Misplaced Pages

Lists of multimedia franchises

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by 1.145.112.161 (talk) at 22:53, 17 April 2024. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 22:53, 17 April 2024 by 1.145.112.161 (talk)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)

A multimedia franchise (or a transmedia franchise) is a media franchise for which installments exist in multiple forms of media, such as books, comics, films, television series, animated series and video games. Multimedia franchises usually develop due to the popularization of an original creative work, and then its expansion to other media through licensing agreements, with respect to intellectual property in the franchise's characters and settings, although the trend later developed wherein franchises would be launched in multiple forms of media simultaneously.

In order to qualify for these lists, a franchise must have works in at least three forms of media, and must have two or more separate works in at least two of those forms of media (a television series or comic book series is considered a single work for purposes of this list; multiple spin-off series or reboots of a previously ended series are considered multiple works). For example, a television series that spawned one film and one novelization would not qualify; a television series that had a spin-off series, or was remade as a new series, and which spawned two films and one novelization does qualify. These lists do not include public domain works from which adaptations have been made in multiple media only after the works entered the public domain, which do not involve licensing or other means by which an author or owner controls the franchise. A franchise may be included if it obtained multimedia franchise status prior to works within the collection entering the public domain.

Following are lists of multimedia franchises, divided by media characteristics:

Multimedia franchises originating in print

Main article: List of multimedia franchises originating in print Main article: List of public domain works with multimedia adaptations

Franchises originating in literature

Franchises originating in comics

Multimedia franchises originating in films

Main article: List of multimedia franchises originating in films

Franchises originating in animated films

Franchises originating in animated shorts

Franchises originating in animated feature films

Franchises originating in live-action films

Multimedia franchises originating in television and web series

Main article: List of multimedia franchises originating in television series

Franchises originating in animated television and web series

Franchises originating in live action television and web series

Multimedia franchises originating in Video Games

Main article: List of multimedia franchises originating in games, toys, and merchandise

Franchises originating in video games, and then appearing in film and television series

Franchises originating in video games appearing in comics or literature only

Franchises originating in Other mediums

Main article: List of multimedia franchises originating in games, toys, and merchandise

Franchises originating in board games, card games, tabletop games and role-playing games

Franchises originating on children's music band, swing and radio

Franchises originating in toys, dolls, and action figures

Franchises originating in Greeting Cards

Franchises originating in Stage plays and Theme Parks

See also

References

  1. See, e.g., Barry Langford, Post-classical Hollywood: Film Industry, Style and Ideology Since 1945, p. 207, ISBN 074863858X: "For the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".
  2. Harry J. Brown, Videogames and Education (2008), p. 41, ISBN 0765629496:

    In one of the most celebrated ventures in media convergence, Larry and Andy Wachowski, creators of The Matrix trilogy, produced the game Enter the Matrix (2003) simultaneously with the last two films of the trilogy, shooting scenes for the game on the movie's sets with the movie s actors, and releasing the game on the same day as The Matrix: Reloaded. Likewise, on September 21, 2004, Lucasfilm jointly released a new DVD box set of the original Star Wars trilogy with Star Wars: Battlefront, a combat game in which players can reenact battles from all six Star Wars films. In 2005, Peter Jackson likewise produced his blockbuster film King Kong (2005) in tandem with a successful King Kong game designed by Michael Ancel and published by Ubisoft. In the last several years, numerous licensed videogame adaptations of major summer and holiday blockbusters were released a few days before or a few days after their respective films, including: all three Star Wars films (1999–2005); all five Harry Potter films (2001–2008); all three Spider-Man films (2002–2007); Hulk (2002); The Lord of the Rings: The Two Towers (2002); The Lord of the Rings: The Return of the King (2003); The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (2005); Pirates of the Caribbean: Dead Man's Chest (2006); Pirates of the Caribbean: At World's End (2007); and Transformers (2007). These multimedia franchises have made it more difficult to distinguish the production of films and videogames as separate enterprises.

  3. based on historical events
Media franchises
Media series
Media lists
Highest-grossing
Best-selling
Disambiguation iconThis article includes a mass media-related list of lists. Categories: