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Four Weddings and a Funeral | |
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Theatrical release poster | |
Directed by | Mike Newell |
Written by | Richard Curtis |
Produced by | Duncan Kenworthy |
Starring | Hugh Grant |
Cinematography | Michael Coulter |
Edited by | Jon Gregory |
Music by | Richard Rodney Bennett |
Production companies | |
Distributed by | Rank Film Distributors |
Release dates |
|
Running time | 117 minutes |
Country | United Kingdom |
Language | English |
Budget | £3 million ($4.4 million) |
Box office | $245.7 million |
Four Weddings and a Funeral is a 1994 British romantic comedy film directed by Mike Newell. The film was written by Richard Curtis and produced by Duncan Kenworthy. The film stars Hugh Grant, with a supporting cast of Andie MacDowell, Kristin Scott Thomas, James Fleet, Simon Callow, John Hannah, Charlotte Coleman, David Bower, Corin Redgrave, and Rowan Atkinson. The film tells the story of the adventures of Charles and his circle of friends through a number of social occasions as they each encounter romance.
The film was made in six weeks, cost under £3 million, and became an unexpected success and the highest-grossing British film in history at the time, with worldwide box office total of $245.7 million, and receiving Academy Award nominations for Best Picture and Best Original Screenplay. Additionally, Grant won the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the BAFTA Award for Best Actor in a Leading Role, and the film won the BAFTA Awards Best Film, Best Direction, and Best Actress in a Supporting Role for Scott Thomas. The film's success propelled Hugh Grant to international stardom, particularly in the United States.
In 1999, Four Weddings and a Funeral placed 23rd on the British Film Institute's 100 greatest British films of the 20th century. In 2016, Empire magazine ranked it 21st in their list of the 100 best British films. A 2017 poll of 150 actors, directors, writers, producers, and critics for Time Out magazine ranked it the 74th best British film ever.
Curtis reunited director Newell and the surviving cast for a 25th anniversary reunion Comic Relief short entitled One Red Nose Day and a Wedding, which aired in the UK during Red Nose Day on 15 March 2019.
Plot
At the wedding of Angus and Laura in Somerset, the unmarried best man Charles, his flatmate Scarlett; his friend Fiona and her brother Tom; Gareth and his Scottish partner Matthew; and Charles's deaf brother David endure the festivities. At the reception, Charles becomes smitten with Caroline (Carrie), a young American, and they spend the night together. In the morning, Carrie jokingly demands that Charles propose to her, observing they may have "missed a great opportunity", and then leaves for the U.S.
Three months later, at the wedding of Bernard and Lydia in London, who became involved at the previous wedding, Charles meets Carrie again, who is now accompanied by her Scottish fiancé Hamish. Charles faces further humiliation from several of his ex-girlfriends, including the distraught Henrietta, and retreats to an empty hotel suite, where he watches Carrie and Hamish depart. He becomes trapped in the room when the newlyweds stumble in to have sex. Later, he is confronted by an angry Henrietta about his habit of "serial monogamy" and his fear of letting anyone get too close. Carrie reappears, and she and Charles spend another night together.
A month later, Charles receives an invitation to Carrie's wedding. While shopping for a gift, he runs into her and helps select a wedding dress. She recounts her 33 sexual partners; Charles, who was number 32, soon awkwardly confesses his love to her, but is unsuccessful.
Another month later, Charles and his friends attend Carrie's wedding in Scotland. The gregarious Gareth instructs the group to seek potential mates; Scarlett hits it off with an American, Chester. As Charles watches Carrie and Hamish dance, Fiona deduces his heartbreak. When he asks Fiona why she is single, she confesses that she has loved Charles since they first met; though sympathetic to her feelings, Charles does not reciprocate them. During the bridegroom's toast, Gareth suddenly dies of a heart attack.
At Gareth's funeral, Matthew recites the poem "Funeral Blues" by English-American poet W. H. Auden, commemorating his relationship with Gareth and calling Auden "another splendid bugger". Afterward, Carrie and Charles share a brief moment, and Charles and Tom ponder the fact that despite their clique's pride in being single, Gareth and Matthew were a "married" couple all the while, and whether the search for "one true love" is futile.
