
Clear the tunnel, let the people out, | |||
close the gate and seal the park! | |||
Seal the park! | |||
l'll be down in a minute. | |||
(Man ) Hey! Hey! Watch it! | |||
(Woman ) Who is that guy? | |||
(Man ) Watch out! | |||
Hey, bring it over here! Hey! | |||
All right. l've had enough fun. | |||
Let's go in now. | |||
Come on. You're enjoying this. | |||
No. Look, don't you | |||
have to be at work or something? | |||
l don't have to be back | |||
till the second half. | |||
- Oh. | |||
- Come on. | |||
Gotcha, lovers. | |||
- Shit! | |||
- God. | |||
- Get out! Get out! | |||
- Hey, what the...?! | |||
Hey, what are ya doin'?! | |||
Brody! | |||
Get out of the water. Get out! | |||
Get out of the water, please. | |||
Please, come in from the water. | |||
Out of the water! Come on! | |||
Get out of the water! | |||
Out of the water! | |||
Get out! | |||
Get outta the way! | |||
Shit! | |||
(Man ) This is Sea World Control. | |||
Uh-huh. | |||
Yes. l got him right here. | |||
(PA) 'All right, boys. | |||
Come take a bow. | |||
'l apologise to have you... | |||
No! Get up here!' | |||
Get outta the water! | |||
Get outta the water! | |||
(Announcer) Boys. Boys! | |||
Bring the boat in! | |||
Get outta the water! | |||
You're gonna get both of us | |||
fired out here! | |||
Get out! Everybody out! | |||
Gimme the mike! | |||
Hey, Brody! Come back here! | |||
Get outta the water! | |||
Bring it in. | |||
Bring the boat in! | |||
Get outta the water now! | |||
Ready, up! One. Two. | |||
Bring that boat in! | |||
Get outta the water right now! | |||
Hey, get me down! Just get me down! | |||
- Get me down! | |||
- What are you saying? | |||
There's something back there! | |||
A shark! | |||
Bring your boat in! | |||
There's a shark! | |||
(Audience screaming) | |||
(Screaming continues ) | |||
(Brody on PA) Get outta the water! | |||
(Girls) One, two, three, | |||
four, five, six, seven. | |||
- Get out! | |||
- Up. Turn. | |||
Oh, my God! Shark! | |||
(Brody ) Get outta the water! | |||
(Man in boat) | |||
We're coming! We're coming! | |||
lt's gonna eat us! | |||
They'll die! | |||
- Gimme your hand. Come on! | |||
- Pull me out! | |||
Hang on! | |||
(Sean ) Needs a choke or something. | |||
Pull it. | |||
(Both gasp ) | |||
(Sean ) Hold my hand. | |||
(Sean ) Kelly! | |||
Shark! | |||
Kelly! | |||
Kelly! | |||
- What the hell is that? | |||
- Shit! Hang on! | |||
(Girl) What happened? | |||
(Girl) She's drowning! | |||
She's drowning! | |||
Swim! Swim, kid, swim! | |||
(People gasping) | |||
(Philip ) Call an ambulance. | |||
Quickly. Come on. | |||
Get out of the way! | |||
Get a paramedic! | |||
Look out, Mommy! | |||
- Did you call an ambulance? | |||
- Yeah, the paramedics. | |||
(Mike ) Twist that tourniquet tight | |||
and hold it there. | |||
(Sean ) l'm here. You're OK. | |||
(Man ) They're bringin' in the | |||
wounded. The ambulance is on the way. | |||
Shall l leave the gate open? | |||
Cindy and Sandy are out there. | |||
Shit. | |||
No. They'll have to | |||
take care of themselves. | |||
We can't take our chance | |||
on that big bitch gettin' in. | |||
- Hey, you all right? | |||
- Yeah. Yeah. Fine. | |||
Uh, l'm gonna go with Kelly. | |||
l think you should. | |||
- What are you gonna do? | |||
- l don't know. | |||
Hello out there. | |||
This is Calvin Bouchard. | |||
May l please | |||
have your kind attention. | |||
Due to technical difficulties, | |||
it has become necessary for us | |||
to temporarily close | |||
the Undersea Kingdom now. | |||
For those of you all still in | |||
the underwater portion of this park, | |||
please follow your guides, | |||
and they will point out | |||
the most convenient | |||
and accessible exits. | |||
Where the hell is the nearest | |||
accessible exit? We're underwater! | |||
- ls this off? | |||
- Uh-huh. | |||
- Gimme some lights down there! | |||
- OK. | |||
Can't see shit down there! | |||
Get me some medical attention, quick! | |||
OK, ladies and gentlemen, | |||
please follow me | |||
in an orderly fashion, and remember - | |||
walk, do not run. | |||
Daddy, Daddy! Look at the fish! | |||
- Look! | |||
- Holy shit! | |||
(Panicked screams ) | |||
(Screaming) | |||
(Technician ) Tunnel six failure. | |||
lt's Jonah and the Whale. | |||
Tube integrity has been compromised. | |||
We've got leakage and pressure loss. | |||
We have to seal the section | |||
or we'll lose the whole complex. | |||
- Watertight doors. Hit it. | |||
- On automatic. | |||
They're all on go status. | |||
Activated. Now! | |||
(People screaming) | |||
l need my wallet! | |||
(Screaming continues ) | |||
Quiet! Quiet! Please! | |||
l need your attention, please. Quiet! | |||
Now the water is not going | |||
any higher, so calm down, OK? | |||
lt's stopped. | |||
lt's stopped, so calm down. | |||
(Guide ) 'The oxygen that we have | |||
in here is all we have, | |||
'so let's not panic, but let's try | |||
to take shallow breaths, OK?' | |||
- Hey, Mike. | |||
- Yeah! | |||
This is our last cut. l think | |||
our tunnel patch is ready to go. | |||
Good. Rig the winch | |||
on that work boat up there. | |||
You got it. | |||
- How much longer, sweetie? | |||
- l don't know. | |||
No? | |||
We're gonna have to nudge these | |||
tunnel sections together. | |||
Then we'll patch it | |||
and weld the whole thing. | |||
Then we evacuate? | |||
No, then we put pressure back | |||
into the tunnels, | |||
then the watertight doors | |||
will open up, then people go home. | |||
Hey, watch how you're | |||
cuttin' that. lt's critical! | |||
Relax. | |||
You're doin' everything you can. | |||
Come on. Come over here. | |||
Listen. | |||
l've been thinking. | |||
Maybe Venezuela | |||
can use some trained whales. | |||
- What? Are you serious? | |||
- Yeah. | |||
l think this one's on me. | |||
- But next year... | |||
- l'll follow you anywhere. | |||
- Yeah! | |||
- l love you! | |||
(Chattering) | |||
Ah, Mr Glass. | |||
ls Mr Bouchard going to be here? | |||
Please, please. | |||
l have a statement to make. | |||
- Was there an explosion? | |||
- How many people are missing? | |||
Late today, | |||
due to a minor disturbance, | |||
there was a pressure failure | |||
in one of the tunnels - | |||
a major attraction at the park. | |||
We estimate that 30 to 40 people | |||
were in the process | |||
of being evacuated | |||
when the watertight safety doors | |||
temporarily delayed their exit. | |||
We're working right now | |||
to release them | |||
under the safest | |||
possible circumstances. | |||
Seven visitors were also injured | |||
in our beach area. | |||
- That's all. Give me a break. | |||
- What about a shark? | |||
- l'll let you know as l know more. | |||
- A very large shark... | |||
That's all. There is no more. | |||
(Woman ) When will this be fixed? | |||
(Guide ) | |||
l'm sure they're working on it. | |||
Stay together to keep warm. | |||
l know you're cold. | |||
Stay together, take shallow breaths | |||
and concentrate on your breathing. | |||
Well, any sign of mother? | |||
OK, then. | |||
Where did the animal | |||
hide the first time? | |||
Uh... | |||
filtration pipe. | |||
Opposite side of the lagoon. | |||
Brody, is there an access hatch, | |||
a backwash gate? | |||
Heavy grillwork. Keeps the pumps | |||
clear when we back-flush that system. | |||
Why? What do you want to do? | |||
Get that thing back in? | |||
He's a bright lad. | |||
Yes. Jack and l are going to lure him | |||
back into the pipe, | |||
close the gates and then dispose | |||
of him at our leisure. | |||
Meanwhile, you can weld your patch | |||
and then evacuate the civilians. | |||
What if she doesn't want | |||
to go back in? | |||
l think we can pretty much | |||
guarantee she'll want to go back in. | |||
- Right, Jack? | |||
- Sure. | |||
Just how are you | |||
going to guarantee that? | |||
Live bait. | |||
(Man ) We're ready to move | |||
out over the tunnel now. | |||
(Mike ) Let's go. | |||
l-l'll be in the Control Room. | |||
l'll go with you. | |||
(Man ) Give me that. | |||
l'll store it over here. | |||
(Man ) No, l got it. | |||
(Technician ) | |||
Yeah, we're on top of it. | |||
OK. Thanks. | |||
Now, where's that damn fish? | |||
There. l've got him. | |||
(Technician ) | |||
Sorry, it's the dolphins. | |||
Babies, stay out of it, please. | |||
..and l've rigged a lifeline. | |||
Just let the pumps push you out and | |||
use the rope to pull yourself back. | |||
Right. | |||
And why don't l do all the filming? | |||
l want both cameras. | |||
We need the coverage. Come on, Jack! | |||
This isn't a picnic. | |||
This film is a bloody | |||
retirement annuity. | |||
l'd feel better | |||
if you did just the one thing. | |||
(Laughs ) What's the matter? | |||
Getting cold feet? | |||
OK, Bob. Hold it about right there. | |||
- We're right over the tunnel. | |||
- OK, we're all set. | |||
(Mike ) | |||
'Tell FitzRoyce we're in position.' | |||
FitzRoyce, you can go now. | |||
(Technician ) They're testing | |||
the lifeline to see if it's secure. | |||
(Calvin ) 'They're spreadin' some | |||
chum. You know, fish oil and blood. | |||
'Then Jack's gonna make | |||
some metallic sounds | |||
'to attract her right down | |||
into that filtration pipe.' | |||
Start the pumps. | |||
You got it. | |||
(Metal clanging) | |||
(Clanging) | |||
(Technician ) lt's in! | |||
(Calvin ) He's got it! | |||
All right. lt's locked. | |||
lt's safe, Brody. Go for it. | |||
OK, let's go. | |||
(Muffled scream ) | |||
(Technician ) 'This is Control. | |||
ls that patch in place?' | |||
Easy. | |||
Let me help you with that, | |||
Dr Morgan. | |||
Got it! | |||
Now weld the son-of-a-bitch... | |||
(Calvin ) Kathryn, what are you doin'? | |||
l'm going down there. | |||
You crazy? | |||
He needs eyes | |||
in the back of his head. | |||
- Thanks, Fred. | |||
- All right. | |||
Watch the tanks. | |||
OK. | |||
- Here are your fins. | |||
- Thanks. | |||
Be careful down there now. | |||
(Hinges creaking) | |||
(Sighs ) You all right? | |||
Where's Mr FitzRoyce? | |||
l have no idea. | |||
(Man ) What's goin' on? | |||
Guv'nor! | |||
Guv'nor! | |||
Guv'nor! | |||
There's no other way out? | |||
You don't understand. This is it! | |||
Have you looked? | |||
He didn't come up. | |||
Guv'nor, you bloody bastard. | |||
Answer me! | |||
We'll suffocate the bitch. | |||
Shut down the pumps. | |||
Are you sure? | |||
- Why don't we blow it up? | |||
- Listen, nephew. | |||
A $2.5 million turbine's not going up | |||
in smoke cos of a damn fish! | |||
Now shut the pumps down! | |||
(Mechanical whirring) | |||
What's happened? | |||
(Man ) They've shut the pumps off. | |||
(Sighs ) That's all she needs. | |||
The gates can't hold much longer. | |||
(Sobbing) Philip, pull the pin! | |||
Pull the pin, Philip. | |||
(Metallic clanking on monitor) | |||
(Clanking) | |||
(Clanking continues ) | |||
(Woman ) Look at that! | |||
(Woman ) Jesus! | |||
(Fred) Oh, my God! | |||
We gotta warn 'em. | |||
We gotta tell 'em! | |||
Get 'em up! lt's coming back. | |||
Get 'em up quick! | |||
- Come on! Hurry up! | |||
- Come on! | |||
Get 'em up! | |||
- Come on, Mike. | |||
- Get out of there! | |||
- Come on, Mike! | |||
- (Calvin ) 'Get 'em up!' | |||
(Muffled) Come on! | |||
(Squeaking) | |||
(Squeaking) | |||
(Muffled) Pull the door! | |||
How the hell did it get loose? | |||
Open the hatch! | |||
(Fred) Come on up, Mike. l gotcha. | |||
Are you all right? | |||
Do we have pressure | |||
in those tunnels yet? | |||
- Affirmative. | |||
- Then get those people out. | |||
Feel the air! | |||
Can you feel the air? | |||
The water's going down. | |||
The water's going down! | |||
Try to be calm. | |||
Don't rush to the door. | |||
(Man ) We're saved! | |||
(All talking and cheering) | |||
(Muffled yelling, crunching) | |||
Oh! We did it! | |||
The others, Mike. | |||
What about the others? | |||
Calvin made it. Lisa. | |||
Mike. Mike! The dolphins! | |||
(Kay ) Cindy! | |||
(Mike ) Cindy! | |||
(Kay ) Sandy! | |||
- Come on! Cindy! | |||
- Cindy! | |||
Oh, good girl. Sandy! | |||
(Squeaks ) | |||
Sandy, come on, baby. | |||
Sandy, where are you? | |||
(Mike ) Sandy! | |||
l hope she made it. | |||
- Cindy, stay. | |||
- Sandy. | |||
(Squeaks ) | |||
Sandy! | |||
All right! | |||
All right! | |||
Baby Shark was here | |||
==Plot== | ==Plot== |
Revision as of 21:20, 13 February 2019
Springfield! Springfield! Movie & TV Scripts Screencaps & Framegrabs The Simpsons Other
Movie Scripts > Jaws 3-D (1983)
Jaws 3-D (1983) Movie Script
(Crunch)
(Highest girl) Come on, slow poke!
