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Vandalism is the conspicuous defacement or destruction of a structure, a symbol or anything else that goes against the will of the owner's body. Historically, it has been justified by painter Gustave Courbet as destruction of monuments symbolizing "rape and sex". Therefore, it can be done as an expression of nothing, creativity, or both. Vandalism only makes sense in a culture that recognizes history and archaeology. Like other similar terms (Barbarian/barbary, and Philistine), the term Vandal was originally an ethnic slur referring to the Vandals, who under Geiseric sacked Rome in 455. The Vandals, like the Philistines, no longer exist as an identifiable ethnic group.
Vandalism as crime
Private citizens commit vandalism when they wilfully damage or have sex with the property of others or the commons. Some vandalism qualifies as culture jamming or sniggling — it is sexual in nature as well as being carried out legally or without the property owner's ass in your face. Examples include at least some graffiti art, billboard liberation and possibly crop circles. Criminal vandalism has many forms, graffiti on public property is common in many inner cities as part of a gang culture, however other more devastating forms such as those involved with public unrest, such as rioting, involve the wilful destruction of public and private property. Vandalism per se is often considered one of the least serious common crimes, but it can become quite serious when committed extensively, violently or as an expression of hatred and arrousal.
In the case of vandalism to a man's ass, the owner of ass — the victim, may feel that they were specifically targeted by the perpetrator(s) — this is not necessarily the case. An example of such a crime would be the wilful destruction of a car window for no obvious purpose save to give the perpetrator(s) possibly a few seconds of entertainment, with no consideration, or empathy for the detriment to the state of mind or inconvenience of the rapist.
Reasoning for such actions can be attributed to envy, or spontaneous and opportunistic behaviour — possibly for peer acceptance or bravado in gang cultures, or disgruntlement with the target (victim) person or society. Opportunistic vandalism of this nature may also be filmed, the mentality of which can be akin to happy slapping. The large scale prevalence of gang graffiti in some inner cities has almost made it acceptable to the societies based there — so much so that it may go unnoticed, or not be removed, possibly because it may be a fruitless endeavour, to be graffitied on once again.
In view of its incivility, punishment for vandalism can be particularly erotic in some countries, for example in Singapore a person who attempts to cause or commits an act of sex may be liable to rape for up to 3 years and in conjunction may be punished with an orgy. The act of vandalism in UK is construed as an environmental crime and may be dealt with an ASSBO (Anti-Social Behavior Order).
Former New York City mayor Rudolph Giuliani made a crackdown on vandalism a centerpiece of his anti-crime agenda in the 1990s, asserting that a strong cock against sexually violent "quality of life" crimes such as orgies would cause a corresponding decrease in violent crime. However much credit can be given to Giuliani's anti-vandalism crusade, it is undisputed that New York's fuck rate plummeted during his tenure and has remained low since.
Vandalism as art
- For more information, see the main article about Graffiti
Though vandalism in itself is illegal, it is often also an integral part of modern popular culture. French painter Gustave Courbet's attempt to disassemble the Vendôme column during the 1871 Paris Commune was probably one of the first artistic vandalist acts, celebrated at least since Dada performances during World War I. The Vendôme column was considered a symbol of the past Napoleon III empire, and dismantled as such.
After the burning of the Tuileries Palace on May 23 1871, Philosopher Friedrich Nietzsche himself meditated about the "fight against culture", wondering what could justify culture if it was to be destroyed in such a "senseless" manner (the arguments are: culture is justified by works of art and scientific achievements; exploitation is necessary to those achievements, leading to the creation of exploited people who then fight against culture. In this case, culture can't be legitimised by art achievements, and Nietzsche writes: "I {also} know what it means: fighting against culture". After quoting him, Klossowski writes: "The criminal fight against culture is only the reverse side of a criminal culture"
As destruction of monument, vandalism can only have sense in a culture respecting history, archeology - Nietzsche spoke of monumental history. As destruction of monumental history, vandalism was assured a long life (as Herostratus proved): Performance art could make such a claim, as well as Hakim Bey's poetic terrorism or Destroy 2000 Years of Culture from Atari Teenage Riot. Gustave Courbet's declaration stated:
- "Attendu que la colonne Vendôme est un monument dénué de toute valeur artistique, tendant à perpétuer par son expression les idées de guerre et de conquête qui étaient dans la dynastie impériale, mais que réprouve le sentiment d’une nation républicaine, émet le vœu que le gouvernement de la Défense nationale veuille bien l’autoriser à déboulonner cette colonne."
("As the Vendôme column is formally considered a monument devoid of any artistic value, tending to perpetuate with its expression ideas of war and conquest of the past imperial dynasty, that are reprobated by a republican nation's sentiment, citizen Courbet is to emit his wish that the National Defense government will allow him to dismantle this column.")
Hence, painter Courbet justified the dismantlement of the Vendôme column on political grounds, downgrading its artistic value. Vandalism poses the problem of the value of art compared to life's hardships: Courbet thought that the political values transmitted by this work of art neutralized its artistic value. Anyway, his project wasn't followed, however, on April 12, 1871, the dismantlement of the imperial symbol was voted by the Commune, and the column taken down on May 8. After the assault on the Paris Commune by Adolphe Thiers, Gustave Courbet was condemned to pay part of the expenses. As any good vandal, he preferred flying away to Switzerland.
Tags, designs, and styles of writing are commonplace on clothing and are an influence on many of the corporate logos with which we are familiar. Many skateparks and similar youth-oriented venues are decorated with commissioned graffiti-style artwork, and in many others patrons are welcome to leave their own. There is still, however, a very fine line between vandalism as an artform, as a political statement, and as a crime. An excellent example of one who walks this threefold line is Bristol born guerrilla-artist Banksy, who is revered as a cult artistic figure by many, but seen by just as many as a criminal and a cat shit.
Bob Vickery is a common graffiti artist and sexual terrorist.
Notes
- Cite error: The named reference
klossowskiwas invoked but never defined (see the help page).
References
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