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Chiari in 1964 | |
Born | Walter Annicchiarico (1924-03-02)2 March 1924 Verona, Italy |
Died | 20 December 1991(1991-12-20) (aged 67) Milan, Italy |
Occupation | actor |
Years active | 1946–91 |
Walter Chiari [ˈvalter ˈkjaːri], stage name of Walter Annicchiarico (8 March 1924 – 20 December 1991), was an Italian stage and screen actor, mostly in comedy roles.
Biography
Born in Verona, Chiari achieved a certain degree of international success in films such as The Little Hut (1957), Bonjour Tristesse (1958), Chimes at Midnight (1966), and The Valachi Papers (1972). He appeared opposite Anna Magnani in Luchino Visconti's film Bellissima (1951).
In the late 1950s and 1960s he was one of the main protagonists of the "Dolce Vita", the glitzy and glamorous Italian jet-set scene, centered in Rome and especially focused on the booming cinema industry with which he was so at ease.
During the making of The Little Hut he met Ava Gardner (still formally married to Frank Sinatra but already estranged from him), and he started a passionate and tumultuous relationship with the American superstar.
Unlike many Italian actors of the time he had a full and fluent command of English that he put to good use in his Broadway spell, which in 1961 saw him performing in The Gay Life (a musical comedy inspired by a Schnitzler piece) for 113 shows.
He starred in They're a Weird Mob (1966), the last of the Powell and Pressburger films, based on a popular Australian novel by John O'Grady. He also appeared in the Australian film Squeeze a Flower in 1970.
In 1970 he was arrested and jailed in Rome on suspicion of cocaine possession and trafficking, with 70 days passing before he was bailed. Despite being known in show business as a cocaine user, Chiari enjoyed for years the de facto impunity often accorded to members of his trade (provided he kept his addiction private). The willingness of authorities to prosecute him, mounting a nationwide scandal, was seen by some as an attempt to distract public opinion from the fruitless search for the culprits of the Piazza Fontana bombing, which precipitated Italy in fear.
After his release and partial acquittal (he was deemed not guilty of the trafficking count and received a lenient sentence for the charge of drug possession for personal use) his career never recovered. The Italian state television was off-limits for him, and all he could aspire to were bit parts in low-key comedies and local television appearances, such as on Antenna 3 Lombardia. He concentrated on theatre as a mean to escape the downward spiral and, while never regaining his former fame, he gave some brilliant performances in plays such as Sheridan's The Critic, Marc Terrier's Six heures plus tard and Beckett's Endgame.
Chiari died of a sudden heart attack in Milan, at home, on 21 December 1991. On that same day he had undertaken a complete, positive medical check-up. Not showing up at a dinner with a theatre manager where he should have discussed his involvement in a new production, he was found by his host (who reached the residence where he was living at the time) sitting in an armchair, in front of a functioning television.
His gravestone carries the line he once mentioned to director Dino Risi as his favorite choice for an epitaph: "Don't worry, I'm merely catching up with sleep". The grave is inside Civico Mausoleo Palanti in Cimitero Monumentale di Milano.
Filmography
- Vanity, directed by Giorgio Pàstina (1947)
- Toto Tours Italy, directed by Mario Mattòli (1948)
- Che tempi!, directed by Giorgio Bianchi (1948)
- Quel fantasma di mio marito, directed by Camillo Mastrocinque (1950)
- L'inafferrabile 12, directed by Mario Mattoli (1950)
- I cadetti di Guascogna, directed by Mario Mattòli (1950)
- Vendetta... sarda, directed by Mario Mattòli (1951)
- Il padrone del vapore, directed by Mario Mattòli (1951)
- O.K. Nerone, directed by Mario Soldati (1951)
- È l'amor che mi rovina, directed by Mario Soldati (1951)
- Arrivano i nostri, directed by Mario Mattòli (1951)
- Abbiamo vinto!, directed by Robert Stemmle (1951)
- Era lui... sì! sì!, directed by Metz and Marchesi (1951)
- Bellissima, directed by Luchino Visconti (1951)
- Oggi sposi, directed by Vittorio Metz and Marcello Marchesi (1952)
- Noi due soli, directed by Marino Girolami (1952)
- Lo sai che i papaveri, directed by Vittorio Metz and Marcello Marchesi (1952)
- Era lei che lo voleva!, directed by Marino Girolami and Giorgio Simonelli (1953)
- Cinque poveri in automobile, directed by Mario Mattòli (1952)
- The Dream of Zorro, directed by Mario Soldati (1952)
- L'ora della verità, directed by Jean Delannoy (1952)
- Viva la rivista!, directed by Enzo Trapani (1953)
- What Scoundrels Men Are!, directed by Glauco Pellegrini (1953)
- Siamo tutti Milanesi, directed by Mario Landi (1953)
- Cinema d'altri tempi, directed by Steno (1954)
- Questa è la vita - episode "Marsina stretta", directed by Aldo Fabrizi (1954)
- Gran varietà, directed by Domenico Paolella (1954)
- Un giorno in pretura, directed by Steno (1954)
- Avanzi di galera, directed by Vittorio Cottafavi (1954)
- It Happened at the Police Station, directed by Giorgio Simonelli (1954)
- Red and Black, directed by Domenico Paolella (1955)
- Io piaccio, directed by Giorgio Bianchi (1955)
- Vacanze d'amore, directed by Jean-Paul Le Chanois (1955)
- Nanà, directed by Christian-Jaque (1954)
- Je suis un sentimental, directed by John Berry (1955)
- Accadde al penitenziario, directed by Giorgio Bianchi (1955)
- Wives and Obscurities, directed by Leonardo De Mitri (1956)
- Donatella, directed by Mario Monicelli (1956)
- Mio zio Giacinto, directed by Ladislao Vajda (1956)
- The Little Hut, directed by Mark Robson (1957)
- Bonjour tristesse, directed by Otto Preminger (1958)
- Festa di maggio, directed by Luis Saslavsky (1958)
- Amore a priva vista, directed by Franco Rossi (1958)
- I zitelloni, directed by Giorgio Bianchi (1958)
- La ragazza di piazza San Pietro, directed by Piero Costa (1958)
- Le sorprese dell'amore, directed by Luigi Comencini (1959)
- L'amico del giaguaro, directed by Giuseppe Bennati (1958)
- Parque de Madrid, directed by Enrique Cahen Salaberry (1959)
- Un mandarino per Teo, directed by Mario Mattòli (1960)
- Femmine di lusso, directed by Giorgio Bianchi (1960)
- Un dollaro di fifa, directed by Giorgio Simonelli (1960)
- I baccanali di Tiberio, directed by Giorgio Simonelli (1960)
- Vacanze in Argentina, directed by Guido Leoni (1960)
- Walter and i suoi cugini, directed by Marino Girolami (1961)
- La ragazza sotto il lenzuolo, directed by Marino Girolami (1961)
- Mariti a congresso, directed by Luigi Filippo D'Amico (1961)
- I magnifici tre, directed by Giorgio Simonelli (1961)
- Lui, lei and il nonno, directed by Anton Giulio Majano (1961)
- Ferragosto in bikini, directed by Marino Girolami (1961)
- Bellezze sulla spiaggia, directed by Romolo Girolami (1961)
- La moglie di mio marito, directed by Tony Roman (1961)
- Il giorno più corto, directed by Sergio Corbucci (1962)
- L'attico, directed by Gianni Puccini (1962)
- Copacabana Palace, directed by Steno (1962)
- Due contro tutti, directed by Alberto De Martino and Antonio Momplet (1962)
- Gli Italiani and le donne, directed by Marino Girolami (1962)
- Gli onorevoli, directed by Sergio Corbucci (1963)
- Il giovedì, directed by Dino Risi (1963)
- La donna degli altri è sempre più bella, directed by Marino Girolami (1963)
- La rimpatriata, directed by Damiano Damiani (1963)
- Obiettivo ragazze, directed by Mario Mattòli (1963)
- Gli imbroglioni, directed by Lucio Fulci (1963)
- Follie d'estate, directed by Carlo Infascelli and Edoardo Anton (1963)
- Le tardone, directed by Marino Girolami and Javier Setó (1964)
- I motorizzati, directed by Camillo Mastrocinque (1964)
- I maniaci, directed by Lucio Fulci (1964)
- Se permettete, parliamo di donne, directed by Ettore Scola (1964)
- I gemelli del Texas, directed by Steno (1964)
- Le motorizzate, directed by Marino Girolami (1964)
- Thrilling - episode "Sadik", directed by Gian Luigi Polidoro (1965)
- Amore all'italiana, directed by Steno (1966)
- Här kommer bärsärkarna, directed by Arne Mattsson (1965)
- Colpo grosso ma non troppo, directed by Gérard Oury (1965)
- Gli eroi del West, directed by Steno (1965)
- Made in Italy, directed by Nanni Loy (1965)
- Falstaff, directed by Orson Welles (1965)
- Ischia operazione amore, directed by Vittorio Sala (1966)
- Io, io, io... e gli altri, directed by Alessandro Blasetti (1966)
- They're a Weird Mob (aka Sono strana gente), directed by Michael Powell (1966)
- La più bella coppia del mondo, directed by Camillo Mastrocinque (1968)
- Capriccio all'italiana - episode "La gelosia", directed by Mauro Bolognini (1968)
- Quei temerari sulle loro pazze, scatenate, scalcinate carriole, directed by Ken Annakin (1969)
- Squeeze a Flower, directed by Marc Daniels (1970)
- The Valachi Papers, Italian title: Joe Valachi - I segreti di Cosa Nostra, directed by Terence Young (1972)
- Amore mio, non farmi male, directed by Vittorio Sindoni (1974)
- Due prostitute a Pigalle, directed by László Szabó (1975)
- Son tornate a fiorire le rose, directed by Vittorio Sindoni (1975)
- La banca di Monate, directed by Francesco Massaro (1975)
- Per amore di Cesarina, directed by Vittorio Sindoni (1976)
- Passi furtivi in una notte boia, directed by Vincenzo Rigo (1976)
- Come ti rapisco il pupo, directed by Lucio De Caro (1976)
- Ride bene... chi ride ultimo - episode "Prete per forza", directed by Walter Chiari (1977)
- La bidonata, directed by Luciano Ercoli (1977)
- Tanto va la gatta al lardo..., directed by Marco Aleandri (1978)
- Ridendo and scherzando, directed by Marco Aleandri (1978)
- Belli and brutti ridono tutti, directed by Domenico Paolella (1979)
- Tre sotto il lenzuolo - episode "No, non è per gelosia", directed by Paolo Dominici (1979)
- Romance, directed by Massimo Mazzucco (1986)
- Kafka la colonia penale, directed by Giuliano Betti (1988)
- Tracce di vita amorosa, directed by Peter Del Monte (1990)
References
- "Walter Chiari", Mediane Books.