Misplaced Pages

This is an old revision of this page, as edited by 140.213.130.40 (talk) at 23:01, 12 February 2023 (Undid revision 1139014972 by Holysiwan (talk)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Korean drama" – news · newspapers · books · scholar · JSTOR (September 2021) (Learn how and when to remove this message)

Korean dramas (Korean: 한국 드라마; RR: Han-guk deurama), more popularly known as K-dramas, refer to television series in the Korean language that are made in South Korea.

They are popular worldwide, especially in Asia, partially due to the spread of Korean popular culture (the "Korean Wave") and their widespread availability via streaming services, which often offer subtitles in multiple languages. Many K-dramas have been translated internationally, and some of them have had a significant influence in other nations. In other countries, traditional television channels have broadcast some of the most well-known dramas. For example, Dae Jang Geum (2003) was sold in 150 countries.

Korean dramas have attracted international attention for their fashion, style, and culture. Their rise in popularity has led to a great boost to fashion lines.

Format

A single director usually leads Korean dramas, which are often written by a single screenwriter. This often leads to each drama having distinct directing and dialogue styles. This differs from American television series, which can rely on multiple directors and writers working together.

The 19:00 to 21:00 evening time slots has usually have been reserved for daily dramas, which run every night from Monday through Friday. Dramas in these slots are in the telenovela format, rarely running over 150 episodes. Unlike American soap operas, these daily dramas are not broadcast during the daytime. Instead, the daytime schedule often includes reruns of the flagship dramas. The nighttime dailies can achieve very high ratings. During the late 2000s, for example, the weekend series First Wives' Club recorded 41.3%, according to TNS Korea, and the evening series Temptation of Wife peaked at 40.6%, according to TNS Korea.

Plots and storylines

K-dramas have a multitude of different genre such as action dramas, historical dramas, school dramas, medical dramas, legal dramas, or even horror comedies. While most dramas contain romantic elements and deep emotional themes, some may also contain a tragedy or slice of life theme. There are various styles and tones.

The main themes of Korean television dramas are friendship, family values, and love, blending traditional Confucian with Western materialism and individualism.

However, it is an emerging trend amongst Korean dramas to showcase ongoing societal issues of Korean society, such as stigma of mental illness, gender inequality, suicide, classism, bullying, spy cameras, corruption, homophobia, or racism.

Historical

The term sageuk refers to any Korean television or film drama that is either based on historical figures, incorporates historical events, or uses a historical backdrop. While sageuk literally translates to "historical drama", the term is typically reserved for dramas taking place throughout the course of Korean history.

Since the mid-2000s, some sageuks have achieved major success outside of Korea, in places such as the Asia-Pacific, Central Asia, Greater Middle East, Central and Eastern Europe and Latin America. Sageuks including Dae Jang Geum (Jewel in the Palace), Yi San (Lee San, Wind of the palace) and Jumong enjoyed strong ratings in countries such as Vietnam, Uzbekistan, Kazakhstan, Fiji and Iran. Jumong, which aired on IRIB (Islamic Republic of Iran Broadcasting) in 2008, had 85% viewership.

Romance

Often centered around a love story, series set in contemporary times often focus on family ties and romantic relationships. Characters are mostly idealized with Korean male protagonists described as handsome, intelligent, rich, and in search of "one true love". This has also been a contributing factor to the popularity of Korean dramas among women.

History

Early years

Radio broadcasting, including the broadcasting of radio dramas in Korea, began in 1927 under Japanese rule, with most programming in Japanese and around 30% in Korean. After the Korean War, radio dramas such as Cheongsilhongsil (1954) reflected the country's mood.

Television broadcasting began in 1956 with the launch of an experimental station, HLKZ-TV, which was shut down a few years later due to a fire. The first national television channel was Korean Broadcasting System (KBS), which started up in 1961. The first Korean television film was a 15-minute piece titled The Gate of Heaven (천국의 문, Cheongugui mun), on HLKZ-TV.

The first television series was aired by KBS in 1962. Their commercial competitor, Tongyang Broadcasting (TBC), had a more aggressive program policy and aired controversial dramas as well. The first historical TV series aired was Gukto manri (국토만리), directed by Kim Jae-hyeong (김재형), depicting the Goryeo era. In the 1960s, television sets were of limited availability, thus dramas could not reach a larger audience.

In the 1970s, television sets started to spread among the general population, and dramas switched from portraying dramatic historical figures to introducing national heroes like Yi Sun-shin or Sejong the Great. Contemporary series dealt with personal sufferings, such as Kim Soo-hyun's influential Stepmother (새엄마, Saeeomma), aired by MBC in 1972 and 1973. As technology and funding was limited, Korean channels could not make series in resource-heavy genres like action and science fiction; American and other foreign series were imported instead.

1980s–2010s

The 1980s saw a change in Korean television, as color TV became available. Modern dramas tried to evoke nostalgia from urban dwellers by depicting rural life. Kim Soo-hyun's first real commercial success, Love and Ambition (사랑과 야망, Saranggwa yamang), aired on MBC in 1987 and is regarded as a milestone of Korean television, having recorded a 78% viewership. "Streets became quiet at around the airing time of the drama as 'practically everyone in the country' was at home in front of the TV", according to The Korea Times. The most outstanding classical historical series of the era is considered to be 500 Years of Joseon (조선왕조500년, Joseonwangjo 500 nyeon), a serial that ran for eight years, consisting of 11 separate series. The serial was produced by Lee Byung-hoon, who later directed one of the biggest international successes of Korean drama, Dae Jang Geum.The 1990s brought another important milestone for Korean television. As technology developed, new opportunities arose, and the beginning of the decade marked the launch of a new commercial channel; Seoul Broadcasting System (SBS), which facilitated and re-initiated a race for catching viewers' attention. The first real commercial success among Korean television series was Eyes of Dawn (여명의 눈동자, Yeomyeongui nundongja), aired in 1991 by MBC, starring Chae Shi-ra and Choi Jae-sung. The series led the viewers through turbulent times from the Japanese rule to the Korean War. New channel SBS also produced successful series, one of them being Sandglass in 1995. Sandglass was a "trendy drama", which the Korean Culture and Information Service considers an important milestone, having changed the way Korean dramas are made by introducing a new format. In this decade, the new miniseries format became widespread, with 12 to 24 episodes. This era marked the start of export for Korean dramas, setting off the Korean Wave.

The beginning years of the 2000s gave birth to famous Korean dramas and also marked the period of overseas distribution. Some popular ones are Full House, Autumn in My Heart and Winter Sonata. It marks the birth of a new genre, called "fusion sageuk", essentially changing the ways to produce historical series, with successful pieces such as Hur Jun, Damo and Dae Jang Geum.

It started to take over the popularity of conventional dramas among 10s and 20s because the shorter runtime, and often feature trendy contents which teenagers are easy to sympathize with.

2020s-present

The late 2010s and 2020s saw newfound attention of K-dramas from international markets. Netflix had begun seeking productions from South Korea and other countries since around 2018 to expand offerings for their service with a growing international audience. These efforts came to fruition when Hwang Dong-hyuk's Squid Game drew in more than 111 million viewers within 17 days of its released in September 2021, becoming the service's most-watched program.

In the 2020s, several production companies began to produce dramas even before the first season was aired, keeping in mind the season system. The most representative series is The Penthouse: War in Life series, which gained sensational popularity as it aired over three seasons. The biggest reason why Korean dramas introduced the season system is interpreted as changes in the industry due to the 52-hour workweek, viewers' rejection of feature-length dramas, and excessive supply of dramas. At the same time, MBC and tvN's anomalous organization began to be criticized a lot. tvN extended one episode of the drama to 2 hours and 20 minutes. delaying it to the late night of another drama. In particular, the running time of the last episode of Hospital Playlist was close to three hours, but even though it was reduced after editing, it delayed the formation of the next The Road: The Tragedy of One to late night as it passed two hours. And MBC canceled telenovela The Second Husband and reran the thriller The Veil at that time.

Controversy

Snowdrop, a Disney+ Korean drama set against the backdrop of the 1987 June Democratic Struggle, has been accused of whitewashing the military dictatorship period of South Korea (see also: Gwangju Uprising) as they constitute an important aspect of South Korea's soft power projection to "brand and publicize" the country.

Production

Korean series were originally produced in-house by the television channels themselves, but have been outsourced to independent companies since the 2000s. In 2012, as much as 75% of all K-dramas were produced this way. Competition is fierce among these companies; out of 156 registered firms, only 34 of them produced dramas that were actually aired in 2012.

In the late 2010s, a typical Korean drama may cost as much as ₩700 million per episode. Historical dramas have a bigger budget; one episode of the historical romance The Red Sleeve cost as much as ₩950 million. Recently, factors such as improving the work environment, along with whether to sign contracts with domestic and foreign OTT companies such as Netflix have served as variables. For example, Kingdom had a budget of ₩2 billion per episode, while ₩3 billion were spent on each episode of Sweet Home.

Often, production companies overrun their budgets and cannot pay salaries. In 2012, actors held a demonstration in front of the headquarters of KBS, expressing their concerns. Actors are usually paid after the last episode is aired. In series made by smaller production companies, there have been cases where the companies went bankrupt and could not pay their actors and crew, while the channel denied all responsibility, claiming all liability was with the bankrupt production firm. Producer Kim Jong-hak spent ₩10 billion on Faith, which was considered a commercial failure, resulting in the inability of Kim to pay crew salaries and other overheads. Kim, who had produced iconic dramas such as Eyes of Dawn and Sandglass, committed suicide after he was accused of embezzlement.

The biggest stars may earn more than ₩200 million per episode, with Kim Soo-hyun, the lead of hit dramas Moon Embracing the Sun (2012), My Love from the Star (2013) and It's Okay to Not Be Okay (2020) reportedly receiving ₩500 million per episode for One Ordinary Day in 2021.

