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Transformers: Dark of the Moon

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Revision as of 07:08, 8 August 2011 by Fanaction2031 (talk | contribs) (→Effects)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) This article is about the film. For the related toy line, see Transformers: Dark of the Moon (toy line). For the video game, see Transformers: Dark of the Moon (video game). 2011 Template:Film US film
Transformers: Dark of the Moon
The poster depicts of a Transformer named Optimus Prime, standing with his blade on his left arm, and his blaster on his right arm, with a young couple standing below the Transformer, and standing in front of a crashlanded Decepticon fighter. The characters appear to be in the war-torn city of Chicago, with Decepticon battleships surrounding and guarding the city. The film title and credits are on the bottom of the poster.Theatrical release poster
Directed byMichael Bay
Written byEhren Kruger
Produced byDon Murphy
Tom DeSanto
Lorenzo di Bonaventura
Ian Bryce
StarringShia LaBeouf
Josh Duhamel
John Turturro
Tyrese Gibson
Rosie Huntington-Whiteley
Patrick Dempsey
Kevin Dunn
Julie White
John Malkovich
Frances McDormand
CinematographyAmir Mokri
Edited byRoger Barton
William Goldenberg
Joel Negron
Music bySteve Jablonsky
Production
company		DreamWorks Pictures
Distributed byParamount Pictures
Release dates
  • June 23, 2011 (2011-06-23) (MIFF)
  • June 29, 2011 (2011-06-29) (North America)
Running time154 minutes
CountryTemplate:Film US
LanguageEnglish
Budget$195 million
Box office$1,037,673,000

Transformers: Dark of the Moon is a 2011 American science fiction-action film. It is the third film of the live-action Transformers film series, directed by Michael Bay and produced by Steven Spielberg. It is the sequel to Transformers and Transformers: Revenge of the Fallen and was released on June 29, 2011. The film was released in both 2D and 3D formats, including IMAX 3D, and featured Dolby Surround 7.1 sound. The film sets three years after the events of the last film, as the Autobots continue to work for NEST - a United States military-Autobot alliance, they discover a hidden alien technology in possession of humans, which is in fact the fuel cell for a crash landed ship called the Ark, discovered by the first manned mission to the moon: Apollo 11. The ship contained an alien technology which will be used to transport Cybertron itself to the atmosphere of the Earth, and enslave Humanity to rebuild the war-torn and barren planet.

Shia LaBeouf, Josh Duhamel, Tyrese Gibson and John Turturro reprise their starring roles, also Peter Cullen returned as the voice of Optimus Prime and Hugo Weaving returned as the voice of Megatron. Kevin Dunn, and Julie White have also reprised their roles as Sam Witwicky's parents. Ehren Kruger, who collaborated in the writing of the second film, was again involved in the writing.

Despite having been initially confirmed for the film, and with the film already into principal photography, it was announced that Megan Fox would not be reprising her role from the previous two films. With Fox's character (Mikaela Banes) being dropped, Sam was assigned a new love interest, portrayed by English model Rosie Huntington-Whiteley. Also, Roberto Orci and Alex Kurtzman, having written the last two films, did not return for this installment in the series, which Orci had earlier somewhat anticipated, fearing the duo would "risk getting stale".

Bay has stated this would be his last installment in the series. In May 2011, it was announced that Paramount Pictures had bumped Transformers: Dark of the Moon's release date of July 1, 2011, two days earlier, June 29, in order to receive an early response to footage. The film was then released one day earlier, June 28, in select 3D and IMAX theatres, nationwide. The film is currently the 2nd highest grossing film of 2011 (behind Harry Potter and the Deathly Hallows - Part 2) internationally. The film is also currently the highest grossing Michael Bay film, and the highest grossing Paramount-DreamWorks film of all time and also currently stands as the 7th highest-grossing film of all-time and highest-grossing film in the Transformers series and the only film in the series to gross over $1 billion. The film is currently the 10th film in cinematic history to cross the $1 billion mark-in unadjusted dollars-and the third film in 2011 to cross the billion mark.

Plot

In 1961, the Ark, a Cybertronian spacecraft carrying an invention capable of ending the war between the Autobots and Decepticons, crash lands on the far side of Earth's Moon. The crash is detected on Earth by NASA, and President John F. Kennedy authorizes a mission to put a man on the Moon as a cover for investigating the craft. In 1969, the crew of Apollo 11 lands on the Moon to explore the craft.

