This is an old revision of this page, as edited by PrimeBOT (talk | contribs) at 05:17, 27 May 2020 (Task 30 - replacing deprecated parameters in Template:Infobox film). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 05:17, 27 May 2020 by PrimeBOT (talk | contribs) (Task 30 - replacing deprecated parameters in Template:Infobox film)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) 1964 Japanese film| Pale Flower | |
|---|---|
| Directed by | Masahiro Shinoda |
| Written by | Masaru Baba Masahiro Shinoda |
| Story by | Shintaro Ishihara |
| Starring | Ryō Ikebe Mariko Kaga Takashi Fujiki Chisako Hara |
| Cinematography | Masao Kosugi |
| Music by | Toru Takemitsu |
| Distributed by | Shochiku |
| Release date |
|
| Running time | 96 minutes |
| Country | Japan |
| Language | Japanese |
Pale Flower (乾いた花, Kawaita hana) is a 1964 Japanese film noir directed by Masahiro Shinoda. The film is about Muraki (Ryō Ikebe) a Yakuza hitman just released from prison. At an illegal gambling parlor, he finds himself drawn to a mysterious young woman named Saeko (Mariko Kaga). Though Saeko loses large sums of money, she asks Muraki to find games with larger and larger stakes. The two become involved in an intense mutually destructive relationship. Film critic Roger Ebert gave Pale Flower four stars and put it on his list of Great Movies.
Plot
Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rituals. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was jailed. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction.
Production
Director Shinoda was influenced by Charles Baudelaire's Les Fleurs du mal while making the film. Shinoda chose the subject of yakuza as he felt the yakuza world is the only place where a Japanese ceremonial structure is sustained.
Release
When screenwriter Masaru Baba saw Shinoda's film focus on visual and sound, he complained to the managers at the company Shochiku. This led to a nine-month delay of the film's release.
Home video
Homevision released a Region 1 DVD of Pale Flower on November 18, 2003. The Criterion Collection released a DVD and Blu-ray edition of the film that features a video interview with Masahiro Shinoda as well as commentary by film scholar Peter Grilli .
References
- Crow, Jonathan. "Pale Flower: Overview - Allmovie". Allmovie. Retrieved February 14, 2011.
- Ebert, Roger. "Pale Flower Movie Review". RogerEbert. Retrieved June 23, 2017.
- Stephens, Chuck (May 17, 2011). "Pale Flower: Loser Take All". Criterion Collection. Retrieved August 28, 2011.
- ^ Schrader, 2005. p.205
- Deming, Mark. "Pale Flower: Overview: Allmovie". Allmovie. Retrieved February 14, 2011.
- "Pale Flower (1964) - The Criterion Collection". Criterion Collection. Retrieved February 14, 2011.
Bibliography
- Richie, Donald; Paul Schrader (2005). A hundred years of Japanese film: a concise history, with a selective guide to DVDs and videos. Kodansha International. ISBN 4-7700-2995-0.
External links
- Pale Flower at IMDb
- Pale Flower: Loser Take All an essay by Chuck Stephens at the Criterion Collection
| Films directed by Masahiro Shinoda | |
|---|---|
|
 | This article related to a Japanese film of the 1960s is a stub. You can help Misplaced Pages by expanding it. |