Misplaced Pages

Hagia Sophia, Trabzon

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by 151.38.179.248 (talk) at 16:06, 19 February 2007 (I said THESE IMAGES HAVE COPYRIGHT PROBLEMS. THEY ARE UPLOADED FROM WOWTURKEY.COM WITHOUT PERMISSION.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 16:06, 19 February 2007 by 151.38.179.248 (talk) (I said THESE IMAGES HAVE COPYRIGHT PROBLEMS. THEY ARE UPLOADED FROM WOWTURKEY.COM WITHOUT PERMISSION.)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)

Template:Otheruses2

Hagia Sophia museum, Trabzon, 2002

The Hagia Sophia (Greek: Ἁγία Σοφία, meaning "Holy Wisdom"; Turkish: Ayasofya), now the Hagia Sophia Museum, is a former church and mosque located in the city of Trabzon in the north-eastern part of Turkey. It dates back to the 13th century when Trabzon was the capital of the Empire of Trebizond. It is one of a few Byzantine sites still extant in the area.

The Hagia Sophia church was built in Trapezunt during the reign of Manuel I between 1238 and 1263. After Mehmed II conquered the city in 1461 the church was converted into a mosque. During the brief period of the city in Russia's hands during World War I, the site was used by the Russian military as a makeshift hospital and depot. Afterwards it was put back into use as a mosque, until 1964 when it was turned into a museum which it remains to this day. From 1958-64 the site was restored with the help of Edinburgh University and the General Directorate of Foundations.

The Hagia Sophia is an important monument of the late Byzantine architecture, being characterised by a high central dome and the four large column arches supporting the weight of the dome and ceiling. The ornamenting and art inside and outside the church reflects the periods of both Byzantine and Ottoman reign. The late 13th-century frescos, revealed during the most recent restoration, illustrate the New Testament themes, while external stone ornamenting is in keeping with local traditions of Islamic art.

External links

Gallery

  • 1910 postcard 1910 postcard
Categories: