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Revision as of 13:18, 3 May 2011 by Michitaro (talk | contribs) (Continue expansion)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)Noriaki Tsuchimoto (土本典昭, Tsuchimoto Noriaki) (11 December 1928, Gifu Prefecture, Japan - 24 June 2008) was a Japanese documentary film director known for his films on Minamata disease and examinations of the effects of modernization on Asia. Tsuchimoto and Shinsuke Ogawa have been called the "two figures tower over the landscape of Japanese documentary."
Early years
Tsuchimoto was born in Gifu Prefecture, but raised in Tokyo. Angered by the emperor system that led Japan into war, he participated in radical student groups like Zengakuren when he entered Waseda University and joined the Japanese Communist Party. For a time he was even involved in the JCP's plan for armed revolt in the mountains and also was arrested for participating in protests. Expelled from Waseda in 1953, he could initially only find work at the Japan-China Friendship Society until he ran into Seiji Yoshino, a film cameraman and executive at Iwanami Productions (Iwanami Eiga), a branch of Iwanami Shoten devoted to making educational and public relations (PR) documentaries. Inspired by Susumu Hani's film Children of the Classroom, he accepted Yoshino's offer to join Iwanami in 1956.
Iwanami
Tsuchimoto was only an employee at Iwanami Productions for a year (after that, he worked there as a hired freelancer), but he made films alongside other important directors such as Hani, Shinsuke Ogawa, Kazuo Kuroki, and Yōichi Higashi, and cameramen like Jun'ichi Segawa, Kōshirō Ōtsu, and Masaki Tamura. The works he primarily made were sponsored by Japanese corporations celebrating their achievements in a period of high economic growth, but the intellectually liberal Iwanami was "a hot bed of experimentation," in the words of film scholar Mark Nornes; a place where, according to Tsuchimoto, people wanted to do "their own individual shots that could only be done in images not in words."
Independent filmmaking
Turning independent, he made documentaries about the student movement while beginning his most famous work, a series of documentaries about the mercury poisoning incident in Minamata, Japan.
Filmography
- An Engineer's Assistant (ある機関助士 Aru kikan joshi) (1963)
- On the Road: A Document (ドキュメント路上 Dokyumento rojo) (1963)
- Chua Swee Lin, Exchange Student (留学生チュア・スイ・リン Ryugakusei Chua Sui Rin) (1965)
- Pre-Partisan (パルチザン前史 Paruchizan zenshi) (1969)
- Minamata: The Victims and Their World (水俣ー患者さんとその世界 Minamata: Kanjasan to sono sekai) (1971)
- The Shiranui Sea (不知火海 Shiranuikai) (1975)
- Another Afghanistan: Kabul Diary 1985 (もうひとつのアフガニスタン カーブル日記 1985年 Mō hitotsu no Afuganisutan: Kaburu nikki 1985-nen) (2003)
- Traces: The Kabul Museum 1988 (在りし日のカーブル博物館1988年 Arishihi no Kāburu Hakubutsukan 1988-nen) (2003)
References
- ^ Nornes, Abé Mark (2011). Noriaki Tsuchimoto and the Reverse View Documentary. Zakka Films. pp. 2–4.
- ^ "Noriaki Tsuchimoto: film-maker". The Times. 12 July 2008. Retrieved 3 May 2011.
- ^ Yasuo, Yoshio (3). "Documentarists of Japan, No. 7: Tsuchimoto Noriaki". Documentary Box (8).
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External links
- Shine Asoshie - Tsuchimoto's production company (includes full text of some Tsuchimoto articles) (in Japanese)
- Interview with Tsuchimoto Noriaki - Documentary Box (Interviewers: Yasui Yoshio and Aaron Gerow)
- Noriaki Tsuchimoto: film-maker Obituary in The Times
- Tsuchimoto Noriaki at IMDb