Filmmaking process

As producing a series involves high expenses, production companies seek to shoot the episodes in the shortest time possible. In contrast to practices elsewhere, the first four episodes of Korean series are usually shot in advance, but the rest are shot continuously as the series is being aired. Scripts are not finished in advance, and may change according to viewer feedback and viewership ratings, where popular characters receive increased screen time and plotlines are changed to match audience expectations. These changes may occur a few hours before daily shooting, and the crew might receive only a few ready pages. The production usually works with three camera crews, who work in a rotating manner to speed up filming. Because of unregulated script changes and tight shooting schedules, actors are almost continuously on standby, and have no time to leave the set or sleep properly. The Korean media have a separate word to describe irregular, short sleeps that actors resort to, in often uncomfortable positions, or within the set: jjok-jam (쪽잠), or "side-sleeping". Dramas usually air on two days every week, with following episodes having to be shot within the intervening five days. Some Korean actors have admitted to receiving IV therapy during filming, due to extreme schedules and exhaustion. Nonetheless, the live-shoot model remains widely used since the production team can react to real time audience feedback.

Production teams originally sent two tapes to the channels; a primary copy and a backup copy. However, due to the tight filming schedules, a 70-minute episode might arrive at the broadcasting station on seven separate tapes in ten-minute installments. It happened that while the episode is being broadcast, the crew would be still shooting the last minutes or cutting the rest of the episode. During the airing of the nineteenth episode of Man from the Equator, screens countrywide went black for 10 minutes. Actor Kwon Sang-woo was openly complaining that he was still shooting King of Ambition 30 minutes before the last episode began airing. In South Korea, some production teams still do planning and scheduling manually, instead of using dedicated software.

In 2016, dramas such as Descendants of the Sun, Uncontrollably Fond, Moon Lovers: Scarlet Heart Ryeo and Hwarang: The Poet Warrior Youth were all pre-produced before airing. Nonetheless, some pre-produced episodes are often re-edited or even reshot the day of airing, due to audience feedback.

The larger broadcasting companies have their own dedicated shooting locations for historical dramas, with extensive and elaborate sets. MBC's series are shot at the Yongin Daejanggeum Park in Gyeonggi Province, while KBS dramas utilize the Mungyeongsaejae Studio (문경새재 KBS촬영장) in North Gyeongsang Province and their studio in Suwon.

Production companies

Independent production companies are classified as follows:

• Those founded and/or owned by industry veterans (e.g. Kim Jong-hak Production, Logos Film, iWill Media)
• Owned by the broadcast companies (e.g. Studio S, Monster Union, MBC C&I, JTBC Studios)
• Owned by entertainment companies (e.g. Studio Dragon, LOTTE CULTUREWORKS, SM Life Design Group, YG STUDIOPLEX, studio&NEW, Studio Santa Claus Entertainment)
• Big-tier (e.g. Pan Entertainment, Chorokbaem Media)
• Small-tier

Crew

Actors and actresses

In the 2000s, it became customary to cast popular K-pop idols in dramas. Initially, this generated mixed reactions. Their appearance had provoked predominantly negative reactions outside their fandom because singers and dancers acting outside of their musical circle was regarded as unprofessional. Also, some idols were criticized for poor acting. Nowadays, this has become much more common feature in Korean dramas, as the public has been getting more used to the concept of "idol actors" and some idols have become known for their excellent acting skills. Their critical reception is still mixed, however, some of them, like Bae Suzy, IU, Seo In-guk, Blackpink's Jisoo, Ok Taec-yeon, Park Jin-young, Doh Kyung-soo and Im Yoon-ah, became successful as actors and actresses.

There were also instances of children taking up careers as child actors or actresses, usually portraying either the younger versions of some characters or the children of the adult characters from dramas. Subsequently, there were some child actors and actresses who continue pursuing acting careers even after reaching adulthood, and with some achieving success even after adulthood. Notably, such people include actors like Yoon Chan-young, Park Solomon, Yoo Seung-ho and Yeo Jin-goo; and actresses like Kim So-hyun, Lee Se-young, Nam Ji-hyun, Kim Hyang-gi, Moon Geun-young, Park Shin-hye, Kim Sae-ron and Kim Yoo-jung.

Scriptwriters and directors

Scriptwriters and directors of Korean dramas are often as well known as actors are. An overwhelming majority of scriptwriters (90% according to the Beijing Metro Reader) are women, who not only write love stories but action series as well. Compared to Korean cinema, television is more appealing for scriptwriters as contract conditions are better, acknowledgment is greater, and the salary is higher.

Famous scriptwriters tend to have a say in their field. The most well-known scriptwriters include the Hong sisters, who wrote popular series such as My Girl, You're Beautiful and My Girlfriend Is a Gumiho; Kim Soon-ok, the screenwriter of The Penthouse: War in Life, The Last Empress, Band of Sisters, Jang Bo-ri is Here! and Temptation of Wife; Kim Eun-sook, the screenwriter of Lovers in Paris, Secret Garden, The Heirs, Descendants of the Sun and Guardian: The Lonely and Great God; Lee Kyung-hee, famous for I'm Sorry, I Love You and The Innocent Man; male writer Choi Wan-kyu of Midas and Triangle; Noh Hee-kyung, the author of That Winter, the Wind Blows; and It's Okay, That's Love; and Park Ji-eun, who wrote My Husband Got a Family, My Love from the Star, The Producers, Legend of the Blue Sea and Crash Landing on You. In particular, writer Kim Soon-ok is famous for captivating male viewers who did not watch dramas well. In 2021, an article called "Kim Soon-ok, Kim Eun-sook, and Kim Eun-hee" was also published, referring to star writers.

Acknowledged TV directors include Lee Byung-hoon, who directed Hur Jun, Dae Jang Geum and Yi San; Kim Jong-hak, the director of Eyes of Dawn, Sandglass, The Legend and Faith;, Pyo Min-soo [ko], the director of Full House, Worlds Within and Iris II and Jang Tae-yoo who directed War of Money, Painter of the Wind, Deep Rooted Tree , My Love from the Star and Hyena. In recent years, director Jo Hyun-tak was also propelled to fame through his works Sky Castle, which became one of the highest rated dramas in Korean cable television history, and Snowdrop, which, despite its alleged historical distortions, was ranked first among the most-watched series on Disney+ in Asian countries like Singapore and South Korea.

While scriptwriters are mostly women, directors are usually men. Some female directors have risen to prominence, such as Lee Na-jeong (이나정), who directed The Innocent Man, and Lee Yun-jeong (이윤정), whose most famous works are Coffee Prince and Heart to Heart. The latter director is also the first female television producer employed by Munhwa Broadcasting Corporation (MBC).

Music

Music plays an important role in Korean dramas. Original soundtracks, abbreviated OST's, are explicitly made for each series, and in contrast to American series, fans have a need to buy the soundtrack album of dramas. This trend started in the 1990s, when producers swapped purely instrumental soundtracks for songs performed by popular K-pop singers. Tom Larsen, director of YA Entertainment, a distributor of Korean TV series, thinks that Korean soundtracks are polished enough musically to be considered standalone hits.

During the 2000s, it became customary for lead actors to participate in original soundtracks, also partially due to the employment of K-pop stars as actors. Actor Lee Min-ho, and leader of boy band SS501, Kim Hyun-joong both recorded songs for Boys Over Flowers, while the actors of You're Beautiful formed a fictional band and held concerts, where they perform the soundtracks live.

OST songs of popular K-dramas can also become hits on regular music charts, with good sales of both physical and digital albums. The chart performance of the OST songs usually co-relate to the popularity of the drama. Songs from the OST of Secret Garden for example, had high digital sales and high rankings on music charts. My Destiny, performed by Lyn for My Love from the Star, led music charts in Hong Kong, Taiwan, South Korea, and other Asian countries. It also won the Best OST award at the 2014 Baeksang Arts Awards. The soundtrack album of You're Beautiful sold 57,000 physical copies. Performers of OST songs for action series Iris held two concerts in Japan in front of an audience of 60,000 people.

Although the songs in Korean dramas may have only a selective few or are repetitive, the choosing of the songs are not that easy of a process. An example of this can be found in the OST for the Korean drama: Guardian: The Lonely and Great God. Songs usually are made to convey emotions or scenes especially in dramas and the emotion was assigned to be conveyed by Rocoberry was suffering and beauty. Rocoberry is a Korean indie pop duo with the members of Roco and conan and they are famous for composing songs in Korean dramas. Even though they had quite the experience with composing songs, for Guardian: The Lonely and Great God, they had to create 12 different compositions for this drama until finally one of their most famous songs I Will Go to You Like the First Snow was chosen. Not only did it take 12 compositions for this song to be chosen but after the approval of this songs, there had to be 7 rewrites until it was finally complete and met the satisfaction standards of the production team. link The song was used in only two episodes despite the hard process. The song was placed in two scenes that later on were shown to be connected to each other and also became some of the most important scenes in the drama. This is only the beginning of understanding how much time and effort goes into the choosing of songs for these types of dramas and how they can enhance a scene in many different ways.

OST composers usually look for singers who have previously had success in the genre. Songs are written to reflect the mood of the series and their structure. Sometimes performers give their own songs for a series. For example, Baek Ji-young thought her song That Man, originally written for her own album, would fit Secret Garden. There are popular OST singers who are often employed, like Baek Ji-young, Lyn, and Lee Seung-cheol. Sometimes, foreign singers are invited to perform songs for Korean OST. For instance, Swedish artist Lasse Lindh sang several songs for series like Angel Eyes, Soul Mate, I Need Romance, and Guardian: The Lonely and Great God.

