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	A '''flashforward''' (also spelled '''flash-forward''' and more formally known as '''prolepsis''') is a scene that temporarily takes the ] forward in time from the current point of the story in literature, film, television and other media.<ref>http://www.thefreedictionary.com/flash-forward</ref> Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to ], in which future events are not shown but rather implicitly hinted at. It is also similar to an ], however an ellipsis takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a ] ], named by analogy to the more traditional ], which reveals events that occurred in the past.		A '''flashforward''' (also spelled '''flash-forward''' and more formally known as '''prolepsis''') is a scene that temporarily takes the ] forward in time from the current point of the story in literature, film, television and other media.<ref>http://www.thefreedictionary.com/flash-forward</ref> Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to ], in which future events are not shown but rather implicitly hinted at. It is also similar to an ], however an ellipsis takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a ] ], named by analogy to the more traditional ], which reveals events that occurred in the past.

Revision as of 11:05, 16 August 2019

Plot device This article is about the narrative device. For other uses, see Flashforward (disambiguation).

A flashforward (also spelled flash-forward and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis, however an ellipsis takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past.

Examples in literature

An early example of prolepsis which predates the postmodern period is Charles Dickens' novel A Christmas Carol, in which the protagonist Ebenezer Scrooge is shown the future following his death. The subsequent events of the story imply that this future will be averted by this foreknowledge.

Terry Brooks' Word & Void series features a protagonist who, when he sleeps, moves forwards and backwards through time to before and after a great cataclysm. This is both analepsis and prolepsis.

Muriel Spark makes extensive use of prolepsis in her novel The Prime of Miss Jean Brodie.

Examples in television

Every season of Damages makes an extensive use of flashforwards, revealing the outcome of the season to the viewer. The whole season then revolves around discovering the circumstances that led to this outcome. For instance, the first season starts with a flashforward of the protagonist, Ellen Parsons, running in the streets of New York, covered in blood. 6 months earlier, she was only a naive young woman who had just become a lawyer in the firm of a powerful attorney, Patty Hewes. What led Ellen to the situation presented in the flashforwards is revealed little by little throughout the season. Furthermore, the series is known for its misleading use of flashforwards, which are often examples of the red herring device.

After making extensive use of flashbacks in the first two seasons, the TV series Lost used flashforwards throughout the remainder of the series. The first use of this was in the third-season finale: what appeared to be a flashback to before the characters were stranded on the island, was revealed at the end to be a flashforward of them returned to civilization. A later episode featured what appeared to be flashforwards involving the couple Jin and Sun, showing them safely returned home and awaiting the birth of their baby, but it is then revealed that Jin's scenes were flashbacks and only Sun's were flashforwards.

The series finale of Star Trek: Voyager, "Endgame", uses a technique similar to a flashforward. It depicts a future in which the U.S.S. Voyager has returned home after decades lost in deep space with various personal tragedies, prompting the ship's captain to use time travel to return to the timeframe of the series and return the crew home more directly.

The U.S. sci-fi TV series FlashForward revolves around everyone on Earth losing consciousness for 137 seconds, during which each person experiences a glimpse of events 6 months in the future. The series was itself based loosely on the novel Flashforward by Robert J. Sawyer.

British soap opera Hollyoaks flashed forward six months in May 2010 for a special episode.

The last episode of Six Feet Under has an extensive flashforward depicting the deaths of all the central characters for several decades in the future.

Breaking Bad uses flashforwards throughout its second season showing a mystery regarding debris and corpses in Walter White's house and neighborhood, revealed to be the result of two planes crashing overhead. The first half of the fifth season begins with a flashforward one year into the future where Walter is fifty-two years old, and the second half begins with a continuation of the story, where he returns to his abandoned home. The plot of these flashforwards is resumed in the series finale.

How to Get Away with Murder used in every episode flashforwards of scenes from future episodes until ninth episode of the first season.

Quantico used flashforwards in order to unravel the future events that have occurred in the first and second season.

The Netflix series Elite used flashforwards to unravel the murder mystery of a future event, in the first season.

The Netflix series Quicksand used flashforwards to unravel the circumstances leading to a school shooting, in the first season.

The CW series Arrow utilizes flashforwards in its seventh season, having previously employed extensive flashbacks for its first five seasons.

Examples in film

Midway through the film They Shoot Horses, Don't They?, there is an abrupt flashforward when Robert, the character played by Michael Sarrazin, is seen being thrust into a jail cell by a police officer, even though he has done nothing to provoke such treatment. The audience is notified, later in the story, that Sarrazin's character would have indeed made choices that warrant his arrest.

The film Arrival relies extensively on prolepsis throughout the movie. The main character gains this ability after learning the language of the aliens, and proceeds to use it to prevent the outbreak of war. She uses information revealed to her in the future to convince a military leader not to attack the aliens in the present.