Ten months later, Charles's own wedding day arrives; the bride turns out to be Henrietta. Tom, while seating guests, is struck with love at first sight with his distant cousin Deirdre, who he'd met 25 years before as children. Shortly before the wedding ceremony, Carrie arrives and tells Charles that she and Hamish have separated. He has a crisis of confidence and is counseled by David and Matthew, but proceeds with the wedding. When the vicar asks for any reason why the couple should not marry, however, the deaf David says in sign language that he suspects the bridegroom loves someone else, which Charles confirms. Henrietta angrily punches him, and the wedding is stopped.
Carrie tries to apologise to Charles, who confesses that, at the altar, he realised she was the one person he truly loved, and that he's loved her since the first second he met her. Charles, who fears marriage, proposes a lifelong commitment without marriage to Carrie, and she accepts it by saying "I do". As they kiss a thunderbolt flashes across the sky.
At the end of the film, Henrietta marries an officer in the Grenadier Guards; David marries his girlfriend Serena, whom he met at the second wedding; Scarlett marries Chester; Tom marries Deirdre; Matthew finds a new male partner; Fiona is shown in a picture with Prince Charles; and Charles and Carrie have a baby.
Cast
- Hugh Grant as Charles
- Andie MacDowell as Carrie
- James Fleet as Tom
- Simon Callow as Gareth
- John Hannah as Matthew
- Kristin Scott Thomas as Fiona
- David Bower as David
- Charlotte Coleman as Scarlett
- Timothy Walker as Angus
- Sara Crowe as Laura
- Rowan Atkinson as Father Gerald
- David Haig as Bernard Delaney
- Sophie Thompson as Lydia Hibbot
- Corin Redgrave as Hamish Banks
- Anna Chancellor as Henrietta
- Rupert Vansittart as George
- Robin McCaffrey as Serena
- Susanna Hamnett as Deirdre
Production
Writing
Screenwriter Richard Curtis's own experiences as a wedding attendee inspired the premise for Four Weddings and a Funeral. According to Curtis he began writing the script at age 34, after realising he had attended 65 weddings in an 11-year period. At one wedding he was propositioned by a fellow guest, but he turned her down and forever regretted it; accordingly he based the origin of Charles and Carrie's romance on that situation.
It took Curtis 17 drafts to reach the final version. He has commented on director Mike Newell's influence; "I come from a school where making it funny is what matters. Mike was obsessed with keeping it real. Every character, no matter how small, has a story, not just three funny lines. It's a romantic film about love and friendship that swims in a sea of jokes."
Curtis chose to omit any mention of the characters' careers, because he didn't think a group of friends would realistically discuss their jobs while together at a wedding.
Casting
Curtis, Newell and the producers began the casting process for Four Weddings in early 1992. Alex Jennings was cast as Charles, but funding for the production fell through in mid-1992. Jennings would eventually go on to play a supporting role in Mindy Kaling's 2019 television miniseries adaptation of the film. The team continued holding auditions for over a year, seeing roughly 70 actors for the role of Charles before Hugh Grant.
Grant was ready to give up acting as a career when he received the script for Four Weddings and a Funeral; he stated in 2016 that: "I wasn't really getting any work at all, and then to my great surprise this script came through the letterbox from my agent, and it was really good. And I rang on and said there must be a mistake, you've sent me a good script." Initially, writer Richard Curtis, who had modelled the character of Charles after himself, was opposed to casting Grant in the role, because he thought Grant was too handsome. Curtis favored casting Alan Rickman, but Rickman refused to audition. Curtis was eventually persuaded by Newell and the producers to approve Grant's casting.
Jeanne Tripplehorn was originally cast as Carrie, but she had to drop out just before filming, when her mother passed away. The role was offered to Marisa Tomei, but she turned it down, because her grandfather was sick at the time. Sarah Jessica Parker was also reportedly considered. Andie MacDowell was in London doing publicity for Groundhog Day when she read the script, and was cast. MacDowell took a 75% cut in her fee to appear, receiving $250,000 upfront, but due to the success of the film, she earned around $3 million.
Grant's participation hit another stumbling block when his agent requested a £5,000 rise over the £35,000 salary Grant was offered. The producers initially refused because of the extremely tight budget, but eventually agreed. The supporting cast-members were paid £17,500 apiece.
Production
Duncan Kenworthy produced the film while on sabbatical from Jim Henson Productions. Pre-production for the movie was a long process because funding was erratic, falling through in mid-1992 and leading to much uncertainty. Finally in early 1993, Working Title Films stepped in to close the gap. Nonetheless, another $1.2 million was cut just before production began in the summer of 1993, forcing the film to be made in just 36 days with a final budget of £2.7 million (appr. $4.4 million in 1994). Channel Four Films contributed £800,000. The budget was so tight that extras had to wear their own wedding clothes, while Rowan Atkinson appeared as a vicar at two of the weddings so production wouldn't have to pay another actor.