In the present, in the aftermath of the events of the first two films, the Autobots assist the United States military in preventing conflicts around the globe. During a mission to Chernobyl to investigate suspected alien technology, Optimus Prime finds a fuel cell from the Ark, discovering it had survived its journey from Cybertron. The Autobots are attacked by Shockwave who manages to escape. After learning of the top-secret mission to the Moon, the Autobots travel there to explore the Ark. There they discover a comatose Sentinel Prime – Optimus' predecessor as leader of the Autobots – and his creation, the Pillars, a means of establishing a Space Bridge between two points to teleport matter. After returning to Earth, Optimus uses the energy of his Matrix of Leadership to revive Sentinel Prime.

Meanwhile, Sam Witwicky is frustrated that he is unable to work with the Autobots and failing to find a job. He also becomes envious of the close relationship between his new girlfriend, Carly Spencer, and her boss Dylan Gould. After finding work, Sam is provided information by his eccentric co-worker Jerry Wang about the Ark, before Jerry is assassinated by Laserbeak – a condor-like Decepticon. Sam contacts the now-independently wealthy Seymour Simmons, and together they realize that Megatron and the Decepticons are murdering people connected to the American and Russian space missions to the Ark. They locate two surviving Russian cosmonauts who reveal satellite photos of hundreds of Pillars being stockpiled on the Moon. Sam realizes that the Decepticons raided the Ark long before the Autobots mission and intentionally left Sentinel and five Pillars behind to lure the Autobots into a trap - Sentinel being the key to activating the Pillars and the Decepticons lacking the means to revive him. The Autobots rush to return Sentinel to their base for protection but Sentinel betrays them and kills Ironhide, revealing he had made a deal with Megatron to ensure the survival of the Cybertronian race.

Sentinel uses the Pillars to transport hundreds of concealed Decepticons from the Moon to Earth and Carly is captured by Gould, who is revealed to be in the service of the Decepticons. The Autobots are exiled from Earth at the demand of the Decepticons to avoid war but as their ship leaves Earth it is destroyed by Starscream, seemingly killing the Autobots. The Decepticons, led by Megatron and Sentinel, seize Chicago as their agents place Pillars around the world. Gould reveals to Carly that the Decepticons plan to transport their homeworld of Cybertron to the Milky Way, then to enslave Humanity and use the resources of the Earth to rebuild their world. Sam teams with Robert Epps to go into Chicago to save Carly, but they are nearly killed by Decepticon forces before the Autobots intervene; revealing they concealed themselves during the launch of their ship to convince the Decepticons they were destroyed.

Working together, the Autobots and Human soldiers manage to rescue Carly and destroy Soundwave, Barricade, Starscream and Shockwave, with Optimus using Shockwave's arm-cannon to blast the Control Pillar, disabling the Space Bridge. Sam confronts Gould as he reactivates the Control Pillar. After a brief fistfight, Sam knocks Gould into the Pillar, electrocuting him. Bumblebee and Ratchet arrive and destroy the Control Pillar, permanently disabling the Bridge and causing the partially transported Cybertron to implode. Optimus and Sentinel fight while Carly convinces Megatron that he will be replaced as leader of the Decepticons by Sentinel. Sentinel severs Optimus's right arm and prepares to execute him when Megatron intervenes, incapacitating Sentinel. Optimus attacks Megatron, decapitating and killing him. Sentinel pleads for his life but Optimus executes him for betraying his own principles. With the Decepticons defeated, Carly and Sam are reunited and the Autobots accept that with Cybertron gone, Earth is now their home.

Cast

Main article: List of characters in Transformers (film series)

Voice actors

Production

As a preemptive measure, Michael Lucchi and Paramount announced a July 1, 2011 release date in IMAX 3-D for another Transformers film before completion of Revenge of the Fallen. Director Michael Bay responded, "I said I was taking off a year from Transformers. Paramount made a mistake in dating Transformers 3—they asked me on the phone—I said yes to July 1—but for 2012—whoops! Not 2011! That would mean I would have to start prep in September. No way. My brain needs a break from fighting robots."

On October 1, 2009, Bay revealed that Transformers: Dark of the Moon had already gone into pre-production, and its planned release was back to its originally intended date of July 1, 2011, rather than 2012. Filming started in May 2010, with shooting locations including Chicago, Florida, and Moscow. Due to the revived interest in 3-D technology brought in by the success of Avatar, talks between Paramount, Industrial Light & Magic and Bay had considered the possibility of the next Transformers film being filmed in 3-D. Testing has been performed in bringing the technology into Bay's work. Bay was reluctant to film with 3-D cameras since in test he'd found them to be too cumbersome for his filming style, but he did not want to implement the technology in post production either since he was not pleased with the results.