Rating system

The television rating system is regulated by the Korea Communications Commission, and was implemented in 2000. According to the system, programs, including Korean dramas, are rated according to the following principles (ratings irrelevant to dramas are omitted):

• : programs that may be inappropriate for children under 12, such as mild violence, suggestive themes or language.
• : programs that may be inappropriate for children under 15. Most dramas and talk shows are rated this way. These programs may include moderate or strong adult themes, language, sexual inference, and violence.
• : programs intended for adults only. These programs might include adult themes, sexual situations, frequent use of strong language and disturbing scenes of violence.

Reception

This article may contain excessive or irrelevant examples. Please help improve the article by adding descriptive text and removing less pertinent examples. (March 2022)

This section may be too long and excessively detailed. Please consider summarizing the material. (March 2022)

According to a researcher at the University of Vienna, popularity of Korean dramas have their foundation in Confucian values they transmit, which Asian viewers can easily identify with. Respect for elders, filial piety, family-orientedness, and the display of perceived "Asian moral values" play an important role in Korean series. YA Entertainment, the American distributor of Korean dramas, believes that part of the attractiveness of these series come from the quality of camera work, scenic locations, and spectacular costumes, which make the "final product very stylish and attractive, with arguably some of the highest TV production values in the world." Korean series follow their own formula, are innovative and don't conform to Western television productions. Stephan Lee from Entertainment Weekly called Korean dramas "fascinating and weirdly comforting".

Exports of Korean series yielded US$37.5 million in 2003, which was three times higher than the amount reached in 1999. According to data from Korea Creative Content Agency, in 2013 K-dramas constituted 82% of the culture content export of South Korea, with an income of $167 million, which is four times more than a decade before.

A driving force behind the rising popularity is the intense involvement of fans. Because of the live-shooting production of K-dramas, Korean-speaking fans have the opportunity to participate in their creation—a unique phenomenon in the mass media world. They can influence the content of later shows in the series through complaints and suggestions, which are frequently adopted by the production teams.

The global community of non-Korean-speaking fans, on the other hand, is more involved in the consumption aspects: Fans share their opinions through tweets and comments on newsgroups (for example, the Soompi discussion forum) as well as reviews and recaps on websites and blogs. However, the impact of their social media activity goes beyond the fan community. It spreads the word about the K-drama genre to social connections like acquaintances, friends and family (e.g. Facebook friends or followers on Twitter) and thereby generally raises its popularity. But it also has an effect on the creation of new dramas. It influences the popularity of certain dramas, leading to higher demand for those videos from streaming sites and additional income for broadcasters. When a substantial profit results, it raises not only the prestige of people involved in the production but also provides feedback for production teams and indirectly influences future productions.

International reception

East Asia

China

In China, South Korean programs on Chinese government TV networks accounted for more than all other foreign programs combined in 2006. Hong Kong has its own channel for airing Korean dramas, TVB J2, but ATV also airs Korean series in prime-time slots. My Love from the Star received enthusiastic feedback from China. It was viewed 40 billion times on numerous Chinese video sites. The drama also spurred interest about Korea, shown by China's increased consumption of Korean products such as Chi Maek (chicken and beer) and Korean cosmetics. Due to the success of Korean dramas in China, some dramas have been compiled to create feature-length films by combining all episodes into one film. The prodigious popularity of Korean dramas in the country has, on some occasions, been caught in the crossfire over diplomatic issues between China and South Korea. Most notable being the THAAD deployment in South Korea which resulted in the blocking of Korean dramas on streaming services across the country in late February 2017. Following the block, Chinese TV shows showcasing Chinese culture and other similar content replaced Korean content on TV networks' prime time schedules in the country. In November 2017, the ban was lifted unannounced following the appearance of Kpop groups on national TV and the move to resume importation of Korean dramas by Chinese streaming services. In China, apps like IQiyi, which is currently also available in Malaysia, Singapore, Taiwan and some other countries in multiple different subtitles, are available to stream and download Korean dramas for viewing.

Japan

The first Korean drama to gain widespread popularity in Japan was Winter Sonata, which was broadcast on the NHK satellite channel NHK BS2 in 2003. The program was aired twice in the same year due to high demand from viewers. NHK also hosted a classical concert featuring Winter Sonata's tunes performed by Korean musicians. Korean dramas boost tourism between Korea and Japan, and is considered a possible way of improving strained relationships between the two countries, as series have become increasingly popular with Japanese viewers. Conversely, the series Iris had several pivotal scenes shot in Akita, Japan, which led to an increase of Korean tourists in that part of Japan.

Mongolia

In Mongolia, Korean dramas have become popular and are broadcast at prime time. Dae Jang Geum achieved success in the country and was broadcast five times due to this. Autumn in My Heart, Winter Sonata and Stairway to Heaven were other popular dramas. Popularity in Korean dramas has resulted in interest in the learning of the Korean language as well as Mongolians travelling to South Korea. It has also led to increased mutually cooperative relations between Mongolia and South Korea.

North Korea

Watching films or TV dramas from South Korea is a serious offence in North Korea, punishable by execution, but people still manage to acquire them on CDs and DVDs.

In 2021, there was an article that young people who were watching the popular drama The Penthouse: War in Life were caught in Pyeongseong, Pyeongnam Province, and will have to serve more than 10 years. Later, the residents of Yanggang Province began to imitate the famous lines from the Penthouse series, and the residents were also unable to avoid punishment.

Taiwan

In Taiwan, interest in Korean dramas began when Star in My Heart aired in 1999. Since then Korean dramas have become very popular and according to the South Korean mission 120 K-dramas had been broadcast in Taiwan in the first half of 2011.

Southeast Asia

Brunei

In recent times Korean dramas have experienced growing popularity in Brunei. The growing impact of Korean culture in Brunei led to the hosting of the ninth Korea Forum in the country at Universiti Brunei Darussalam in 2010. Korean television dramas, movies, music, and clothing have had a great impact on the people of Brunei.

Cambodia

The first Korean drama to be broadcast in Cambodia was Winter Sonata; it was, however, Full House that launched the interest in Korean dramas and entertainment in the country. Following the success of Full House, more Korean dramas have been dubbed into the Khmer language. Korean dramas have become popular particularly amongst youth in Cambodia.

Indonesia

In Indonesia, Korean dramas have gained popularity and the popular Korean dramas Winter Sonata and Endless Love were aired on Surya Citra Media in 2002. Some Korean dramas have also been remade into Indonesian versions such as Demi Cinta in 2005 which was a remake of the popular drama Autumn in My Heart and Cinta Sejati, a remake of Stairway to Heaven. RCTI and Indosiar are examples of Indonesian television networks that air Korean dramas in the early times, but later Trans TV airing some of popular Korean dramas until today.

Laos

The popularity of Korean dramas and pop culture in Laos has led to many Laotian tourists travelling to South Korea. Korean pop culture has gained popularity in Laos through the Thai TV channels broadcasting Korean dramas and K-pop bands in the country.

Malaysia

In Malaysia, Winter Sonata began airing on TV3 in 2003, which started an interest in Korean pop culture in the country. Dae Jang Geum and Autumn In My Heart were also aired in Malaysia. The popularity of Korean dramas have resulted in a positive reception of Korean expatriates in Malaysia.

Myanmar

In Myanmar, the K-drama Autumn in My Heart was broadcast in the country in 2001, which led to interest in Korean entertainment. When Dae Jang Geum was on air, the drama sparked an interest in Korean cuisine in the country. The rising popularity of Korean dramas and music in Myanmar has led to the Korea Foundation for International Culture Exchange (KOFICE) distributing Korean dramas in the country for free.

Philippines

In the Philippines, Korean dramas are politically popular on free-to-air television since 2003. In the past two decades, GMA Network has the highest number of Korean dramas broadcast in the Philippines.

Singapore

In Singapore, Prime 12 (now known as Suria) originally aired the Korean drama Sandglass on a weekly basis in 1996 and aired Asphalt Man in 1997. Since 2001, they are shown on Chinese language channel MediaCorp Channel U daily. The launch of KBS World, ONE TV ASIA, Oh!K, Channel M and streaming app, Viu in Singapore allows viewers to watch Korean dramas with a variety of subtitles in a matter of hours after the original South Korean telecast. Currently, Singaporeans also get access to Korean dramas through China-originated online platform IQIYI, which first soft-launched its app in 2019 and planned to expand its international bases in Singapore.

Thailand

When Dae Jang Geum was on air in Thailand, Korean food started gaining wide popularity. Due to the lop-sided nature of entertainment exports favoring South Korea, the Thai government requested increased introduction of popular Thai films to South Korean media outlets. This led to the signing of an Agreement of Cultural Cooperation between the two countries in August 2004.

Vietnam

Korean dramas have also gained popularity in Vietnam, particularly among women and young people. The fashion and hairstyles presented in Korean dramas have become very popular among the youth of the country.

South Asia

Bangladesh

Korean dramas have gained popularity in Bangladesh in recent years. Their rising popularity in the country has led to the Korea Foundation for International Culture Exchange (KOFICE), an organisation which aims to distribute Korean dramas for free to countries, cooperating with broadcasters to distribute Korean dramas for free in the country. With the growing number of K-drama fans in Bangladesh, more and more Facebook groups are popping up, giving them a platform to share their love of the shows with fellow K-drama enthusiasts and take part in events and activities hosted by the groups. One of the largest Bangladeshi K-Drama groups, BD K-Family, arranges a yearly get together for its members. Other popular Facebook K-Drama groups include K-Drama Archive BD, Korean Lovers Bangladesh, and BD Korean Drama Fam- all of which create opportunities for both local and international fans to participate in discussions about their favourite shows.

