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Francesca Caccini (September 18, 1587–probably 1640) was an Italian composer, singer, lutenist, and music teacher of the early Baroque era. She was the daughter of Giulio Caccini, and was probably the most famous and influential female European composer, in any genre, between 12th-century Hildegard of Bingen and the 19th century. Her opera, La liberazione di Ruggiero, was the first Italian opera to be performed outside of Italy.

Life

Francesca was born in Florence, most likely receiving her early musical training with her father. Her first recorded appearance in public is as a singer at the wedding of Henry IV of France and Maria de' Medici in 1600; her father took part in organizing and composing the music for the sumptuous entertainment involved. In 1604 when the entire Caccini family visited France, Henry praised her singing effusively—"you are the best singer in all of France"—and asked her to stay at his court, but the Florentine officials denied his request, and she returned to Italy, where her fame continued to grow. Shortly afterwards she attracted the attention of Claudio Monteverdi as well, who praised her singing and instrumental performance. In 1607 she married a member of the Florentine Camerata, Giovanni Battista Signorini.

During this time she was also developing her skill as a composer. In conjunction with the librettist Michelangelo Buonaroti the Younger (grand-nephew of the artist) she wrote the music for many intermedi at the Medici court, and she also began writing in the then-new form of opera.

One of her greatest successes came in 1625 when she wrote an opera for a visiting prince from Poland, Ladislaus Sigismondo (later Wladislaw IV). This opera, La liberazione di Ruggiero dall'isola d'Alcina, was also performed in Warsaw in 1628; this is the earliest recorded performance of an Italian opera outside of Italy.

Records of her later life are sparse. Florentine records show that a Francesca Caccini, wife of a senator, died in 1640, which would imply that she remarried if this was her; alternatively that may have been someone else, and she may have died earlier. A death date of 1630 is given in some sources.

Works

Francesca wrote five operas, four of which have been lost (only La liberazione di Ruggiero has survived). Of her numerous smaller compositions, sacred, secular, vocal and instrumental, the only surviving collection is her publication of 1618, Il primo libro delle musiche, which contains pieces for one or two voices and basso continuo. They include madrigals, canzonette, settings of sonnets, strophic variations, as well as several sacred pieces which can be classified as early Baroque motets. In style they are monodies, and in some ways she exceeds her father in melodic and harmonic daring; clearly she was writing for her own voice, and for her own virtuoso singing capabilities much of the time.

References

• Article on Francesca Caccini, in Historical Anthology of Music by Women. James R. Briscoe, ed. Indiana University Press, Bloomington, Indiana, 1986. ISBN 0253212960 Note: both this article and the Grove article are by Carolyn Raney.
• Article "Francesca Caccini." The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1561591742
• "Francesca Caccini, Musician to the Medici and her Primo Libro." Carolyn Raney, Ph.D. dissertation, New York University, 1971.

• Baroque composers
• Italian composers
• Women classical composers