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Illustration: This animation moves at 10 frames per second.
Illustration: This animation moves at 2 frames per second. At this rate, the individual frames should be discernable.
Animation refers to the process in which each frame of a film or movie is produced individually, whether generated as a computer graphic, or by photographing a drawn image, or by repeatedly making small changes to a model (see claymation and stop motion), and then photographing the result. When the frames are strung together and the resulting film is viewed at a speed of 16 or more frames per second, there is an illusion of continuous movement (due to the persistence of vision). Generating such a film is very labour intensive and tedious, though the development of computer animation has greatly sped up the process.
Limited animation is a way of increasing production and decreasing costs of animation by using "short cuts" in the animation process. This method was pioneered by UPA, then adapted by other studios cartoons moved from movies into television.
Because animation is very time-consuming and often very expensive to produce, the majority of animation for TV and movies comes from professional animation studios. However, the field of independent animation has existed at least since the 1950s, with animation being produced by independent studios (and sometimes by a single person). Several indpendent animation producers have gone on to enter the professional animation industry.
Illustration: The animations shown before consist of these 6 frames.
Animation History
The history of film animation begins with the earliest days of silent film and continues through the present day.
Because the history of animation as an art form has undergone many changes in its hundred-year history, Misplaced Pages presents four separate chapters in the development of animation:
Hollywood Animation: The Silent Period (1900s through 1920s)
- The beginnings of theatrical animated cartoons in the era of silent film, ranging from the works of Winsor McCay through Koko the Clown and Felix the Cat
Hollywood Animation: The Golden Age (1930s and 1940s)
- The dominance of Walt Disney throughout the 1930s
- The rise of Warner Bros. and MGM
- The departure from realism, and UPA
Hollywood Animation: The TV Era (1950s through 1980s)
- The emergence of TV animated series from Hanna-Barbera Productions
- The decline of theatrical cartoons and feature films
- Saturday morning cartoons
- The attempts at reviving animated features through the 1960s and 1970s
- The onslaught of commercial cartoons in the 1980s
Hollywood Animation: The Renaissance (1990s to present)
- Who Framed Roger Rabbit and the return of Disney
- Steven Spielberg's collaborations with Warner Bros.
- A flood of newer, bolder animation studios
- The Simpsons, South Park, and animation for adults
- The mainstream popularization of anime
- The rise of computer animation
- The decline of Saturday morning cartoons, the rise of Nickelodeon and Cartoon Network
Animation History: Canada
Animation History: Europe
Animation History: Japan
Famous Names in Animation
- Tex Avery
- Ralph Bakshi
- Mel Blanc
- Bob Clampett
- Shamus Culhane
- Walt Disney
- Max Fleischer
- Friz Freleng
- John Hubley
- Ub Iwerks
- Chuck Jones
- Walter Lantz
- Winsor McCay
- Norman McLaren
- Grim Natwick
- Nick Park
- Oliver Postgate
Animation Studios
- Aardman Animation
- Filmation
- Fleischer Studio
- Hanna-Barbera Productions
- National Film Board of Canada
- Pixar
- Smallfilms
- Termite Terrace
- UPA
- Walt Disney Studios
- Walter Lantz Studio
- Warner Brothers
Styles of Animation
- Computer animation
- Stop-motion animation (for ex. claymation, Pixelation)
- Limited animation
- Pinscreen animation
- Drawn on film animation
See also: Animated series, Anime (Japanese animation)