Don't lean forward!
Don't lean forward!
(Laughing)
(Man ) Come on, Overman.
Give us a break, will you?
Look at the clown
in the jockey shorts!
Kelly, come on. Pay attention.
Hey, girls!
Do it like this! Ooh!
(Man ) Damn it, Kelly! Do the job!
Next time we're goin'
right into the lagoon.
The lagoon is my favourite! (Laughs )
Damn boat.
l flooded the... Damn boat!
(Girl) Come on, Richie.
l got a date tonight!
(Skier) Through the gate!
(Richie ) Come on, baby.
OK, guys, here we go.
Oh! That's right. Good.
(Woman ) You've been chosen
for your neatness,
courtesy toward others
and your Southern grace.
We enforce our dress code here,
so keep your hair and nails trimmed.
And, please,
don't alter your costumes.
Once you've got your Sea World
guide apparel,
the shorts are short enough.
(Girl giggles )
Show any cheek and you'll be back
shovellin' french fries.
(Girls giggling)
Now, let's continue with our welcome
speech again. All together now.
(All) Welcome to Sea World,
the world's largest marine life park.
Above and below the surface
of our unique Undersea Kingdom...
(Man ) The park opens on Saturday.
All this week has been,
and continues to be, preview week,
during which family and friends
attend Sea World as our guests.
This is the Undersea Kingdom,
four years under construction,
at a cost of more than $34 million.
Four pressurised viewing tunnels
radiate out into the lagoon.
There's the Sunken Spanish Galleon,
Jonah's Marine Fun House,
the Deepwater Coral Forest,
all connected to Central Control.
And a deluxe restaurant and lounge,
all 40 feet below the surface.
The complex is built
in our manmade lagoon,
which connects to the ocean
by a deep channel.
The new additions to Sea World
are the brainchild
of entrepreneur Calvin Bouchard.
(Kelly) Hi, guys!
(Girl) Now you can close the gate.
(Gate motor whirring)
(Thud)
(Man ) Jesus!
Overman, l thought you said
those tracks were secure.
Hey, l welded
the damn thing myself.
(Worker) Something's
hung the gate up.
(2nd worker) Better get Brody.
He'll be pissed.
Whoo!
(Guy ) Here's the lagoon.
Set up for the turn.
(PR man ) l call your attention
to the Sea World skiers,
who are entering the lagoon
in a preview
of the opening day ceremonies.
(Reporters chattering, indistinct)
Here come my pride and joy.
(Female reporter)
Can we talk to Mr Bouchard?
- Beautiful. Just beautiful!
- (Girl skier) Hi!
(Man ) ..this exciting complex.
We WOULD like to avoid
references to his colourful past.
(Woman ) Did the Undersea Kingdom
really cost $30 million?
Aren't those kids great?
Mr Bouchard, is there anything
special goin' on openin' day?
Well, this afternoon, at the main
gate, we'll be pleased to announce...
the welcomin' of Mr Philip FitzRoyce.
Oh, really? ls that true?
No lie, he gonna be here.
Now, we got drinks at the bar.
They free. Come on, follow me.
(Reporters laugh)
- What's it look like?
- lt's off the track.
- How'd that happen?
- l can't tell, but she is jammed.
Just wouldn't close, Mike.
(Overman ) Now what do we do?
Somethin' knocked the
son-of-a-bitch right off the track.
Just secure the damn gate, all right?
- Think you can handle that?
- On overtime, maybe.
You got enough overtime.
- Your party.
- You buy the beer, Brody.
Well, look, you're in charge.
See you guys later.
l got more important things to do.
- No overtime.
- OK. See you, Mike.
(Shouting) No overtime!
(All shouting, laughing) No overtime!
(Dolphins clicking)
(Clicking loudly)
(Clicking continues )
(Dolphins clicking, cage rattling)
Hi, Mike.
- Oh. Ah. Hey, Dan.
- Hey.
Havin' gate problems?
The dolphins tried
to open them again.
- Where's the boss?
- Up with Shamu.
Thanks.
(Woman ) Come on, Cindy.
Come on, Sandy. Come on.
- Hey, Liz.
- Hey. Come on.
lt's the boss hard hat.
Where's your boots?
l only wear 'em to bed
and in the shower.
- Where's Kay?
- She's down that way.
Yee-hah! Ride 'em, cowgirl.
- Hi, Mike!
- Hey!
- l'll be with you in a minute.
- All right.
Use your spurs.
Hey, Liz!
Good boy. That was nice!
- Hey.
- Hey!
Liz, he did that great. l don't wanna
do it again. Do me a favour.
Put Cindy and Sandy
in the lagoon for a run.
OK.
- How you doin'?
- Great.
Hey, you. Come here.
(Shamu squeaks )
Come here, kiddo.
That's the feeding place.
- ls this whale house-broken yet?
- Nope.
- Then he can't come to dinner.
- You takin' me to dinner?
Soon as we pick up my brother.
When's Sean coming?
We're gonna meet him
at the main gate.
(Dan ) Kathy.
Cindy and Sandy don't wanna go.
Am l gonna lose you
to a couple of neurotic fish?
- Mammals.
- Mammals. Mammals.
(Dan ) Something's bugging 'em.
lt's play time. They'll be
beggin' us tomorrow. Put 'em up.
You got it.
- l'm begging you tonight.
- You don't have to beg.
Take me to dinner!
All right. Let's try sushi.
- Mike!
- l'll change.
Come here. Who's a good boy?
Are you a good boy?
Yes, you're a good boy.
(Shamu gurgles )
And you get a fish.
(Calvin ) Ladies and gentlemen,
here he is now.
Ladies and gentlemen, Mr Philip
FitzRoyce, with a capital R,
is here to film us, meet our resident
day scientific staff.
- Hey, what's this?
- Oh, no.
Philip the Great.
l am able to combine
business with pleasure,
which, they tell me, is the secret
to a long and happy life.
- What, FitzRoyce?
- Mmm.
Sure is.
Any further questions,
in the bar, if you please.
For the first one who buys.
- Look at Calvin. Best of buddies.
- Ah, best of friends.
(Mike ) A regular Barnum and Bailey.
(Kay ) l'm sure they'll
be very happy together.
Perfect.
lnto the Undersea Kingdom they go.
(Chuckle )
Hey, Mikey!
- Hey, hey! Hey!
- Oh!
- How you doin'?
- All right!
- My brother, the cowboy.
- Hey! Hug me, huh?
- Oh, OK.
- Hey.
(Kay shrieks )
You put on weight, you need a shave
and you're too tall.
Well, two out of three l can fix.
(Laughs ) Get that gear
and let's go. Come on.
- So, nice boots.
- Thanks! Aw, gee.
How'd you do on your finals?
Great. A gentleman's "C,"
an incomplete, but l aced Phys Ed.
- (Kay ) A real Einstein.
- Glad you're here.
(Thud)
(Thud)
There you go, Charlene.
- (Man ) Shelby showed up yet?
- (2nd man ) Haven't seen him.
(Woman ) What are they doing?
(Man ) Kelly's really
gettin' this one down.
(Woman ) See that big guy? He gets
knocked on his ass every time.
(Woman laughs )
- All right, Charlene.
- All right!
Here, let me help you out.
Work with me, work with me.
Let's go.
- There we go.
- Wait. One more.
- Hey, Mike.
- All right. Yeah?
ls Shelby workin' overtime?
Not on my say-so.
He was supposed to knock off.
Have you met my kid brother?
lf he's messin' with that bitch
at the souvenir stand,
it's gonna be his ass.
- You tell him.
- Charlene, l'm not his mother.
- You're his boss.
- Yeah, ask Woodbury, OK?
(Man ) Come on, Kelly. You can do it!
- They're playing stand-off.
- Uh-oh.
My brother considers himself the
stand-off champion of New England.
And the western states.
- Go get 'em.
- (Growls)
(Whooping, laughter)
Hey, l wasn't ready!
l tell you, it's a game of balance.
l told you he'd fall on his ass.
(Man ) Hey, who's this guy?
This is for beers. You buyin'?
Ready?
My fly's open. (Chuckles )
(Bystanders gasping)
- No fair!
- (Guy ) Whooo!
Well, it's, uh...
not only a game of balance,
it's a game of deception.
Come on, l'll buy you two
and the one you owe me.
- OK.
- All right.
(Bystander) All right.
(Girl) See you later, Kelly.
Hey, l want you.
Come on, right now! Let's go.
- Kathryn, Mike.
- (Mike ) Hi.
- You know each other?
- l see my brother nailed you.
- Your brother?
- Yeah.
Without that old crotch trick,
he'd never have won.
- That's his best move.
- Runs in the family.
Well, it worked.
- What are we drinkin'?
- Champagne of the working classes.
- Beer. You owe me a couple.
- That's right. Comin' up.
Two beers.
So, you work at the park, huh?
- Mm-hmm. l'm a water skier.
- Oh.
(Laughs ) Your brother's cute.
Yeah. Him and Kathryn have, uh, been
together for a year and a half.
How about you?
Desperately unattached.
Lonely, confused.
Generous and loving to a fault.
lt's all in my eyes.
(Man ) Come on.
(2nd man ) OK.
We'll cop a lot of
good stuff tonight.
- l've got the tanks.
- Shh!
- ls the van OK here?
- Yes, it's OK.
We're off Sea World property.
Nobody uses this road.
Shh!
Yeah.
Yeah.
Climb over the fence,
and take it easy with the raft.