Future Home Secretary and Member of Parliament (MP) Amber Rudd was given the credit of "Aristocracy Coordinator" after she arranged for several aristocrats to make uncredited appearances as wedding extras, including Peregrine Cavendish, who was at the time Marquess of Hartington, and the Earl of Woolton, who conveniently wore their own morning suits.
To make Grant look more nerdy, the producers styled him with shaggy hair, glasses, and deliberately unflattering, ill-fitting clothes. Grant was encouraged by director Mike Newell to mess up and trip over his lines, written in "convoluted syntax" as Grant describes them, in order to give Charles a stammering, nervous quality. Grant, who struggled with hay fever throughout filming, was unsure of Newell's direction and his own performance, which he thought was "atrocious"; on Newell he commented that: "He seemed to be giving direction against what I thought were the natural beats of the comedy. He was making a film with texture, grounding it, playing the truths rather than the gags".
The film was shot mainly in London and the Home Counties, including Hampstead, Islington where the final moments take place on Highbury Terrace, Greenwich Hospital, Betchworth in Surrey, Amersham in Buckinghamshire, St Bartholomew-the-Great (wedding number four) and West Thurrock in Essex. Exterior shots of guests arriving for the funeral were filmed in Thurrock, Essex overlooking the River Thames with the backdrop of the Dartford River Crossing and at stately homes in Bedfordshire (Luton Hoo for wedding two's reception) and Hampshire.
Post-production
According to Hugh Grant, the initial screening of a rough-cut of Four Weddings went very badly.
"I thought we'd screwed it up. When we went to watch a rough cut, all of us, me, Richard Curtis, Mike Newell, the producers, all thought this was the worst film that's ever been perpetrated. We're gonna go and emigrate to Peru when it comes out so no one can actually find us. And then they had a, a few cuts later they took it to Santa Monica for a test screening and everyone loved it. And it was a great surprise."
Throughout production, Gramercy Pictures, the U.S. distributor for the film, sent frequent transatlantic faxes objecting to the explicit language and sexual content, fearing the final product would not be suitable for American distribution or television airings. They particularly objected to the opening scene of the movie, in which Charles and Scarlett say the word "Fuck" over and over, after an initial screening of the movie in Salt Lake City led the conservative Mormon members of the city council to walk out. Accordingly, Mike Newell and the actors agreed to reshoot the scene with the British swear word "Bugger" to be used in the American version. The executives also objected to the title, believing Four Weddings and a Funeral would turn off male viewers from the film. In its place they suggested such titles as True Love and Near Misses, Loitering in Sacred Places, Skulking Around, and Rolling in the Aisles, none of which were accepted.
Music and soundtrack
The original score was composed by British composer Richard Rodney Bennett. The movie also featured a soundtrack of popular songs, including a cover version of The Troggs' "Love Is All Around" performed by Wet Wet Wet that remained at number 1 on the UK Singles Chart for fifteen weeks and was then the ninth (now twelfth) biggest selling single of all time in Britain. This song would later be adapted into "Christmas Is All Around" and sung by the character of Billy Mack in Richard Curtis' 2003 film Love Actually, in which Grant also stars. The soundtrack album sold more than 750,000 units.
Release
Four Weddings and a Funeral had its world premiere in January 1994 at the Sundance Film Festival in Salt Lake City, Utah.
It opened in the United States on 11 March 1994 in five theatres. The box office receipts from the first five days of the film's general release in the United States so impressed the movie's distributor that it decided to spend lavishly on promotion, buying full-page newspaper ads and TV-spots totalling some $11 million. The movie also benefited from much free publicity because of Grant's reception in the United States, where he became an instant sex symbol and undertook a successful media tour promoting the film. Producer Duncan Kenworthy stated that "It was the most amazing luck that when Hugh went on the publicity trail he turned out to be incredibly funny, and very like the character of Charles. That doesn't ever happen." The film had a wide release in the United States on 15 April 1994.
At the UK premiere in Leicester Square on 11 May 1994, Hugh Grant's then-girlfriend Elizabeth Hurley garnered much publicity for the film when she wore a black Versace safety-pin dress which became a sensation in the press. The film opened in the UK on 13 May 1994.