According to various published sources, Megan Fox's absence from the film was due to Bay ultimately choosing not to renew her role in light of her comparing him and his work ethics to Adolf Hitler, although representatives for the actress said that it was her decision to leave the film franchise. Bay later revealed that Fox's comments particularly angered executive producer Steven Spielberg, which affected Bay's decision to remove her. "I wasn't hurt," Bay stated, "because I know that's just Megan. Megan loves to get a response. And she does it in kind of the wrong way. I'm sorry, Megan. I'm sorry I made you work twelve hours. I'm sorry that I'm making you show up on time. Movies are not always warm and fuzzy." With Fox not reprising her role, Rosie Huntington-Whiteley was chosen to play Sam's new love interest. Ramón Rodríguez was initially planned to be in the film, in a role bigger than the one he had in Revenge of the Fallen, but he was dropped during early production.

File:Carstf3.jpg
Cars used on set of Transformers: Dark of the Moon

In a hidden extra for the Blu-ray version of Revenge of the Fallen, Bay expressed his intention to make Transformers 3 not necessarily larger than Revenge of the Fallen, but instead go deeper into the mythos, give it more character development, and make it darker and more emotional. Shortly after the release of Revenge of the Fallen, Orci said he would like to introduce Unicron "for scale's sake", and Unicron is briefly shown in a secret Transformers 3 preview feature in the Revenge of the Fallen Blu-ray disc. Ultimately the producers decided to forgo a plot involving the planet eating transformer, and no further comments are ever made on the subject. Having been called Transformers 3 up to that point, the film's final title was revealed to be Dark of the Moon in October 2010.

On March 19, 2010, the script was said to be finished, and pre-shoots began on April 7, 2010 in Northwest Indiana, specifically around Gary, which portrayed Ukraine, and Los Angeles. Filming began on May 18. The first six weeks took place in Los Angeles, locations included Sherman Oaks, Fourth Avenue and 5. Main. The next four weeks were spent in Chicago. Locations filmed in Chicago included LaSalle Street, Michigan Avenue, Bacino's of Lincoln Park at 2204 North Lincoln Avenue and around the Willis Tower. The scenes set in Michigan Ave featured a substantial amount of pyrotechnics and stunt work. Filming in Detroit was planned to take place in August but the Chicago shoot was extended until 1 September. In late September the production moved to Florida, just before the launch of Space Shuttle mission STS-133.

Actors on a Transformers: Dark of the Moon set in July 2010

While filming in Washington, the crew shot on the National Mall, Bay stated that there would be a car race on the location. Two further locations announced were the Milwaukee Art Museum and the former Tower Automotive complex on Milwaukee's north side, currently under redevelopment for mixed use as well as the city's equipment yard. Filming was scheduled to take place there after work was done in Chicago. On September 23, filming was done at the former city hall in Detroit, MI. On October 16, work was done at the Johnson Space Center in Texas with intent to shoot a scene set in the late 1960s utilizing extras with period fashion and hairstyles. One day of shooting was also done at the Angkor Wat temple complex in Cambodia. Other planned filming locations included Africa, Moscow, and China. Less than half of the film was shot in 3-D, using Arri Alexa and Sony F35 cameras, while other footage was either computer generated or shot in the anamorphic format on 35mm film and converted into 3D in post production. 35mm film was used for scenes filmed in slow motion, and scenes which required higher image quality than the HD digital 3D cameras could provide, such as closeups of faces or shots of the sky. 35mm cameras were also used for scenes where the 3D cameras proved to be too heavy, or were subject to strobing or electrical damage from dust. Filming was officially completed on November 9, 2010.

As with the 2007 film, in which Bay recycled footage from his earlier film Pearl Harbor, Dark of the Moon has been found to contain footage from another film by Bay, The Island. Dark of the Moon cost a reported $195 million to produce, with the cost of the 3D filming accounting for $30 million of the budget.

Accidents

Filming was temporarily delayed on September 2, 2010 in Hammond, Indiana, when an extra was seriously injured during a stunt. The accident happened when a steel cable snapped from a car being towed, owing to a failed weld, hitting the extra's car and damaging her skull. The extra, identified as Gabriella Cedillo, had to undergo brain surgery. The injury has left her permanently brain-damaged, paralyzed on her left side and her left eye stitched shut. Paramount admitted responsibility for the accident, and covered all medical costs incurred by Cedillo. Nevertheless, on October 5, Cedillo's family filed a lawsuit, which cites seven counts of negligence against Paramount, D.W. Studios and several other defendants (not including Bay), with total damages sought in excess of $350,000.

On October 11, 2010, while filming a chase scene at 3rd Street and Maryland Avenue, SW, a Washington DC Metropolitan Police K9 Unit SUV struck the Camaro that portrays Bumblebee in the film. The area had been closed off by the DC police, and it is not clear why the SUV was there. Both drivers were uninjured, but the Camaro was severely damaged.

Effects

According to "The Hollywood Reporter", the "Driller", a giant snake-like creature used in the film led to many challenges, and confusion. The film's lead visual effects company is Industrial Light & Magic. ILM's Scott Farrar, the VFX supervisor, explains "not only were the film's effects ambitious, they also had to be designed for 3-D. And so ILM threw in some "secret sauce" in the mix". The "secret sauce" being the lighting, Farrar said, "We did make sure things are as bright as possible; Michael called up theater owners to make sure they keep the lamps bright in the theaters." He also adds, "We also added a kind of secret sauce to make everything a little sharper, because we know that through the steps, no matter what, when you get to the final screening things tend to go less sharp." For the last push on the final weekend of work, Industrial Light & Magic’s entire render farm was used for Transformers: Dark of the Moon. In the last film, it took 72 hours per frame to fully render Devastator for the IMAX format, which is approximately a frame amount of 4,000. For Driller, which the entire render farm was used, was up to 122 hours per frame. They calculated the rendering durations, adding up to more than 200,000 rendering hours per day—or equivalent to 22.8 years of rendering time in a 24-hour period. Massive computing power was needed so Driller could destroy the computer generated skyscraper. It took 288 hours per frame to render the Driller and the skyscraper along with all the reflections on the glass.

"The Driller consists of 70,051 parts. By contrast, Optimus Prime, the head Autobot, has just 10,108 parts. Due to the complexity of the Driller, and the fact that he lays waste to a skyscraper, only a few artists working with ILM's most powerful desktop machines were able to load the shots where the machine takes on the building. And they sometimes waited nearly an hour for the files to load."
— The Hollywood Reporter
File:MichaelBayShootingin3D.jpg
Michael Bay shooting the film in 3-D
File:OptimusPrimeTF3DOTM.jpg
Optimus Prime, a computer generated character by Industrial Light & Magic

Michael Bay considered doing the film in 3-D, so James Cameron "talked him into filming in 3-D" and offered Michael to use his 3-D crew which was the crew for Avatar. Bay said (quoting James Cameron), "You gotta look at it as a toy, it's another fun tool to help get emotion and character and create an experience." Michael also stated that he wasn't going to do all his films in 3-D, but he felt that this particular film was appropriate for 3-D. The film was shot partially with Cameron-Pace Group’s 3-D Fusion camera rigs developed by James Cameron’s team. The film was also partially post-converted. Scott Farrar embraced the detail in creating giant robots for stereo. "I did some tests with the robots,” he says, “where we were close-up on a robot – and you know Optimus Prime has 10,000 pieces – and if you get close-up you see all the details in the nooks and crannies of these pieces. It’s totally unlike a plain surface subject like a human head or an animated head. You see this detail and there’s truly not been a film that would not look as cool as what we’re doing right now." Farrar says. Shooting scenes with the Transformers being added in later was something Farrar always had in his mind. "Let’s say you’ve got five robots distributed down the street fighting whatever or running, and want to give it a lot of volume,” he says. “Well you can make that space look very deep – the problem is if you do, the robots start to look very very tiny – it’s almost counter-intuitive. So you’ve got to be very careful about how you build your depth in the shots. The safest thing in all cases – and this is why working on a Michael Bay film worked pretty well most of the time – Michael is keen on having foreground/midground/background depth in his shots, even in normal live-action shots. He’ll say, ‘Put some stuff hanging here!’ It could be women’s stockings or forks and knives dangling from a string out of focus – it doesn’t matter, but it gives you depth, and focus depth, and makes it more interesting."