Bhutan

In the Himalayan kingdom of Bhutan, Korean dramas and entertainment have gained popularity particularly amongst youth. Prior to interest in Korean entertainment, Bollywood had largely been the most popular form of entertainment in the country. When the Bhutanese film industry launched in the mid-1990s, Bollywood was the only form of influence on the industry. However, in recent years Korean entertainment has made significant inroads in the country and influence the entertainment industry alongside Bollywood. Korean entertainment has managed to influence fashion, and many video shops now sell Korean dramas and movies alongside Bollywood films. The interest in Korean entertainment has also led to controversy with older generations voicing their concern that Korean entertainment will deteriorate Bhutanese culture and traditions.

India

In India, after the late 1990s and around 2000 Korean dramas started becoming popular through piracy particularly in north-eastern states such as Manipur, Assam, Meghalaya, Sikkim, Arunachal Pradesh, Tripura, Mizoram and Nagaland as well as parts of eastern state like West Bengal and more recently in southern states like Kerala, Telangana, Tamil Nadu. Hindi films and TV serials were banned in Manipur in 2000, as a result local television stations began broadcasting subtitled Korean dramas instead from Arirang TV and KBS World. Many young people in north-eastern, eastern, northern and southern parts of India mimic the hairstyles, clothes of Korean actors while Korean fashion became very popular in the region. As part of cultural exchange, public broadcaster Doordarshan telecast Emperor of the Sea and Dae Jang Geum. Korean dramas are dubbed in Tamil on Puthuyugam TV such as 'Boys over flowers', 'My love from another star', 'Playful Kiss' and many more. Full House and Hwang Jini started airing on Firangi channel in 2008. Reliance Big TV offered KBS World to its subscribers from 2009 on satellite television. Local fan clubs got help from Consul-General of the Republic of Korea while Korean Cultural Centre in India (KCCI) under South Korean embassy started mapping popularity of K-dramas. As per KCCI, the motivation to understand Korean drama properly without subtitles is driving the uptake of Korean language classes among the youth with females outnumbering males. DD Bharati broadcast period drama Hur Jun in 2014 that received highest viewer ratings of 34 million from January to October 2014. Online streaming platform ZEE5 launched Descendants of the Sun to test the Indian market from 8 February to 1 March 2017 and found overwhelming positive response for Korean content with viewership ran close to 56 million. The telecast of Korean drama on Cable TV in 2017 stopped as Korean Broadcasting System Network wanted to raise syndication charges due to accumulation of large viewer-ship base in India that included pockets of Bihar, Kerala and Uttar Pradesh due to short 16 to 20 episodes format that are easier for binge-watching. With increasing interest in Korean content among younger generation from tier-1 cities, Samsung through its My Galaxy mobile application is partnering with Korean Broadcasting System (KBS) in 2019 to bring exclusive content for 20 million Indian users. With COVID-19 pandemic, Dish TV started premium K-dramas dubbed in Hindi and Tamil. Korean dramas are also driving highest viewer-ship on Netflix with second season of TV series Kingdom attained the Top 10 series row as of March 2020. It's Okay to Not Be Okay is on Netflix Top 10 list in India for several weeks in August 2020 which has jumped to number 3 position. Netflix is increasing investment on Korean content to capture the Indian market. Over-the-top media service (OTT) MX Player confirmed rising popularity and demand of Korean dramas among millennial population especially the women audience and is now making deals with South Korean television and radio network company Seoul Broadcasting System (SBS) to bring more content in India. Korean dramas and films became most visited category for ShortsTV in India. As per media experts, the relatable themes in Korean content is fast catching the imagination of general public of almost every age group that is going mainstream and driving highest viewing especially after 92nd Academy Awards winning movie Parasite due to the shared Asian cultural heritage and societal values. As per Parrot Analytics report, k-drama series 'Crash Landing on You', is on demand 1.2 times than an average TV series that is 89.8% more than all drama titles shown in India forcing broadcasters to make extra slots as women are at the forefront of consumer demand in Korean content category. The COVID-19 lockdown in India proved to be an inflection point in 2020–2021 when Korean drama moved from a niche sub-culture segment to mainstream due to services like Netflix, Rakuten Viki and YouTube. It penetrated to every age group and social background. The popularity of Korean drama forced many over-the-top media service in India such as MX Player, Viu and ZEE5 to bring the dubbed versions in local language that will help cater to large non English speaking audience.

Nepal

Interest for Korean dramas in the Nepal began when Winter Sonata aired on Kantipur Television Network in the mid-2000s. This led to the popularity of other K-dramas such as Boys Over Flowers, Autumn In My Heart, You Are Beautiful and Full House to name a few. Popularity of Korean media products has also led to interest of learning the Korean language and has resulted in the emergence of Korean language tutorials that air on ABC Television in the country. Korean dramas have become popular among Nepali youth and markets are often frequented by teenagers looking to buy the latest dramas. The hairstyles and fashion of Korean actors have influenced the fashion sense of Nepali youth. Fascinated by the lifestyle and food of Korea, restaurants serving Korean cuisine have also been established in the country.

Sri Lanka

In Sri Lanka, the Independent Television Network aired Full House in 2009 and it proved popular. Dae Jang Geum aired on Rupavahini in 2012 and was dubbed in Sinhala under the title Sujatha Diyani (සුජාත දියණී), meaning "The Pure, Valuable Daughter" and received a viewer rate of over 90%. The Independent Television Network, Rupavahini, TV Derana, Sirasa TV, Swarnavahini and TV1 air Korean dramas dubbed in the Sinhalese language. Streaming service, Iflix also streams many Korean dramas with English and Sinhalese subtitles in the country, some as early as 24 hours after their original Korean broadcast. Additionally, the popularity of Korean pop culture in the country has led to an increasingly warm reception towards Korean people.

Middle East and North Africa

Since the mid-2000s, Israel, Iran, Morocco and Egypt have become major consumers of Korean culture. Following the success of Korean dramas in the Middle East & North Africa, the Korean Overseas Information Service made Winter Sonata available with Arabic subtitles on several state-run Egyptian television networks. According to Youna Kim (2007), "The broadcast was part of the government's efforts to improve the image of South Korea in the Middle East, where there is little understanding and exposure towards Korean culture" (p. 31). The New York Times reported that the intent behind this was to contribute towards positive relations between Arab & Berber audiences and South Korean soldiers stationed in northern Iraq.

MBC4 (Middle East Broadcasting Channel) played a major role in increasing the Korean wave's popularity in the MENA region (Middle East and North Africa). This broadcasting channel hosted a series of Korean drama , paying for the Arabic subtitles or dubbed. starting 2012 such as "Boys Over Flowers" (أيام الزهور), "You're Beautiful" (أنت جميلة), "Dream High" (حلم الشباب ), "Coffee Prince" ( مقهى الأمير). Some Arab countries opposed Korean content (dramas, reality show) out of fear that their youth would abandon Islamic traditions in order to adopt Western modernity. However, this did not stop the Korean industries from exporting more Korean Dramas to the Arab world in the following years such as "The Heirs" ( الورثة). The popularity of Korean dramas in the MENA region-and its continuous growth- originates from the content of these dramas. As the majority of the plots of Korean dramas focus on social issues (love between different social classes or family problems for instance), the Arab audiences fit themselves and could relate to the Korean socio-cultural values as they seem appealing to them. So Korean dramas play the role of an equilibrium point where two, somehow, different cultures could create a new cultural space where these two different cultures could meet.

LBC SAT and Rotana Drama (Rotana Group) played a major role in increasing the Korean wave's popularity in the MENA region (Middle East and North Africa). This broadcasting channel hosted a series of Korean drama, paying for the Arabic subtitles. starting 2022 such as "When I Was the Most Beautiful", "Extraordinary You", "Find Me in Your Memory", "Love in Sadness", "The Red Sleeve", "My Secret Terrius" the Arab audiences fit themselves and could relate to the Korean socio-cultural values as they seem appealing to them. So Korean dramas play the role of an equilibrium point where two, somehow, different cultures could create a new cultural space where these two cultures could meet.fear that the learning rituals embedded in the show would lead Kuwaiti youth to abandon their traditions wholesale in order to adopt Western morality wholesale. However, this did not stop the Korean industries from exporting more Korean Dramas to the Arab world in the following years such as.

Iran

Iran's state broadcaster, Islamic Republic of Iran Broadcasting (IRIB), aired several Korean dramas during prime time slots in recent years, with this decision attributed by some to their Confucian values of respect for others, which are "closely aligned to Islamic culture", while in contrast, Western productions often fail to satisfy the criteria set by Iran's Ministry of Culture and Islamic Guidance. In October 2012, the Tehran Times reported that IRIB representatives visited South Korea to visit filming locations in an effort to strengthen "cultural affinities" between the two countries and to seek avenues for further cooperation between KBS and IRIB. According to Reuters, until recently audiences in Iran have had little choice in broadcast material and thus programs that are aired by IRIB often attain higher viewership ratings in Iran than in South Korea; for example, the most popular episodes of Jumong attracted over 90% of Iranian audience (compared to 40% in South Korea), propelling its lead actor Song Il-gook to superstar status in Iran.

Iraq

In the early 2000s, Korean dramas were aired for South Korean troops stationed in northern Iraq as part of coalition forces led by the United States during the Iraq War. With the end of the war and the subsequent withdrawal of South Korean military personnel from the country, efforts were made to expand availability of K-dramas to the ordinary citizens of Iraq. In 2012, the Korean drama Hur Jun reportedly attained a viewership of over 90% in the Kurdistan region of Iraq. Its lead actor Jun Kwang-ryul was invited by the federal government of Iraq to visit the city of Sulaymaniyah in Kurdistan, at the special request of the country's First Lady, Hero Ibrahim Ahmed.

Egypt

Autumn in My Heart, one of the earliest Korean dramas brought over to the Middle East, was made available for viewing after five months of "persistent negotiations" between the South Korean embassy and an Egyptian state-run broadcasting company. Shortly after the series ended, the embassy reported that it had received over 400 phone calls and love letters from fans from all over the country. According to the secretary of the South Korean embassy in Cairo Lee Ki-seok, Korea's involvement in the Iraq War had significantly undermined its reputation among Egyptians, but the screening of Autumn in My Heart proved "extremely effective" in reversing negative attitudes.