Reception
Critical response
On review aggregator Rotten Tomatoes the film holds an approval rating of 96% based on 69 reviews, with an average rating of 7.7/10. The site's critics consensus states, "While frothy to a fault, Four Weddings and a Funeral features irresistibly breezy humor, and winsome performances from Hugh Grant and Andie MacDowell." Metacritic assigned the film a weighted average score of 81 out of 100 based on 19 critics, indicating "universal acclaim".
Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it "delightful and sly", and directed with "light-hearted enchantment" by Newell. He praised Grant's performance, describing it as a kind of "endearing awkwardness". Todd McCarthy of Variety called it a "truly beguiling romantic comedy" which was "frequently hilarious without being sappily sentimental or tiresomely retrograde." Producer Duncan Kenworthy later attributed much of the success of Four Weddings at the box office to McCarthy's review.
Writing for the Chicago Reader, Jonathan Rosenbaum called the film "generic" and "standard issue", stating that the audience shouldn't "expect to remember it ten minutes later". Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would "forget all about by the time they leave the multiplex," even joking at the end of his review that he had forgotten the film's name.
Box office
Upon its limited release in the United States, Four Weddings and a Funeral opened with $138,486 from five theatres. In its wide release, the film topped the box office with $4.2 million. The film would go on to gross $52.7 million in the United States and Canada.
In the United Kingdom, the film grossed £2.7 million in its opening week from 211 theatres and was number one for nine consecutive weeks, grossing £27.8 million, making it the second highest-grossing film of all-time in the United Kingdom behind Jurassic Park. In France, it was number one at the box office for ten weeks, grossing $34.4 million. It was also number one at the Australian box office for five weeks and was the second-highest-grossing film of the year, grossing $A21.4 million. Overall, it grossed $245.7 million worldwide, generating the highest percentage return on cost of films released in 1994. The success of the film cleared Working Title's past losses and generated over $50 million for Polygram, clearing most of their losses in the four years since they started producing films.
Recognition
The film was voted the 27th greatest comedy film of all time by readers of Total Film in 2000. In 2004, the same magazine named it the 34th greatest British film of all time. It is number 96 on Bravo's "100 Funniest Movies".
The Guardian, in a 20th anniversary retrospective of Four Weddings, stated that "Its influence on the British film industry, on romantic-comedy writing, on the pop charts, on funeral readings, on haircuts, was enormous."
Hugh Grant commented in 2016 on the experience of the film's phenomenal success and its effect on his career: "I was making An Awfully Big Adventure at the time that Four Weddings came out, with Mike Newell again, same director, even tinier budget, in Dublin. And we'd get back from brutal days on the set, very long and no money, and the fax machines...were coming out saying that now your film Four Weddings is #5 in America, now it's #3, now it's #1 and here's an offer Hugh, for Captain Blood and they'll pay you $1 million. It was completely surreal."
Awards and accolades
Year-end lists
- 1st – Glenn Lovell, San Jose Mercury News
- 2nd – Sandi Davis, The Oklahoman
- 3rd – National Board of Review
- 5th – Joan Vadeboncoeur, Syracuse Herald American
- 5th – John Hurley, Staten Island Advance
- 6th – Peter Travers, Rolling Stone
- 6th – Sean P. Means, The Salt Lake Tribune
- 7th – Michael MacCambridge, Austin American-Statesman
- 7th – Kenneth Turan, Los Angeles Times
- 7th – Janet Maslin, The New York Times
- 7th – Todd Anthony, Miami New Times
- 7th – Steve Persall, St. Petersburg Times
- 8th – James Berardinelli, ReelViews
- 8th – Mack Bates, The Milwaukee Journal
- 10th – Kevin Thomas, Los Angeles Times
- 10th – Douglas Armstrong, The Milwaukee Journal
- Top 7 (not ranked) – Duane Dudek, Milwaukee Sentinel
- Top 9 (not ranked) – Dan Webster, The Spokesman-Review
- Top 10 (listed alphabetically, not ranked) – Bob Ross, The Tampa Tribune
- Top 10 (listed alphabetically, not ranked) – Eleanor Ringel, The Atlanta Journal-Constitution
- Top 10 (not ranked) – Howie Movshovitz, The Denver Post
- Top 10 (not ranked) – George Meyer, The Ledger
- Top 10 (not ranked) – Bob Carlton, The Birmingham News
- Best "sleepers" (not ranked) – Dennis King, Tulsa World
- Honorable mention – Betsy Pickle, Knoxville News-Sentinel
- Honorable mention – William Arnold, Seattle Post-Intelligencer
- Honorable mention – David Elliott, The San Diego Union-Tribune
- Honorable mention – Robert Denerstein, Rocky Mountain News
- Honorable mention – Michael Mills, The Palm Beach Post
- Honorable mention – Jeff Simon, The Buffalo News
Awards
Franchise
Hulu anthology television miniseries
Main article: Four Weddings and a Funeral (miniseries)It was reported in November 2017 that the streaming service Hulu was developing an eponymous anthology television series based upon the film, to be written and executive produced by Mindy Kaling and Matt Warburton, with Richard Curtis also serving as an executive producer. In October 2018, it was announced Jessica Williams, Nikesh Patel, Rebecca Rittenhouse, and John Reynolds had joined the cast. The miniseries premiered on 31 July 2019.
One Red Nose Day and a Wedding
On 5 December 2018, it was announced that Richard Curtis had written One Red Nose Day and a Wedding, a 25th anniversary Comic Relief television reunion short film. The original film's director, Mike Newell, returned, along with the film's surviving cast, including Hugh Grant, Andie MacDowell, Kristin Scott Thomas, John Hannah, Rowan Atkinson, James Fleet, David Haig, Sophie Thompson, David Bower, Robin McCaffrey, Anna Chancellor, Rupert Vansittart, Simon Kunz, Sara Crowe and Timothy Walker. It was filmed on 13–14 December 2018 at St James' Church, Islington, London. It centered on the reunion of all the characters from the original film at the wedding of Charles and Carrie's daughter to Fiona's daughter. The involvement of additional cast members Lily James and Alicia Vikander was not announced until the day the film aired in the UK, because they played the young women getting married. The film aired in the US on their Red Nose Day on Thursday 23 May 2019.
See also
- BFI Top 100 British films
- Notting Hill (1999), also written by Curtis and starring Grant
- Love Actually (2003), another film by Curtis starring Grant and Atkinson
- Black Versace dress of Elizabeth Hurley, worn by Hurley to the film's premiere
- List of films featuring the deaf and hard of hearing
- Parey Hut Love
References
- ^ BBC Radio 4 – The Reunion – Four Weddings and a Funeral, 13 April 2014
- ^ Four Weddings and a Funeral (1994). Box Office Mojo. Retrieved 22 August 2016.
- ^ Tom Lamont (26 April 2014). "Four Weddings and a Funeral 20 Years On: Richard Curtis Remembers". The Guardian. Retrieved 30 June 2018.
- "The 100 best British films". Empire. Retrieved 4 September 2019.
- "The 100 best British films". Time Out. Retrieved 26 October 2017
- ^ Wiseman, Andreas (5 December 2018). "'Four Weddings and a Funeral' Cast And Creators To Reunite After 25 Years For Red Nose Day Short Film". Deadline.com. Retrieved 1 March 2019.
- ^ Roger Cormier (10 January 2016). "15 Splendid Facts About Four Weddings and a Funeral". Mentalfloss.com. Retrieved 30 June 2018.
- ^ Thompson, Anne (6 May 1994). "'Four Weddings and a Funeral' A Surprise Hit". Entertainment Weekly. Retrieved 30 June 2018.
- "Alex Jennings: I'm Dame Maggie's straight man...I love it". 15 November 2015.
- ^ SAG-AFTRA Foundation (19 August 2016). Conversations with Hugh Grant. YouTube. Archived from the original on 7 November 2021. Retrieved 27 June 2018.
- "'Four Weddings and a Funeral' at 25: Richard Curtis, Working Title et al Recall a Film That Transformed the UK Biz". 14 March 2019.
- Melissa Whitworth (7 June 2006). "How Jeanne Tripplehorn learnt to stop worrying and love polygamy". Daily Telegraph. Archived from the original on 11 January 2022. Retrieved 30 June 2018.
- "Tomei regrets not doing 'Four Weddings...'".
- "How we made Four Weddings and a Funeral, with Andie MacDowell and Mike Newell". TheGuardian.com. 19 November 2019.
- ^ Dawtrey, Adam (24 October 1994). "Bells still chiming for the 'Four Weddings' crew". Variety. p. 6.