In one sequence, when Bumblebee catches Sam and Lennox, Farrar says, "This shot is a good example of why I enjoy working with Michael Bay so much. "It’s like a big magic show where each and every shot is a little bit different in terms of problem solving.”

The shot was planned out directly using animatics rather than storyboards, with Farrar insisting that the key parts of the scene would be shot with the real actor, Shia LaBeouf, and that a digi-double only be utilized for the impossible moment of the transformation. On a backlot bluescreen set-up, LaBeouf performed his stunts in a harness. “He gets hoisted up and we shoot him at 120 frames per second on a film camera," says Farrar. "Shia does this 'arghhhh!' in the air, but not at real time, he does it for high speed, so later on we can time it for slow-motion."

Though the Chicago battle in the film has many computer generated elements, most of the sequences were shot in live action. Central to Michael Bay’s imagining of the sequence was that plates be shot for real in the actual city. "We try and shoot everything real," says Farrar. "You may have seen some films recently where the entire city has been destroyed and it’s entirely CG. Well, for a Transformers film, it’s different because we actually went to Chicago." He also adds, "If you start with the real thing, you have a lot more to work with to make it look real. "So for a couple of months there, I was in a helicopter shooting aerial plates of the real buildings. And we’d add destruction to all the backgrounds – smoke, fire, debris, fighter planes, war, battles, torn up streets – to real cityscapes." When Driller obliterates the skyscraper, ILM relied on its internal proprietary physics simulation engine for the sequence, which included breaking concrete floors and walls, windows, columns and pieces of office furnishings. "We did a lot of tests early on to figure out how to break the building apart exploring a lot of the procedural options,” explains ILM digital production supervisor Nigel Sumner. “A building that’s 70 feet tall – to go in and hand-score the geometry so when it fractures or falls apart – would be a time consuming laborious process. The floor of a building may be made of concrete. How does concrete fracture when it tears apart? The pillars would be made of a similar material but made of rebar or other engineering components. We’d look at how a building would blow apart and then choose the best tool to help achieve the properties of that during a simulation."

Farrar also says that Lucasfilm came up with most of the concepts for the shots in Chicago. Since Michael Bay always shoots his films in anamorphic format, the film's representation would be "squeezed in", so the image would be distorted, so ILM would have to add in the the robots, and "un-distort" the image. ILM has been working on the pre-visualization 6 months before principal photography started, and ended up with 20 minutes worth of footage. According to Farrar, "just under 600 3-D shots" were made for the film and digital domain did about 200 shots. Sentinel Prime, the film's main antagonist, before Leonard Nimoy was cast into the film, ILM had everything based on Sean Connery for the character, his face, and his actions and movements. When Leonard Nimoy was selected for the role, they altered the effects a bit to base Sentinel Prime on both Sean and Nimoy, a combination of both of the actors. Every robot would take approximately 30 weeks to build visually. Originally, the fight between Sentinel Prime, Optimus Prime, and Megatron was considered to be on water in the Chicago river, but the budget was cut and the ILM realized that they would not want to present the final battle to Michael so they went with the battle taking place on the bridge over the river.

Legend3D, the lead 3-D conversion company of the film, completed 78 minutes of work on the film and finaled work of approximately 40 minutes of challenging non-visual effects and 38 minutes of visual effects shots, giving Michael Bay what he wanted in his vision for this film.

The film had many positive reviews for its special effects and aggressive use of 3-D, leading some to call it the best 3-D experience since Cameron's Avatar.

Marketing

Most of the characters returned for Hasbro's new toyline, which came out on May 16, 2011. In October 2010, Entertainment Tonight previewed the behind-the-scenes filming in Chicago. A two-minute teaser trailer was announced on November 27, and was posted to the web on December 9, 2010. A thirty-second television advertisement for the film aired during Super Bowl XLV on FOX on February 6, 2011. The first full theatrical trailer was released on April 28, 2011. A 3D trailer was released on May 20, 2011 with the release of Pirates of the Caribbean: On Stranger Tides 3D, which would complete the promotional campaign for Dark of the Moon. The very first clip was released on May 18. A second clip was released the next day on May 19. The promotional costs brought the cost of producing and marketing the film to a total of $270 million.

Score

Main article: Transformers: Dark of the Moon – The Score
Steve Jablonsky - "The Fight Will Be Your Own" Listen to a clip from "Transformers: Dark of the Moon" composed by Steve Jablonsky, featuring 30 seconds of his work.
Problems playing this file? See media help.

