Misplaced Pages

This is an old revision of this page, as edited by Nicerink (talk | contribs) at 06:18, 30 October 2023 (→Release). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Pale Flower (乾いた花, Kawaita hana) is a 1964 Japanese film noir directed by Masahiro Shinoda. The film is about Muraki (Ryō Ikebe) a Yakuza hitman just released from prison. At an illegal gambling parlor, he finds himself drawn to a mysterious young woman named Saeko (Mariko Kaga). Though Saeko loses large sums of money, she asks Muraki to find games with larger and larger stakes. The two become involved in an intense mutually destructive relationship. Film critic Roger Ebert gave Pale Flower four stars and put it on his list of Great Movies.

Plot

Muraki, a hard-boiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rites. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was jailed. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction.

Production

Director Shinoda was influenced by Charles Baudelaire's Les Fleurs du mal while making the film. Shinoda chose the subject of yakuza as he felt the yakuza world is the only place where a Japanese ceremonial structure is sustained.

Release

The film's focus on visuals and sound over dialogue prompted screenwriter Masaru Baba to complain to managers at Shochiku. His accusation that Shinoda had made an "anarchistic" film led to a nine-month delay of the film's release.

Home video

Homevision released a Region 1 DVD of Pale Flower on November 18, 2003. The Criterion Collection released a DVD and Blu-ray edition of the film that features a video interview with Masahiro Shinoda as well as commentary by film scholar Peter Grilli.

Legacy

In 2012, filmmaker Ashim Ahluwalia included the film in his personal top ten (for The Sight & Sound Top 50 Greatest Films of All Time poll), writing: "Why can’t all film noir be like Pale Flower?" In 2022, filmmaker Michael Mann included the film in his personal top ten for Sight and Sound, writing: "For its incredible opening scenes alone."

References

1. Crow, Jonathan. "Pale Flower: Overview - Allmovie". Allmovie. Retrieved February 14, 2011.
2. Ebert, Roger. "Pale Flower Movie Review". RogerEbert. Retrieved June 23, 2017.
3. Stephens, Chuck (May 17, 2011). "Pale Flower: Loser Take All". Criterion Collection. Retrieved August 28, 2011.
4. ^ Schrader, 2005. p.205
5. Deming, Mark. "Pale Flower: Overview: Allmovie". Allmovie. Retrieved February 14, 2011.
6. "Pale Flower (1964) - The Criterion Collection". Criterion Collection. Retrieved February 14, 2011.
7. "BFI". www.bfi.org.uk. Archived from the original on August 18, 2016.
8. "Michael Mann | BFI". www.bfi.org.uk. Retrieved 2023-04-21.

Bibliography

• Richie, Donald; Paul Schrader (2005). A hundred years of Japanese film: a concise history, with a selective guide to DVDs and videos. Kodansha International. ISBN 4-7700-2995-0.

External links

• Pale Flower at IMDb
• Pale Flower: Loser Take All an essay by Chuck Stephens at the Criterion Collection

This article related to a Japanese film of the 1960s is a stub. You can help Misplaced Pages by expanding it.

• v
• t
• e

• 1964 films
• Japanese crime drama films
• 1964 crime drama films
• Films directed by Masahiro Shinoda
• Shochiku films
• Yakuza films
• Films about gambling
• Films about hanafuda
• 1960s Japanese films
• 1960s Japanese-language films
• 1960s Japanese film stubs