- The Wedding Planners: Making of Four Weddings and a Funeral (dvd). Sony Pictures Home Entertainment. 2006.
- ^ GQ (29 June 2018). Hugh Grant Reviews His Most Iconic Movie Roles GQ. YouTube. Archived from the original on 7 November 2021. Retrieved 1 July 2018.
- "The Making of Four Weddings and a Funeral". Empire. June 1994. Retrieved 5 June 2015.
- Filming Locations for Four Weddings and a Funeral. Movie-locations.com. Retrieved 16 August 2011.
- Four Weddings and a Funeral at Rotten Tomatoes
- "Four Weddings and a Funeral Reviews". Metacritic.
- Four Weddings And A Funeral :: rogerebert.com :: Reviews. Chicago Sun-Times. Retrieved 16 August 2011.
- Todd McCarthy (19 January 1994). "Four Weddings and a Funeral Review". Variety. Retrieved 30 June 2018.
- Four Weddings and a Funeral. Chicago Reader. Retrieved 16 August 2011.
- CINEMA: Four Weddings and a Funeral: Well Groomed. Time (14 March 1994). Retrieved 16 August 2011.
- Weekend Box Office Results for 11–13 March 1994. Box Office Mojo. Retrieved 16 August 2011.
- Weekend Box Office Results for 15–17 April 1994. Box Office Mojo. Retrieved 16 August 2011.
- "International box office". Variety. 23 May 1994. p. 14.
$3,970,220; £1=$1.49
- "Top Films of All Time at the UK Box Office" (PDF). British Film Institute. April 2016. Retrieved 22 August 2016.
- Klady, Leonard (14 November 1994). "Exceptions are the rule in foreign B.O.". Variety. p. 7.
- "International box office". Variety. 13 June 1994. p. 18.
- "International box office". Variety. 26 September 1994. p. 14.
- "Top 10 B.O. Films Down Under 1994". Variety. 1 May 1995. p. OZ8.
- "World's Champs & Chumps". Variety. 13 February 1995. p. 7.
- Lovell, Glenn (25 December 1994). "The Past Picture Show the Good, the Bad and the Ugly – a Year Worth's of Movie Memories". San Jose Mercury News (Morning Final ed.). p. 3.
- Davis, Sandi (1 January 1995). "Oklahoman Movie Critics Rank Their Favorites for the Year "Forrest Gump" The Very Best, Sandi Declares". The Oklahoman. Retrieved 20 July 2020.
- "Awards for 1994". National Board of Review. Archived from the original on 25 November 2010. Retrieved 20 July 2020.
- Vadeboncoeur, Joan (8 January 1995). "Critically Acclaimed Best Movies of '94 Include Works from Tarantino, Burton, Demme, Redford, Disney and Speilberg". Syracuse Herald American (Final ed.). p. 16.
- Hurley, John (30 December 1994). "Movie Industry Hit Highs and Lows in '94". Staten Island Advance. p. D11.
- Travers, Peter (29 December 1994). "The Best and Worst Movies of 1994". Rolling Stone. Retrieved 20 July 2020.
- P. Means, Sean (1 January 1995). "'Pulp and Circumstance' After the Rise of Quentin Tarantino, Hollywood Would Never Be the Same". The Salt Lake Tribune (Final ed.). p. E1.
- MacCambridge, Michael (22 December 1994). "it's a LOVE-HATE thing". Austin American-Statesman (Final ed.). p. 38.
- ^ Turan, Kenneth (25 December 1994). "1994: YEAR IN REVIEW : No Weddings, No Lions, No Gumps". Los Angeles Times. Retrieved 20 July 2020.
- Maslin, Janet (27 December 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved 19 July 2020.
- Anthony, Todd (5 January 1995). "Hits & Disses". Miami New Times.
- Persall, Steve (30 December 1994). "Fiction': The art of filmmaking". St. Petersburg Times (City ed.). p. 8.
- Berardinelli, James (2 January 1995). "Rewinding 1994 – The Year in Film". ReelViews. Retrieved 19 July 2020.
- Bates, Mack (19 January 1995). "Originality of 'Hoop Dreams' makes it the movie of the year". The Milwaukee Journal. p. 3.
- Armstrong, Douglas (1 January 1995). "End-of-year slump is not a happy ending". The Milwaukee Journal. p. 2.
- Dudek, Duane (30 December 1994). "1994 was a year of slim pickings". Milwaukee Sentinel. p. 3.
