Misplaced Pages

Das Liebesverbot

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by Smerus (talk | contribs) at 19:51, 4 August 2013 (Synopsis: see talk page). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 19:51, 4 August 2013 by Smerus (talk | contribs) (Synopsis: see talk page)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)

Template:Wagner operas Das Liebesverbot, WWV 38, (The ban on love) is an early opera in two acts by Richard Wagner, with the libretto written by the composer after Shakespeare's Measure for Measure. Described as a Große komische Oper, it was composed in 1834, and Wagner conducted the premiere in 1836 at Magdeburg. Poorly attended and with a lead singer who forgot the words and had to improvise, it was a resounding flop and its second performance had to be cancelled after a fist-fight between the prima donna's husband and the lead tenor broke out backstage before the curtain had even risen; only three people were in the audience. It was never performed again in Wagner's lifetime.

Restrained sexuality versus eroticism plays an important role in Das Liebesverbot; themes that recur throughout much of Wagner's output, most notably in Tannhäuser, Die Walküre and Tristan und Isolde. In each opera, the self-abandonment to love brings the lovers into mortal combat with the surrounding social order. In Das Liebesverbot, because it is a comedy, the outcome is a happy one: unrestrained sexuality wins as the orgiastic carnival of the entire population goes rioting on after curtain-fall.

Wagner's second opera, and his first to be performed, has many signs of an early work: the style is modelled closely on contemporary French and Italian comic opera. It is also referred to as the forgotten comedy, in that only two of Wagner's works are comedies, the other being Die Meistersinger von Nürnberg.

Performance history

The opera was rarely performed in the following hundred years. In the United Kingdom, the first performance was given on 16 February 1965 at the Collegiate Theatre of the University of London. In North America its most successful revival was in 1983, conducted by Wolfgang Sawallisch, but its fully staged premiere took place on 19 July 2008 at the Glimmerglass Festival in a production by Nicholas Muni. The cast was led by Mark Schnaible as Friedrich and Claudia Waite as Isabella; Corrado Rovaris conducted. In 1994 Das Liebesverbot was performed at the Wexford Opera Festival. In 2009, a concert production was presented at the International Festival of Young Singers at the Kammeroper Schloss Rheinsberg plus a staged production at the Staatstheater Braunschweig in October. In 2013, 200 years after the composer's birth, it was performed in Bayreuth for the first time. A production of the Oper Leipzig was shown in the Oberfrankenhalle, a hall for sports, because Wagner had banned his early operas from the Festspielhaus. It was staged by Aron Stiehl with elements of operetta and revue; Constantin Trinks conducted the Gewandhausorchester.

Roles

Role Voice type Premiere cast, 29 March 1836
(Conductor: Richard Wagner)
Friedrich, governor of Sicily bass-baritone Gräfe
Luzio, a young nobleman tenor Ignaz Freimüller
Claudio, a young nobleman tenor Schreiber
Antonio, their friend tenor
Angelo, their friend baritone Friedrich Krug
Isabella, Claudio's sister soprano Karoline Pollert
Mariana, novice in a monastery soprano Mathilde Limbach
Brighella, captain of the watch baritone Wilhelm Kneisel
Danieli, an innkeeper bass
Dorella soprano Schindler
Ponzio Pilato, Danieli's servant tenor
Nuns, judges, guards, townspeople, musicians

Synopsis

Recordings

The overture is regularly found on radio broadcasts and compilation CDs.

References

Notes

  1. Holden, (ed.), p. 1022
  2. Online at Operabase.com
  3. George Loomis (30 May 2013): "In Wagner's Backyard, Early Works Get Their Due" by George Loomis, The New York Times, 30 May 2013
  4. (9 July 2013) Das Highlight der Festspiele: "Das Liebesverbot" Template:De icon
  5. Gherardo Casaglia: Almanacco

Sources

  • Holden, Amanda, (ed.), The New Penguin Opera Guide, New York: Penguin / Putnam, 2001. ISBN 0-14-029312-4
  • Synopsis adapted from Wagner's synopsis in his Mein Leben
  • Magee, Bryan (2001), The Tristan Chord. Henry Holt & Co., New York
  • Dreyfus, Laurence, "Wagner and the Erotic Impulse", London: Harvard University Press, 2010

External links

Richard Wagner
Complete operas
Early works
Romantic operas
Music dramas
Der Ring des Nibelungen
Non-operatic music
  • Symphony in C major (1832)
  • Polonia Overture (1836)
  • Das Liebesmahl der Apostel (1843)
  • Faust Overture (1840, rev. 1855)
  • Wesendonck Lieder (1858)
  • Siegfried Idyll (1870)
  • Kaisermarsch
  • Writings
    Other opera
    Opera excerpts
    Unfinished operas
    Inventions
    Bayreuth Festival
    Wagner family
    Cultural depictions
    Film adaptations
    Named for Wagner
    Related
    Categories: