Misplaced Pages

This is an old revision of this page, as edited by Therealmikelvee (talk | contribs) at 21:37, 1 October 2006 (That Beit Or and his POV edits...). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

For the French rapper, see Akhenaton (rapper). For other uses, see Akhenaten (disambiguation).

Akhenaten / Amenhotep IV
Amenophis IV Naphu(`)rureya Khuenaten
File:Akhenaten (realistic).jpg
Pharaoh
Reign	1352 BC – 1336 BC or 1351–1334 BC
Predecessor	Amenhotep III
Successor	Smenkhkare
Royal titulary Horus name Meryaten Nebty name Wernesytemakhetaten Golden Horus Wetjesrenenaten Nomen Akhenaten He who is beneficial to the Aten (after Year 4 of his reign) Amenhotep
Consort	Nefertiti, Kiya Meritaten, Ankhesenpaaten, Ankhesenpaaten-ta-sherit
Father	Amenhotep III
Mother	Tiye
Died	1336 BC or 1334 BC
Burial	Royal Tomb of Akhenaten
Monuments	El-Amarna
Dynasty	18th Dynasty

Akhenaten (original pronunciation ʔxnʔtn, vowels unknown; modern pronunciation axɛnatɛn), known as Amenhotep IV at the start of his reign, was a Pharaoh of the Eighteenth dynasty of Egypt, especially notable for single-handedly restructuring the Egyptian religion to monotheisticly worship the Aten. He was born to Amenhotep III and his Chief Queen Tiye and was his father's younger son. Akhenaten was not originally designated as the successor to the throne until the untimely death of his older brother, Thutmose. Amenhotep IV succeeded his father after Amenhotep III's death at the end of his 38-year reign, possibly after a co-regency lasting between either 1 to 2 or 12 years. Suggested dates for Akhenaten's reign (subject to the debates surrounding Egyptian chronology) are from 1353 BC-1336 BC or 1351 BC–1334 BC. Akhenaten's chief wife was Nefertiti, who has been made famous by her exquisitely painted bust in the Altes Museum of Berlin.

Other names:

• Amenhotep (IV), (nomen, or birth name)
• Amenophis (Greek variant of birth name)
• Nefer-kheperu-Rê (praenomen, or throne name)
• Naphu(`)rureya (Variant of throne name found in the Amarna letters)
• Alternative spellings of Akhenaten (the name taken on conversion to Atenism which means "He Who Works for Aten")

'Akhnaten, Akhenaton, Akhnaton, Ankhenaten, Ankhenaton, Ikhnaton

His name was previous transliterated as Khuenaten

Atenist revolution

Main article: Atenism

A religious revolutionary, Amenhotep IV introduced Atenism in the first year of his reign, raising the previously obscure god Aten (sometimes spelt Aton) to the position of supreme deity. The early stage of Atenism appears to be a kind of henotheism familiar in Egyptian religion, but the later form suggests a proto-monotheism. Aten was the name for the sun-disk itself — hence the fact that it is often referred to in English in the impersonal form "the Aten". The Aten was by this point in Egyptian history considered to be an aspect of the composite deity Ra-Amun-Horus. These previously separate deities had been merged with each other. Amun was identified with Ra, who was also identified with Horus. Akhenaten simplified this syncretism by proclaiming the visible sun itself to be the sole deity, thus introducing a type of monotheism. Some commentators interpret this as a proto-scientific naturalism, based on the observation that the sun's energy is the ultimate source of all life. Others consider it to be a way of cutting through the previously ritualistic emphasis of Egyptian religion to allow for a new "personal relationship" with God; this interpretation is hampered by the fact that only the Royal family was able to interact with and perform rituals pertaining to the Aten. Others interpret it as a pragmatic political move designed to further centralise power by crushing the independent authority of the traditional Amun priesthood who controlled Egypt's wealth and produce. However, Akhenaten did not formally break with the Amun priests and still used his old Amun inspired royal name--Amunhotep IV--until Fourth Year when the latter defied his authority, according to the text on one of his Amarna border stela.

This religious reformation appears to have begun with his decision to celebrate a Sed festival in his third regnal year — a highly unusual step, since a Sed-festival, a sort of royal jubilee intended to reinforce the Pharaoh's divine powers of kingship, was traditionally held in the thirtieth year of a Pharaoh's reign.

Year 5 marked the beginning of his construction of a new capital, Akhetaten ('Horizon of Aten'), at the site known today as Amarna. In the same year, Amenhotep IV officially changed his name to Akhenaten ('Effective Spirit of Aten') as evidence of his new worship. Very soon afterward he centralized Egyptian religious practices in Akhetaten, though construction of the city seems to have continued for several more years. In honor of Aten, Akhenaten also oversaw the construction of some of the most massive temple complexes in ancient Egypt, including one at Karnak, close to the old temple of Amun. In these new temples, Aten was worshipped in the open sunlight, rather than in dark temple enclosures, as had been the previous custom. Akhenaten is also believed to have composed the Great Hymn to the Aten.

Initially, Akhenaten presented Aten as a variant of the familiar supreme deity Amun-Ra (itself the result of an earlier rise to prominence of the cult of Amun, resulting in Amun becoming merged with the sun god Ra), in an attempt to put his ideas in a familiar Egyptian religious context. However, by Year 9 of his reign Akhenaten declared that Aten was not merely the supreme god, but the only god, and that he, Akhenaten, was the only intermediary between Aten and his people. He ordered the defacing of Amun's temples throughout Egypt, and in a number of instances inscriptions of the plural 'gods' were also removed.

Aten's name is also written differently after Year 9, to emphasise the radicalism of the new regime, which included a ban on idols, with the exception of a rayed solar disc, in which the rays (commonly depicted ending in hands) appear to represent the unseen spirit of Aten, who by then was evidently considered not merely a sun god, but rather a universal deity. It is important to note, however, that representations of the Aten were always accompanied with a sort of "hieroglyphic footnote", stating that the representation of the sun as All-encompassing Creator was to be taken as just that: a representation of something that, by its very nature as something transcending creation, cannot be fully or adequately represented by any one part of that creation.

Depictions of the Pharaoh and his family

Styles of art that flourished during this short period are markedly different from other Egyptian art, bearing a variety of affectations, from elongated heads to protruding stomachs, exaggerated ugliness and the beauty of Nefertiti. Significantly, and for the only time in the history of Egyptian royal art, Akhenaten's family was depicted in a decidedly naturalistic manner, and they are clearly shown displaying affection for each other. Nefertiti also appears beside the king in actions usually reserved for a Pharaoh, suggesting that she attained unusual power for a queen. Artistic representations of Akhenaten give him a strikingly bizarre appearance, with slender limbs, a protruding belly and wide hips, giving rise to controversial theories such as that he may have actually been a woman masquerading as a man, or that he was a hermaphrodite or had some other intersex condition. The fact that Akhenaten had several children argues against these suggestions. It has also been suggested that he suffered from Marfan's syndrome.

Until Akhenaten's mummy is located and identified, proposals of actual physical abnormalities are likely to remain speculative. However, it must be kept in mind that there is no good evidence that we are necessarily dealing with a literal representation of Akhenaten's physical form, or that of his wife or children. As pharaoh, Akhenaten had complete control over how he, his family, and his government in general was represented in art. Rather than a literal representation of his physical appearance, it must be kept in mind that what we see as an odd physical abnormality was the way that Akhenaten wanted to be artistically portrayed.

Following Akenaten's death, a peaceful but comprehensive political, religious and artistic reformation returned Egyptian life to the norms it had followed previously during his father's reign. Much of the art and building infrastructure that was created during Akhenaten's reign was defaced or destroyed in the period immediately following his death. Stone building blocks from his construction projects were later used as foundation stones for subsequent rulers temples and tombs.

Problems of the reign

Crucial evidence about the latter stages of Akhenaten's reign has been provided by the discovery of the Amarna Letters, a cache of diplomatic correspondence discovered in modern times at el-Amarna, the modern designation of the Akhetaten site. This correspondence comprises a priceless collection of incoming messages on clay tablets, sent to Akhetaten from imperial outposts and foreign allies. The letters suggest that Akhenaten's neglect of matters of state were causing disorder across the massive Egyptian empire. The governors and kings of subject domains wrote to beg for gold, and also complained of being snubbed and cheated.

Early on in his reign, Akhenaten fell out with the king of Mitanni. He may even have concluded an alliance with the Hittites, who then attacked Mitanni and attempted to carve out their own empire. A group of Egypt's other allies who attempted to rebel against the Hittites were captured, and wrote begging Akhenaten for troops; he evidently did not respond to their pleas. Evidence suggests that the troubles on the northern frontier led to difficulties in Canaan, particularly in a struggle for power between Labaya of Shechem and Abdi-Kheba of Jerusalem, requiring the Pharaoh to intervene in the area by dispatching Medjay troops northwards. There is some evidence that the spread of plague throughout the Middle East at this time was precipitated by this action.

Plague and pandemic

This Amarna period is also associated with a serious outbreak of a pandemic, possibly the plague, or perhaps the world's first outbreak of influenza, which came from Egypt and spread throughout the Middle East, killing Suppiluliuma I, the Hittite King. The prevalence of disease may help explain the rapidity with which the site of Akhetaten was subsequently abandoned. It may also explain why later generations considered the gods to have turned against the Amarna monarchs. He also ignored the helpless crys of his alliances.

Speculative theories

Akhenaten's status as a religious revolutionary has led to much speculation, ranging from the mainstream to New Age esotericism. He has been called "the first individual in history", as well as the first monotheist, first scientist, and first romantic. As early as 1899 Flinders Petrie gushingly declared that,

If this were a new religion, invented to satisfy our modern scientific conceptions, we could not find a flaw in the correctness of this view of the energy of the solar system. How much Akhenaten understood, we cannot say, but he certainly bounded forward in his views and symbolism to a position which we cannot logically improve upon at the present day. Not a rag of superstition or of falsity can be found clinging to this new worship evolved out of the old Aton of Heliopolis, the sole Lord of the universe.

H. R. Hall even claimed that the pharaoh was the "first example of the scientific mind".

The idea of Akhenaten as the pioneer of a monotheistic religion that later became Judaism was promoted by Sigmund Freud, the founder of psychoanalysis, in his book Moses and Monotheism and thereby entered popular consciousness. Freud argued that Moses had been an Atenist priest forced to leave Egypt with his followers after Akhenaten's death.

In vivid contrast, the pro-Nazi Aryanist writer Savitri Devi insisted in her book The Lightning and the Sun that Akenaten's god bore no resemblance to,

the jealous tribal god Jehovah, created in the image of the Jews, — but the equivalent of the immanent, impersonal Tat — That — of the Chandogya Upanishad, no less than of das Gott (as opposed to “der Gott”) of the ancient Germans, and the one conception of Divinity that modern science, far from disproving, on the contrary, suggests.

More recently, Ahmed Osman has even claimed that Moses and Akhenaten were the same person, supporting his belief by interpreting aspects of biblical and Egyptian history. Apart from the most obvious correlation, both forms of monotheism arising in a geographically close proximity, there are alleged to be others, including a ban on idol worship and the similarity of the name Aten to the Hebrew Adon, or "Lord". This would mesh with Osman's other claim that Akhenaten's maternal grandfather Yuya was the same person as the Biblical Joseph.

Although Freud's and Ahmed Osman's hypotheses have gained acceptance in some quarters (e.g. Laurence Gardner, Bloodline of the Holy Grail, Lost Secrets of the Sacred Ark; Gary Greenberg, The Moses Mystery: The African Origins of the Jewish People), most mainstream Egyptologists do not take them seriously, pointing out that there are direct connections between early Judaism and other Semitic religious traditions, and that two of the three principal Judaic terms for God, Yahweh and Elohim, have no connection to Aten , although Adonai may (Yaten, however, a later pronunciation of Aten, could perhaps be a contraction Yahweh and Adonai). Additionally, Akhenaten appears almost two-centuries before the first archaeological and written evidence for Judaism and Israelite culture is found in the Levant. Furthermore abundant visual imagery was central to Atenism, which celebrated the natural world, however, while Aten was shown as the sun disc, he was regarded as having no true form, and all idols were banned, which also matches the Jewish protrayal of God. It is also thought by some Egyptologists, due to his strong connection to the area, that Yuya's family were part of the regional nobility of Akhmim, in Upper Egypt, which would make it very unlikely that he was an Israelite, as the Egyptians tended to cloister Asiatic settlers in Lower Egypt around the Nile delta region, though most Egyptologists give him a Mitannian origin. Nevertheless, it is widely accepted that there are strong similarities between Akhenaten's Great Hymn to the Aten and the Biblical Psalm 104, though whether this implies a direct influence or common literary conventions remains in dispute.