Europe

Romania

The first Korean drama in Romania was aired on TVR in August 2009 with Dae Jang Geum, and in the following month it became the third most popular television program in the country. Since then, Korean dramas have seen high ratings and further success.

North America

United States

The Asian American-targeted cable TV channels AZN Television and ImaginAsian aired Korean dramas alongside content from China, Japan, India, Thailand and other parts of Asia. The dramas were aimed at the Asian American community before the channels dissolved in 2008 and 2011 respectively.

In November 2008, Netflix began offering several Korean dramas as part of its video selection. In August 2009, DramaFever began offering free subtitled video streaming service, with video advertisements, in the United States.

Singapore-based Viki streams popular Korean dramas across the world including North America, with subtitles in 70 languages. Companies in Asia have also designed streaming services available online and as mobile apps targeted towards overseas Asian communities. "MobiTV" created by the Sri Lankan company, Bhasha is a streaming service and mobile app aimed at the Sri Lankan community and streams Korean dramas dubbed in the Sinhalese language alongside other content aired in Sri Lanka. "Roopa", created by the same company, is another service available as a mobile app also aimed at the Sri Lankan community, it too streams Korean dramas dubbed in the Sinhalese language. Chinese company PPTV is another example, a mobile app, "PPTV网络电视HD" streams Korean dramas aimed at the Chinese community alongside content that is primarily available in Mandarin, Cantonese and Korean but also increasingly in English.

Additionally, Korean dramas are available at online DVD retailers. Some Korean dramas, however, are not available for region 1 (North America) encoding and NTSC video format. Amazon offers streaming of Winter Sonata for a fee.

KBFD-DT in Honolulu, Hawaii broadcasts a majority of Korean dramas on its daily schedule, as well as offering the programs on sale at its website and on demand through its K-Life channel on Oceanic Time Warner Cable. Another Honolulu outlet, KHII-TV devotes three hours of its Sunday afternoon schedule to Korean dramas.

KTSF, a channel aimed at the Asian American community in San Francisco, California airs Korean dramas as part of its schedule alongside content in Mandarin, Tagalog, Hindi, Korean, Vietnamese, Japanese, Taiwanese and Cantonese.

South America

Between 2001 and 2002, South America began to absorb Korean programming. The 1997 series Star in My Heart began its successful broadcast in Chile, Peru and other countries in the area, but these last two were where More had repercussions, including an Ahn Jae-wook fan club founded. In 2002, Winter Sonata, produced by KBS 2TV, became the first series in the region to match the success of Meteor Garden, attracting a cult following in Asia. Marketing sales, including DVD sets and novels, exceeded $3.5 million in Japan. In 2004, then-Japanese Prime Minister Junichiro Koizumi noted that the series' male lead was "more popular than I am in Japan." Other Korean dramas released in later years such as Jewel in the Palace (2003) and Full House (2004) had comparable levels of success.

Chile

In Chile, which was one of the first countries on a global level, the phenomenon of Korean wave, which is also known as hallyu, began with the first drama aired that was the original 1997 MBC series Star in My Heart in 2001 by Chilevisión past midnight and later years later in 2003 it was retransmitted by Canal 21 (Chillán) [es] in Chillán, but it was not until 2006, when Stairway to Heaven was broadcast at 1:00 pm on the public television channel Televisión Nacional de Chile, which achieved notoriety of this genre being compared to La madrastra—an old very successful Chilean soap opera—due to the high audience figures in its schedule competing directly with other channels, it was also broadcast by TV Chile to other continents dubbed into Spanish.

Ratings and viewership

Viewership ratings are provided by two companies in South Korea: Nielsen Korea and TNmS. Originally, Media Service Korea (MSK) was the sole company providing TV viewership ratings using people meter since 1992, but was only limited to Seoul Capital Area. In 1998, TNS Media Korea began as a rival company in partnership with Taylor Nelson Sofres (TNS) which extended the service to five major cities; it was officially launched in June 1999 with a more sophisticated viewership rating survey technique. While, in August 1999, AC Nielsen acquired MSK and rebranded it as AC Nielsen Korea and expanded the audience rating survey to the whole country with the aim to increase the credibility of the ratings. In 2005, AC Nielsen Korea signed a merger with AGB Group and AGB Nielsen Media Research was established. AGB Nielsen Media Research merged with KADD Nielsen Media Research in January 2013, and the official name was changed to Nielsen Korea.

In 2010, TNS Media Korea was renamed to TNmS (Total National Multimedia Statistics). Since late 2018, TNmS stopped providing data to the public through their websites, and instead occasionally releases the ratings through news agencies such as BreakNews.

List of highest-rated series on terrestrial television

The list was compiled from data by Nielsen Korea, based on the episode of the highest viewership since 1992.

By household rating

• Top 50 series per nationwide household rating

  #	Series	Network	Nationwide household rating (Nielsen)	Final episode date	Ref
  1	You and I	MBC	66.9%	26 April 1998
  2	First Love	KBS2	65.8%	20 April 1997
  3	What Is Love [ko]	MBC	64.9%	31 May 1992
  4	Sandglass	SBS	64.5%	16 February 1995
  5	Hur Jun	MBC	63.5%	27 June 2000
  6	A Sunny Place of the Young [ko]	KBS2	62.7%	12 November 1995
  7	Sons and Daughters [ko]	MBC	61.1%	9 May 1993
  8	Taejo Wang Geon	KBS1	60.2%	24 February 2002
  9	Eyes of Dawn	MBC	58.4%	6 February 1992
  10	Dae Jang Geum		57.8%	23 March 2004
  11	See and See Again [ko]		57.3%	2 April 1999
  12	Truth [ko]		56.5%	24 February 2000
  13	Lovers in Paris	SBS	56.3%	15 August 2004
  14	Jealousy [ko]	MBC	56.1%	21 July 1992
  15	Blowing of the Wind [ko]	KBS2	55.8%	29 March 1996
  16	Men of the Bath House [ko]		53.4%	1 September 1996
  17	Gook Hee [ko]	MBC	53.1%	16 November 1999
  	Trap of Youth [ko]	SBS		15 April 1999
  19	Tomato [ko] (토마토)		52.7%	10 June 1999
  20	M [ko]	MBC	52.2%	30 August 1994
  21	Season of the Storm [ko]		52.1%	30 December 1993
  22	Rustic Period	SBS	51.8%	30 September 2003
  23	My Mother's Sea [ko]	MBC	51.6%	26 December 1993
  24	Legend of Ambition [ko]	KBS2	50.2%	25 October 1998
  25	Ladies of the Palace [ko]	SBS	49.9%	22 July 2002
  26	My Son's Woman [ko]	MBC	49.7%	13 April 1995
  	Jumong			6 March 2007
  28	Tears of the Dragon	KBS1	49.6%	31 May 1998
  29	My Only One	KBS2	49.4%	17 March 2019
  30	Star in My Heart	MBC	49.3%	29 April 1997
  	Bread, Love and Dreams	KBS2		16 September 2010
  32	My Lovely Sam Soon	MBC	49.1%	21 July 2005
  33	Ambition [ko]		49.0%	13 October 1994
  34	The Moon of Seoul [ko]		48.7%	16 October 1994
  35	The Last Match		48.6%	22 February 1994
  36	All About Eve		48.3%	6 July 2000
  	Wang's Family	KBS2		9 February 2014
  38	How is Your Husband? [ko]	SBS	48.2%	19 October 1993
  39	Cinderella	MBC	48.0%	13 July 1997
  40	All In	SBS	47.7%	3 April 2003
  41	Seoyoung, My Daughter	KBS2	47.6%	3 March 2013
  42	Until We Can Love [ko]		47.1%	28 February 1997
  43	My Rosy Life		47.0%	10 November 2005
  44	Pilot [ko]	MBC	46.2%	2 November 1993
  45	Autumn in My Heart	KBS2	46.1%	7 November 2000
  46	Daughters of a Rich Family [ko]		45.9%	30 April 1995
  47	My Husband Got a Family		45.3%	9 September 2012
  48	Brilliant Legacy	SBS	45.2%	26 July 2009
  49	My Golden Life	KBS2	45.1%	11 March 2018
  50	Dear Heaven	SBS	44.9%	2 July 2006