(Clatter)
(Whispering) Damn it!
You asshole.
Now we gotta drag it
all the way down to the water!
- Ready to go?
- OK. Who's payin'?
Ah.
- Watch out. Snakes.
- Oh, come on. Don't bullshit me.
Chicken, huh?
- (Croaks )
- (Man gasps )
All right, steady.
- Steady.
- Got it.
OK. Here we go.
- Come on, paddle!
- l am.
Let's go out to the centre.
l sure hope this is worth it.
- (Laughing)
- (Mike groaning)
- Hey, Kelly, is this your car?
- Sure is.
Hey. Get off of there!
(Moaning, groaning)
- You wanna take a walk?
- Yeah.
Hey, what about baby brother?
- Aww!
- Aww!
Little baby brother.
Kelly, can you give him a ride home,
or shall l call his mommy?
- Nah, if he'll come quietly.
- No way. l scream and shout.
Oh, God, it stinks out here.
Let's get away!
- See ya.
- Hey, let's go swimming.
- N-no, l hate the ocean.
- Aww! Hey, l've got a better idea.
- Like lagoons?
- Lagoons?
- Lagoons.
- (She laughs )
(Engine starts )
Oh. How come Sean
doesn't visit more?
- He hates the water.
- What?
Yeah. Remember that shark attack l
told you about when we were in Amity?
Well, that's why he goes
to school in Colorado.
lf our parents didn't live
on an island, he'd never get wet.
- (She laughs )
- My dad, he's the same way.
God, l love this place.
l hated it when we first came here.
What's the matter?
Did you get a telephone call?.
Venezuela?
Guess l'm gonna have to start
learning Spanish.
- Ooh, baby.
- Yeah. Yeah.
That's wonderful. That's wonderful.
Oh, shit.
Reality.
How long?
Just a short year and a half.
l'd love you to come, you know.
Yeah.
But what about the six months
l've got left here
and the job opening up
at the Scripps lnstitute?
What about that? Huh?
Simple. Just give up your life
and follow me.
(She laughs )
- Oh, l'm happy for you. l am.
- l know you are.
What are we gonna do?
- Aha.
- Mm-hmm.
(Both chuckling)
- Ooh!
- (Laughs )
(Chuckles )
Come on.
- Oh, l don't go in the water.
- You don't swim?
Not even with friends?
Oh, uh, l swim.
l just, uh, l... l...
(Sighs ) lt's something that happened
when l was a kid.
l don't go in the water.
(Laughs awkwardly)
Hmm.
l bet l can overcome
your childhood fears.
l bet you can.
Come on.
My boots!
Kick 'em off, cowboy.
- Kelly!
- Come on in, Sean. lt's fun.
Come on.
- Here?
- Yeah, OK.
Somewhere down there
is the best coral.
A guy in Miami will give us
$200 for the good stuff.
Put it in the basket.
l'll pull it up.
(Kelly laughing in distance )
Come on, hurry, Randy.
l love this park at night.
lt's so deserted.
Yeah. So quiet.
Wait a second.
lsn't that Kelly's car?
Stop, stop, stop. Shh! Wait a second.
Stop.
Shh.
(Giggling)
l don't believe it.
She got him in the water.
Never underestimate the power, huh?
Attention. You, in the water. You are
trespassing on Sea World property.
Come out of the water with your hands
raised high above your head.
l'm OK. My brother works here.
Uh, l'm Kelly Ann Bukowski,
from the ski team.
You turkeys have any lD?
Wait a minute.
- Mike? Kay?
- Brother?
Mr Bullhorn sees all, knows all!
Dead is what you are!
You keep your hands
to yourself, young m...
- (Kelly screeches )
- Here, take this.
(Mike ) Yell for mother!
(Mike, Sean shouting, indistinct)
Finish up down there, damn it!
Come on, Randy.
We gotta get outta here!
- (Muffled thud)
- Now what?
Ow!
(Shouts )
(Kelly) Mike!
(Girls screeching)
(Kelly yelling, indistinct)
(Yelling, screaming)
- (Kay ) You cheater!
- (Screams )
(Sean ) That's what you are! Dead!
Some guys can sleep in
in the morning.
Some of us have to
be at work early. Good morning.
Some of us don't have to baby-sit a
park full of slugs and fishes either.
Yes, we just live
like slugs and fishes.
The dog does not
eat on the counter.
(Groans ) l put your wet clothes
in the dryer, sweetie.
- Thanks.
- Mmm. What are we eating?
Mmm. Thank you.
Hey, is this my beeper
or your beeper?
- l dunno. l'll use this beeper.
- Use that beeper.
Talk to you later.
l'll have my beeper
beep your beeper.
l'll have my beeper
beep your beeper back.
- Bye.
- See you later.
Aye.
Coffee?
Just throw it in my eyes,
it'll work faster.
That's what happens
when you stay up all night
workin' out childhood phobias.
That's right.
Make fun of your baby brother.
l was this close to doing it
in the water last night,
and that's a first.
- This close, huh?
- Shut up!
(Laughs )
Sorry. l didn't know it was therapy.
Just admit it. You messed me up.
l admit it. l messed you up.
ls everything all right
with you and Kathryn?
(Phone )
Hello? Yes, sir.
Calvin, l had my crew
on that yesterday.
Well, l know.
l don't want that to happen either.
(Sighs ) Tomorrow.
OK, OK. Calvin, l'll be right there.
- The boss, right?
- l gotta go to work.
- Yeah, can't do better than that!
- Really.
(Squeaking)
Yeah. Yeah!
Who's a good girl?. That's my baby.
(Dan ) Kay?
(Kay ) How are Cindy and Sandy?
Well, Cindy's OK,
but Sandy's still nervous.
(Kay ) Don't quit, Danny.
He can go higher.
(Kay ) That's it!
OK, girls. There are my girls.
Thank you. Come on. Ready...and go!
That's it.
What is this?
You ready? l said go!
lf those are the best behaviours,
l'd hate to see the worst.
May l help you?
Are you looking for somebody?
No, l don't think you can.
l'm looking for someone in authority.
Well, l'm Dr Morgan,
the senior biologist.
Oh.
Really?
Charming. Philip FitzRoyce.
l know you. l know your work.
We were at that Law of the Sea
Conference together last summer.
Right. Helsinki. Save the Whales.
They made a hero out of me.
You know what l never understood?
Why did you ram that Japanese whaler?
(Chuckles ) Because he got in my way,
ruined my best shot.
Yeah. l was impressed.
Good. Then perhaps we can have
a drink and some dinner tonight?
Oh, l'm sorry, Mr FitzRoyce, but...
that's a behaviour l just don't do.
Nice spins, Danny.
l'll meet you at the holding tank.
Hey, aqua girl!
- Hi, Mike!
- Five.
(Grunts )
He don't sleep in, he don't live in.
Tell Shelby Overman
he can take a flyin' leap
at a rollin' doughnut on a gravel
driveway, you hear?
Hold it.
Didn't he come home last night?
- No.
- He didn't show up here either.
- l figure he's home hung over.
- l don't want him around my place!
He's gone. You take his stuff.
Charlene, what's goin' on, huh?
- Shelby Overman's AWOL again.
- Oh, no. l'm sorry.
- What, is this all his stuff?
- Yeah. Doesn't figure.
He left his passport and his...
and his credit cards.
Driver's licence, pawn tickets.
l don't think he could have been
planning to go too far.
You don't think
something happened to him?
No. No, look.
He is curled up, drunk someplace.
When l find him,
he's in deep trouble.
We'll let you know
as soon as we hear anything.
- Wanna help me out?
- Yeah. Take care, Charlene.
- Help me look in the lagoon?
- You bet.
Hey, l'm mad at that old boy,
but l don't mean him any harm.
You hear me?
l don't mean him any harm!
Down a little more.
Turn it.
Batteries are fully charged, Mike.
- Thank you, Danny.
- Thanks, Danny.
Control room, submersible
is now entering the lagoon.
- Roger.
- l can monitor it from here.
(Technician ) 'Testing, one,
two, three. Can you read me, Kay?'
(Kay ) 'l read you.
Communication's fine.
'For Charlene's sake,
l sure hope he's all right.'
(Mike ) 'There's Cindy...or Sandy?
l don't know how to tell them apart.'
(Kay ) 'Cindy's a lot larger.'
(Mike ) 'Control, this is Venture One.
'We're at 25 feet,
headed for the Spanish Galleon.'
l can see you now. Hi, Mike.
'Overman broke divers' rules
last night, out there.
'Went down to shackle
the sea gate alone.
'lf anything happened, the current
would have washed him up here,
'toward the centre of the lagoon.'
(Kay ) 'What about
the filtration pipes?'
'lt's too strong a current
the other way.
'The flow's all into the lagoon.
'There's a million gallons
of fresh salt water every hour.'
(Kay ) 'Could he be trapped
in the Spanish Galleon?'
(Mike ) 'The superstructure could have
kept him from floating.'
(Kay ) 'Mike! Oh, God.
For a second l thought...'
(Mike ) 'Yeah, yeah. l know it.
We call him Oscar.
'You stay here, Kay. l'll go into
the galleon for a closer look.'
'Uh-uh, l'm goin' with you.'
(Mike ) 'Goddamn dolphins!
What the hell are they doing?'
'l don't know. They've been acting
strange for days. Look at 'em.'
(Kay ) 'Control,
we're leaving the sub.
- 'We'll be out of radio contact.'
- OK, Dr Morgan.
'Grab your ABS bottles, Kay.
Let's go.'
'OK, sweetie.'
(Squeaks excitedly)
(Squeaks )
(Muffled scream )
(Muffled exchange )
(Mike, Kay, muffled) 'Go! Go!'
(Kay ) Mike! Quick! Mike!
- The gate! Get the gate!
- Shark!
- God!
- What's happening?
(Dan ) Close, damn it! Close!
Shit!
- Oh, God! Are you OK?
- What the hell was that?
- Yeah! What is that?
- You OK?
My guv'nor's
the 16th Earl of Haddenfield.
Shake hands with the first Calvin
of Sea World.
- Enchant.
- He know French too, huh?
Excuse me, Mr Bouchard...
Wait a minute.
We're havin' dinner here.
- This better be important.
- lt is, sir.
(Whispers ) Mike and Dr Morgan
were pursued by a shark.
lt is important. Come with me.
(Kay ) Calvin, it was a great white.
Ten feet long, exhibiting
a typical feeding pattern.
On us, Calvin!
The damn thing tried to feed on us.
- Where is it?
- Right here.
- Huh?
- (Whistles )
You know, Cal, this
could be a stroke of luck.
lf we kill this beastie on camera...
l can guarantee you media coverage.
Lure him into a staging area,
and at the precise moment,
slit his belly wide open.
- Can you do that?
- You try and stop 'im, mate.
(Chuckles )
That's how we earn our bread.
Well, Jack is oversimplifying
matters, as is usual.
But...yeah, l can do that.
(Kay ) No!
(Mike ) No?
What do you mean, no?
l don't know
if it's occurred to any of you-all,
but there isn't a great white alive
in captivity anywhere.
Now, we're unique here, Calvin,
you know that.
lf any facility can
maintain a white, it's us.
lf we could dart him, w-we could get
him in a holding tank...
Hold it! This is crazy, this is nuts.
White sharks are killers.
l know 'em.
My father, my brother, myself.
They're murderers. No, Kay.
Calvin, they die magnificently.
(Laughs )
That would really be a spectacular
event. No doubt about that, huh?
What are we doing, Calvin,
planning a network special?.
We could be the first people on the
planet to have a great white alive.
Not if my guv'nor
gets it first, miss.
OK. Say he kills it.
Well, that's it.
lt's one shot, over, gone.
But a live great white...
You think about that, Calvin!
Nightly bulletins on the progress
of the killer shark.
Pictures of us nursing it
back to health
and lowering it into a holding tank.
Now, that's world news!