Another claim was made by Immanuel Velikovsky. Velikovsky argued that Moses was neither Akhenaten, nor one of his followers. Instead, Velikovsky identifies Akhenaten as the history behind Oedipus and moved the setting from the Greek Thebes to the Egyptian Thebes. His theory also includes that Akhenaten had an incestous relationship with his mother, Tiy. Velikovsky also posited that Akhenaten had elephantiasis, producing enlarged legs – Oedipus being Greek for "swollen feet." As part of his argument, Velikovsky uses the fact that Akhenaten viciously carried out a campaign to erase the name of his father, which he argues could have developed into Oedipus killing his father.

Family

See also : Eighteenth dynasty of Egypt Family Tree

Amenhotep IV was married to Nefertiti at the very beginning of his reign, and the couple had six known daughters and possibly one son. This is a list with suggested years of birth:

• Meritaten – year 1.
• Meketaten – year 2.
• Ankhesenpaaten, later Queen of Tutankhamun – year 3.
• Neferneferuaten Tasherit – year 5.
• Neferneferure – year 6.
• Setepenre – year 8.
• Tutankhaten–year 11 (pending on Smenkhkare's reign length. If his reign were to be only 1 year, Tutankhaten would have been only 7 when he took the throne).

His known consorts were:

• Nefertiti, his Great Royal Wife early in his reign.
• Kiya, a lesser Royal Wife.
• Meritaten, recorded as his Great Royal Wife late in his reign.
• Ankhesenpaaten, his third daughter, and who is thought to have borne a daughter, Ankhesenpaaten-ta-sherit, to her own father. After his death, Ankhesenpaaten married Akhenaten's successor Tutankhamun.

Two other lovers have been suggested, but are not widely accepted:

• Smenkhkare, Akhenaten's successor and/or co-ruler for the last years of his reign. Rather than a lover, however, Smenkhkare is likely to have been a half-brother or a son to Akhenaten. Some have even suggested that Smenkhkare was actually an alias of Nefertiti or Kiya, and therefore one of Akhenaten's wives.
• Tiy, his mother. Twelve years after the death of Amenhotep III, she is still mentioned in inscriptions as Queen and beloved of the King. It has been suggested that Akhenaten and his mother acted as consorts to each other until her death. This would have been considered incest at the time. Supporters of this theory (notably Immanuel Velikovsky) consider Akhenaten to be the historical model of legendary King Oedipus of Thebes, Greece and Tiy the model for his mother/wife Jocasta.

Burial

Akhenaten planned to relocate Egyptian burials on the East side of the Nile (sunrise) rather than on the West side (sunset), in the Royal Wadi in Akhetaten. His body was probably removed after the court returned to Thebes, and reburied somewhere in the Valley of the Kings. His sarcophagus was destroyed but has since been reconstructed and now sits outside in the Cairo Museum.

Succession

There is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father, Amenhotep III, or whether there was a co-regency (lasting as long as 12 years according to some Egyptologists). Current literature by Eric Cline, Nicholas Reeves, Peter Dorman and other scholars comes out strongly against the establishment of a long coregency between the 2 rulers and in favour of either no coregency or a brief one lasting 1 to 2 years, at the most.

Similarly, although it is accepted that both Smenkhkare and Akhenaten himself died in Year 17 of Akhenaten's reign, the question of whether Smenkhkare became co-regent perhaps 2 or 3 years earlier is also unclear, as is whether Smenkhkare survived Akhenaten. If Smenkhkare outlived Akhenaten, becoming sole Pharaoh, he ruled for less than a year.

The next successor was certainly Tutankhaten (later, Tutankhamun), at the age of 9, with the country perhaps being run by the chief vizier (and next Pharaoh), Ay. Tutankhamun is believed to be a younger brother of Smenkhkare and a son of Akhenaten.

