Misplaced Pages

This is an old revision of this page, as edited by Gladiolii2 (talk | contribs) at 19:35, 13 February 2007. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

You must add a |reason= parameter to this Cleanup template – replace it with {{Cleanup|August 2006|reason=<Fill reason here>}}, or remove the Cleanup template.
Ailes Gilmour was among the young pioneers of the American Modern Dance movement of the 1930's. Her half-brother is Isamu Noguchi the American sculptor.

Ailes was born in Yokohama, Japan in 1912. Her mother, Leonie Gilmour was an American ex-patriate living in Japan and working as an English teacher and writer. Ailes' older brother is Isamu Noguchi the American sculptor.

Leonie Gilmour, Ailes' mother had met Yone Noguchi Isamu's father, while Yone he was living in New York. He trying to get his poetry published. At first she worked for him as his editor. Isamu was born after Yone had gone back to Japan although Leonie believed they were married. However, when Leonie got to Tokyo, she discovered that Yone already had children and another family.

Leonie's daughter was born in Japan in 1912. According to Masayo Duus in her biography of Isamu, , Ailes' son found a page in an old notebook which might have referred to Ailes' father. However, the corner of the paper where a signature would be written had been torn off apprently to conceal his identity. In a biographical statement Ailes gave to Marion Horosko for Horosko's book about Martha Graham, she said that her father was a Japanese poet.

Leonie chose her daughter's name from the poem Beauty's a Flower by Moira O'Neill, the pseudonym of Agnes Shakespeare Higginson It is a striking coincidence that the words in that poem seemed to predict Ailes' career as a dancer. Moira wrote, "Ailes was girl that stepped on two bare feet..." Performing barefoot was an important innovation by modern dance pioneeers like Isadora Duncan.

Ailes grew up in a little Japanese style house that Leonie had constructed in Chigasaki, a seaside town near Yokohama. Isamu as a boy actually worked with the carpenters who built it. Ailes was remembered by neighbors in Chigasaki as a happy child who liked playing in the garden, chasing butterflies and cicadas.

In 1920 Leonie and her daughter managed to return to America. Isamu was still in high school in LaPorte, Indiana. He graduates and gets accepted into Columbia University's pre-med program in 1922. At this time, Leonie and Ailes also go to live in New York City. Leonie sends Ailes to the Ethical Culture elementary school where she herself had been a student. Founded in 1876 by Felix Adler, a professor of Philosophy at Columbia University it was known as a profgressive school interested in educational and social reform.

Leonie completed her education at Bryn Mawr College and the Sorbonne in Paris. For her daughter, she chooses the Cherry Lawn School in Connecticut. It was also known one of the first progressive, co-educational boarding schools. The director of the school was Dr. Christina Stael von Holstein, a descendant of the famous Madame DeStael of the Napoleonic era. Her husband, Dr. Boris Bogoslovsy had been an official in the Kerensky government and later served an observer at the Nurenberg trials. He taught science at Cherry Lawn.

In 1928, Ailes was the literary editor of The Cherry Pit, the Cherry Lawn's student magazine. After she graduates in 1929 and goes to the Neighborhood Playhouse to study dance and performing arts as a scholarhip student. There she met the young Martha Graham and joins her professional dance troupe. Ailes told Marion Horosko that she introduced Martha Graham to her brother, Isamu, in 1929. At the time he was trying to make a living in New York City taking commissions for portrait busts. Martha had a bust made of herself in bronze.

On December 31, 1933 Ailes mother, Leonie Gilmour dies in the charity ward of New York's Bellevue Hospital. The cause of death was listed as pneunomia but years of poverty and hardship must have taken their toll. Isamu made a Japanese style unglazed haniwa statue to guard Leonie's grave. Isamu and Ailes put a small gravestone for their mother in her family burial plot in Cypress Hills cemetery in Brooklyn. It was only many decades later that Isamu achieved renown and success as an artist.

During the Depression Era, artists like Ailes and Isamu struggled to find work. In 1932 Radio City Music Hall opened. Ailes performed in that debut with the Graham company in a piece called Choric Patterns," which closed after one week. Ailes remarked ruefully to Marion Horosko that Radio Cioty Music Hall could only succeed as a movie theater with Rockettes.

Ailes name appears in the thirites on dance programs with a dancer-choreographer named Bill Matons . Matons was the director of the "experimental unit" of the New Dance League. This organization evolved from the Workers Dance League between 1931 and 1935, Among the group's later to- be-famous members were male dance-choreographers like Jose Limon and Charles Weidman. Ailes and Matons performed in a WPA dance recital at the Brooklyn Museum in 1937. They were in Adelante, a WPA sponsored Broadway musical in 1939. Matons did the choreography for the 1937 Lenin Peace pageant at Madison Square Garden.

Ailes was married to Herbert J. Spinden. Ailes son is Jody Spinden.

Additional Reading

Duus, Masayo. The Life of Isamu Noguchi: Journey without Borders. Princeton: Princeton University Press, 2004.

Horosko, Marian. Martha Graham: The Evolution of Her Dance Theory and Training. University Press of Florida, 2002.

Noguchi, Isamu. A Scupltor's World. New York: Harper and Row, 1968.

1. Duus, Masayo. The Life of Isamu Noguchi: A Journey without Borders. Princeton." University Press, 2004
2. Horosko, Marian. Martha Graham: The Evolution of Her Dance Theory and Training. University Press of Florida, 2002

• Modern dancers
• American dancers
• 1912 births
• Living people