David Finn

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File:David Finn dli 1605809046 cor.jpg

David Finn in Profile, 1960s-2000s, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC

David Finn (born 1921) is an American public relations executive, photographer, and historian of art. He is known in the field of public relations for his position as a co-founder of the Ruder Finn firm. In addition to his career in public relations, Finn is also a lifelong historian of art and photographer of sculpture.

Career

After his service in the United States Military during World War II, David Finn cofounded the Ruder Finn public relations agency in 1948 along with his partner, Bill Ruder. Over the years, his clients spanned the echelon of American celebrities, including Perry Como, John D. Rockefeller III, and John F. Kennedy, among many others. Ruder Finn has also represented many Fortune 500 companies, universities, not-for-profit organizations, and foreign governments.

Historian of Art

David Finn is also an influential historian of art, author, and photographer of sculpture. Besides contributing his photography to books by art historians, he wrote articles about sculpture for the Congressional newspaper Roll Call and the National Sculpture Society's quarterly journal Sculpture Review, which he headed as editor-in-chief during the 1990s. His photographs have appeared in over 100 books on the history of sculpture, many of which he authored. Finn's photographs of sculpture have been exhibited at the Metropolitan Museum of Art, the Italian Academy for Advanced Studies in America at Columbia University, L'Orangerie in Paris, the American Cultural Center in Madrid, the Art Gallery of Ontario, and the Municipal Art Society in New York.

Finn applied an artistic style to his photographs of sculpture. He employed raking light and high-contrast black and white to emphasize the drama and three-dimensionality of sculpture. In addition to overall shots, he often focused on close-ups and details, which allowed him to isolate and abstract small sections of his subjects. This idiosyncratic style earned him favor with contemporary sculptors like Henry Moore, whose work Finn photographed extensively.

David Finn Archive

David Finn donated his archive of photographs to the Department of Image Collections, National Gallery of Art Library, Washington, DC in 2016, where it contributes to the department's goal of providing a visual record for the study of art. The David Finn Archive includes over 140,000 images in various forms, including photographic prints, negatives, and transparencies. The subjects represented in the archive span the history of sculpture and range from figural to abstract. Finn photographed both Western and non-Western sculpture, including major works from the European canon from the 12th to the 21st centuries, and examples of sculpture from Mesoamerican, Oceanic, and many other traditions.

Finn photographed the works of important contemporary sculptors, such as Henry Moore and Eduardo Chillida. He was often the first to photograph inaccessible sculpture, notably the reliefs on the façade of Orvieto Cathedral, or to capture well-known sculptures from novel angles, like many of his in situ photographs of monumental sculpture. The collection includes many of the original photographs that Finn used for his publications on various topics related to sculptural history. Much of the collection is digitized and available for viewing at the Department of Image Collections, National Gallery of Art Library website.

Gallery

Donatello, Detail of David with the Head of Goliath, c. 1408-1409, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Antonio Canova, Equestrian Monument to Charles III, c.1807-1819, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Donatello, Pazzi Madonna, c. 1422, Bode-Museum, Berlin, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Gian Lorenzo Bernini, Ecstasy of Saint Theresa, c. 1644-52, Santa Maria della Vittoria, Rome, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Anonymous, Detail of Male Figure, Madang Province, Papua New Guinea, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Anonymous Aztec, Coiled Serpent, Late-Post Classic Period, British Museum, London, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Harriet Goodhue Hosmer, Daphne, modeled 1853, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Augustus Saint-Gaudens, Amor Caritas, c.1880-1898, Saint-Gaudens National Historic Site, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Jean-Antoine Houdon, George Washington, modeled 1788, cast 1869, St. Louis, Missouri, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Antonio Canova, Detail of The Trial of Socrates, c.1790-1792, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Antonio Canova, Detail of Creugas, c.1795-1801, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Heinrich Brabender, Saint Thomas, c. 1500, St. Dionysius Church, Rheine, Germany, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Donatello, Detail of Assumption of the Virgin, c.1427-1428, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Donatello, Saint Louis of Toulouse, 1423-1425, Museo dell'Opera di Santa Croce, Florence, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Heinrich Brabender, Detail of Mary, the Blessed Virgin, c.1500, Falkenhof Museum, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC
Michelangelo, Rondanini Pieta, 1564, photo by David Finn, ©David Finn Archive, Department of Image Collections, National Gallery of Art Library, Washington, DC

David Finn Selected Bibliography

Hartt, Frederick. Michelangelo's three pietàs: photographic study. With photography by David Finn. New York: H. N. Abrams, 1975.

Finn, David. Henry Moore: sculpture and environment. With photography by David Finn, foreword by Kenneth Clark and commentaries by Henry Moore. New York: H. N. Abrams, 1976.
Clark, Kenneth. The Florence Baptistry Doors. With photography by David Finn. New York: A Studio Book from Viking Press, 1980.
Pieper, Paul. Heinrich Brabender: Ein Bildhauer der Spätgotik in Münster. With photography by David Finn and an introduction by Henry Moore. Münster: Coppenrath, 1984.
Wilkinson, Burke. Uncommon clay: the life and works of Augustus Saint Gaudens. With photography by David Finn. San Diego: Harcourt Brace Jovanovich. 1985.
Finn, David. How to Look at Sculpture. With photography by David Finn. New York: Abrams, 1989.
Finn, David. How to Visit a Museum. With photography by David Finn. New York: Abrams, 1985.
McCue, George. Sculpture City, St. Louis: public sculpture in the "Gateway to the West". With photography by David Finn and Amy Binder. New York: Hudson Hills Press, 1988.
Morand, Kathleen. Claus Sluter, artist at the Court of Burgundy. With photography by David Finn. Austin: University of Texas Press, 1991.
Reynolds, Donald Martin. Masters of American sculpture: the figurative tradition from the American renaissance to the millennium. With photography by David Finn. New York: Abbeville Press, 1993.
Finn, David. How to Look at Photographs. With photography by David Finn. New York: Abrams, 1994.
Avery, Charles. Bernini: Genius of the Baroque. With photography by David Finn. Boston: Little, Brown and Company, 1997.
Chillida, Eduardo, Giovanni Carandente and Dena Merriam. Eduardo Chillida. With photography by David Finn and translations by Richard Lewis-Rees. Cologne, Germany: Könemann, 1999.
Finn, David. How to Look at Everything. With photography by David Finn. New York: Abrams, 2000.
Finn, David. 20th-century American sculpture in the White House garden. With photography by David Finn, a foreword by Hillary Rodham Clinton, and an essay by Betty C. Monkman. New York: Abrams, 2000.
Finn, David, and Susan Joy Slack. Sculpture at the Corcoran. With photography by David Finn, and foreword by David C. Levy. New York: Ruder-Finn Press, 2002.
Moskowitz, Anita Fiderer. The façade reliefs of Orvieto Cathedral. With photography by David Finn. London: Harvey Miller, 2009.

Citations

"Lessons to Celebrate David Finn at 96". PRNEWS. 2017-11-09. Retrieved 2021-03-24.
^ "Finn, David 1921-". WorldCat Identities.{{cite web}}: CS1 maint: url-status (link)
"American Photographs of Italian Sculpture". www.columbia.edu. Retrieved 2021-03-24.
Finn, David. "Candid Camera". New York Review of Books. ISSN 0028-7504. Retrieved 2021-03-24.
Finn, David (1993). "The Art of Seeing". Sculpture Review. 42 (4): 5.
"In Situ: Henry Moore, David Finn, and the Experience of Location". www.nga.gov. Retrieved 2021-03-24.
"History". www.nga.gov. Retrieved 2021-03-24.
^ "David Finn Archive Collection Summary". National Gallery of Art Library.{{cite web}}: CS1 maint: url-status (link)

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