Think of the lines at the gate.
Then you miss the sport of the kill.
Now, wait up, Jack. Wait up.
(Philip ) Killing is guaranteed press.
But this other is much,
much more interesting.
OK, this is MS-2-22.
This is quinaldine, but l had to
guesstimate the dosage.
- Kathy?
- Right. Thanks, Danny.
All right, we're ready in Control.
You all set?
'We're ready down here.'
(Kay clears throat)
With those TV monitors rolling,
you're gonna have more coverage
than a space launch.
Good. Just the way l like it.
The colour of your wet suit's
one hell of a choice.
- The shark's gonna love you.
- Exactly.
- lt helps me get the close-ups.
- You're the showman.
Honey, is this suit
gonna protect you?
Have you felt...?
lt won't bite through,
but it will yield to pressure.
So she might just get
a little...squeeze.
Oh, that's great news.
Look, why do you have to do this?
Why don't you let Her Majesty's
number one son take care of it?
Because it's my job, remember?
Yeah, but l just don't
want it to be you.
You build the stuff, l swim around
in it. That was the deal. Right?
Hmm?
l love you, too.
lf we get into any trouble,
all we have to do is pull the pin.
- What are those?
- (Jack) Mills bombs.
- What?
- Mills bombs, sonny.
Grenades. A chap in Her Majesty's
ordinance makes them up for me.
(Philip ) 'Baby claymores.
Good dispersion.
'Some concussion
but they do the trick.'
Well, not in my water. Take 'em off.
You tend to your knitting,
my dear, and l tend to mine.
(Mike ) Hold on a second there.
There's no explosives underwater.
There's acrylic down there,
a very fragile environment. No bombs.
(Philip ) 'Brody, this is insur...'
(Mike ) 'No, l don't think
you understood me!
'l built this park, and l'm not gonna
see some visiting fireman blow it up
'because he wants to kill a fish!'
Calvin, are you listening
to all this?
No grenades.
For Christ's sake, guv'nor.
Remember Australia?
Oh, don't worry, Jack.
After all, it's only a little fish.
Son of a...
The pin has to be pulled.
Right. Get rid of this stuff.
Everybody aboard here? Let's go.
Shove off.
(Kay ) 'l need one clean belly shot.
'lf l miss, l'm gonna have to reload
and hope l get him with the second.'
(Philip )
This is a good place to start.
(Engines stop )
(Mike ) Hit the lights.
Shall we dance?
Why not? l'm beginning to feel like
King Richard going to the Crusades.
(Philip ) Ready, Jack? Get the gear.
(Jack) Brown bread, guv'nor.
You all right?
Good luck.
You only get one shot.
(Mike ) Yeah, l know. l know.
(Mike exhales )
What about Kathryn?
lt'll stick in the shark.
Hit her, and it'll go right through.
Just buoy him up,
slow him down, right?
Dorsal fin, middle of the back.
Seen anything yet?
We'll get him on the monitors.
(Kay grunting)
(Kay screams )
Quick! Mike, He's making a run!
Quick, shoot him!
(Philip ) He's getting away!
Damn it!
(Mike ) Get outta the way, Kay!
(Kay ) Now!
Come on.
Right. There you go.
You did it, baby.
Here's the ladder. Hold on.
Come on. Give me your fins.
- Give me your fins.
- Let's go!
(Dan ) Up you go.
You all right?
(Gasps )
- Close one.
- (Mike ) Get this stuff off her.
- (Liz ) That was great!
- What am l, a bloody porter?
- How about a hand with this?
- First things first.
- Mustn't ignore the ladies.
- Don't ignore the help.
(Mike ) Looked hairy down there.
(Liz ) You OK? l was worried.
You sure know how
to scare the hell outta me.
Be sure he's wrapped, OK? Keep him
wet. Let's get him in a tank.
(Calvin ) 'Film all right?
TV picture looked cloudy.'
Calvin. Kathryn's fine,
Philip is fine, Jack is fine.
'Dan and Liz are fine.
l am OK too.'
But...is the film OK?
lt's absolutely first-rate, Cal.
You'll be very happy.
ls everyone OK? lt did look
pretty dangerous down there.
lt looked pretty dangerous
from down here too, Calvin.
(Kay ) We may have to work him
all night, keep him moving.
Down, Danny. Down, down. That's it.
Be sure the oxygen keeps
running through his gills.
We don't wanna lose him.
(Door opens )
Close the door!
Whoever you are, this is off limits.
Liz, uh, get the hose running.
l wanna try aerating him, OK?
(Door closes )
Even to me, the fearless harpoonist?
Nah, you're OK.
Come on in, sailor.
Are you new in town?
Yeah. Came by to get me
a woman and a tattoo.
- Wanna see the tattoo?
- (Chuckles )
Well, l'd rather see the woman,
get a look at the competition.
There isn't any other woman,
there isn't any tattoo either.
l'm lonely.
- l'm sorry, darlin'.
- Damn mammal.
This one's a fish.
A simple, beautiful fish.
OK.
Mike! Mike! What are you doing?
Are you crazy?
- Liz, take a hike.
- OK.
lf this is the only way
we can be together,
this is the only way
we can...be together.
Welcome aboard, sailor.
Get that hose and hold onto it.
- Yeah. OK.
- Open the mouth.
Say "hi" to your new friend.
This is the first time
you've ever done my work with me.
Yeah, well, it's a real thrill.
Maybe tomorrow you can work with me
and help me pour foundations.
(Laughs, screams )
Get away! Get clear! Get clear!
Didn't he give you any signs?
No! One minute he was dead out,
the next he was wide awake!
(Kay ) No food. No medication.
lt's the only live one in captivity,
guys. Let's keep him that way.
Huh? Don't do anything
that's gonna traumatise him.
(Applause )
(Woman on PA) 'Welcome to the opening
of the Undersea Kingdom.
'The magical mysteries of Jonah
and the Whale, the Coral Forest
'and the Sunken Spanish Galleon.'
Gotcha, guv'nor.
(Calvin ) lt's a whale with a brain
larger than most folks,
able to earn beaucoup bucks.
Kay and l went down in the sub,
and we searched over all this area
before the sharks hit us.
What if Overman went down
on the other side?
The tide might have pulled him out,
but his body should have shown up.
Brody, did you check
the filtration pipe?
No, the current's
too strong goin' the other way.
We got a million gallons of sea water
flowing into the lagoon every hour.
The man's irresponsible.
When he turns up, fire him.
Hold it, Calvin. He's a good man.
He just messes up once in awhile.
l'm gonna hold you responsible.
(Man on PA) 'She gets to ski
by herself, because she's the best.'
- How's it doin'?
- l just got our first printout.
Our advance sales are three times
ahead of our other parks.
Not unexpected.
Where's the great white?
- ln the tank room.
- Put him in pool six.
Tell people to put that information
on welcomes, rest stops and wrap-ups.
l thought we were to wait
on Dr Morgan's word.
Look. l run the park, l sell
the tickets and l make the decisions.
Move the fish!
l wanna be able to stand in line
to see it before three.
..three and down, and up, and turn.
(Whooping)
(PA) 'The Sea World water ski team
'in a dazzling display
of coordination and brilliance.
'The Silver Bullets!'
- All right!
- Lookin' good!
There they go!
Yeah! The helicopters!
Hi, Sean. You were real hot.
l want some time for us alone.
You got a few minutes?
- You bet.
- Great, Kelly.
Listen. Ready for some fun?
Fantastic!
Let's ride the bumper boats.
Bumper boats?
This is the entrance
to the Undersea Kingdom,
a complex of underwater tunnels
that show you first-hand
the miracles of the deep.
There's no extra charge
for this unique attraction.
Our underwater tunnels are
not only fun, but informative.
Oh, look at that.
(PA) 'Consumed alive in history,
Jonah found out what it was like
'to live in the belly
of the ocean's greatest animal.
'Our special Jonah and the Whale
showcase is at 11:00, 1:00 and 4:00
'in the amphitheatre
inside the Undersea Kingdom.'
(Hissing)
(Mechanical voice ) Ha-ha-ha-ha.
This is Captain Sink.
Welcome to my cave
of fun and surprises.
(Girls) Oh, yuck!
(Mike laughs )
l sure am gonna miss these guys.
How 'bout it, Casper?
You wanna take the money
and run to Venezuela with old Mikey?
- ?Quieres un pescado?
- You speak Spanish?
(Laughs )
(Sighs ) l think they're gonna
miss you, too.
Now you and l are gonna have to have
a serious conversation sometime...
about what's really goin' on.
You and me.
l know. l know.
(PA) 'Mike Brody. Mike Brody.
Call your office, please.'
See ya later.
(PA) 'Sea World,
in honour of opening day...'
Oh, Casper.
What's a girl to do, huh?
Thank you.
'..a great white shark
in holding pool number six.
'You will be able to view the one
and only great white in captivity.'
(PA) 'The great white shark's roamed
the ocean for millions of years.
'A proud animal...'
Excuse me. Oh, God!
'..while alone, is a predator...'
Excuse me! What is he doing here?
Calvin ordered him moved.
Why didn't he ask me?
Why did he go ahead on his own?
(PA) 'This shark,
a first of its kind to be held...'
No, Danny! Danny!
Liz, get a hose ready,
l wanna aerate him now!
Come on, Danny. Get the back.
(PA) 'Please, uh, remain calm.
'That's Dr Morgan
and assistant members of our staff.
'Uh, please don't interfere
in any way.'
Excuse me.
(Kay ) Liz! Liz!
Come on, boy.
That's it. come on.
Turn it, Danny.
- Shit!
- Come on. Come on!
No. Boy, come on!
Excuse me.
(PA) 'Let me bring your attention
to some other events...'
(Philip ) Kathryn.
'..the seal and otter show
and of course...'
Kathryn.
Bad luck.
(Sighs )
Go ahead.
Photograph it.
- Look out!
- Kelly. Kelly.
l don't know. l-l don't... No. No.
Come on, you'll love it.
lt's fun. Trust me. Come on!
What is this thing?
l-l... Are you sure?
Are you sure
we should be doing this?
Oh! Oh, God.
Can this hold two people?
Oh. Push. Push.
Oh, my God.
Are you steering this, or am l?
(People laughing, chattering)
Go! Go! Get away! Get away!
(PA) 'We invite you to enter
the magical world of the Coral Forest
'where you may observe the wonders
of the deep without ever getting wet.
'The Spanish Galleon plays host
to many colourful fish
'that we have assembled from
the different oceans of the world.'
- Look at all of them!
- Oh, yeah!
(Girl) That looks like a butterfly.
(2nd Girl) You're right.
(Man ) Oh, my God! Look at that!
Kay, you don't want to see this.
Everybody is assuming
this was a shark attack.
- Now, l wanna make sure.
- OK. All right.
Did you guys pull him out?
(Mike gasps )
That's Shelby Overman.
- Kay, l told...
- Miss...
Mike. Ray.
lf this was a shark attack,
l've seen it before.
OK?
Oh, Mike.
Oh, my God!
Let's go find Calvin.
Come on! Come on!
(Man ) l'm getting contradictory
readings from the filtration pumps.
(Leonard) Such as?
- High pump rate, low outflow
and a pressure build-up
on the inboard tunnel valve.
- That's number two.
- Could be an obstruction.
Well, that's not my department.
See if you can locate Brody
or Calvin, will you?
(Calvin ) Very posh.
Yes, it's quite a display.
Tell me. How do you contain the
sharks in this part of the lagoon?
lt's that old shark screen,
that bubble screen.
You know, sharks don't like that.
lt's what they call, uh...
marine segregation.
Dr Bouchard. Telephone.
Ah, excuse me, gentlemen.
Be comfortable now.
Here you go, sir.
Bouchard here.
What about the pumps?
Ah, nah, nah, nah.
Don't wait for Brody.
Just, uh...shut down number two pump
and switch over to number one.
