Misplaced Pages

Requiem (Duruflé)

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by 202.154.141.28 (talk) at 06:21, 20 September 2010. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 06:21, 20 September 2010 by 202.154.141.28 (talk)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)
The start of Movement II, Kyrie, in the composer's own arrangement for choir and organ. The plainchant influence is clearly evident, particularly in the bass lead to this section.

The Requiem, op. 9, by Maurice Duruflé was commissioned in 1947 by the French music publisher Durand and is written in memory of the composer's father. The work is for mixed choir with mezzo-soprano and baritone soloists. It exists in three orchestrations: one for organ alone, one for organ with string orchestra, and one for organ and full orchestra.

At the time of commission, Duruflé was working on an organ suite using themes from Gregorian chants. He incorporated his sketches for that work into the Requiem, which uses many themes from the Gregorian "Mass for the Dead." Nearly all the thematic material in the work comes from chant.

Structure

The work is set in nine movements. The Dies irae text, perhaps the most famous portion of the Requiem mass, is not set. Duruflé's omission of this text and inclusion of others from the burial service (e.g. In Paradisum) makes the composition calmer and more meditative than some other settings. In the full score, the fifth movement, "Pie Jesu," has the only solo for the mezzo-soprano; in addition, even in the "organ-only" version of the Requiem, there is an obbligato cello solo. The baritone soloist has parts in the third movement, "Domine Jesu Christe," and the penultimate movement, "Libera me." Duruflé left indications in the score that, for the baritone soloist at least, it was preferable to have the choir sing the solos instead. This has resulted in various forces being used in different performances, some with both soloists, some with only the mezzo-soprano, and some (such as Robert Shaw's Telarc recording) using no soloists at all.

Like many requiems, Duruflé's omits the Gradual and the Tract. The "Dies Irae" sequence is not omitted, but its text is included in the "Libera Me." It includes the motet Pie Jesu and two texts from the burial service, Libera me and In Paradisum. In this way, structurally Duruflé's Requiem mirrors Fauré's in almost every way.

  1. Introit
  2. Kyrie
  3. Domine Jesu Christe (Offertory)
  4. Sanctus – Benedictus
  5. Pie Jesu
  6. Agnus Dei
  7. Lux aeterna (Communion)
  8. Libera me
  9. In Paradisum

Instrumentation

The full orchestra version calls for piccolo, 2 flutes, 2 oboes (2nd doubling 2nd cor anglais), cor anglais, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, tamtam, celesta, harp, organ, and the typical string orchestra of violins, violas, cellos, and double basses.

Notes

External links

Categories: