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| J.J. and Zock head to the ] at the local shopping mall, with J.J. hoping to use the money he got from hustling to try and beat ''The Bishop of Battle'': a maddeningly difficult video game that centers on players trying to fight off enemies and escape from a 3-D maze that features thirteen different ]. Zock mentions how no one he or Jerry know has made it to the thirteenth level, to the point that he and many others believe it is just a myth. J.J., however, is convinced that the thirteenth level is real, as he heard a kid in New Jersey got to it twice. After an argument about J.J.'s obsession with video games, particularly ''The Bishop of Battle'', J.J. gives Zock his cut of the profits as Zock leaves for home. J.J. receives a warm welcome as he enters the arcade. He inserts a quarter into the ''Bishop of Battle'' cabinet, prompting an introduction from the game's villain, a 3-D face known as The Bishop of Battle, who invites players to try and beat all thirteen levels. J.J. repeatedly tries and fails to make it to the thirteenth level, but only manages to make it to level 12. Determined not to give up, even after closing time, J.J. tries to play one more game, only for the owner of the arcade to force him to leave. | J.J. and Zock head to the ] at the local shopping mall, with J.J. hoping to use the money he got from hustling to try and beat ''The Bishop of Battle'': a maddeningly difficult video game that centers on players trying to fight off enemies and escape from a 3-D maze that features thirteen different ]. Zock mentions how no one he or Jerry know has made it to the thirteenth level, to the point that he and many others believe it is just a myth. J.J., however, is convinced that the thirteenth level is real, as he heard a kid in New Jersey got to it twice. After an argument about J.J.'s obsession with video games, particularly ''The Bishop of Battle'', J.J. gives Zock his cut of the profits as Zock leaves for home. J.J. receives a warm welcome as he enters the arcade. He inserts a quarter into the ''Bishop of Battle'' cabinet, prompting an introduction from the game's villain, a 3-D face known as The Bishop of Battle, who invites players to try and beat all thirteen levels. J.J. repeatedly tries and fails to make it to the thirteenth level, but only manages to make it to level 12. Determined not to give up, even after closing time, J.J. tries to play one more game, only for the owner of the arcade to force him to leave. | ||
| At J.J.'s house, his parents also voice their concern with his obsession with gaming, primarily about how it is affecting his performance in school, leading them to ground him until his grades improve. That night, J.J. sneaks out when his parents are asleep and breaks into the mall arcade to finally finish the game. J.J.'s parents are awoken by a call from Zock, who is worried if J.J. made it home or not, leading them to discover J.J. is gone. Back at the arcade, J.J finally manages to reach the thirteenth level. Suddenly, the ] screen begins flickering various colors and shapes, and the cabinet itself begins shaking violently until it collapses. The Bishop of Battle's voice rings out, telling J.J. that he is a very good player and welcomes him to level 13, before the cabinet releases a wave of energy. After the wave passes, the game's 3-D enemies fly out of the ruins of the cabinet, escaping into the real world. The enemies fire lasers at J.J. that |
At J.J.'s house, his parents also voice their concern with his obsession with gaming, primarily about how it is affecting his performance in school, leading them to ground him until his grades improve. That night, J.J. sneaks out when his parents are asleep and breaks into the mall arcade to finally finish the game. J.J.'s parents are awoken by a call from Zock, who is worried if J.J. made it home or not, leading them to discover J.J. is gone. Back at the arcade, J.J finally manages to reach the thirteenth level. Suddenly, the ] screen begins flickering various colors and shapes, and the cabinet itself begins shaking violently until it collapses. The Bishop of Battle's voice rings out, telling J.J. that he is a very good player and welcomes him to level 13, before the cabinet releases a wave of energy. After the wave passes, the game's 3-D enemies fly out of the ruins of the cabinet, escaping into the real world. The enemies fire lasers at J.J. that manage to do serious damage to the surrounding arcade machines. J.J. manages to defends himself with the gun from the game's controls, which is now able to actually fire lasers as well (Estevez went through a two-week gun training session with the ] to realistically perform his gun maneuvers for the scene). Jerry escapes the arcade and flees to the parking lot, but the drops his gun in the process. The Bishop of Battle appears in reality, drawing closer and closer to a terrified Jerry. | ||
