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Walt Whitman
Walt Whitman, 1887Walt Whitman, 1887

Walter Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist, journalist, and humanist. He was a part of the transition between Transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.

Born on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and a volunteer nurse during the American Civil War in addition to publishing his poetry. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitman's major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey where his health further declined. He died at age 72 and his funeral became a public spectacle.

Whitman's sexuality is often discussed alongside his poetry. Though biographers continue to debate his sexuality, he is usually described as either homosexual or bisexual in his feelings and attractions. However, there is disagreement among biographers as to whether Whitman had actual sexual experiences with men. Whitman was concerned with politics throughout his life. He supported the Wilmot Proviso and opposed the extension of slavery generally. His poetry presented an egalitarian view of the races, and at one point he called for the abolition of slavery, but later he saw the abolitionist movement as a threat to democracy.

nick mays]] on December 3. That month, Whitman committed his brother Jesse to the Kings County Lunatic Asylum. Whitman's spirits were raised, however, when he finally got a better-paying government post as a low-grade clerk in the Bureau of Indian Affairs in the Department of the Interior, thanks to his friend William Douglas O'Connor. O'Connor, a poet, daguerreotypist and an editor at the Saturday Evening Post, had written to William Tod Otto, Assistant Secretary of the Interior, on Whitman's behalf. Whitman began the new appointment on January 24, 1865, with a yearly salary of $1,200. A month later, on February 24, 1865, George was released from capture and granted a furlough because of his poor health. By May 1, Whitman received a promotion to a slightly higher clerkship and published Drum-Taps.

Effective June 30, 1865, however, Whitman was fired from his job. His dismissal came from the new Secretary of the Interior, former Iowa Senator James Harlan. Though Harlan dismissed several clerks who "were seldom at their respective desks", he may have fired Whitman on moral grounds after finding an 1860 edition of Leaves of Grass. O'Connor protested until J. Hubley Ashton had Whitman transferred to the Attorney General's office on July 1. O'Connor, though, was still upset and vindicated Whitman by publishing a biased and exaggerated biographical study, The Good Gray Poet, in January 1866. The fifty-cent pamphlet defended Whitman as a wholesome patriot, established the poet's nickname and increased his popularity. Also aiding in his popularity was the publication of "O Captain! My Captain!", a relatively conventional poem on the death of Abraham Lincoln, the only poem to appear in anthologies during Whitman's lifetime.

Part of Whitman's role at the Attorney General's office was interviewing former Confederate soldiers for Presidential pardons. "There are real characters among them", he later wrote, "and you know I have a fancy for anything out of the ordinary." In August 1866, he took a month off in order to prepare a new edition of Leaves of Grass which would not be published until 1867 after difficulty in finding a publisher. He hoped it would be its last edition. In February 1868 Poems of Walt Whitman was published in England thanks to the influence of William Michael Rossetti, with minor changes that Whitman reluctantly approved. The edition became popular in England, especially with endorsements from the highly respected writer Anne Gilchrist. Another edition of Leaves of Grass was issued in 1871, the same year it was mistakenly reported that its author died in a railroad accident. As Whitman's international fame increased, he remained at the attorney general's office until January 1872. He spent much of 1872 caring for his mother who was now nearly eighty and struggling with arthritis. He also traveled and was invited to Dartmouth College to give the commencement address on June 26, 1872.

Health decline and death

Walt Whitman spent his last few years at his home in Camden, New Jersey. Today, it is open to the public as the Walt Whitman House.

Early in 1873, Whitman suffered a paralytic stroke; his mother died in May the same year. Both events were difficult for Whitman and left him depressed. He moved to Camden, New Jersey to live with his brother George, paying room and board until he bought his own house on Mickle St. in 1884. Around this time, he began socializing with Mary Oakes Davis, the widow of a sea captain, who lived nearby. She moved in with Whitman on February 24, 1885 to serve as his housekeeper in exchange for free rent. She brought with her a cat, a dog, two turtledoves, a canary, and other assorted animals. During this time, Whitman produced further editions of Leaves of Grass in 1876, 1881, and 1889.

"America" An 1890 recording thought to be Walt Whitman reading the opening four lines of his poem "America".
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As the end of 1891 approached, he prepared a final edition of Leaves of Grass, an edition which has been nicknamed the "Deathbed Edition". He wrote, "L. of G. at last complete—after 33 y'rs of hackling at it, all times & moods of my life, fair weather & foul, all parts of the land, and peace & war, young & old". Preparing for death, Whitman commissioned a granite mausoleum shaped like a house for $4,000 and visited it often during construction. In the last week of his life, he was too weak to lift a knife or fork and wrote: "I suffer all the time: I have no relief, no escape: it is monotony — monotony — monotony — in pain."

Whitman died on March 26, 1892. An autopsy revealed his lungs had diminished to one-eighth their normal breathing capacity, a result of bronchial pneumonia, and that an egg-sized abscess on his chest had eroded one of his ribs. The cause of death was officially listed as "pleurisy of the left side, consumption of the right lung, general miliary tuberculosis and parenchymatous nephritis." A public viewing of his body was held at his Camden home; over one thousand people visited in three hours and Whitman's oak coffin was barely visible because of all the flowers and wreaths left for him. He was buried in his tomb at Harleigh Cemetery in Camden four days after his death. Another public ceremony was held at the cemetery, with friends giving speeches, live music, and refreshments. Whitman's friend, the orator Robert Ingersoll, delivered the eulogy. Later, the remains of Whitman's parents and two of his brothers and their families were moved to the mausoleum.

Writing

File:WhitmanEakins.jpg
Portrait of Whitman by Thomas Eakins, 1887-88

Whitman's work breaks the boundaries of poetic form and is generally prose-like. He also used unusual images and symbols in his poetry, including rotting leaves, tufts of straw, and debris. He also openly wrote about death and sexuality, including prostitution. He is often labeled as the father of free verse, though he did not invent it.

Poetic theory

Whitman wrote in the preface to the 1855 edition of Leaves of Grass, "The proof of a poet is that his country absorbs him as affectionately as he has absorbed it." He believed there was a vital, symbiotic relationship between the poet and society. This connection was emphasized especially in "Song of Myself" by using an all-powerful first-person narration. As an American epic, it deviated from the historic use of an elevated hero and instead assumed the identity of the common people. Leaves of Grass also responded to the impact that recent urbanization in the United States had on the masses.

Lifestyle and beliefs

Alcohol

Whitman was a vocal proponent of temperance and in his youth rarely drank alcohol. He once claimed he did not taste "strong liquor" until he was thirty and occasionally argued for prohibition. One of his earliest long fiction works, the novel Franklin Evans; or, The Inebriate, first published November 23, 1842, is a temperance novel. Whitman wrote the novel at the height of popularity of the Washingtonian movement though the movement itself was plagued with contradictions, as was Franklin Evans. Years later Whitman claimed he was embarrassed by the book and called it a "damned rot". He dismissed it by saying he wrote the novel in three days solely for money while he was under the influence of alcohol himself. Even so, he wrote other pieces recommending temperance, including The Madman and a short story "Reuben's Last Wish". Later in life he was more liberal with alcohol, enjoying local wines and champagne.

Religion

Whitman was deeply influenced by deism. He denied any one faith was more important than another, and embraced all religions equally. In "Song of Myself", he gave an inventory of major religions and indicated he respected and accepted all of them – a sentiment he further emphasized in his poem "With Antecedents", affirming: "I adopt each theory, myth, god, and demi-god, / I see that the old accounts, bibles, genealogies, are true, without exception". In 1874, he was invited to write a poem about the Spiritualism movement, to which he responded, "It seems to me nearly altogether a poor, cheap, crude humbug." Whitman was a religious skeptic: though he accepted all churches, he believed in none.

Sexuality

Whitman and Peter Doyle, one of the men with whom Whitman was believed to have had an intimate relationship

Whitman's sexuality is generally assumed to be homosexual or bisexual based on his poetry, though that has been at times disputed. His poetry depicts love and sexuality in a more earthy, individualistic way common in American culture before the medicalization of sexuality in the late 1800s. Though Leaves of Grass was often labeled pornographic or obscene, only one critic remarked on its author's presumed sexual activity: in a November 1855 review, Rufus Wilmot Griswold suggested Whitman was guilty of "that horrible sin not to be mentioned among Christians". Whitman had intense friendships with many men and boys throughout his life. Some biographers have claimed that he may not have actually engaged in sexual relationships with males, while others cite letters, journal entries and other sources which they claim as proof of the sexual nature of some of his relationships.

Peter Doyle may be the most likely candidate for the love of Whitman's life, according to biographer David S. Reynolds. Doyle was a bus conductor whom Whitman met around 1866 and the two were inseparable for several years. Interviewed in 1895, Doyle said: "We were familiar at once — I put my hand on his knee — we understood. He did not get out at the end of the trip — in fact went all the way back with me." In his notebooks, Whitman disguised Doyle's initials using the code "16.4". A more direct second-hand account comes from Oscar Wilde. Wilde met Whitman in America in 1882 and wrote to the homosexual rights activist George Cecil Ives that there was "no doubt" about the great American poet's sexual orientation — "I have the kiss of Walt Whitman still on my lips," he boasted. The only explicit description of Whitman's sexual activities is second hand. In 1924 Edward Carpenter, then an old man, described an erotic encounter he had had in his youth with Whitman to Gavin Arthur, who recorded it in detail in his journal. Late in his life, when Whitman was asked outright if his series of "Calamus" poems were homosexual, he chose not to respond.

Walt Whitman and Bill Duckett

Another possible lover was Bill Duckett. As a young teenage boy he lived in on the same street in Camden and moved in with Whitman, living with him a number of years and serving him in various roles. Their relationship was close, with the youth sharing Whitman's money when he had it. Whitman described their friendship as "thick." Though some biographers describe him as a boarder, others identify him as a lover.Their photograph is described as "modeled on the conventions of a marriage portrait," part of a series of portraits of the poet with his young male friends, and encrypting male-male desire.Yet another intense relationship with a young man was the one with Harry Stafford, with whose family he stayed when at Timber Creek, and whom he first met when the young man was 18, in 1876. Whitman gave young Stafford a ring, which was returned and given back over the course of a stormy relationship lasting a number of years. Of that ring Stafford wrote to Whitman, "You know when you put it on there was but one thing to part it from me, and that was death."

There is also some evidence that Whitman may have had sexual relationships with women. He had a romantic friendship with a New York actress named Ellen Grey in the spring of 1862, but it is not known whether or not it was also sexual. He still had a photo of her decades later when he moved to Camden and referred to her as "an old sweetheart of mine". In a letter dated August 21, 1890 he claimed, "I have had six children - two are dead". This claim has never been corroborated. Toward the end of his life, he often told stories of previous girlfriends and sweethearts and denied an allegation from the New York Herald that he had "never had a love affair". As Whitman biographer Jerome Loving wrote, "the discussion of Whitman's sexual orientation will probably continue in spite of whatever evidence emerges."

Shakespeare authorship

Whitman was a proponent of the Shakespeare authorship question, refusing to believe in the historic attribution of the works to William Shakespeare of Stratford-upon-Avon. Whitman comments in his November Boughs (1888) regarding Shakespeare's historical plays:

Conceiv'd out of the fullest heat and pulse of European feudalism -personifying ill unparalleled ways the medieval aristocracy, its towering spirit of ruthless and gigantic caste, with its own peculiar air and arrogance (no mere imitation) -only one of the "wolfish earls" so plenteous in the plays themselves, or some born descendant and knower, might seem to be the true author of those amazing works -works in some respects greater than anything else in recorded literature."