The score soundtrack was released on June 24, 2011, five days before the actual release of the film. Like the previous two Transformers film scores, Steve Jablonsky is the composer. The album was originally set for release in June 28, 2011 but Amazon listed the album as unavailable while the album was still being listed for release during the week of the the film's global release. It was available for download on Amazon on June 30, 2011. The score currently features 17 pre-recorded tracks that are featured in the final film, the score's length is approximately fifty nine minutes and fourty seven seconds long. The producers of the score are Hans Zimmer, Steve Jablonsky, Lorenzo di Bonaventura, and Michael Bay.

Soundtrack

Main article: Transformers: Dark of the Moon – The Album

The album was released on June 14, 2011. Linkin Park's song "Iridescent" is the lead single for the film, continuing the streak of the band's songs as the theme songs of the film series. The single follows "What I've Done" being used in the 2007 film, and "New Divide" for the 2009 film. The music video for "Iridescent" was directed by Joe Hahn. Two other singles were released specifically for the soundtrack, "Monster" by Paramore and "All That You Are" by the Goo Goo Dolls. Several other unreleased songs make their debut on the album, including "The Pessimist" by Stone Sour and "The Bottom" by Staind.

Novelizations

Main article: Transformers: Dark of the Moon The Junior Novel

In May 2011, the novelization, junior novel and graphic novel of Transformers: Dark of the Moon were released. Both the novel and the graphic novel featured Skids and Mudflap as supporting characters, but they were missing from the junior novel. The graphic novel made reference to several Autobots from the IDW tie-in comics who died in the stories between Revenge of the Fallen and Dark of the Moon.

Video game

Main article: Transformers: Dark of the Moon (video game)

Activision published a video game for the Xbox 360, PlayStation 3, Wii, Nintendo DS and Nintendo 3DS. The trailer for the Dark of the Moon video game was released in February 2011. The Xbox 360 and PlayStation 3 versions of the game were developed by High Moon Studios, who had previously developed Transformers: War for Cybertron. Behaviour Interactive developed the Wii, Nintendo DS and Nintendo 3DS versions of the game. The game was released in North America on June 14, 2011.

Release

Transformers: Dark of the Moon premiered at the Moscow International Film Festival on June 23, 2011. Linkin Park performed a special outdoor concert in Red Square in Moscow on the same night in celebration of the event. Initially scheduled to be released on July 1, 2011, the release was brought forward to June 28, 2011. It was announced in November 2010 that unlike Transformers: Revenge of the Fallen, no scenes in the film were shot with IMAX cameras.

Critical reception

The film has received generally negative reviews from film critics, with many praising the film's visual effects and 3D action sequences, but criticizing the below average acting and script; film review aggregator Rotten Tomatoes gave Dark of the Moon a score of 36% based on 227 reviews and a rating average of 4.8/10, saying "Its special effects — and 3D shots — are undeniably impressive, but they aren't enough to fill up its loud, bloated running time, or mask its thin, indifferent script."

Roger Ebert gave the film one out of four stars, calling it "a visually ugly film with an incoherent plot, wooden characters and inane dialog. It provided me with one of the more unpleasant experiences I've had at the movies." Richard Roeper likewise panned the film, giving it a D and saying that "rarely has a movie had less of a soul and less interesting characters."

Several critics were highly critical of the ineffectiveness of the film's two young stars. Peter Travers stated the two "couldn't be duller." The Philadelphia Inquirer stated that Shia LaBeouf "plays Witwicky as if he had a ferocious case of attention deficit disorder. After two films, his fidgeting isn't cute anymore." James Berardinelli said that LaBeouf "has sunk to greater levels of incompetence here. It's hard to call his posturing and screaming 'acting.'" Much of the criticism towards Rosie Huntington-Whiteley compared her in an unfavorable light to Megan Fox. Lou Lumenick said that her "'acting' makes...Megan Fox look like Meryl Streep in comparison." Baz Bamigboye gave his review of the film the title 'Come back Megan Fox, all is forgiven...'.

For good or ill, Bay is the soul of a new machine, the poet of post-human cinema, the CEO of Hollywood's military-entertainment complex.

Richard Corliss from the TIME magazine on Transformers: Dark of the Moon.