| The next morning, Zock and J.J.'s parents head to the arcade in search of J.J. They discover the damage the arcade sustained during the previous night's battle, as well as the ''Bishop of Battle'' cabinet, having been mysteriously reconstructed. Zock hears J.J.'s voice emanating from the cabinet, reciting the Bishop of Battle's lines from the game. Zock and J.J.'s parents then discover J.J. on the screen, watching as he turns into the ] of the game's player character, hinting that he is now trapped in the game, ready to be controlled by other players. | The next morning, Zock and J.J.'s parents head to the arcade in search of J.J. They discover the damage the arcade sustained during the previous night's battle, as well as the ''Bishop of Battle'' cabinet, having been mysteriously reconstructed. Zock hears J.J.'s voice emanating from the cabinet, reciting the Bishop of Battle's lines from the game. Zock and J.J.'s parents then discover J.J. on the screen, watching as he turns into the ] of the game's player character, hinting that he is now trapped in the game, ready to be controlled by other players. | ||
Revision as of 01:00, 7 January 2021
1983 American film| Nightmares | |
|---|---|
 Theatrical poster designed by Design Projects, Inc. | |
| Directed by | Joseph Sargent |
| Written by | Jeffrey Bloom Christopher Crowe |
| Produced by | Christopher Crowe |
| Starring | Emilio Estevez Cristina Raines Lance Henriksen Richard Masur Veronica Cartwright |
| Cinematography | Mario DeLeo Gerald Perry Kinnerman |
| Edited by | Michael Brown Rod Stephens |
| Music by | Craig Safan |
| Color process | Technicolor |
| Production company | Universal Pictures |
| Distributed by | Universal Pictures |
| Release date |
|
| Running time | 99 minutes |
| Country | United States |
| Language | English |
| Budget | $9 million |
| Box office | $6,670,680 |
Nightmares is a 1983 American horror anthology film directed by Joseph Sargent, and starring Emilio Estevez, Lance Henriksen, Cristina Raines, Veronica Cartwright, and Richard Masur. The film is made up of four short films based on urban legends; the first concerns a woman who encounters a killer in the backseat of her car; the second concerns a video game-addicted teenager who is consumed by his game; the third focuses on a fallen priest who is stalked by a pickup truck from hell; and the last follows a suburban family battling a giant rat in their home.
Nightmares was originally filmed as a two hour pilot of a proposed television series to be broadcast by the NBC network during the 1983-1984 TV season.
Plot
Terror in Topanga
During a routine traffic stop one night, a highway patrolman is viciously stabbed multiple times by an unseen assailant leaping from the bushes, who escapes as quickly as they arrived. The perpetrator is identified by various TV and radio reporters as William Henry Glazier, a murderous escapee of a mental institution who is terrorizing the Topanga area, which mention that the cop, currently undergoing surgery, is his fifth victim.
Meanwhile, Lisa (Raines), a housewife and heavy smoker, puts her children to bed as a news bulletin warning about Glazier appears on her television. Lisa discovers that she is out of cigarettes, prompting her to rush to the store for some more. Her husband Phillip (Joe Lambie), knowing about her addiction, forbids her to leave the house at such a late hour with a madman on the loose, advising her to kick her habit instead. Despite this, she writes Phillip a note, then sneaks to her car and drives to the store.
During the drive, Lisa is listens to a radio bulletin warning residents about Glazier, before she is startled by a hitchhiker. Lisa reaches the store and gets some groceries, as well as her cigarettes. The cashier that rings her up warns her about Glazier as well, briefly showing a gun he is carrying for protection. During the drive home, Lisa discovers that she is almost out of gas, and all the local gas stations are already closed for the night. She finally stops at a more out-of-the-way station. The attendant (William Sanderson) who approaches her happens to perfectly match Glazier's physical appearance. Lisa also grows increasingly alarmed as the attendant seems to be studying her car and herself intently. Suddenly, the attendant lunges at the car with the gas nozzle, breaking the window. He drags Lisa out of the car, then draws a pistol and shoots the actual Glazier (Lee Ving), who was revealed to be hiding in Lisa's back seat the entire time. The attendant calms the crying Lisa by offering to call the police.
Sometime later, the police drive the frightened Lisa back home, where she embraces Phillip. Phillip asks if Lisa got her cigarettes, as Lisa responds by showing him her pack, throwing them in a trash can, and answering no, implying that the experience has cured her of her addiction.
The Bishop of Battle
J.J. Cooney (Estevez) is an immensely talented video game wizard and arcade game hustler, hanging out with his bespectacled friend Zock Maxwell (Billy Jayne). The two of them head into an inner-city arcade to challenge a gang of Hispanic players to a few games, offering the winner a dollar per game with a five game minimum. After a few games, one of the gang members recognizes J.J., and tells the others that they are getting hustled, prompting J.J. and Zock to make a run for it.
J.J. and Zock head to the arcade at the local shopping mall, with J.J. hoping to use the money he got from hustling to try and beat The Bishop of Battle: a maddeningly difficult video game that centers on players trying to fight off enemies and escape from a 3-D maze that features thirteen different levels. Zock mentions how no one he or Jerry know has made it to the thirteenth level, to the point that he and many others believe it is just a myth. J.J., however, is convinced that the thirteenth level is real, as he heard a kid in New Jersey got to it twice. After an argument about J.J.'s obsession with video games, particularly The Bishop of Battle, J.J. gives Zock his cut of the profits as Zock leaves for home. J.J. receives a warm welcome as he enters the arcade. He inserts a quarter into the Bishop of Battle cabinet, prompting an introduction from the game's villain, a 3-D face known as The Bishop of Battle, who invites players to try and beat all thirteen levels. J.J. repeatedly tries and fails to make it to the thirteenth level, but only manages to make it to level 12. Determined not to give up, even after closing time, J.J. tries to play one more game, only for the owner of the arcade to force him to leave.
At J.J.'s house, his parents also voice their concern with his obsession with gaming, primarily about how it is affecting his performance in school, leading them to ground him until his grades improve. That night, J.J. sneaks out when his parents are asleep and breaks into the mall arcade to finally finish the game. J.J.'s parents are awoken by a call from Zock, who is worried if J.J. made it home or not, leading them to discover J.J. is gone. Back at the arcade, J.J finally manages to reach the thirteenth level. Suddenly, the arcade cabinet's screen begins flickering various colors and shapes, and the cabinet itself begins shaking violently until it collapses. The Bishop of Battle's voice rings out, telling J.J. that he is a very good player and welcomes him to level 13, before the cabinet releases a wave of energy. After the wave passes, the game's 3-D enemies fly out of the ruins of the cabinet, escaping into the real world. The enemies fire lasers at J.J. that manage to do serious damage to the surrounding arcade machines. J.J. manages to defends himself with the gun from the game's controls, which is now able to actually fire lasers as well (Estevez went through a two-week gun training session with the NYPD to realistically perform his gun maneuvers for the scene). Jerry escapes the arcade and flees to the parking lot, but the drops his gun in the process. The Bishop of Battle appears in reality, drawing closer and closer to a terrified Jerry.
The next morning, Zock and J.J.'s parents head to the arcade in search of J.J. They discover the damage the arcade sustained during the previous night's battle, as well as the Bishop of Battle cabinet, having been mysteriously reconstructed. Zock hears J.J.'s voice emanating from the cabinet, reciting the Bishop of Battle's lines from the game. Zock and J.J.'s parents then discover J.J. on the screen, watching as he turns into the sprite of the game's player character, hinting that he is now trapped in the game, ready to be controlled by other players.
The Benediction
Lance Henriksen plays a priest serving at a small parish and is facing a crisis of faith brought on by the violent death of a young boy. He explains to his bishop (Robin Gammell) that he has lost his belief in the concepts of good and evil. He leaves the rectory with some holy water that he considers merely tap water, and takes off across the desert in his car.