By viewers

• Top 50 series per nationwide viewers (million) since 2018

  #	Series	Network	Nationwide viewers number in million (Nielsen)	Final episode date	Ref
  1	My Only One	KBS2	9.246	17 March 2019
  2	My Golden Life		8.366	11 March 2018
  3	Young Lady and Gentleman		6.956	27 March 2022
  4	Once Again		6.893	13 September 2020
  5	Marry Me Now		6.669	9 September 2018
  6	Mother of Mine		6.247	22 September 2019
  7	Homemade Love Story		6.145	7 March 2021
  8	Revolutionary Sisters		5.823	18 September 2021
  9	Beautiful Love, Wonderful Life		5.693	22 March 2020
  10	The Penthouse: War in Life 2	SBS	5.601	2 April 2021
  11	The Penthouse: War in Life		5.354	5 January 2021
  12	It's Beautiful Now	KBS2	5.300	18 September 2022
  13	Dr. Romantic 2	SBS	5.210	25 February 2020
  14	Three Bold Siblings	KBS2	4.870	(ongoing)
  15	When the Camellia Blooms		4.491	21 November 2019
  16	The Fiery Priest	SBS	4.325	20 April 2019
  17	Money Flower	MBC	4.085	3 February 2018
  18	Unasked Family	KBS1	3.950	17 April 2020
  19	Hot Stove League	SBS	3.921	14 February 2020
  20	Home for Summer	KBS1	3.897	25 October 2019
  21	Brilliant Heritage		3.852	9 October 2020
  22	The Penthouse: War in Life 3	SBS	3.778	10 September 2021
  23	Liver or Die	KBS2	3.692	14 March 2019
  24	The Red Sleeve	MBC	3.668	1 January 2022
  25	No Matter What	KBS1	3.599	26 March 2021
  26	Man in a Veil	KBS2	3.502	10 February 2021
  27	The Secret of My Love		3.480	9 February 2018
  28	Sunny Again Tomorrow	KBS1	3.478	2 November 2018
  29	It's My Life		3.459	26 April 2019
  30	Bravo, My Life		3.382	30 September 2022
  31	Love Returns		3.330	4 May 2018
  32	The Last Empress	SBS	3.282	21 February 2019
  33	The All-Round Wife	KBS1	3.245	8 April 2022
  34	One the Woman	SBS	3.235	6 November 2021
  35	The Love in Your Eyes	KBS1	3.148	(ongoing)
  36	Taxi Driver	SBS	3.117	29 May 2021
  37	A Pledge to God	MBC	3.112	16 February 2019
  38	Man in the Kitchen		3.082	18 March 2018
  39	Gracious Revenge	KBS2	3.080	27 March 2020
  40	Red Shoes		3.074	10 December 2021
  41	Gold Mask		2.998	7 October 2022
  42	Be My Dream Family	KBS1	2.951	1 October 2021
  43	One Dollar Lawyer	SBS	2.933	11 November 2022
  44	Doctor Prisoner	KBS2	2.832	15 May 2019
  45	Vengeance of the Bride		2.820	(ongoing)
  46	Return	SBS	2.817	22 March 2018
  47	Miss Monte-Cristo	KBS2	2.808	2 July 2021
  48	Hyena	SBS	2.789	11 April 2020
  49	A Place in the Sun	KBS2	2.754	1 November 2019
  50	Love Twist		2.708	20 May 2022

List of highest-rated series on cable television

• The following dramas air on a cable channel/pay TV which normally has a relatively smaller audience compared to free-to-air TV/public broadcasters (KBS, SBS, MBC and EBS).

By household rating

• Top 50 series per nationwide household rating

  #	Series	Network	Nationwide household rating (Nielsen)	Final episode date	Ref
  1	The World of the Married	JTBC	28.371%	16 May 2020
  2	Reborn Rich		26.948%	25 December 2022
  3	Sky Castle		23.779%	1 February 2019
  4	Crash Landing on You	tvN	21.683%	16 February 2020
  5	Reply 1988		18.803%	16 January 2016
  6	Guardian: The Lonely and Great God		18.680%	21 January 2017
  7	Mr. Sunshine		18.129%	30 September 2018
  8	Extraordinary Attorney Woo	ENA	17.534%	18 August 2022
  9	Mr. Queen	tvN	17.371%	14 February 2021
  10	Under the Queen's Umbrella		16.852%	4 December 2022
  11	Love (ft. Marriage and Divorce) 2	TV Chosun	16.582%	8 August 2021
  12	Itaewon Class	JTBC	16.548%	21 March 2020
  13	Vincenzo	tvN	14.636%	2 May 2021
  14	Our Blues		14.597%	12 June 2022
  15	100 Days My Prince		14.412%	30 October 2018
  16	Hospital Playlist		14.142%	28 May 2020
  17	Hospital Playlist 2		14.080%	16 September 2021
  18	Hometown Cha-Cha-Cha		12.665%	17 October 2021
  19	Signal		12.544%	12 March 2016
  20	The Lady in Dignity	JTBC	12.065%	19 August 2017
  21	Hotel del Luna	tvN	12.001%	1 September 2019
  22	Agency	JTBC	11.959%	(ongoing)
  23	Crash Course in Romance	tvN	11.823%	(ongoing)
  24	Twenty-Five Twenty-One		11.513%	3 April 2022
  25	Reply 1994		11.509%	28 December 2013
  26	Prison Playbook		11.195%	18 January 2018
  27	Little Women		11.105%	9 October 2022
  28	The Uncanny Counter	OCN	10.999%	24 January 2021
  29	The Crowned Clown	tvN	10.851%	4 March 2019
  30	My Kids Give Me a Headache	JTBC	10.715%	17 March 2013
  31	Jirisan	tvN	10.663%	12 December 2021
  32	Mine		10.512%	27 June 2021
  33	Love (ft. Marriage and Divorce) 3	TV Chosun	10.395%	1 May 2022
  34	Show Window: The Queen's House	Channel A	10.335%	18 January 2022
  35	Encounter	tvN	10.329%	24 January 2019
  36	Military Prosecutor Doberman		10.081%	26 April 2022
  37	Memories of the Alhambra		10.025%	20 January 2019
  38	Another Miss Oh		9.991%	28 June 2016
  39	Bossam: Steal the Fate	MBN	9.759%	4 July 2021
  40	The Light in Your Eyes	JTBC	9.731%	19 March 2019
  41	Strong Girl Bong-soon		9.668%	15 April 2017
  42	Love (ft. Marriage and Divorce)	TV Chosun	9.656%	14 March 2021
  43	Alchemy of Souls: Light and Shadow	tvN	9.651%	8 January 2023
  44	Stranger 2		9.408%	4 October 2020
  45	Uncle	TV Chosun	9.329%	30 January 2022
  46	Alchemy of Souls	tvN	9.295%	28 August 2022
  47	Lawless Lawyer		8.937%	1 July 2018
  48	Red Balloon	TV Chosun	8.865%	(ongoing)
  49	Record of Youth	tvN	8.740%	27 October 2020
  50	What's Wrong with Secretary Kim		8.665%	26 July 2018

By viewers

• Top 50 series per nationwide viewers (million) since 2018

  #	Series	Network	Nationwide viewers number in million (Nielsen)	Final episode date	Ref
  1	Sky Castle	JTBC	6.508	1 February 2019
  2	Crash Landing on You	tvN	6.337	16 February 2020
  3	Reborn Rich	JTBC	6.277	25 December 2022
  4	The World of the Married		6.248	16 May 2020
  5	Mr. Queen	tvN	4.749	14 February 2021
  6	Mr. Sunshine		4.631	30 September 2018
  7	Extraordinary Attorney Woo	ENA	4.449	18 August 2022
  8	Itaewon Class	JTBC	4.425	21 March 2020
  9	Under the Queen's Umbrella	tvN	4.049	4 December 2022
  10	Hospital Playlist 2		3.853	16 September 2021
  11	Vincenzo		3.841	2 May 2021
  12	Hotel del Luna		3.674	1 September 2019
  13	Hospital Playlist		3.579	28 May 2020
  14	Our Blues		3.419	12 June 2022
  15	Love (ft. Marriage and Divorce) 2	TV Chosun	3.344	8 August 2021
  16	100 Days My Prince	tvN	3.264	30 October 2018
  17	The Uncanny Counter	OCN	3.257	24 January 2021
  18	Hometown Cha-Cha-Cha	tvN	3.237	17 October 2021
  19	Prison Playbook		3.063	18 January 2018
  20	Twenty-Five Twenty-One		3.047	3 April 2022
  21	Crash Course in Romance		3.010	(ongoing)
  22	Memories of the Alhambra		2.853	20 January 2019
  23	Agency	JTBC	2.693	(ongoing)
  24	Little Women	tvN	2.618	9 October 2022
  25	Jirisan		2.586	12 December 2021
  26	Encounter		2.473	24 January 2019
  27	The Crowned Clown		2.447	4 March 2019
  28	Mine		2.429	27 June 2021
  29	Alchemy of Souls		2.410	28 August 2022
  30	What's Wrong with Secretary Kim		2.383	26 July 2018
  31	Military Prosecutor Doberman		2.279	26 April 2022
  32	Alchemy of Souls: Light and Shadow		2.267	8 January 2023
  33	The Light in Your Eyes	JTBC	2.223	19 March 2019
  34	Show Window: The Queen's House	Channel A	2.195	18 January 2022
  35	Stranger 2	tvN	2.186	4 October 2020
  36	Arthdal Chronicles		2.120	22 September 2019
  37	A Korean Odyssey		2.115	4 March 2018
  	Lawless Lawyer			1 July 2018
  39	It's Okay to Not Be Okay		2.065	9 August 2020
  40	Love (ft. Marriage and Divorce) 3	TV Chosun	2.060	1 May 2022
  41	Uncle		2.042	30 January 2022
  42	Familiar Wife	tvN	2.039	20 September 2018
  43	Record of Youth		1.999	27 October 2020
  44	The Devil Judge		1.994	22 August 2021
  45	Voice 2	OCN	1.957	16 September 2018
  46	Ghost Doctor	tvN	1.947	22 February 2022
  47	Bossam: Steal the Fate	MBN	1.940	4 July 2021
  48	Hi Bye, Mama!	tvN	1.915	19 April 2020
  49	Love (ft. Marriage and Divorce)	TV Chosun	1.913	14 March 2021
  50	Red Balloon		1.887	(ongoing)

See also

• Chinese television drama
• List of South Korean television series
• History of Korean animation
• Japanese television drama
• Manhwa
• Mass media in South Korea
• Taiwanese television drama
• Television in South Korea
• Webtoon

Footnotes

1. As of 2010 it remained 38th in ranking, as of January 2013, it remained 41st in ranking, as of May 2015, it remained around 40th in ranking, as of June 2018, it remained 39th in ranking.
2. ^ The number of viewers was released by Nielsen Korea starting January 2018.

References

1. "Korean drama | owlapps". www.owlapps.net. Retrieved 27 June 2022.
2. ^ Chosun Ilbo 2007.
3. Hong Jae-hyun (5 October 2008). "SBS'조강지처클럽', 자체최고시청률 41.3%로 종영" (in Korean). Sports Donga. Retrieved 22 October 2021.
4. Park Se-yeon (13 February 2009). '아내의 유혹' 40.6% 자체 최고 시청률 '기염'. Newsen (in Korean). Archived from the original on 3 December 2013. Retrieved 11 October 2012.
5. Casaus, Sara (1 June 2020). "Recommended korean dramas 2021". Film Daily. Retrieved 22 October 2021.
6. Kim, Kyŏng-t'ae (2012). K-movie : the world's spotlight on Korean film. Seoul: Korean Culture and Information Service. ISBN 978-89-7375-163-1.
7. Ong, Jasmine (8 February 2019). "How Recent K-Dramas Are Defying The Stereotypical Narrative". Teenage Magazine. Retrieved 22 October 2021.
8. Sunio, Patti (3 April 2020). "How K-drama hit Itaewon Class challenges discrimination". South China Morning Post. Retrieved 22 October 2021.
9. "Introduction to Sageuks". Sageuk: Korean Historical Dramas. Retrieved 1 March 2016.
10. "Huh Joon – คนดีที่โลกรอ หมอโฮจุน". blike.net (in Thai). 5 September 2015.
11. Tourism, Korean Culture and Information Service Ministry of Culture, Sports and (2012). K-Dramas: A New TV Genre with Global Appeal. 길잡이미디어. ISBN 978-8973751679.{{cite book}}: CS1 maint: multiple names: authors list (link)
12. Turnbull 2009. sfn error: no target: CITEREFTurnbull2009 (help)
13. Iwabuchi 2008.
14. ^ Lee 2005.
15. Robinson 1998, pp. 358–78.
16. ^ Do Je-hae (3 February 2012). "Book traces history of Korean TV dramas: Analysis on Koreans' fervor for soap operas". The Korea Times. Retrieved 6 December 2013.
17. KOCIS 2011, p. 59.
18. Jeon 2013, pp. 69–70.
19. KOCIS 2011, pp. 61–62.
20. ^ X 2007.
21. 국토만리(國土萬里) (in Korean). National Institute of Korean History. Retrieved 2 June 2014.
22. ^ X 2009.
23. Jeon 2013, p. 70.
24. Jeon 2013, pp. 70–71.
25. ^ KOCIS 2011, p. 63.
26. ^ KOCIS 2011, pp. 65–66.
27. Jeon 2013, p. 72.
28. "웹드라마, 10대들에겐 주류 "TV 2부 리그는 옛말"". 대구신문 (in Korean). 12 May 2019. Retrieved 5 June 2019.
29. ^ Taylor, Alex (16 October 2021). "Squid Game: The rise of Korean drama addiction". BBC News. Retrieved 16 October 2021.
30. Ga-young, Kim (26 May 2021). "달라진 드라마 패턴…방송가는 왜 시즌제에 빠졌나". Edaily (in Korean). Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
31. Seo-yeon, Hwang (15 September 2021). "주 1회 편성, '슬의생'의 모순 [TV공감]". tvdaily (in Korean). Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
32. you-na, Tae (14 October 2021). "MBC, 150억 '검은 태양' 띄우려는 '막가파 편성'에 결방당한 다른 프로그램 [TEN스타필드]". Ten Asia (in Korean). Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
33. eun-hae, Park (5 October 2021). "지연 방송부터 결방까지…'슬의생2→검은태양' 민폐 편성에 시청자 불만↑ [TV와치]". newsen (in Korean). Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
34. Su-ji, Han (9 September 2021). "[TOP초점] '슬의생2', 상도덕 논란…'더로드' 막방까지 고무줄 편성". topstarnews (in Korean). Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
35. Su-yeon, Yu (31 August 2021). ""시청자 기만하나"…드라마 '더 로드 : 1의 비극', 잦은 편성 변경 논란". topstarnews (in Korean). Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
36. Smail, Gretchen. "This K-Drama Is One Of The Most Controversial Shows On Disney+". Bustle. Retrieved 20 March 2022.
37. "History Becomes Unmentionable in Historical K-Dramas". KOREA EXPOSÉ. 9 January 2022. Retrieved 20 June 2022.
38. ^ Kim 2013a.
39. "[단독]'옷소매' 제작비 160억..20개국 판매 수익도 '성공'". Star News. 6 January 2022. Retrieved 4 February 2022.
40. "[오~컬쳐]한국 드라마, 회당 제작비 '7억원' 시대 맞이했다". bloter. 2 November 2020. Retrieved 4 November 2021.
41. "[단독] 회당 20억? 넷플릭스, 韓드라마 '킹덤' 제작비 실사". Chosun Biz. 19 April 2019. Retrieved 4 November 2021.
42. "Song Kang Talks About Being Surprised At The Budget Of "Sweet Home," Becoming Friends With Lee Do Hyun, And More". Soompi. 23 December 2020. Retrieved 4 February 2022.
43. ^ Kim 2013b.
44. "Police Confirm Producer Kim Jong Hak's Death". Mwave. 23 July 2013. Archived from the original on 4 March 2016. Retrieved 4 June 2014.
45. Kim, Tong-hyung (23 July 2013). "Director of Hourglass commits suicide". The Korea Times. Retrieved 29 July 2013.
46. Bhagchandani, Umesh (6 December 2021). "7 of K-drama's highest-paid stars in 2021 – earnings, ranked: from Now, We Are Breaking Up's Song Hye-kyo, to One Ordinary Day star Kim Soo-hyun and Squid Game's Lee Jung-jae". South China Morning Post. Retrieved 4 February 2022.
47. "Kim Soo Hyun's net worth is now S$1.2 million?". XIN MSN. 3 March 2014. Archived from the original on 6 June 2014. Retrieved 5 June 2014.
48. "What makes Kim Soo-hyun so popular in China?". The Korea Herald. 22 January 2014. Retrieved 5 June 2014.
49. ^ Kil, Sonia. "Korean Dramas Adopt Pre-Produced Format to Mixed Results". Variety. Retrieved 20 October 2017.
50. Donga 2 2013.
51. "Kim Soo Hyun Sleeps Only 1 Hour? The Reality of Drama Filming Schedules". Soompi. 1 February 2014. Retrieved 4 June 2014.
52. ^ Donga 1 2013.
53. "Dramas Shot in Dramia". MBC Dramia. Retrieved 12 January 2014.
54. "Mungyeongsaejae KBS Drama Studio". Korea Tourism Organization. Archived from the original on 8 December 2015. Retrieved 6 June 2014.
55. "KBS Suwon Studio". Korea Tourism Organization. Archived from the original on 6 June 2014. Retrieved 6 June 2014.
56. "'아이돌은 연기 못한다'는 편견 연기력으로 깨부순 남자 연기돌 7명". 인사이트 (in Korean). 23 February 2019. Retrieved 5 June 2019.
57. KOCIS 2011, pp. 90–109.
58. "Top 7 successful idol-turned-actors". The Korea Herald. 12 June 2013. Retrieved 5 June 2014.
59. No Han-sol (12 October 2016). "[스타포커스] 윤아, '연기돌' 벗고 '연기자'로... '이젠 믿고 보자 임윤아'" [Im Yoon-ah shed her acting-idol title and become the real actress...believe in the Im Yoon-ah you see now]. TopStarNews (in Korean). Retrieved 10 January 2021.
60. "13 Former Korean Child Actors Who Became The Most FAMOUS Lead Actors in Korean Dramas TODAY!". YouTube. 7 December 2020. Archived from the original on 21 December 2021. Retrieved 10 January 2021.
61. "90% of South Korean TV Writers Are Women". Women of China. 24 March 2014. Archived from the original on 6 June 2014. Retrieved 6 June 2014.
62. "Wanted : Good Screenwriters". Koreanfilm.org. 1 December 2010. Retrieved 6 June 2014.
63. "Meet the screenwriters responsible for your Kdrama tears". DramaFever. 12 September 2013. Retrieved 6 June 2014.
64. Se-yeong, Hong (9 January 2019). "[홍세영의 어쩌다] '황후의 품격'x김순옥 작가, 男心도 씹어먹었다". Sports DongA. Retrieved 4 November 2021.
65. "김은희→김순옥→김은숙 작가..시즌제 물결 타는 스타작가들[SS이슈]". Sports Seoul. 13 January 2021. Retrieved 4 November 2021.
66. "Kim Jong-hak to direct 'Magic Bell'". Variety. 18 May 2009. Retrieved 6 June 2014.
67. "Producer Pyo Min Soo of 'Full House' and 'Worlds Within' to Direct 'Iris 2'". Mwave. 27 September 2012. Archived from the original on 7 March 2016. Retrieved 6 June 2014.
68. Kim Ji-hye (28 August 2021). "'홍천기' 장태유 감독, '바람의 화원'→'별그대' 잇는 연출 맛집..눈호강 예약" [Director Jang Tae-yu of 'Hongcheongi', 'Painter of the Wind' → 'My Love from the Stars' Directed restaurant.. Reservation of Noonhogang]. Herald POP (in Korean). Retrieved 7 March 2022 – via Naver.
69. "'Sky Castle' hits record viewership". Korea JoongAng Daily. 21 January 2019.
70. Yeo, Gladys (5 January 2022). "'Snowdrop' is the most-watched Disney+ series in Singapore and South Korea". NME. Archived from the original on 5 January 2022. Retrieved 19 March 2022.
71. "610화 여성 드라마 감독 이윤정PD 인터뷰!" (in Korean). iMBC. 3 February 2005. Retrieved 6 June 2014.
72. 이나정 (in Korean). Daum Movie. Retrieved 6 June 2014.
73. "The First Shop Of Coffee Prince". Korea Tourism Organization. Retrieved 3 May 2013.
74. Jeongmee Kim (2013). Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. I.B. Tauris. p. 197. ISBN 978-1-84511-860-0.
75. "K-Drama Original Soundtracks: What Is The Significance Of Actors Singing On Their Own OST?". KpopStarz. 13 November 2013. Retrieved 4 June 2014.
76. '미남' 꽃미남 그룹 에이엔젤, 공개 미니 콘서트 연다! [A.N.JELL to hold a second mini-concert]. BNTNews (in Korean). 21 November 2009. Retrieved 29 November 2009.