In a more positive review, Ain't It Cool News called it "the best entry in the Michael Bay-directed franchise." IGN gave the film a 7 out of 10, also stating that it was the best of the franchise. E! Online graded the film a B+ while noting if this is truly the end of a trilogy, its main antagonists should have played more of a part. Website Daily Bhaskar also praised the film, rating it 3 and a half out of five stars, citing it as an improvement to the previous film and how it 'gives fans something to cheer about'. CinemaScore polls reported that the average grade moviegoers gave the film was an A on an A plus to F scale.

Neil Schneider of Meant to be Seen, a website focused on stereoscopic 3D gaming and entertainment, remarked that "while Transformers: Dark of the Moon had the scrapings of a really good story, this 3D movie was shot with a 2D script." On the topic of 3D, Schneider said "Transformers 3 was a mix of native stereoscopic 3D camera capturing and 2D/3D conversion (as a 3D tool), and most was done very well." He added, "At a minimum, Transformers 3 demonstrates that fast cutting sequences are indeed possible and practical in stereoscopic 3D. More than that, it was a comfortable experience and helped exemplify great use of stereoscopic 3D with live action and digital characters. That said, I think they still could have taken it much further."

Charlie Jane Anders of io9.com believed that some elements of the film were deliberate self-references to Michael Bay's own sense of under-appreciation after the backlash to Transformers 2. "After a few hours of seeing Shia get dissed, overlooked and mistreated, the message becomes clear: Shia, as always, is a stand-in for Michael Bay. And Bay is showing us just what it felt like to deal with the ocean of Haterade — the snarking, the Razzie Award, the mean reviews — that Revenge of the Fallen unleashed." She went on to say that the film's frequent, often jarring shifts in tone were an intentional endorsement of Michael Bay's own filmmaking style. "Tone is for single-purpose machines. Consistency is for Decepticons. Michael Bay's ideal movie shifts from action movie to teen comedy to political drama with the same well-lubricated ease that his cars become men. By the time you've finished watching, you will speak Michael Bay's cinematic language."

Box office

Transformers: Dark of the Moon has earned $344,173,000 in North America, as of August 7, 2011, and $693,500,000 in other territories, as of August 7, 2011, for a worldwide total of $1,037,673,000 , also out-grossing the box office revenues of both its predecessors: Transformers and Transformers: Revenge of the Fallen. On its first weekend worldwide it made $382.4 million, marking the third-largest opening of all time behind that of Harry Potter and the Half-Blood Prince ($394.0 million) and Harry Potter and the Deathly Hallows – Part 2, and the largest for Paramount-Dreamworks. With another breaking record, it made the largest worldwide debut at IMAX venues, with $23.2 million. With $418.0 million by Monday, it crossed the $400-million-mark worldwide in 6 days, matching the previous record holder Spider-Man 3, but then lost to Harry Potter and the Deathly Hallows - Part 2 which passed it in five days.

In the United States and Canada, from its early Tuesday screenings (9:00 p.m. showings), Dark of the Moon brought in $5.5 million. It also earned $8 million in midnight showings, which is lower than what its predecessor made ($16 million). On its opening day (Wednesday), Dark of the Moon grossed $37.7 million (including $8 million from Tuesday-midnight showings), making it the second best opening-day gross of 2011, behind Harry Pottger and the Deathly Hallows Part 2 ($91.1 million), and the sixth best Wednesday opening day of all time. But it's still behind Revenge of the Fallen which grossed $62 million on its opening day. On Thursday it earned $21.5 million, falling only 43 percent which is a better hold than its predecessor's Wednesday-to-Thursday decline and also marking the fifth-largest non-opening Thursday of all time as well as the tenth largest Thursday gross of all time. Transformers: Dark of the Moon was able to rake in $33.0 million on Friday for a total of $97.8 million while 2009's Revenge of the Fallen made $36.7 million on its first Friday for a total of $127.8 million. Opening at a record 2,789 3D locations, Dark of the Moon's 3D share accounted for 60 percent of its gross, which is atypical due to the downturn in 3D attendance in North America. For its 3-day opening weekend, it grossed $97.9 million, marking the second largest opening weekend of 2011 behind Harry Potter and the Deathly Hallows - Part 2 ($169.2 million), the largest Independence day weekend, out-grossing Spider-Man 2's $88.2 million gross, and the third-largest opening weekend in July. It also scored the fifth-largest opening weekend for a film not opening on Friday and the second-largest 5-day gross for a film opening on Wednesday. During the 4-day weekend it grossed $115.9 million, surpassing Spider-Man 2's $115.8 million 4-day gross, which was the previous record for the Independence day holiday. The film held on to the #1 spot for its second weekend, dropping 51.9%, in these territories and grossed $47.1 million.