Slavery

Whitman opposed the extension of slavery in the United States and supported the Wilmot Proviso. At first he was opposed to abolitionism, believing the movement did more harm than good. In 1846, he wrote that the abolitionists had, in fact, slowed the advancement of their cause by their "ultraism and officiousness". His main concern was that their methods disrupted the democratic process, as did the refusal of the Southern states to put the interests of the nation as a whole above their own. In 1856, in his unpublished The Eighteenth Presidency, addressing the men of the South, he wrote "you are either to abolish slavery or it will abolish you". Whitman also subscribed to the widespread opinion that even free African-Americans should not vote and was concerned at the increasing number of African-Americans in the legislature.

Legacy and influence

Whitman was honored on a 'Famous Americans Series' Postal issue, in 1940.

Walt Whitman has been claimed as America's first "poet of democracy", a title meant to reflect his ability to write in a singularly American character. A British friend of Walt Whitman, Mary Smith Whitall Costelloe, wrote: "You cannot really understand America without Walt Whitman, without Leaves of Grass... He has expressed that civilization, 'up to date,' as he would say, and no student of the philosophy of history can do without him." Modernist poet Ezra Pound called Whitman "America's poet... He is America." Andrew Carnegie called him "the great poet of America so far". Whitman considered himself a messiah-like figure in poetry. Others agreed: one of his admirers, William Sloane Kennedy, speculated that "people will be celebrating the birth of Walt Whitman as they are now the birth of Christ".

The literary critic, Harold Bloom wrote, as the introduction for the 150th anniversary of Leaves of Grass:

If you are American, then Walt Whitman is your imaginative father and mother, even if, like myself, you have never composed a line of verse. You can nominate a fair number of literary works as candidates for the secular Scripture of the United States. They might include Melville's Moby-Dick, Twain's Adventures of Huckleberry Finn, and Emerson's two series of Essays and The Conduct of Life. None of those, not even Emerson's, are as central as the first edition of Leaves of Grass.

Whitman's vagabond lifestyle was adopted by the Beat movement and its leaders such as Allen Ginsberg and Jack Kerouac in the 1950s and 1960s as well as anti-war poets like Adrienne Rich and Gary Snyder. Lawrence Ferlinghetti numbered himself among Whitman's "wild children", and the title of his 1961 collection Starting from San Francisco is a deliberate reference to Whitman's Starting from Paumanok. Whitman also influenced Bram Stoker, author of Dracula, and was the model for the character of Dracula. Stoker said in his notes that Dracula represented the quintessential male which, to Stoker, was Whitman, with whom he corresponded until Whitman's death.

Whitman is a 2009 inductee of the New Jersey Hall of Fame.

The final stanza of the poem "The Wound-Dresser" by Walt Whitman has been engraved across the top of the massive granite walls encircling the 188-foot north entrance escalators descending to the underground trains at the DuPont Circle stop on the Washington, D.C. transit system. The installation was formally dedicated as a tribute to caregivers for those with HIV/Aids and other devastating illnesses at a ceremony on July 14, 2007.