- Webster, Dan (1 January 1995). "In Year of Disappointments, Some Movies Still Delivered". The Spokesman-Review (Spokane ed.). p. 2.
- Ross, Bob (30 December 1994). "1994 The Year in Entertainment". The Tampa Tribune (Final ed.). p. 18.
- "The Year's Best". The Atlanta Journal-Constitution. 25 December 1994. p. K/1.
- Movshovitz, Howie (25 December 1994). "Memorable Movies of '94 Independents, fringes filled out a lean year". The Denver Post (Rockies ed.). p. E-1.
- Meyer, George (30 December 1994). "The Year of the Middling Movie". The Ledger. p. 6TO.
- Carlton, Bob (29 December 1994). "It Was a Good Year at Movies". The Birmingham News. p. 12-01.
- King, Dennis (25 December 1994). "SCREEN SAVERS In a Year of Faulty Epics, The Oddest Little Movies Made The Biggest Impact". Tulsa World (Final Home ed.). p. E1.
- Pickle, Betsy (30 December 1994). "Searching for the Top 10... Whenever They May Be". Knoxville News-Sentinel. p. 3.
- Arnold, William (30 December 1994). "'94 Movies: Best and Worst". Seattle Post-Intelligencer (Final ed.). p. 20.
- Elliott, David (25 December 1994). "On the big screen, color it a satisfying time". The San Diego Union-Tribune (1, 2 ed.). p. E=8.
- Denerstein, Robert (1 January 1995). "Perhaps It Was Best to Simply Fade to Black". Rocky Mountain News (Final ed.). p. 61A.
- Mills, Michael (30 December 1994). "It's a Fact: 'Pulp Fiction' Year's Best". The Palm Beach Post (Final ed.). p. 7.
- Simon, Jeff (1 January 1995). "Movies: Once More, with Feeling". The Buffalo News. Retrieved 19 July 2020.
- Andreeva, Nellie (1 November 2017). "'Four Weddings And a Funeral' Anthology Series From Mindy Kaling in Works at Hulu". Deadline. Retrieved 2 November 2017.
- Andreeva, Nellie; Petski, Denise (26 October 2018). "'Four Weddings and a Funeral': Jessica Williams To Star in Hulu Series, 3 Others Cast". Deadline Hollywood. Retrieved 26 October 2018.
- "One Red Nose Day and A Wedding Is a Real Thing and We Have So Many Questions". Red Nose Day USA. Retrieved 1 March 2019.
- "St James Church in Islington being used for filming 'Four Weddings".
- "'Four Weddings and a Funeral' Cast, Lily James, Alicia Vikander Debut Rom-Com "Mini-Sequel"". The Hollywood Reporter. 23 May 2019.
- Petski, Denise (15 March 2019). "Lily James & Alicia Vikander Set For 'Four Weddings and a Funeral' Red Nose Day Return — Watch Teaser Clip".
- Petski, Denise (13 December 2018). "Red Nose Day Special Sets 2019 Date On NBC". Deadline.com. Retrieved 1 March 2019.
External links
- Template:BFI
- Four Weddings and a Funeral at IMDb
- Four Weddings and a Funeral at the TCM Movie Database
- Template:Allmovie title
- Four Weddings and a Funeral at Box Office Mojo
- Four Weddings and a Funeral at Rotten Tomatoes
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- 1994 films
- 1994 comedy-drama films
- 1994 LGBT-related films
- 1994 romantic comedy films
- 1994 romantic drama films
- 1990s romantic comedy-drama films
- BAFTA winners (films)
- Best Film BAFTA Award winners
- Best Foreign Film César Award winners
- British LGBT-related films
- British romantic comedy-drama films
- British Sign Language films
- English-language films
- Film4 Productions films
- Films about funerals
- Films about weddings in the United Kingdom
- Films directed by Mike Newell
- Films featuring a Best Musical or Comedy Actor Golden Globe winning performance
- Films scored by Richard Rodney Bennett
- Films set in London
- Films set in Scotland
- Films set in Somerset
- Films shot at Shepperton Studios
- Films shot in Bedfordshire
- Films shot in Buckinghamshire
- Films shot in Essex
- Films shot in Hampshire
- Films shot in London
- Films whose director won the Best Direction BAFTA Award
- Films with screenplays by Richard Curtis
- Gay-related films
- LGBT-related romantic comedy-drama films
- PolyGram Filmed Entertainment films
- Working Title Films films