Simple as that.
Because it costs too much to replace
and they burn out!
Tell Brody to get down here
to the Neptune Room on the double!
- Thank you.
- (Man ) You're welcome.
Well, gentlemen.
Chin-chin.
- Oh, cheers.
- Cheers.
(Kay ) There they are.
- Calvin, l've got bad news.
- Keep your voices down, sit down.
Sit down!
Was it the shark?
lt was a shark.
lt was a shark...
with a bite radius
about a yard across.
Don't be silly. That would indicate
a shark of some 35 feet in length.
You said it exactly.
- Our shark still has all its teeth.
- Yeah.
That means it was a baby.
Our shark couldn't
have killed Overman.
lts mother did.
You talkin' about
some damn shark's mother?
Don't you hear what she's sayin'?
l'm listening!
Well, she gave birth way out to sea,
and the baby swam
through the sea gate
that you left open, Brody!
No! Overman was killed
inside the park.
The baby was caught
inside the park.
lts mother is inside the park.
(Echoing) She's right there!
(Screaming)
(Woman ) How did that thing
get in there?
- The animals are in the lagoon!
- Ski show!
Control, this is Bouchard.
Listen carefully!
Clear the tunnel, let the people out,
close the gate and seal the park!
Seal the park!
l'll be down in a minute.
(Man ) Hey! Hey! Watch it!
(Woman ) Who is that guy?
(Man ) Watch out!
Hey, bring it over here! Hey!
All right. l've had enough fun.
Let's go in now.
Come on. You're enjoying this.
No. Look, don't you
have to be at work or something?
l don't have to be back
till the second half.
- Oh.
- Come on.
Gotcha, lovers.
- Shit!
- God.
- Get out! Get out!
- Hey, what the...?!
Hey, what are ya doin'?!
Brody!
Get out of the water. Get out!
Get out of the water, please.
Please, come in from the water.
Out of the water! Come on!
Get out of the water!
Out of the water!
Get out!
Get outta the way!
Shit!
(Man ) This is Sea World Control.
Uh-huh.
Yes. l got him right here.
(PA) 'All right, boys.
Come take a bow.
'l apologise to have you...
No! Get up here!'
Get outta the water!
Get outta the water!
(Announcer) Boys. Boys!
Bring the boat in!
Get outta the water!
You're gonna get both of us
fired out here!
Get out! Everybody out!
Gimme the mike!
Hey, Brody! Come back here!
Get outta the water!
Bring it in.
Bring the boat in!
Get outta the water now!
Ready, up! One. Two.
Bring that boat in!
Get outta the water right now!
Hey, get me down! Just get me down!
- Get me down!
- What are you saying?
There's something back there!
A shark!
Bring your boat in!
There's a shark!
(Audience screaming)
(Screaming continues )
(Brody on PA) Get outta the water!
(Girls) One, two, three,
four, five, six, seven.
- Get out!
- Up. Turn.
Oh, my God! Shark!
(Brody ) Get outta the water!
(Man in boat)
We're coming! We're coming!
lt's gonna eat us!
They'll die!
- Gimme your hand. Come on!
- Pull me out!
Hang on!
(Sean ) Needs a choke or something.
Pull it.
(Both gasp )
(Sean ) Hold my hand.
(Sean ) Kelly!
Shark!
Kelly!
Kelly!
- What the hell is that?
- Shit! Hang on!
(Girl) What happened?
(Girl) She's drowning!
She's drowning!
Swim! Swim, kid, swim!
(People gasping)
(Philip ) Call an ambulance.
Quickly. Come on.
Get out of the way!
Get a paramedic!
Look out, Mommy!
- Did you call an ambulance?
- Yeah, the paramedics.
(Mike ) Twist that tourniquet tight
and hold it there.
(Sean ) l'm here. You're OK.
(Man ) They're bringin' in the
wounded. The ambulance is on the way.
Shall l leave the gate open?
Cindy and Sandy are out there.
Shit.
No. They'll have to
take care of themselves.
We can't take our chance
on that big bitch gettin' in.
- Hey, you all right?
- Yeah. Yeah. Fine.
Uh, l'm gonna go with Kelly.
l think you should.
- What are you gonna do?
- l don't know.
Hello out there.
This is Calvin Bouchard.
May l please
have your kind attention.
Due to technical difficulties,
it has become necessary for us
to temporarily close
the Undersea Kingdom now.
For those of you all still in
the underwater portion of this park,
please follow your guides,
and they will point out
the most convenient
and accessible exits.
Where the hell is the nearest
accessible exit? We're underwater!
- ls this off?
- Uh-huh.
- Gimme some lights down there!
- OK.
Can't see shit down there!
Get me some medical attention, quick!
OK, ladies and gentlemen,
please follow me
in an orderly fashion, and remember -
walk, do not run.
Daddy, Daddy! Look at the fish!
- Look!
- Holy shit!
(Panicked screams )
(Screaming)
(Technician ) Tunnel six failure.
lt's Jonah and the Whale.
Tube integrity has been compromised.
We've got leakage and pressure loss.
We have to seal the section
or we'll lose the whole complex.
- Watertight doors. Hit it.
- On automatic.
They're all on go status.
Activated. Now!
(People screaming)
l need my wallet!
(Screaming continues )
Quiet! Quiet! Please!
l need your attention, please. Quiet!
Now the water is not going
any higher, so calm down, OK?
lt's stopped.
lt's stopped, so calm down.
(Guide ) 'The oxygen that we have
in here is all we have,
'so let's not panic, but let's try
to take shallow breaths, OK?'
- Hey, Mike.
- Yeah!
This is our last cut. l think
our tunnel patch is ready to go.
Good. Rig the winch
on that work boat up there.
You got it.
- How much longer, sweetie?
- l don't know.
No?
We're gonna have to nudge these
tunnel sections together.
Then we'll patch it
and weld the whole thing.
Then we evacuate?
No, then we put pressure back
into the tunnels,
then the watertight doors
will open up, then people go home.
Hey, watch how you're
cuttin' that. lt's critical!
Relax.
You're doin' everything you can.
Come on. Come over here.
Listen.
l've been thinking.
Maybe Venezuela
can use some trained whales.
- What? Are you serious?
- Yeah.
l think this one's on me.
- But next year...
- l'll follow you anywhere.
- Yeah!
- l love you!
(Chattering)
Ah, Mr Glass.
ls Mr Bouchard going to be here?
Please, please.
l have a statement to make.
- Was there an explosion?
- How many people are missing?
Late today,
due to a minor disturbance,
there was a pressure failure
in one of the tunnels -
a major attraction at the park.
We estimate that 30 to 40 people
were in the process
of being evacuated
when the watertight safety doors
temporarily delayed their exit.
We're working right now
to release them
under the safest
possible circumstances.
Seven visitors were also injured
in our beach area.
- That's all. Give me a break.
- What about a shark?
- l'll let you know as l know more.
- A very large shark...
That's all. There is no more.
(Woman ) When will this be fixed?
(Guide )
l'm sure they're working on it.
Stay together to keep warm.
l know you're cold.
Stay together, take shallow breaths
and concentrate on your breathing.
Well, any sign of mother?
OK, then.
Where did the animal
hide the first time?
Uh...
filtration pipe.
Opposite side of the lagoon.
Brody, is there an access hatch,
a backwash gate?
Heavy grillwork. Keeps the pumps
clear when we back-flush that system.
Why? What do you want to do?
Get that thing back in?
He's a bright lad.
Yes. Jack and l are going to lure him
back into the pipe,
close the gates and then dispose
of him at our leisure.
Meanwhile, you can weld your patch
and then evacuate the civilians.
What if she doesn't want
to go back in?
l think we can pretty much
guarantee she'll want to go back in.
- Right, Jack?
- Sure.
Just how are you
going to guarantee that?
Live bait.
(Man ) We're ready to move
out over the tunnel now.
(Mike ) Let's go.
l-l'll be in the Control Room.
l'll go with you.
(Man ) Give me that.
l'll store it over here.
(Man ) No, l got it.
(Technician )
Yeah, we're on top of it.
OK. Thanks.
Now, where's that damn fish?
There. l've got him.
(Technician )
Sorry, it's the dolphins.
Babies, stay out of it, please.
..and l've rigged a lifeline.
Just let the pumps push you out and
use the rope to pull yourself back.
Right.
And why don't l do all the filming?
l want both cameras.
We need the coverage. Come on, Jack!
This isn't a picnic.
This film is a bloody
retirement annuity.
l'd feel better
if you did just the one thing.
(Laughs ) What's the matter?
Getting cold feet?
OK, Bob. Hold it about right there.
- We're right over the tunnel.
- OK, we're all set.
(Mike )
'Tell FitzRoyce we're in position.'
FitzRoyce, you can go now.
(Technician ) They're testing
the lifeline to see if it's secure.
(Calvin ) 'They're spreadin' some
chum. You know, fish oil and blood.
'Then Jack's gonna make
some metallic sounds
'to attract her right down
into that filtration pipe.'
Start the pumps.
You got it.
(Metal clanging)
(Clanging)
(Technician ) lt's in!
(Calvin ) He's got it!
All right. lt's locked.
lt's safe, Brody. Go for it.
OK, let's go.
(Muffled scream )
(Technician ) 'This is Control.
ls that patch in place?'
Easy.
Let me help you with that,
Dr Morgan.
Got it!
Now weld the son-of-a-bitch...
(Calvin ) Kathryn, what are you doin'?
l'm going down there.
You crazy?
He needs eyes
in the back of his head.
- Thanks, Fred.
- All right.
Watch the tanks.
OK.
- Here are your fins.
- Thanks.
Be careful down there now.
(Hinges creaking)
(Sighs ) You all right?
Where's Mr FitzRoyce?
l have no idea.
(Man ) What's goin' on?
Guv'nor!
Guv'nor!
Guv'nor!
There's no other way out?
You don't understand. This is it!
Have you looked?
He didn't come up.
Guv'nor, you bloody bastard.
Answer me!
We'll suffocate the bitch.
Shut down the pumps.
Are you sure?
- Why don't we blow it up?
- Listen, nephew.
A $2.5 million turbine's not going up
in smoke cos of a damn fish!
Now shut the pumps down!
(Mechanical whirring)
What's happened?
(Man ) They've shut the pumps off.
(Sighs ) That's all she needs.
The gates can't hold much longer.
(Sobbing) Philip, pull the pin!
Pull the pin, Philip.
(Metallic clanking on monitor)
(Clanking)
(Clanking continues )
(Woman ) Look at that!
(Woman ) Jesus!
(Fred) Oh, my God!
We gotta warn 'em.
We gotta tell 'em!
Get 'em up! lt's coming back.
Get 'em up quick!
- Come on! Hurry up!
- Come on!
Get 'em up!
- Come on, Mike.
- Get out of there!
- Come on, Mike!
- (Calvin ) 'Get 'em up!'
(Muffled) Come on!
(Squeaking)
(Squeaking)
(Muffled) Pull the door!
How the hell did it get loose?
Open the hatch!
(Fred) Come on up, Mike. l gotcha.
Are you all right?
Do we have pressure
in those tunnels yet?
- Affirmative.
- Then get those people out.
Feel the air!
Can you feel the air?
The water's going down.
The water's going down!
Try to be calm.
Don't rush to the door.
(Man ) We're saved!
(All talking and cheering)
(Muffled yelling, crunching)
Oh! We did it!
The others, Mike.
What about the others?
Calvin made it. Lisa.
Mike. Mike! The dolphins!
(Kay ) Cindy!
(Mike ) Cindy!
(Kay ) Sandy!
- Come on! Cindy!
- Cindy!
Oh, good girl. Sandy!
(Squeaks )
Sandy, come on, baby.
Sandy, where are you?
(Mike ) Sandy!
l hope she made it.
- Cindy, stay.
- Sandy.
(Squeaks )
Sandy!
All right!
All right!
Baby Shark was here
Plot
The premise of the story states that a university professor named Dr. Robert Bolton and his partner Dr. Luther Paradigm created a machine known as the "gene-slammer" which is capable of changing aquatic animals into anthropomorphic hybrids by combining their DNA. In his attempt to prevent Paradigm from using this machine for personal power, Bolton is transformed into an unseen monstrosity, but escapes. Later, Paradigm gives Bolton's four sons John, Bobby, Coop, and Clint the likeness of four different sharks. When Dr. Paradigm captures their friend Bends, the resulting "Street Sharks" rescue him and combine Paradigm with piranha DNA (for which he is often nicknamed "Dr. Piranoid" by other characters). In subsequent episodes, Dr. Paradigm creates a variety of monsters to destroy the Street Sharks while attempting to persuade the inhabitants of their native metropolis of Fission City to imprison them. Of these monsters, a few sided with the Sharks themselves: namely Rox, Moby Lick, Mantaman, and El Swordo.
The final few episodes introduced the Dino Vengers: a group of extraterrestrial dinosaurs allied with the Street Sharks against their own rivals in the Raptor Gang. When Dr. Paradigm wanted to get a sample of the Raptors' DNA to improve himself, they trick him by giving him iguana DNA which transforms him into "Dr. Iguanoid" leading to him working with the Raptors where they will reward him by correcting the DNA mistake they gave him. In the end, Paradigm is captured and imprisoned while the Raptor Gang leaves Earth.
The Dino Vengers later had their own series called Extreme Dinosaurs where they and the Raptors had different backgrounds.
Characters
The Bolton Family
- Ripster (voiced by Lee Tockar) - John Bolton is the smartest, the leader, and oldest of the four brothers who enjoys creating inventions. He has taken up most of his knowledge and skills from his father. He is also an avid pool player. In the first episode of the show, John rides a motorbike. When transformed into Ripster, he becomes a great white shark able to bite through steel, as well as having extrasensory abilities.
- Jab (voiced by Matt Hill) - Clint Bolton is the laziest of the Street Sharks, but enjoys boxing and appears to have some talent with mechanics. When transformed into Jab, he becomes a Scalloped hammerhead shark and uses his head as a battering ram.
- Streex (voiced by Andrew Rannells) - Robert "Bobby" Bolton Jr. is a level-headed, cool and self-proclaimed ladies' man. He is always shown wearing his rollerblades and appears to enjoy parachuting and snowboarding and later plays drums professionally. When transformed into Streex, he becomes a tiger shark, named after the purple streaks on his body. In the toyline, he was originally called "Blades" for his skills as a rollerblader.
- Big Slammu (voiced by D. Kevin Williams) - Coop Bolton is the strongest and youngest of the four. He is also a football player in high school. In the first episode, he uses a skateboard. When transformed into Big Slammu, he becomes a whale shark and his most prominent maneuver is the "Seismic Slam" in which he may shake or crack the ground with his fists.
- Dr. Robert Bolton (voiced by D. Kevin Williams) - A university professor and the father of the Bolton Brothers who invents the gene-manipulation device for peaceful uses. He is only seen on-screen in the first episode where he tries to stop Dr. Paradigm's experiments only to become changed into an unseen inhuman creature. Afterward, he is only ever represented by a shadow cast on the wall. It is suggested through the series that Dr. Bolton secretly assists his sons. The episode "Shark Source" shows him defeating Dr. Piranoid to rescue a kidnapped mutant crocodile. Despite the fact that he helps them, Dr. Bolton is never reunited with his sons. Though he does contact his sons through a TV screen where the transmission keeps even the viewers from seeing his current appearance.
- Sir Thomas Bolton - An ancestor of the protagonists who is encountered in the episode "Sir Shark-a-Lot". He is the target of Paradigm's time-travel excursion to destroy the Bolton family.
Allies
- Lena Mack (voiced by Pam Carter) - A student of Dr. Paradigm's who suspects him of crime, and therefore assists the Street Sharks. She is later reduced to a background role and has a younger brother named Malik.
- Bends (voiced by Jim Hoggatt) - Fission University's technical genius and a source of comic relief who supplies the Street Sharks with their motorbikes and weapons and conceals them underneath the University's ice skating rink. In episode 16, it is revealed that he cannot be mutated by a gene-slamming airborne virus. This genetic trait was passed down to his great, great, great grandson who is a member of the resistance against Dr. Paradigm in an alternate future as seen in "Shark to the Future".
- Moby Lick - Jets Taylor is a good friend of the Bolton Brothers and Bends. Under Dr. Paradigm's mind-control, Jets is combined with a killer whale by Dr. Paradigm in order to make him his latest Seaviate. Becoming Moby Lick, he later broke free of Paradigm's mind control and became an ally of the Street Sharks. Moby Lick has a long prehensile tongue (the source of his name), great strength, and the ability to inhale water and expel it through his blowhole; and later demonstrated the ability to communicate with other killer whales. In "Shark Hunt", it is revealed that Moby became an eco-conservationist in the Everglades National Park.
- Rox (voiced by Lee Tockar) - Melvin Kresnik is an up-and-coming musician mistakenly combined with a bull shark who exposes Dr. Paradigm's plan to change Kresnik's audience into mutants. Thereafter, Rox continues as a rock star by explaining his altered form as a costume and remains a friend of the Sharks. He was dropped from the series after Season Two. In the toyline, Rox is labelled as a mako shark instead of a bull shark.
- President David Horne (voiced by Tony Wike) - The President of the United States. The Street Sharks save from Dr. Paradigm before he can be "gene washed" like he did with Vice-President Russell. Following this incident, President Horne secretly leaks information to the Street Sharks.
- El Swordo (voiced by Garry Chalk) - A circus performer who worked with a large marlin named Spike. The two were eventually "fused" together by Dr. Paradigm resulting in a combination of memories under the man's personality. El Swordo remains active in entertainment as a professional swordsman.
- Mantaman (voiced by D. Kevin Williams) - A flying dinosaur-like alien specimen was found encased in stone by Dr. Terrence "Terry" Morton and reactivated by Dr. Paradigm. Dr. Morton then deliberately gene-slammed himself with a combination of the alien's DNA and manta ray DNA to help the Street Sharks fight the original alien. He has a younger brother named Ryan who appears in "Shark Jacked" when he gets captured by Dr. Paradigm. By the end of the episode, Mantaman's parents learn of what became of their son and accept his appearance. Around the "Ancient Sharkonauts" episode, Mantaman returns under the control of the Raptors when it was revealed that they were behind the flying dinosaur-like alien whose DNA is part of Mantaman. He is later liberated by the Street Sharks.
- Dino Vengers - A military unit from an exoplanet inhabited by anthropomorphic dinosaurs. Allied with the Street Sharks. Once ordinary members of their race, the four volunteered to receive genetic enhancements that made them far larger and stronger to better combat Bad Rap and his gang of terrorists.
- T-Bone (voiced by Ian James Corlett) - A Tyrannosaurus and the leader of the Dino Vengers.
- Stegz (voiced by D. Kevin Williams) - A Stegosaurus.
- Bullzeye (voiced by Ian James Corlett) - A Pteranodon.
- Spike (voiced by Garry Chalk) - A Triceratops.
Antagonists
- Dr. Luther Paradigm (voiced by J. Michael Lee) - The main antagonist of the series and arch-enemy of the Street Sharks. A professor at Fission City University, he is easily identified by his metal eyepatch and later by a giant yellow robotic exoskeleton, with offensive capabilities including the ability to fire harpoons. In the second episode, Dr. Paradigm is injected with piranha DNA meant for the Street Sharks who nicknamed him Dr. Piranoid. Afterwards, Paradigm's face assumes inhuman attributes at moments of strong emotion. When in public, Dr. Paradigm wears a robe to hide his exoskeleton. When Dr. Bolton defeated Dr. Piranoid to rescue a captive mutant crocodile and damaged his armor, it was shown that parts of his body was fish-like. During episodes featuring the Dino-Vengers, Dr. Paradigm injected himself with iguana DNA which was given to him by the Raptors instead of Velociraptor DNA and was renamed Dr. Iguanazoid as a result. He has since helped out the Raptors with their plots hoping that they will actually give him Velocirator DNA. By "Shark-apolypse Now!," Dr. Iguanazoid is apprehended by the Street Sharks.
- SharkBot (voiced by Steve Gibbs) - Dr. Paradigm's experimentation with robotics. It was used to free the monster Repteel from prison and frame the Street Sharks for the crime. The Sharks ultimately reprogrammed SharkBot to destroy Paradigm's laboratory. SharkBot was later rebuilt into SharkBot 2.0, which fought the Street Sharks until the end of the series' second season.
- Tentakill - A biped creature of unknown origins and species, first seen in the episode "Sir Shark-a-Lot" as Paradigm's newest weapon. It is incapable of speech, shows limited intelligence, and was not utilized often.
- Seaviates - A group of mutant sea creatures that serve Dr. Paradigm.
- Slobster (voiced by D. Kevin Williams) - An anthropomorphic monster created by injecting a lobster with the DNA of Genghis Khan and Thomas Blood. He was dropped from the series after Season Two.
- Slash (voiced by Terry Berner) - A swordfish injected with the DNA of villains like Genghis Khan and Thomas Blood like Slobster. Thus, he becomes an anthropomorphic fish with a drill bit on its nose who speaks in a hissing lisp. Slash is usually defeated by immobilization of his nasal drill. He was dropped from the series after Season Two.
- Killamari (voiced by D. Kevin Williams) - An anthropomorphic squid able to project natural "spears" or "harpoons" from his mouth and the many suckers covering his body. In the episode "Lone Shark," he almost kills Jab with his poison. Lena and Bends concoct an anti-venom which has since reduced his threat.
- Repteel (voiced by Tony Wike) - The only one of Dr. Paradigm's Seaviates to have originally been human. Mr. Cunneyworth is the aged owner and hotel manager of a run-down hotel accidentally demolished by the Street Sharks during a fight with Dr. Paradigm's Seaviates. As he had nowhere else to go, Mr. Cunneyworth willingly allowed Dr. Paradigm to merge his genetic codes with those of a moray eel and an electric eel. As Repteel, he feeds on electricity and shoots miniature eels (also charged with electricity) from his hands and wears a special pack to store energy.
- Shrimp Louie (voiced by Andrew Rannells) - A mutated shrimp and one of Paradigm's later Seaviates. He is not very strong, is quite the coward, and his primary weapons are big blaster guns.
- Maximillian Greco - An aged mafioso who blackmails Dr. Paradigm into gene-slamming him with the DNA of a rhinoceros (upon its nose-hair samples being obtained) and the DNA of a desert tortoise upon learning of his illegal and secret experiments. This granted Greco the strength of a rhinoceros and the longevity of a desert tortoise which rejuvenated Greco to half his real age. He later resurfaced as the owner of a casino.
- Zeus and Apollo (vocal effects provided by D. Kevin Williams) - Maximillian Greco's pet chihuahuas. Like their owner, they were also genetically enhanced by Dr. Paradigm which made them larger than normal.
- Malcolm Medusa III (voiced by J. Michael Lee) - A rich, business-owning big game hunter who frequently targets endangered animals. The Street Sharks and Moby Lick expose him. In "Shark Hunt", Malcolm Medusa III traps Moby Lick and the Street Sharks in a hunting enclosure. He is eventually imprisoned in an island prison as he plans his revenge.
- Clammando (voiced by D. Kevin Williams) - A mutant clam who is Malcolm Medusa III's right-hand man. He started out as a dock worker for Malcolm Medusa III who fell into a toxic waste part of the water where there were clams. As a result upon being fished out by Malcolm, he turned into a mutant clam. In "Shark to the Future," Clammando's appearance was first used as a Seaviate that worked for Dr. Paradigm during the Street Sharks' visit to the future.
- The Raptors - A trio of rogue Velociraptor-like criminals.
