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Hercules is the Latin name used in Rome for the divinity corresponding to the Greek mythological hero Heracles (or Herakles). Hercules is the son of Jupiter, the Roman counterpart to the Greek god Zeus, and the mortal Alcmena. He was made to perform twelve great tasks, called The Twelve Labours of Hercules, to become a god.

Birth

Hercules was the Roman name for the greatest hero of Greek mythology -- Heracles. Like most authentic heroes, Heracles had a god as one of his parents, being the son of the supreme deity Zeus and a mortal woman. Zeus's queen Hera was jealous of Heracles, and when he was still an infant she sent two snakes to kill him in his crib. Heracles was found with a strangled serpent in each hand.

Etymology

Hercules' Latin name is not directly borrowed from Greek Herakles, but is a modification of the Etruscan name Hercle, which derives from the Greek name via syncope. An oath invoking Hercules (Hercle! or Mehercle!) was a common interjection in Classical Latin.

Character

In Roman works of art and in Renaissance and post-Renaissance art that adapts Roman iconography, Hercules can be identified by his attributes, the lion skin and the club: in mosaic he is shown tanned black, a virile aspect. He is a paragon of action and masculinity, and thus embodies characteristics such as great strength, great courage, and great appetites, including erotic adventures with both women and boys or young men. These qualities did not prevent him from being regarded as a playful figure who used games to relax from his labors and played a great deal with children. While he was a champion and a great warrior, he was not above cheating and using any unfair trick to his advantage. However, he was renowned as having "made the world safe for mankind" by destroying many dangerous monsters. His self-sacrifice obtained him the ascent to the Olympian realms and he was welcomed by the gods.

Roman cult

In popular culture the Romans adopted the Etruscan Hercle, a hero-figure that had already been influenced by Greek culture— especially in the conventions of his representation— but who had experienced an autonomous development. Etruscan Hercle appears in the elaborate illustrative engraved designs on the backs of Etruscan bronze mirrors made during the fourth century BC, which were favoured grave goods. Their specific literary references have been lost, with the loss of all Etruscan literature, but the image of the mature, bearded Hercules suckling at Uni/Juno's breast, engraved on a mirror back from Volterra, is distinctively Etruscan. Also a two way mirror.

This Hercle/Hercules— the Hercle of the ejaculation "Mehercle!"— remained a popular cult figure in the Roman legions. The literary Greek versions of his life and works were appropriated by literate Romans from the 2nd century BC onwards, essentially unchanged, but Latin literature of Hercules added anecdotal detail of its own, some of it linking the hero with the geography of the Western Mediterranean. Details of the Greek cult, which mixed chthonic libations and uneaten holocausts with Olympian services, were adapted to specifically Roman requirements as well, as Hercules became the founding figure of Herculaneum and other places, and his cult became entwined with Imperial cult, as shown in surviving frescoes in the Herculanean collegium that was devoted to Hercules.

The cult of Hercules may have been the first foreign one to be adopted in Rome. According to legend, Hercules is said to have founded his most important shrine in Rome, the Great Altar of Hercules (Ara Maxima Herculis), later housed within the Forum Boarium, the cattle market of Rome, within Rome's original Palatine settlement. This altar has been dated to the 6th or 5th century BC. It stood near the Temple of Hercules Victor. Hercules became popular with merchants, who customarily paid him a tithe of their profits.

Mark Antony identified himself with Hercules, and even invented a son of Hercules, called Anton, from whom Antony claimed descent. In response, his enemy Octavian identified with Apollo.

Some early emperors took up the attributes of Hercules (eg Trajan), and later Roman Emperors, in particular Commodus and Maximian, went further and often identified or compared themselves with him and supported his cult; Maximian styled himself "Herculius".

The cult of Hercules spread through the Roman world. In Roman Egypt, what is believed to be the remains of a Temple of Hercules are found in the Bahariya Oasis.

Myths of Hercules

The Romans adopted the Greek version of Heracles' life and works essentially unchanged, but added anecdotal detail of their own, some of it linking Hercules with the geography of the Western Mediterranean.

In Roman mythology, Acca Larentia was Hercules' mistress. She was married to Tarutius, a wealthy merchant. When he died, she gave his money to charity. In another version, she was the wife of Faustulus.

Art

Roman images of Hercules were modelled upon Hellenistic Greek images and might be contrasted with the images of Heracles that appear in Attic vase-painting (see Heracles). One aspect of Greek Heracles was not adopted by Roman culture: the ambivalent relationship with his patroness/antagonist Hera that was an archaic aspect of "Hera's man", Heracles.

Hercules in popular culture

See Hercules in popular culture.

See also

• Heracles
• Giovanni Francesco Abela

Notes

1. The Classical and Hellenistic conventions of frescoes and mosaics is to show women as pale-skinned and men as tanned dark from their outdoor arena of action and exercising in the gymnasium.(See also and ).
2. Aelian, Varia Historia, 12.15
3. The various founders of this altar, including Hercules himself, are discussed at the Lacus Curtius website.

References

• Etruscan mirror illustrated Uni and Hercle
• Hercle and Menerva on an Etruscan mirror from Città di Castello, c 300 BCE: Badisches Landesmuseum
• Images of Hercules

• Savior gods
• Pederastic heroes and deities