Examples in video games

In Until Dawn, players may find artifacts left by the Native American tribe who lived on the mountain that show premonitions of possible future events. Whether they come true is dependent on player actions; for example, one shows another character's death in a scene that can be avoided.

References

http://www.thefreedictionary.com/flash-forward
https://www.imdb.com/title/tt1441135
Green, Kris (15 December 2009). "Hollyoaks to air flashforward episode". Digital Spy. Retrieved 2009-12-15.

External links

The dictionary definition of flashforward at Wiktionary

Film editing

Concept

Technique

Insertion	Dialogue Match cut Long shot Insert
Timelapsing	Cut Jump cut Axial cut Wipe Dissolve Slow motion Prelap
Other	Fast cutting Invisible cut Montage Supercut

Storytelling

Action

Rule

Term

Editing

v t e Narrative
Character	Antagonist Archenemy Character arc Character flaw Characterization Confidant Deuteragonist False protagonist Focal character Foil Gothic double Hamartia Hero Anti Byronic Tragic Narrator Protagonist Stock character Straight man Supporting character Title character Tritagonist Villain
Plot	Ab ovo Action Backstory Origin story Chekhov's gun Cliché Cliffhanger Conflict Deus ex machina Dialogue Dramatic structure Eucatastrophe Foreshadowing Flashback Flashforward Frame story In medias res Kishōtenketsu MacGuffin Pace Plot device Plot twist Poetic justice Red herring Reveal Self-insertion Shaggy dog story Stereotype Story arc Story within a story Subplot Suspense Trope
Setting	Alternate history Backstory Crossover Dreamworld Dystopia Fictional location city country universe parallel Utopia Worldbuilding
Theme	Irony Leitmotif Metaphor Moral Moral development Motif Deal with the Devil Conflict between good and evil Self-fulfilling prophecy Time travel
Style	Allegory Bathos Comic relief Diction Figure of speech Imagery Mode Mood Narration Narrative techniques Hook Show, don't tell Stylistic device Suspension of disbelief Symbolism Tone
Structure	Act Act structure Three-act structure Freytag's Pyramid Exposition/Protasis Rising action/Epitasis Climax/Peripeteia Falling action/Catastasis Denouement/Catastrophe Linear narrative Nonlinear narrative films television series Premise Types of fiction with multiple endings
Form	Drama Fabliau Flash fiction Folklore Fable Fairy tale Legend Myth Tall tale Gamebook Narrative art Narrative poetry Epic poetry Novel Novella Parable Short story Vignette
Genre (List)	Fiction Action fiction Adventure Comic Crime Docu Epistolary Ergodic Erotic Historical Western Mystery Nautical Paranoid Philosophical Picaresque Political Pop culture Psychological Religious Rogue Romance Chivalric Prose Saga Satire Speculative fiction Fantasy Gothic Southern Horror Magic realism Science Hard Utopian and dystopian Underwater Superhero Theological Thriller Urban Nonfiction Autobiography Biography Novel Creative
Narration	Diegesis First-person Second-person Third-person Third-person omniscient narrative Subjectivity Unreliable narrator Multiple narrators Stream of consciousness Stream of unconsciousness
Tense	Past Present Future
Related	Dominant narrative Fiction writing Continuity Canon Reboot Retcon Parallel novel Prequel / Sequel Genre List Literary science Literary theory Narrative identity Narrative paradigm Narrative therapy Narratology Metafiction Political narrative Rhetoric Glossary Screenwriting Series of works Storytelling Tellability Verisimilitude

Categories:

Revision as of 14:36, 2 August 2019 editUncle G (talk \| contribs)Administrators52,482 edits →See also: Removed duplication of hyperlink in article.← Previous edit		Revision as of 11:05, 16 August 2019 edit undoMazewaxie (talk \| contribs)Extended confirmed users, Pending changes reviewers, Rollbackers113,568 edits Importing Wikidata short description: "Plot device" (Shortdesc helper)Next edit →
Line 1:		Line 1:
			{{short description\|Plot device}}
	{{about\|the narrative device}}		{{about\|the narrative device}}
	A '''flashforward''' (also spelled '''flash-forward''' and more formally known as '''prolepsis''') is a scene that temporarily takes the ] forward in time from the current point of the story in literature, film, television and other media.<ref>http://www.thefreedictionary.com/flash-forward</ref> Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to ], in which future events are not shown but rather implicitly hinted at. It is also similar to an ], however an ellipsis takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a ] ], named by analogy to the more traditional ], which reveals events that occurred in the past.		A '''flashforward''' (also spelled '''flash-forward''' and more formally known as '''prolepsis''') is a scene that temporarily takes the ] forward in time from the current point of the story in literature, film, television and other media.<ref>http://www.thefreedictionary.com/flash-forward</ref> Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to ], in which future events are not shown but rather implicitly hinted at. It is also similar to an ], however an ellipsis takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a ] ], named by analogy to the more traditional ], which reveals events that occurred in the past.