- Bad Rap (voiced by Doug Parker) - The leader of the Raptors, who has a metal brace-like device on his mouth and a rocket-launcher on his right hand.
- Haxx (voiced by Doug Parker) - A Raptor with implants on the backs of each wrist that produce green blades, whose tail has been replaced with a blade capable of spinning like a drill.
- Spittor (voiced by Doug Parker) - The scientist and brains of the Raptors. Spittor carries a tank with various liquids released from nozzles on his hands, tail, and mouth.
Recurring characters
- Guy in the Sky (voiced by Tony Wike) - Fission City's top air radio reporter and paparazzo. He was never fully seen, but recognized by a yellow helicopter. The Guy in the Sky was later dropped from the show after Season Two.
- Detective Michael Brock - The police detective who investigates the Sharks' activities. He was later dropped from the show after Season Two.
Episodes
Season 1 (1994)
Nº | Ep | Title | Written by: | Original air date | |
---|---|---|---|---|---|
1 | 1 | "Sharkbait" | Martha Moran | September 7, 1994 (1994-09-07) | |
Dr. Robert Bolton had invented a gene-slamming device for peaceful uses until his colleague Dr. Luther Paradigm uses it for his evil purposes. When Dr. Bolton tries to intervene, he ends up gene-slammed into an unseen inhuman creature during the struggle and escapes. While in search of their father, John, Clint, Robert, and Coop are mutated into humanoid sharks by the evil Dr. Paradigm. While adapting to their new looks, the four brothers must avoid being seen. | |||||
2 | 2 | "Sharkbite" | Martha Moran | September 14, 1994 (1994-09-14) | |
The Street Sharks are on a runaway from the police along with their friends Bends and Dr. Lena. The Street Sharks must find a new place to live in and be safe from society. | |||||
3 | 3 | "Sharkstorm" | Martha Moran | September 21, 1994 (1994-09-21) | |
Ripster, Jab, Streex, and Slammu must protect their reputations and change the way they are being viewed in Fission City. They must fight Dr. Piranoid as well as finding their father once and for all. |
Season 2 (1994)
Nº | Ep | Title | Written by: | Original air date | |
---|---|---|---|---|---|
4 | 1 | "Shark Quest" | Douglas Booth | September 28, 1994 (1994-09-28) | |
Dr. Paradigm captures Big Slammu to control his mind and the Street Sharks must break into Dr. Paradigm's hideout to save their brother. | |||||
5 | 2 | "Lone Shark" | Dennis O'Flaherty | October 7, 1994 (1994-10-07) | |
While the Street Sharks are going out for burgers, Dr. Paradigm transforms a squid he has acquired into Killamari who becomes the latest member of the Seaviates. The Sharks have to stop them from breaking into the Bolton home and stealing important genetic research data that their father left behind. | |||||
6 | 3 | "Shark n' Roll" | Robert Schecther | October 14, 1994 (1994-10-14) | |
When a musician called Melvin Kresnik accidentally digests contaminated popcorn and water that was tainted with a gene-slamming chemical, he becomes a mako shark later known as Rox and befriends the Street Sharks. Together, they have to save the concert in town and its attendants from being mutated into more sea creatures through the same way that Rox was mutated. | |||||
7 | 4 | "Fresh Water Sharks" | Bill Matheny | October 21, 1994 (1994-10-21) | |
The citizens of Fission City hear an announcement from Dr. Paradigm that he has invented a vaccine against the gene-slamming formula. | |||||
8 | 5 | "Shark Treatment" | Dennis O'Flaherty | October 28, 1994 (1994-10-28) | |
With the help of a mind-control serum, Dr. Paradigm turns Jets Taylor into a killer whale mutant named Moby Lick to be his latest Seaviate. | |||||
9 | 6 | "Road Sharks" | Steve Hayes | November 7, 1994 (1994-11-07) | |
When Streex has been captured by Dr. Paradigm, the rest of the Street Sharks alongside Moby Lick take to the roads to rescue him. | |||||
10 | 7 | "Shark Fight" | George Arthur Bloom | November 14, 1994 (1994-11-14) | |
Rox is back in town for the Fission City Music Awards and plans to play the evidence that would expose Dr. Paradigm's gene-slamming activities. | |||||
11 | 8 | "Sky Sharks" | Michael O'Mahony | November 21, 1994 (1994-11-21) | |
When his hotel had been previously destroyed by the Street Sharks and no family members to live with, Mr. Cunneyworth allows Dr. Paradigm to gene-slam him with the DNA of an electric eel and a moray eel which transforms him into Repteel. While Repteel is ordered by Dr. Paradigm to steal an advanced supercomputer part for his robotic machine, the Street Sharks take a cruise around the city to find the doctor's new Seaviate's location and put a stop to their evil plans. | |||||
12 | 9 | "Shark of Steel" | Douglas Booth | November 28, 1994 (1994-11-28) | |
The Street Sharks are framed and brought out of hiding by Sharkbot, the robotic machine built by Dr. Paradigm in the last episode. The Street Sharks must once again defend their reputations and take on Sharkbot. | |||||
13 | 10 | "Shark Source" | Douglas Booth | November 28, 1994 (1994-11-28) | |
The Street Sharks discover an underground civilization of mutant crocodiles that happen to know Dr. Bolton after he cured them of their damaged genes. Meanwhile, Dr. Paradigm rebuilds Sharkbot and captures one of the mutant crocodiles. |
Season 3 (1995–97)
Nº | Ep | Title | Written by: | Original air date | |
---|---|---|---|---|---|
14 | 1 | "Jurassic Shark" | Dennis O'Flaherty | January 5, 1995 (1995-01-05) | |
Jab and Streex are sent back in time in two different eras by Dr. Paradigm's time machine called the Time Slammer. Back in the present, Slammu, Ripster, and Bends have to deal with Dr. Piranoid's Seaviates who are now joined by Shrimp Louie. With the help of some Atlanteans, Jab is able to travel in time to save his brother Streex. | |||||
15 | 2 | "Sir Shark-a-Lot" | Martha Moran | January 12, 1995 (1995-01-12) | |
Dr. Paradigm creates Tentakill as part of his time-traveling plot to have Killamari go back to the medieval times and kill the Street Shark's ancestor Sir Thomas Bolton. Ripster and Big Slammu hijack Dr. Paradigm's Time Slammer to prevent Sir Thomas Bolton from being killed. | |||||
16 | 3 | "Shark to the Future" | Martha Moran | January 19, 1995 (1995-01-19) | |
The Street Sharks are sent to a future where Dr. Piranoid controls everything. They meet up with Bends' great-great-grandson General Bendsini and join the rebel forces. | |||||
17 | 4 | "First Shark" | Gildart Jackson | January 26, 1995 (1995-01-26) | |
The Street Sharks go to Washington D.C. to save President David Horne from being "gene washed" by Dr. Piranoid as part of his plot to control President Horne after he had successfully gene-washed Vice-President Russell. | |||||
18 | 5 | "Rebel Sharks" | Jeff Kwitny | February 5, 1995 (1995-02-05) | |
The Street Sharks and Bends travel to the country of Chernosium to help a child named Ilya (who had sent them a fan letter), rescue his father President Andre Knezevic, and overthrow a dictator named Ekerson Nozum. | |||||
19 | 6 | "Space Sharks" | Wendell Morris, Tom Sheppard | February 12, 1995 (1995-02-12) | |
After extracting alien DNA from a sample found on an asteroid, Dr. Piranoid tries to gene-slam the entire planet with this alien DNA mixed with manta ray DNA. The Street Sharks are sent up to space, per the president's request and help, to not only stop Dr. Piranoid's gene slamming plan, but also defeat the alien monster that was released from the sample. They end up getting help from Dr. Terrence Morton (who ends up becoming Mantaman in order to help fight the alien.) | |||||
20 | 7 | "A Shark Among Us" | Michael O'Mahoney | February 19, 1995 (1995-02-19) | |
Lena's brother Malik is among those who have been taking strength-enhancing pills. Ripster goes undercover to trace the source of the pills and discovers that a drug dealer named Jackal has been distributing the pills in order to get some recruits to help rob a bank. | |||||
21 | 8 | "To Shark or Not to Shark" | Kim Rawl | February 26, 1995 (1995-02-26) | |
The Street Sharks have suddenly become human again due to a formula made by Dr. Piranoid as part of a plot to keep the Street Sharks human permanently. | |||||
22 | 9 | "Eco Shark" | Jeff Kwitny | March 5, 1995 (1995-03-05) | |
While investigating the killer whale attacks, the Street Sharks and Moby Lick trace the attacks to Malcolm Medusa III's marine animal sanctuary called Medusa Cove which is being covered up by holograms to hide the pollution and trapped whales. They discover that businessman Malcolm Medusa III and Clammando have been using holograms to keep the town from knowing what is really happening. | |||||
23 | 10 | "Close Encounters of the Shark Kind" | Jeff Kwitny | March 12, 1995 (1995-03-12) | |
Mantaman returns to Earth to help the Street Sharks fight the energy-draining alien (which survived the space station's destruction in "Space Sharks") before it starts draining Earth's electricity. | |||||
24 | 11 | "Satellite Sharks" | Dennis O'Flaherty | March 19, 1995 (1995-03-19) | |
The Stromboli Circus is in town where El Swordo and his swordfish Spike are the main attraction. Spike is soon targeted by Dr. Piranoid so that he can mutate and control it with the Chromifier Ray so that he can gain control of a satellite and control every head of state in the universe. | |||||
25 | 12 | "Cave Sharks" | Phil Harnage | April 8, 1995 (1995-04-08) | |
Fission City has suffered a blackout as Dr. Paradigm unveils the Wolverinepedes (a wolverine/centipede hybrid) which will be a solution to Fission City's toxic waste problems. The Street Sharks are contacted by Paxel of the G.E.C.O.s (short for Genetic Engineered Cave Organism) on behalf of Robert Bolton where they learn that toxic waste is leaking into their underground home beneath the garbage dump. The Street Sharks discover that the Wolverinepedes are a cover for Dr. Piranoid's illegal toxic waste-dumping property where the Wolverinepedes have been getting bigger from the consumption of toxic waste. | |||||
26 | 13 | "Shark Wars" | Jeff Kwitny | April 15, 1995 (1995-04-15) | |
Dr. Paradigm is visited by his future counterpart in his Time-Slammer where they work on a plan to develop a mechanism to alter the world's genetic code by New Year's Eve. The Street Sharks are tipped off about the disturbance in the time-space continuum by Dr. Bolton and work with Mantaman and El Swordo to thwart the two Dr. Paradigms and the future Dr. Paradigm's Mechosharks. | |||||
27 | 14 | "Shark Father" | Bruce Shelly, Reed Shelly | 1995 (1995) | |
An aged crime boss named Maximilian Greco discovers Ripster and Streex fighting Killamari and Repteel at a nearby zoo as part of Dr. Paradigm's plot to obtain animal specimens for his Genetic Engineering Chamber. Upon tracing Killamari and Repteel back to Dr. Paradigm, Maximilian Greco blackmails him into enhancing him with the strength of a rhinoceros and the longevity of a desert tortoise. Maximilian also has Dr. Paradigm have his chihuahuas Zeus and Apollo enhanced to fight the Street Sharks. | |||||
28 | 15 | "Shark Hunt" | Wendell Morris, Tom Sheppard | 1996 (1996) | |
Malcolm Medusa III and Clammando are back and have been hunting Florida panthers in the Everglades as part of a plot to develop a chemical waste incinerator there. After Moby Lick has been caught by Malcolm when trying to rescue them, the President enlists the Street Sharks to investigate where the trace the Florida panthers and Moby Lick to a nearby island where Malcolm has used a petrifying laser to petrify Moby Lick, the Florida panthers, and other wildlife in the Everglades. Now Malcolm plans to have the Street Sharks provide a hunting challenge for him. | |||||
29 | 16 | "Card Sharks" | Dennis O'Flaherty | 1996 (1996) | |
Maximilian Greco is back and has established a casino called the Golden Greco while making its surrounding areas as part of Fission City's casino district. Dr. Paradigm sends Repteel and Shrimp Louie to raid the Golden Greco and steal all the money there. Yet Repteel and Shrimp Louie continue to rob other casinos causing Dr. Paradigm to send Killamari after them up to the point where the Seaviants are enlisted by Maximilian Greco to take over the casino district. | |||||