See also

Notes

  1. ^ Reynolds, 314
  2. ^ Loving, 480
  3. ^ Reynolds, 589
  4. ^ Buckham, Luke. "Walt Whitman's Vision of Liberty", Keene Free Press. October 11, 2006.
  5. ^ Loving, 19
  6. "The Walt WHitman Encyclopedia".
  7. Kaplan, 293–294
  8. Reynolds, 454
  9. ^ Loving, 283
  10. ^ Reynolds, 455
  11. ^ Loving, 290
  12. Loving, 291
  13. Kaplan, 304
  14. Reynolds, 456-457
  15. Kaplan, 309
  16. Loving, 293
  17. Kaplan, 318–319
  18. ^ Loving, 314
  19. Callow, 326
  20. Kaplan, 324
  21. Callow, 329
  22. Loving, 331
  23. Reynolds, 464
  24. Kaplan, 340
  25. Loving, 341
  26. Miller, 33
  27. Haas, Irvin. Historic Homes of American Authors. Washington, DC: The Preservation Press, 1991: 141. ISBN 0891331808.
  28. Loving, 432
  29. Reynolds, 548
  30. Reynolds, 586
  31. ^ Loving, 479
  32. Kaplan, 49
  33. Reynolds, 587
  34. Callow, 363
  35. ^ Reynolds, 588
  36. The Book of Eulogies, Phyllis Theroux (Editor), 1977, Simon & Schuster. Page 30.
  37. Kaplan, 50
  38. Kaplan, 233
  39. Reynolds, 5
  40. Reynolds, 324
  41. Miller, 78
  42. Reynolds, 332
  43. Loving, 71
  44. Callow, 75
  45. Loving, 74
  46. Reynolds, 95
  47. Reynolds, 91
  48. Loving, 75
  49. Reynolds, 97
  50. Loving, 72
  51. Henry Bryan Binns A life of Walt Whitman; p.315
  52. ^ Reynolds, 237
  53. Loving, 353
  54. D'Emilio, John and Estelle B. Freeman, Intimate Matters: A History of Sexuality in America. University of Chicago Press, 1997. ISBN 0-226-14264-7
  55. Loving, 184–185
  56. Norton, Rictor "Walt Whitman, Prophet of Gay Liberation" from The Great Queens of History, updated 18 November 1999
  57. Reynolds, 487
  58. Kaplan, 311–312
  59. Shively, Charley Calamus Lovers: Walt Whitman's Working Class Camerados, Gay Sunshine Press, San Francisco, 1987: 25. ISBN 9780917342189
  60. McKenna, Neil. The Secret Life of Oscar Wilde. Century, 2003: 33. ISBN 0465044387.
  61. Kantrowitz, Arnie. "Carpenter". Walt Whitman: An Encyclopedia, J.R. LeMaster and Donald D. Kummings, eds. New York: Garland Publishing, 1998.
  62. Arthur, Gavin The Circle of Sex, University Books, New York 1966 ASIN: B0006BOHDO
  63. Reynolds, 527
  64. Henry Adams, Thomas Eakins; Eakins revealed: the secret life of an American artist p.289
  65. Ruth L. Bohan; Looking into Walt Whitman: American art, 1850-1920; p.136
  66. The Walt Whitman Archive
  67. Callow, 278
  68. Loving, 123
  69. Reynolds,490
  70. Nelson, Paul A. "Walt Whitman on Shakespeare. Reprinted from The Shakespeare Oxford Society Newsletter, Fall 1992: Volume 28, 4A.
  71. ^ Reynolds, 117
  72. Loving, 110
  73. Reynolds, 473
  74. Reynolds, 470
  75. Reynolds, 4
  76. Pound, Ezra. "Walt Whitman", Whitman, Roy Harvey Pearce, ed. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1962: 8
  77. Kaplan, 22
  78. Callow, 83
  79. Loving, 475
  80. Bloom, Harold. Introduction to Leaves of Grass. Penguin Classics, 2005.
  81. Loving, 181
  82. Jack Foley. "A Second Coming". Contemporary Poetry Review. Retrieved 2010-2-18. {{cite web}}: Check date values in: |accessdate= (help)
  83. Nuzum, Eric. The Dead Travel Fast: Stalking Vampires from Nosferatu to Count Chocula. Thomas Dunne Books, 2007: 141–147. ISBN 0-31237-111-X
  84. New Jersey to Bon Jovi: You Give Us a Good Name Yahoo News, February 2, 2009

References

  • Callow, Philip. From Noon to Starry Night: A Life of Walt Whitman. Chicago: Ivan R. Dee, 1992. ISBN 0929587952
  • Kaplan, Justin. Walt Whitman: A Life. New York: Simon and Schuster, 1979. ISBN 0671225421
  • Loving, Jerome. Walt Whitman: The Song of Himself. University of California Press, 1999. ISBN 0520226879
  • Miller, James E., Jr. Walt Whitman. New York: Twayne Publishers, Inc. 1962
  • Reynolds, David S. Walt Whitman's America: A Cultural Biography. New York: Vintage Books, 1995. ISBN 0679767096
  • Stacy, Jason. Walt Whitman's Multitudes: Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855. New York: Peter Lang Publishing, 2008. ISBN 978-1-4331-0383-4

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