It has also been suggested that after the death of Akhenaten, Nefertiti reigned with the name of Neferneferuaten .

With Akhenaten's death, the Aten cult he had founded gradually fell out of favor. Tutankhaten changed his name to Tutankhamun in Year 2 of his reign {1332 BC) and abandoned the city of Akhetaten, which eventually fell into ruin. His successors Ay and Horemheb disassembled temples Akhenaten had built, including the temple at Thebes, using them as a source of easily available building materials and decorations for their own temples.

Finally, Akhenaten, Smenkhkare, Tutankhamun, and Ay were excised from the official lists of Pharaohs, which instead reported that Amenhotep III was immediately succeeded by Horemheb. This is thought to be part of an attempt by Horemheb to delete all trace of Atenism and the pharaohs associated with it from the historical record. Akhenaten's name never appeared on any of the king lists compiled by later Pharaohs and it was not until the late 19th century that his identity was re-discovered and the surviving traces of his reign were unearthed by archaeologists.

In the arts

• The song 'Son Of The Sun' by swedish Symphonic Metal band Therion on the album Sirius B.
• Thomas Mann, in his fictional biblical tetralogy Joseph and His Brothers (1933-1943), makes Akhenaten the "dreaming pharaoh" of Joseph's story.
• Savitri Devi: play Akhnaton: A Play (Philosophical Publishing House , 1948)
• Mika Waltari: historical novel The Egyptian, first published in Finnish (Sinuhe egyptiläinen) in 1945, translated by Naomi Walford (G.P. Putnam’s Sons, 1949, ISBN 0-399-10234-5; Chicago Review Press, 2002, paperback, ISBN 1-55652-441-2)
• The Egyptian, motion picture (1954, directed by Michael Curtiz, Twentieth Century-Fox Film Corporation), based on the novel by Mika Waltari.
• Gwendolyn MacEwen: historical novel King of Egypt, King of Dreams (1971, ISBN 1-894663-60-8)
• Agatha Christie: play, Akhnaton: A Play in Three Acts (Dodd, Mead , 1973, ISBN 0-396-06822-7; Collins , 1973, ISBN 0-00-211038-5)
• Nefertiti: The Musical is a stage musical based on the Amarna period in the life of Akhenaten. Book by Christopher Gore and Rick Gore, Music by David Spangler.
• Philip Glass: opera, Akhnaten: An Opera in Three Acts (1983; CBS Records, 1987)
• Naguib Mahfouz, novel, Akhenaten, Dweller in Truth (1985)العائش فى الحقيقة
• Allen Drury, historical novels, A God Against the Gods (Doubleday, 1976) and Return to Thebes (Doubleday, 1976)
• Andree Chedid, novel, " Akhenaten and Nefertiti's dream"
• Wolfgang Hohlbein, German novel, Die Prophezeihung (The Prophecy), in which Echnaton is killed by Ay and curses him into eternal life until a prophecy is fulfilled.
• Moyra Caldecott: novel Akhenaten: Son of the Sun (1989; eBook, 2000, ISBN 1-899142-86-X; 2003, ISBN 1-899142-25-8)
• Judith Tarr, historical fantasy, Pillar of Fire (1995)
• Carol Thurston, fiction, The Eye of Horus (William Morrow & Co., 2000), posits the "Akhenaten was Moses" theory.
• Moyra Caldecott: novel The Ghost of Akhenaten (eBook, 2001, ISBN 1-899142-89-4; 2003, ISBN 1-84319-024-9)
• Lynda Robinson, historical mystery, Drinker of Blood (2001, ISBN 0-446-67751-5)
• Edgar P. Jacobs: comic book, Blake et Mortimer: La Mystère de la Grande Pyramide vol. 1+2 (1950), adventure story using the mystery of Akhenaten as motor
• The Akhenaten Adventure P.B. Kerr: fiction Akhenaten is said to be the holder of 70 lost Djinn
• Dorothy Porter, verse novel, Akhenaten (1991)