30 | 17 | "Shark Jacked" | Kevin Donahue | 1996 (1996) | |
Dr. Piranoid has Killamari and Tentakill capture Mantaman's younger brother Ryan so that he can get Mantaman to hijack two jets with one of them carrying the Latonian president and the other one carrying the Coachnian president where both of them are to be meeting with President Horne the next day. While Mantaman does the hijacking, Bends and the Street Sharks work on playing along while finding out where Dr. Piranoid is keeping Ryan. During that time, Dr. Piranoid has created the Genesis Satellite to end the world's woes by detonating it so that the world can be turned into mutated creatures. | |||||
31 | 18 | "Turbo Sharks" | Jules Dennis | 1996 (1996) | |
At the time when Jab is going to compete in the Cross-Country Grand Prix, Dr. Paradigm creates the Gene-Slam Bomb and places it in the Turbo Jab vehicle so that it would detonate at the Cross-Country Grand Prix if Jab does not have his car running at 65 MPH. The plot thickens when the International Trade Conference that is signing the Big Trade Agreement is threatened by Dr. Paradigm's Gene-Washing Bomb within an ice sculpture of two dolphins. | |||||
32 | 19 | "20,000 Sharks Under the Sea" | Jeff Kwitny | 1996 (1996) | |
At the time when El Swordo is entertaining the USS Liberty, a four-headed sea monster (where some navy officers have compared it to Scylla) has been attacking ships and submarines at sea. To prevent an international incident, President Horne enlists the Street Sharks to look into this. The Street Sharks work with El Swordo in order to keep the four-headed sea monster from attacking ships. | |||||
33 | 20 | "Ancient Sharkonauts" | Phil Harnage | 1996 (1996) | |
A space capsule that landed on Earth 65,000,000 years ago has been unearthed by archaeologists. While Dr. Paradigm has taken interest in the space capsule, an incident involving the capsule's prisoner Bad Rap causes Mantaman to fall under his control (the alien whose DNA was used to create Mantaman was one of Bad Rap's many creations) as they plot to control the largest radio telescope in order to contact Bad Rap's fellow Raptors. Now the Street Sharks must work to free Mantaman before Bad Rap's transmission to his fellow Raptors gets through. | |||||
34 | 21 | "Sharkotic Reaction" | Reed Shelly, Robert Askin | 1996 (1996) | |
President Horne contacts the Street Sharks informing them that a UFO has been sighted in the Solar System. Upon investigating, the Street Sharks meet the Dino Vengers T-Bone, Stegz, Bullzeye, and Spike. The Street Sharks learn from them that they are after Bad Rap and the Raptors. The Street Sharks and the Dino Vengers join forces when the Raptors steal different weapons from different countries in order to make the other countries think they are being attacked by the other. | |||||
35 | 22 | "Sand Sharks" | Louis Gassen | 1996 (1996) | |
While fighting the Raptors, the Street Sharks and the Dino Vengers hear from President Horne that the military is testing their stealth Super Shadow chopper. As the Street Sharks and the Dino Vengers work to protect the Super Shadow from the Raptors, Dr. Paradigm takes interest in the Raptors as he leads Shrimp Louie and Tentakill into finding them where he will steal the Super Shadow for them in exchange for Velociraptor DNA. After Dr. Paradigm obtains the Super Shadow, the Raptors trick Dr. Paradigm by giving him iguana DNA. The Street Sharks and the Dino Vengers must work to reclaim the Super Shadow from the Raptors. | |||||
36 | 23 | "Shark Quake" | Peter Hunziker | 1996 (1996) | |
During winter, the Raptors make plans to warm up Earth in order to make it more hospitable for the Raptors. They do this by making Mt. Cauldron (a dormant volcano near Fission City) erupt by firing a missile into it so that the heat from it can be trapped in Earth's atmosphere. After the Street Sharks and the Dino Vengers thwart that plan, the Raptors do what they did on Calderas 3 by using their computer to activate every dormant volcanoes on Earth. Now the Street Sharks and the Dino Vengers must prevent the Raptors from activating the dormant volcanoes on Earth. | |||||
37 | 24 | "Super Shark" | Pat Allee, Ben Hurst | 1996 (1996) | |
At the time when Big Slammu prepares for Fission City's comic book convention at a local convention center to meet his favorite comic book writer Jake Langstrom, Bullzeye learns about comic books and follows Big Slammu to the convention center. At the same time, the Raptors head to the Munitions and Armaments section of the Convention Center in order to steal the latest weaponry there. | |||||
38 | 25 | "Jungle Sharks" | Jeff Kwitny | 1996 (1996) | |
When the Street Sharks and the Dino Vengers stop the Raptors from stealing a submarine, Stegz, Spike, and Bullzeye come down with a virus with the same symptoms as the virus the Dino Vengers once contracted on the planet Zirus 10. The Street Sharks and T-Bone race against time and the Raptors to the Amazon Rainforest to get to a special pharmaceutical fungus that would help cure the sick Dino Vengers before its final symptom takes its toll on them in the next 24 hours. | |||||
39 | 26 | "Trojan Sharks" | Tom Sheppard, Wendell Morris | 1996 (1996) | |
In order to track the Dino Vengers to their lair, the Raptors cause havoc at an amusement park and ambush the Dino Vengers where they managed to secretly place a tracking device on Stegz so that they can find the Dino Lair. When the Dino Vengers end up defeated and captured as part of Bad Rap's plot to launch them to the stars in a stolen missile, the Street Sharks must rescue the Dino Vengers before the Raptors can launch the missile they are on. | |||||
40 | 27 | "Shark-apolypse Now!" | Peter Hunziker | May 18, 1997 (1997-05-18) | |
At the time when the World Leaders have come to an agreement not to use biological weapons, the Street Sharks and the Dino Vengers are enlisted to guard a top secret facility that the biological weapons are going to be safely destroyed. In order for the Raptors to prevent the biological weapons from being destroyed, Dr. Paradigm (who is now Dr. Iguanoid) puts the finishing touches on his mind-control chip which they plan to use on Bad Rap's alien creation after freeing it. This leads up to Dr. Iguanoid releasing the other alien in the facility as part of his plot to rule Earth. |
Home video release
In late September 2012, Mill Creek Entertainment announced they would release the series to DVD during early 2013.
On February 19, 2013, Mill Creek Entertainment released Street Sharks – The Complete Series on DVD in Region 1 for the very first time. This release has been discontinued and is out of print.
On January 16, 2018, Mill Creek Entertainment re-released the complete series to DVD in Region 1.
Movie
There was a direct-to-video feature film of the Street Sharks with all of Season 1's episodes, Sharkbait, Sharkbite, and Sharkstorm that were combined into one titled The Gene Slamming Begins. It was then followed by two episode movies using episodes from Season 2. One was Shark Quest with two episodes, Shark Quest and Lone Shark, and the other was Shark 'n' Roll with two episodes, Shark 'n' Roll and Fresh Water Shark.
Principal voice actors
- Rob Baker
- Terry Berner – Slash
- Todd Campbell
- Pam Carter – Lena
- Garry Chalk – El Swordo, Spike
- Ian James Corlett – T-Bone, Bullzeye
- Laurier Dubeau
- Matt Hill – Jab
- Jim Hoggatt – Bends, General Bendsini
- Jerry Longe
- Joshua Spence
- Laura Marr
- J. Michael Lee – Dr. Luther Paradigm, Malcolm Medusa III
- Jason Michas - Paxel
- Doug Parker – Bad Rap, Haxx, Spittor
- Andrew Rannells - Streex, Shrimp Louie
- Lee Tockar – Ripster, Rox
- Landon J. Powell
- Jerry Wall
- D. Kevin Williams – Big Slammu, Dr. Robert Bolton, Killamari, Slobster, Mantaman, Clammando, Apollo & Zeus, Stegz
- Tony Wike – Repteel, Guy in the Sky, President David Horne
Additional voices
- John St. Angelo
- Susan Baer Beck
- Kevin Erhardt
- Ryan Ewing
- Aaron Fili
- Steve Gibbs – SharkBot
- Adam Grant
- Mary Theresa Green
- Nils Holland
- Amy Kunz
- Kevin Lawlor
- Roberta Lawson
- Laura Marr
- Clyde McNeal
- M. Michelle Phillips
- Alvin Sanders
- Casey Sixt
- Ryle Smith
- David Wallace
Crew
- Pam Carter – Casting and Voice Director
- Marsha Goodman – Casting and Voice Director
- Paul Quinn – Casting and Voice Director
- Phil Harnage - Story Editor (Season 1)
- Douglas Booth - Story Editor (Season 2)
- Martha Moran - Story Editor (Season 3)
- Ron Myrick - Producer/Director (Season 2)
- Ron Harris - Producer/Director (Season 3)
Tie-in products
In 1996, Archie Comics released a short-lived comic book series based on Street Sharks. They published a three-issue mini-series which were based on the first three episodes of the series, and a regular comic series, which lasted three issues.
From 1994 to 1997, Mattel released a line of Street Sharks action figures.
See also
- List of anthropomorphic animal superheroes
- Extreme Dinosaurs – a spin-off series
- Teenage Mutant Ninja Turtles
References
- David Lambert (25 September 2012). "Street Sharks - DVD Plans Come to Light for the Popular Mid-'90s DiC Animated Series". TV Shows on DVD. Archived from the original on 26 January 2018. Retrieved 26 January 2018.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - "Street Sharks DVD news: Announcement for Street Sharks – The Complete Series". TVShowsOnDVD.com. 11 December 2012. Archived from the original on 25 October 2015. Retrieved 14 October 2015.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - "Street Sharks - The Complete Series". TV Shows on DVD. 19 February 2013. Archived from the original on 26 January 2018. Retrieved 29 December 2015.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - David Lambert (18 October 2017). "Street Sharks - Swimming Back to DVD: 'The Complete Series' from Mill Creek". TV Shows on DVD. Archived from the original on 19 October 2017. Retrieved 19 October 2017.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - "Street Sharks - The Complete Series". TV Shows on DVD. 16 January 2018. Archived from the original on 26 January 2018. Retrieved 26 January 2018.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - "Street Sharks (mini series) (1996)". Comic Book Database. Retrieved 17 August 2009.
- "Street Sharks (1996)". Comic Book Database. Retrieved 17 August 2009.
- Lifestyles: Street Sharks are Chompin' Good!. Electronic Gaming Monthly. Issue 69. Pg.137. April 1995.
External links
- Street Sharks at IMDb
- Official Website (via Internet Archive)
- Street Sharks at the Big Cartoon Database
Children's programming on CBS in the 1990s | |
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Children's programming on the American Broadcasting Company in the 1990s | |
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First-run animated series |
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First-run live-action series |
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Related programming and topics |
- 1990s American animated television series
- 1994 American television series debuts
- 1997 American television series endings
- 1990s American science fiction television series
- Animal superheroes
- Superhero television programs
- Fictional sharks
- Fictional quartets
- First-run syndicated television programs in the United States
- Superhero teams
- 1990s toys
- American animated television programs featuring anthropomorphic characters
- Television series by DIC Entertainment
- USA Action Extreme Team
- English-language television programs
- Television shows based on Mattel toys
- Teens in fiction
- American children's animated superhero television series
- American children's animated action television series
- American children's animated adventure television series
- American children's animated science fantasy television series
- Television series set in fictional populated places