He encounters a black Chevrolet C-20 Fleetside that appears as if from nowhere. At first it drives threateningly then disappears, but with subsequent appearances it forces him off the road and strikes his car. The truck's driver is an unseen Satan through the truck's tinted windows, but an inverted cross can be seen hanging from the rear-view mirror. Satan's truck finally destroys the ex-priest's car in a collision that does no damage to the truck. With nowhere left to run, the former priest hurls the holy water at the truck, which is vaporized. The episode ends as the police arrive on the scene and an ambulance crew takes the injured priest back to the church.
Night of the Rat
In her home, housewife Claire (Cartwright) has been dealing with a recent rat problem as she can hear the rats in the walls and attic, but her husband Steven (Masur) ignores it.
Even though Steven assures Claire that he will take care of the problem with a couple of rat traps in the attic, the disturbances progressively get worse, as objects start falling off shelves and the family cat is eaten from being torn to shreds. Soon enough, Claire calls an exterminator (Albert Hague) who discovers that the creature has gnawed huge holes behind various cabinets and has also chewed on the power cables. Steven comes home, criticizes his wife, and tells the exterminator to leave.
Claire keeps consulting the exterminator and inevitably she and her family are forced into a showdown with a giant rat.
Cast
|
Terror in Topanga
The Bishop of Battle
|
The Benediction
Night of the Rat
|
Production
It has been a long-held belief that the four segments of the film were initially conceived and shot for ABC's thriller anthology series Darkroom, but were deemed too intense for television. However, on the audio commentary on the 2015 Blu-ray release, executive producer Andrew Mirisch clarifies that the film actually began life as a pilot for an unnamed anthology series for NBC before becoming a theatrical feature for Universal Pictures.
Reception
 | This section needs expansion. You can help by adding to it. (October 2016) |
Though the poster and trailer boasted that the film would be a 'sleeper' and ' one you won't forget ', the film was not well received on release. On Rotten Tomatoes it has an approval rating of 29% based on reviews from 7 critics.
In her review for the New York Times, Janet Maslin wrote, "Nothing spoils a horror story faster than a stupid victim. And Nightmares, an anthology of four supposedly scary episodes, has plenty of those."
Home video
The film was released on VHS by Universal Pictures in the 1980s. It was later released on DVD by Anchor Bay Entertainment in 1999 in "Full Frame (1.33:1) Presentation" and has since gone out of print; this DVD issue of the film became extremely rare, with secondhand prices netting over one-hundred dollars.
On July 10, 2015, Scream Factory announced on their Facebook page that Nightmares was part of their roster of upcoming Blu-ray releases. On December 22, 2015, Scream Factory released Nightmares on Blu-ray.
See also
- Body Bags – A 1993 horror anthology that also was produced for television, and also had major filmmakers attached (John Carpenter and Tobe Hooper).
- Creepshow – A series of anthology horror films helmed by Stephen King and George A. Romero.
References
- https://boxofficemojo.com/movies/?id=nightmares.htm
- ^ Muir, John Kenneth (2013). Horror Films FAQ: All That's Left to Know About Slashers, Vampires, Zombies, Aliens, and More. Applause Theatre & Cinema Books. ISBN 9781557839503. pp. 332-333.
- ^ Carlson, Zack. "Terror Tuesday: Nightmares". Alamo Drafthouse Cinema. Retrieved October 8, 2016.
- http://www.impawards.com/1983/nightmares.html
- https://www.youtube.com/watch?v=thOncLexWDE
- Nightmares at Rotten Tomatoes
- Maslin, Janet (September 3, 1983). "Nightmares Opens: Collection of 4 Horror Tales". New York Times.
- "Nightmares". Amazon.com. Retrieved 2015-08-18.
- "SCREAM FACTORY: HUGE ANNOUNCEMENT OF 10 UPCOMING TITLES!". Facebook. 2015-07-10. Retrieved 2015-08-18.
External links
- Project to make actual The Bishop of Battle video game
- Nightmares at IMDb
- Template:Amg movie
- Nightmares at Box Office Mojo