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Revision as of 05:49, 1 December 2021 by Robvanvee (talk | contribs) (Rollback edit(s) by 2601:47:200:2220:0:0:0:33FF (talk): As already stated: no source provided (RW 16.1))(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)For the song by Stevie Nicks, see Rooms on Fire. 2003 studio album by The Strokes
Room on Fire | ||||
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Studio album by The Strokes | ||||
Released | October 28, 2003 | |||
Recorded | 2003 | |||
Studio | TMF (New York City) | |||
Genre | ||||
Length | 32:15 | |||
Label | RCA | |||
Producer | Gordon Raphael | |||
The Strokes chronology | ||||
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Singles from Room on Fire | ||||
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Room on Fire is the second studio album by American rock band the Strokes, released on October 28, 2003, through RCA Records. Its title is drawn from a lyric in "Reptilia": "The room is on fire as she's fixing her hair."
Room on Fire received positive reviews upon its release, and reached number four on the US Billboard 200 (where it went on to sell 597,000 units by October 2006 and was certified gold) and number two on the UK Albums Chart. Three singles were released from the album: "12:51", "Reptilia", and "The End Has No End".
Recording
Immediately after touring for their debut album Is This It, the Strokes returned to the studio. They hired Radiohead producer Nigel Godrich, but fired him when their work together, according to the band, proved "soulless". Godrich said of the failed collaboration: "The problem there was that me and are just too similar, we're both control freaks. He wanted to do it his way, I wanted to do it my way, and obviously that's the point of me being there. And I'm saying 'Well, why am I here if you're not prepared to try and do it the way I want to do it?' We got on great, it was just one of those laughable things where it just doesn't work. I wanted them to change, and they didn't."
Those sessions were ultimately scrapped and the band returned to their original producer, Gordon Raphael. The Strokes had exactly only three months of studio time to record the album. Guitarist Nick Valensi stated that "the album would've ended up a lot better if we'd had another couple of weeks."
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 77/100 |
Review scores | |
Source | Rating |
AllMusic | |
Blender | |
Entertainment Weekly | B |
The Guardian | |
NME | 9/10 |
Pitchfork | 8.0/10 9.2/10 (reappraisal) |
Q | |
Rolling Stone | |
Spin | A− |
Uncut |
While reviews for the album were mostly positive, gaining a 77 out of 100 on review aggregating site Metacritic based on 31 reviews, the general consensus on the album was that it was too similar to Is This It. Rob Mitchum of Pitchfork gave the album an 8 out of 10, but stated that the band "have all but given birth to an identical twin." A positive review from Rolling Stone said that "the Strokes have resisted the temptation to hit the brakes, grow up and screw around with a sound that doesn't need fixing — yet." The review also stated that "if you want comfort and clarity, you're definitely in the wrong room. This record was built for thrills and speed." Dan Tallis of BBC Music gave it a favorable review and said, "Bands should think themselves lucky to achieve such heights just once in their careers. However, they've done all they could have done. They've made Is This It part two. It's more of the same plus extras. And I'm more than happy to settle for that." Ben Thompson of The Observer gave it all five stars and said, "This is a feeling that can be inspired only by people making the absolute most of an opportunity to communicate: cutting through all the rubbish that surrounds them to make a clear and memorable artistic statement. And that the Strokes should have managed to do such a thing at this stage in their careers, is - I think - an achievement of real significance." Greg Milner of Spin gave it a score of eight out of ten and said that its "similarity to its predecessor ultimately bespeaks a purity of vision, not a dearth of new ideas." Jenny Tatone of Neumu gave it a score of nine stars out of ten and said, "The Strokes don't make the most original sounding music you've ever heard, but they make something that is only the Strokes." In his Consumer Guide, Robert Christgau gave the album a three-star honorable mention () while picking out two songs from the album ("Between Love and Hate" and "What Ever Happened?") and stating simply, "Narcissism repeats itself."
Not all reviews were positive, however. Raoul Hernandez of The Austin Chronicle gave the album a score of two stars out of five and stated that "Even the half-hearted retreads... cashing in on the notoriously unwashed NYC quintet's debut can't muster a wink." Iain Moffat of Playlouder gave the album only one star and said of the Strokes, "There's little of the pop sparkle that shone through the likes of 'The Modern Age' and 'Last Nite' even when - as with 'You Talk Way Too Much' - they're rewriting old material, and Julian's vocals are, to be blunt, awful, sounding uncomfortable to record and rather complacently nasal."
In 2013 Room On Fire was listed at number 360 on NME's list of the 500 greatest albums of all time. In 2018, the BBC included it in their list of "the acclaimed albums that nobody listens to any more".
Reappraisal
In 2021, Pitchfork included it on its list of album review scores they "would change if they could", upgrading its score from 8.0 out of 10 to 9.2. Lane Brown of Pitchfork praised as an album with a "different, better album with major improvements over its predecessor". Scoring a 0.1 bonus point more than Is This It, Room On Fire is commended in marking confident progress and "at least partially thwarting rock history's most inevitable backlash."
Commercial performance
The album peaked at number four on the Billboard 200 in the US, and was later certified Gold by the RIAA in December 2003 and platinum certification for sold over 1.000.000 units in June 2021. As 2021, the album has sold 1,6 million units worldwide and become their second best selling album.
Track listing
All tracks are written by Julian Casablancas, except where noted
No. | Title | Length |
---|---|---|
1. | "What Ever Happened?" | 2:49 |
2. | "Reptilia" | 3:35 |
3. | "Automatic Stop" (Casablancas, Albert Hammond Jr.) | 3:21 |
4. | "12:51" | 2:33 |
5. | "You Talk Way Too Much" | 2:58 |
6. | "Between Love & Hate" | 3:10 |
7. | "Meet Me in the Bathroom" | 2:56 |
8. | "Under Control" | 3:02 |
9. | "The Way It Is" | 2:17 |
10. | "The End Has No End" | 3:00 |
11. | "I Can't Win" | 2:34 |
Personnel
The Strokes
- Julian Casablancas – vocals
- Albert Hammond, Jr. – guitar
- Nick Valensi – guitar
- Nikolai Fraiture – bass guitar
- Fabrizio Moretti – drums
Production
- Julian Casablancas - words and music
- Gordon Raphael – producer
- The Strokes – arrangements
- William Kelly – 2nd engineer
- Toshikazu Yoshioka – head engineer
- Greg Calbi – mastering
- Steve Fallone – mastering
- J. P. Bowersock - "sensei"
- Ryan Gentles - management for Wiz Kid Management
- Steve Ralbovsky - A&R
Design
- Peter Phillips – cover art, ("War/Game", used with permission and courtesy of Zoe Phillips)
- Colin Lane – photography
- Brett Kilroe – art direction
Singles
Information |
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"12:51"
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"Reptilia"
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"The End Has No End"
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Charts
Weekly charts
|
Year-end charts
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Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) | Platinum | 70,000 |
Canada (Music Canada) | Gold | 50,000 |
Japan (RIAJ) | Gold | 100,000 |
New Zealand (RMNZ) | Gold | 7,500 |
United Kingdom (BPI) | Platinum | 300,000 |
United States (RIAA) | Platinum | 1,000,000 |
Shipments figures based on certification alone. |
References
- "Top 100 Indie Rock albums of the '00s". www.treblezine.com. July 12, 2017. Retrieved July 24, 2017.
- Sharples, Grant (October 27, 2018). "The Strokes' Room on Fire Still Exists on Its Own Terms". Consequence of Sound. Retrieved February 18, 2020.
- "First Impressions of Earth Turns 10". January 4, 2016.
- McKinnon, Matthew (July 24, 2006). "Everything in Its Right Place". CBC News. Retrieved December 15, 2013.
- "From The Basement On A Television: DiS talks to Nigel Godrich". DrownedInSound. Archived from the original on May 21, 2018. Retrieved May 21, 2018.
- ^ Jonathan Garrett (7 March 2011). Is This It: Ten Years of the Strokes Pitchfork Media. Retrieved 10 December 2011.
- ^ "Reviews for Room On Fire by The Strokes". Metacritic. Retrieved December 10, 2011.
- Phares, Heather. "Room on Fire – The Strokes". AllMusic. Retrieved December 10, 2011.
- Power, Tony (November 2003). "The Strokes: Room on Fire". Blender (21): 106. Archived from the original on November 22, 2005. Retrieved April 30, 2016.
- Browne, David (October 31, 2003). "Room on Fire". Entertainment Weekly. Archived from the original on July 29, 2019. Retrieved December 10, 2011.
- Petridis, Alexis (October 16, 2003). "The Strokes, Room on Fire". The Guardian. Retrieved March 23, 2013.
- Needham, Alex (September 25, 2003). "The Strokes : Room On Fire". NME. Archived from the original on March 3, 2016. Retrieved February 20, 2011.
- ^ Mitchum, Rob (October 26, 2003). "The Strokes: Room on Fire". Pitchfork. Retrieved December 10, 2011.
- Nast, Condé (October 5, 2021). "Pitchfork Reviews: Rescored". Pitchfork. Retrieved October 6, 2021.
- "The Strokes: Room on Fire". Q (208): 102. November 2003.
- ^ Fricke, David (October 7, 2003). "Room on Fire". Rolling Stone. Retrieved December 10, 2011.
- ^ Milner, Greg (October 26, 2003). "Room at the Top". Spin. 19 (12): 121–22. Retrieved April 30, 2016.
- "Not So Different Strokes". Uncut (78): 108. November 2003. Archived from the original on June 1, 2016. Retrieved April 30, 2016.
- Tallis, Dan (2003-11-20 (mislabeled as "2002-11-20")). "Review of The Strokes - Room On Fire". BBC Music. Retrieved 2011-02-20.
{{cite web}}
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(help) - Thompson, Ben (February 9, 2011). "The Strokes, Room on Fire: 5 stars | OMM | The Observer". The Observer. Retrieved February 20, 2011.
- Tatone, Jenny. "The Strokes: Room on Fire". Neumu. Retrieved March 23, 2013.
- Christgau, Robert. "CG: The Strokes". RobertChristgau.com. Retrieved March 23, 2013.
- Hernandez, Raoul (October 24, 2003). "The Strokes: Room on Fire (RCA)". The Austin Chronicle. Retrieved March 23, 2013.
- Moffat, Iain (October 18, 2003). "Room On Fire". Playlouder. Archived from the original on November 4, 2003. Retrieved March 23, 2013.
- "7 acclaimed albums that no one listens to anymore - BBC Music". February 9, 2018.
- Nast, Condé (October 5, 2021). "Pitchfork Reviews: Rescored". Pitchfork. Retrieved October 6, 2021.
- Room on Fire - The Strokes Billboard. Retrieved 10 December 2011.
- RIAA - Searchable Database RIAA. Note: reader must define search parameters as "Strokes".
- "Gold & Platinum". Recording Industry Association of America.
- "ACE Repertory".
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- "Official Albums Chart Top 100". Official Charts Company. Retrieved September 22, 2021.
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- "End of Year Album Chart Top 100 – 2003". Official Charts Company. Retrieved September 22, 2021.
- "The Official UK Albums Chart 2004" (PDF). Official Charts Company. Retrieved September 22, 2021.
- "ARIA Charts – Accreditations – 2020 Albums" (PDF). Australian Recording Industry Association.
- "Canadian album certifications – The Strokes – Room on Fire". Music Canada.
- "Japanese album certifications – The Strokes – Room on Fire" (in Japanese). Recording Industry Association of Japan. Retrieved June 2, 2019. Select 2004年10月 on the drop-down menu
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- "British album certifications – The Strokes – Room on Fire". British Phonographic Industry.
- "American album certifications – The Strokes – Room on Fire". Recording Industry Association of America.
The Strokes | |
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Studio albums | |
Extended plays | |
Singles |
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Other songs | |
Side projects | |
Related articles |