Notes

1. Michael Rice, Who's Who in Ancient Egypt, Routledge, 1999
2. Jürgen von Beckerath, Chronologie des Pharaonischen Ägypten. Philipp von Zabern, Mainz, (1997) p.190
3. Akhenaten (Amenhotep IV)
4. Amarna Royal Tomb
5. Ancient city of Amarna
6. Discussions of such Akenatenolatry can be found on Akhenaten, Deep Thought
7. Sir Flinders Petrie, History of Egypt (edit. 1899), Vol. II, p. 214.
8. H. R. Hall, Ancient History of the Near East, p. 599.
9. Savitri Devi, The Lightening and the Sun, p. 142
10. Ahmed Osman Akhenaten as Moses
11. Immanuel Velikovsky, Oedipus and Akhnaton, Myth and History, Doubleday, 1960
12. Pocket Guides : Egypt History, p.37, Dorling Kindersley, London 1996.(the Neferneferuaten part is taken from Misplaced Pages Nefertiti entry)

Further reading

• Savitri Devi, A Son of God (full text) (Philosophical Publishing House , 1946); subsequent editions published as Son of the Sun: The Life and Philosophy of Akhnaton, King of Egypt (Supreme Grand Lodge of A.M.O.R.C., 1956); part III of The Lightning and the Sun is focused on Akhnaten.
• Immanuel Velikovsky, Oedipus and Akhnaton: Myth and History (Doubleday , 1960, ISBN 0-385-00529-6)
• Cyril Aldred, Akhenaten: King of Egypt (Thames & Hudson, 1988, hardcover, ISBN 0-500-05048-1; 1991, paperback, ISBN 0-500-27621-8)
• Donald B. Redford, Akhenaten: The Heretic King (Princeton University Press, 1984, ISBN 0-691-03567-9)
• Mubabinge Bilolo, Le Créateur et la Création dans la pensée memphite et amarnienne. Approche synoptique du Document Philosophique de Memphis et du Grand Hymne Théologique d'Echnaton (Academy of African Thought, Sect. I, vol. 2; Kinshasa-Munich 1988; new ed., Munich-Paris, 2004)
• David O'Connor & Eric Cline, Amenhotep III: Perspectives on His Reign, (University of Michigan Press, 1998, ISBN 0-472-10742-9)
• Ahmed Osman, Moses and Akhenaten: The Secret History of Egypt at the Time of the Exodus (Grafton Books , 1990; Bear & Co., 2002, paperback, ISBN 1-59143-004-6)
• Graham Phillips, Act of God: Moses, Tutankhamun and the Myth of Atlantis, (London : Sidgwick & Jackson, 1998, ISBN 0-283-06314-9); republished as Atlantis and the Ten Plagues of Egypt: The Secret History Hidden in the Valley of the Kings (Bear & Co., 2003, paperback, ISBN 1-59143-009-7)
• Erik Hornung, Akhenaten and the Religion of Light, translated by David Lorton (Cornell University Press, 1999, ISBN 0-8014-3658-3)
• Boston Museum of Fine Arts, Pharaohs of the Sun: Akhenaten - Nefertiti - Tutankhamen, edited by Rita E. Freed, Yvonne J. Markowitz, and Sue H. D'Auria (Bulfinch Press, 1999, ISBN 0-8212-2620-7)
• Dominic Montserrat, Akhenaten: History, Fantasy and ancient Egypt, (Routledge, 2000, ISBN 0-415-30186-6)
• Tom Holland, The Sleeper in the Sands (novel), (Abacus, 1998, ISBN 0-349-11223-1), a fictionalised adventure story based closely on the mysteries of Akhenaten's reign
• Nicholas Reeves, Akhenaten: Egypt's False Prophet (Thames and Hudson, 2001,ISBN 0-500-05106-2)

External links

• There is an Egyptian reconstruction group called Order of the Aten Temple @ www.atenism.org
• Akhenaten and the Hymn to the Aten
• "The City of Akhetaten
• A more detailed profile of him
• A profile discussing his familial relations
• The Great Hymn to the Aten
• A Re-examination of the Long Coregency from the Tomb of Kheruef by Peter Dorman
• The Bible - Book of the Pharaohs
• "Moses and Akhenaten: The Secret History of Egypt at the Time of the Exodus"

Template:Pharaoh

• Pharaohs of the Eighteenth dynasty of Egypt
• Amarna Period
• Religious leaders
• 1333 BC deaths
• 1349 BC deaths
• 1362 BC births
• 1379 BC births