Overseas, the film grossed $32.5 million on its opening day, pacing 38 percent ahead of its predecessor and marking the largest opening day for a 2011 film (out-grossing the $18.5 million record set by Pirates of the Caribbean: On Stranger Tides). Including some early Tuesday previews, it earned $36.6 million in one-and-a-half days. By Thursday, its overseas total reached $66 million, a two-day-opening record for 2011 (ahead of the $44.2 million two-day total of Pirates 4). However, it fell short of the latter by the end of its first weekend, earning $219.8 million, which was still the fourth-largest opening weekend of all time overseas and the largest for Paramount. Also, Dark of the Moon's foreign launch was 57 percent ahead of that of Revenge of the Fallen ($139.6 million) and its 3D revenues performed much better in all 58 markets where 70 percent of the grosses came from 3D which was a higher 3D share than Pirates of the Caribbean: On Stranger Tides's 66 percent. Don Harris, general manager of distribution for Paramount, commented on the results of Dark of the Moon saying "If we hadn't chosen to debut the movie later in Japan and China, we probably would have had the all-time record." On its second weekend overseas, it fell to $94.7 million, still at first place though at the box office.

In Russia, it broke the record for the highest-grossing opening day of all time, with $5.0 million, surpassing On Stranger Tides's previous record ($4.7 million). It brought in $16,945,064 during its first weekend ($21,965,793 with previews), marking the fourth highest-grossing opening weekend of all time. In South Korea, it earned $5 million, where it was the largest opening day of all time. On its opening weekend, it grossed a massive $21.8 million ($31.1 million with weekday preiews), marking the highest-grossing opening weekend of all time, a record previously held by Pirates of the Caribbean: At World's End ($16.7 million). It also made the biggest opening weekend of all time in six other countries topped by Hong Kong and followed by Malaysia, Philippines, Thailand, Singapore and Peru. In India it was release in Hindi as Transformers: Chand Ka Andhera where Optimus Prime's voice over was done by Bollywood actor Akshay Kumar. The film surpassed the record of Pirates Of The Caribbean: On Stranger Tides. It also performed well in other regions, including the United Kingdom ($17.2 million), Australia ($16.2 million), France ($11.3 million), Mexico ($10.5 million) and Taiwan ($10.5 million). In Chile, it grossed $1,429,074 on its first weekend, marking the second-largest opening weekend closely behind Pirates 4's $1,448,284 debut. In Germany it opened at $13,169,446 ($15,087,829 with previews), surpassing the openings of both its predecessors. In Hong Kong, it earned a record-breaking $5,060,905 during its opening, by far the largest of all time. In Malaysia, it scored $4,928,400 which is the largest opening of all time. In Mexico, it earned $10,197,801 ($10,740,922 with weekday previews), marking the largest opening of 2011 and the fifth largest of all time. In New Zealand, it marked the largest opening for 2011 and the fourth largest opening of all time, by earning $1,763,653 ($2,114,698 with previews). In Philippines, it earned $4,869,897 ($4,886,654 with previews), marking the largest opening weekend of all time. In Singapore it made $3,508,095 ($4,120,240 with weekday previews) standing as the highest-grossing opening of all time. In Slovakia, it scored the largest debut of 2011 ($259,628). In the UAE, it made the second-largest opening weekend of all time ($1,775,824) behind On Stranger Tides ($1,861,696). In Thailand, it broke the opening weekend record, with $3,705,108 ($4,648,771 with previews) during the busiest weekend ever in the country in terms of total gross ($3,871,234). It was the first $3-million-plus 4-day weekend ever.

Home media

During Hasbro Investor Day, it was announced that the DVD and Blu-ray Disc will be released in the fourth quarter of 2011. The PAL DVD and Blu-ray Disc home releases of Transformers: Dark of the Moon (Trilogy pack, Blu-ray 3D combo pack, and Collector's Edition) will be released in November 2011. Transformers: Dark of the Moon is due for release on DVD and Blu-ray on November 15, 2011.

Accolades

Award Category Winner/Nominee Result
2011 Teen Choice Awards Choice Summer Movie Nominated
Choice Summer Movie Actor Shia LaBeouf Nominated
Choice Summer Movie Actress Rosie Huntington-Whiteley Nominated

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