77. '미남' 마지막 콘서트, 3천명 구름관중 [A.N.JELL holds its last concert]. Osen (in Korean). 23 November 2009. Archived from the original on 8 August 2017. Retrieved 29 November 2009.
78. "All copies of 'Secret Garden' OST have sold out". Allkpop. 5 January 2011. Retrieved 4 June 2014.
79. "Drama soundtrack bit hit around Asia". Hancinema. 3 March 2014. Retrieved 4 March 2014.
80. "Song Kang Ho and Jun Ji Hyun Win Grand Prizes for the Baeksang Arts Awards + Full List of Winners". Soompi. 27 May 2014. Retrieved 27 May 2014.
81. "'미남이시네요' AN.Jell, 실제 가수로 활약?" [You're Beautiful's AN.Jell to work as real singers?]. IS Plus (in Korean). 25 October 2009. Retrieved 29 November 2009.
82. ""IRIS" soundtrack concert attracts fans in Japan". Hancinema. 3 June 2010. Retrieved 4 June 2014.
83. Veronika Keller. (2019). Music Keeps Us Together. Pop Songs in Korean Television Dramas. Series. International Journal of TV Serial Narratives, 5(2), 95–107. https://doaj.org/article/5c25a40544c04377a0bd11c9ce611975
84. "The Singers That Turn OST Into Hit Songs". KPopStarz. 15 March 2014. Retrieved 4 June 2014.
85. Kim, Su-jin (10 November 2009). "TV 드라마의 등급 분류 기준은?" (in Korean). 매일경제. Retrieved 10 September 2014.
86. Sung 2008.
87. ^ Larsen 2008.
88. "Korean dramas on Hulu: Why I'm addicted". Entertainment Weekly PopWatch. 2 February 2011. Retrieved 17 January 2012.
89. Shim 2011.
90. Oh 2015, pp. 42, 147–48.
91. Oh 2015, p. 134.
92. Oh 2015, p. 147.
93. Kang, Myoung-Seok (30 September 2009). "10LINE: Won Bin". 10 Asia. Retrieved 2 December 2012.
94. Kang, Myoung-Seok (4 August 2010). "Interview: Actor Won Bin – Part 1". 10 Asia. Retrieved 2 December 2012.
95. Kang, Myoung-Seok (4 August 2010). "Interview: Actor Won Bin – Part 2". 10 Asia. Retrieved 2 December 2012.
96. Kang, Myoung-Seok (4 August 2010). "Interview: Actor Won Bin – Part 3". 10 Asia. Retrieved 2 December 2012.
97. Faiola, Anthony (31 August 2006). "Japanese Women Catch the 'Korean Wave'". The Washington Post.
98. "The Hallyu Wave Remains Alive in Hong Kong". University of Southern California. 5 April 2011. Archived from the original on 15 December 2012. Retrieved 17 January 2012.
99. Lee, Hyun-Kyung (9 April 2015). "Korean Dramas and Variety Shows, Over Asia to Europe and America". Newspim.
100. "Cosmetics' Hallyu from My Love from the Star". The Korea Herald Economy. 10 March 2015.
101. hermes (27 February 2017). "Thaad row: China blocks streaming of Korean dramas". The Straits Times. Retrieved 21 October 2018.
102. "China Becoming Increasingly Protective in Culture Industry". 19 April 2017. Retrieved 21 October 2018.
103. TODAY, ASIA (2 November 2017). "China Virtually Ends Hallyu Ban". HuffPost. Retrieved 21 October 2018.
104. "Improving Korea-Japan relations is possible: look at the Germany-Poland example". 18 January 2012. Retrieved 16 July 2014.
105. "Japanese Surfing the Korean Wave: Drama Tourism, Nationalism, and Gender via Ethnic Eroticisms" (PDF). Southeast Review of Asian Studies. 31: 10–38. 2009. Archived from the original (PDF) on 10 April 2017. Retrieved 16 July 2014.
106. Inoue, Chihiro (13 April 2009). "Spy drama pulls S.Koreans to Akita". The Japan Times. Retrieved 26 April 2010.
107. "Akita sees huge increase in Korean tourists". Japan Probe. 16 January 2010. Archived from the original on 18 January 2010. Retrieved 23 April 2010.
108. "Sorry Page". news.mofat.go.kr. Archived from the original on 4 March 2018. Retrieved 21 October 2018.
109. "North Korea 'Publicly Executed 80 People,' South Korean Paper Reports". HuffPost. 11 November 2013. Retrieved 16 July 2014.
110. "Young People Surfing the Korean Wave". DailyNK. 21 June 2011. Archived from the original on 26 July 2014. Retrieved 16 January 2012.
111. "'펜트하우스' 같이 본 북한 청년들, 10~12년 노동교화형". DailyNK (in Korean). 11 June 2021. Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
112. "'펜트하우스' 명대사 따라하는 북한 청년들, 그걸 단속하는 청년들". DailyNK (in Korean). 22 July 2021. Retrieved 4 November 2021.{{cite web}}: CS1 maint: url-status (link)
113. Lechner, Frank J.; Boli, John (2014). The Globalization Reader. ISBN 978-1-118-73702-6.
114. Kang, Hyun-kyung (21 August 2011). "Korean drama gains popularity in Taiwan". The Korea Times. Retrieved 7 April 2021.
115. "Korean Wave washes over Brunei". The Brunei Times. Archived from the original on 25 November 2015.
116. "Korean Wave in Cambodia | ASEAN-Korea Centre". Archived from the original on 30 January 2015. Retrieved 30 January 2015.
117. Marinescu, Valentina (2014). The Global Impact of South Korean Popular Culture. ISBN 978-0-7391-9338-9.
118. "Korean TV formats: a new Korean wave?". Daehan Drama. Archived from the original on 20 July 2014. Retrieved 29 January 2015.
119. "Lao tourists ride 'Korean wave'". MindaNews. 19 November 2013.
120. "Caught up in a Korean wave". The Star. Archived from the original on 20 September 2017. Retrieved 12 December 2014.
121. "Korean Wave in Myanmar | ASEAN-Korea Centre". Archived from the original on 30 January 2015. Retrieved 30 January 2015.
122. Diplomat, Jenna Gibson, The. "How Korea Is Conquering Myanmar, One Soap Opera at a Time". Retrieved 21 October 2018.{{cite web}}: CS1 maint: multiple names: authors list (link)
123. "Korean Dramas Continue to Captivate the Philippines". 6 September 2009. Retrieved 21 October 2018.
124. "How GMA-7's Heart of Asia acquire its Asianovelas". Philippine Entertainment Portal. Retrieved 25 May 2021.
125. "Channel U" (in Chinese). XINMSN. Archived from the original on 2 August 2014. Retrieved 16 July 2014.
126. "Singaporeans get quick access to Korean shows with TV channel Oh!K". The Straits Times. Retrieved 18 December 2014.
127. "Chinese streaming service iQiyi commits to making more Singapore content". The Straits Times. 15 December 2020. Retrieved 10 May 2021.
128. "iQiyi International to produce first K-drama". The Straits Times. 4 December 2020. Retrieved 10 May 2021.
129. "Hallyu (Korean Wave) in Thailand". KOFICE. Archived from the original on 25 July 2014. Retrieved 16 July 2014.
130. "Royal Thai Embassy, Seoul > Home > Thailand – ROK Relations > Bilateral relations". Thaiembassy.or.kr. Archived from the original on 22 July 2011. Retrieved 15 August 2011.
131. Lee, Eun-Joo; Park, Duk-Soo; Yeon, Jaehoon (2004). Integrated Korean. ISBN 978-0-8248-2751-9.
132. "K-Drama for Beginners". 24 December 2015. Retrieved 21 October 2018.
133. (KOCIS), Korean Culture and Information Service. "Korean dramas to air during Myanmar New Year : Korea.net : The official website of the Republic of Korea". Retrieved 21 October 2018.
134. "Why are Korean dramas so beloved in Bangladesh?". The Daily Star. 14 November 2020. Retrieved 7 April 2021.
135. "Korean fever strikes Bhutan". InsideAsean. Archived from the original on 2 February 2016. Retrieved 29 January 2015.
136. Margherita Stancati. "Does Bhutan Love Bollywood Too Much?". The Wall Street Journal.
137. Chakraborty, Rimi (11 July 2017). "The Korean Connection: How The K-Pop Frenzy Is Taking Over India". Mensxp. Times Internet Limited. Retrieved 12 September 2020.
138. "From movies to hairstyle and even language, it's Korea for the North-East". India Today. Retrieved 21 October 2018.
139. Chitransh, Anugya (3 June 2012). "'Korean Wave' takes Indian kids in its sway". The Times of India. Times News Network. Retrieved 11 September 2020.
140. ^ "K-drama to K-pop: Is India finally warming up to the Korean wave?". Hindustan Times. 24 October 2017. Retrieved 21 August 2020.
141. Sunita, Akoijam (4 April 2012). "Korea Comes to Manipur". Caravan Magazine. Archived from the original on 27 April 2012. Retrieved 4 April 2012.
142. "India's northeast mesmerized by South Korea". Agence France-Presse. 4 April 2012. Retrieved 4 April 2012.
143. "The NE Fashion Glory | Tanya Kotnala". Archived from the original on 26 March 2017. Retrieved 14 April 2017.
144. "KBS Drama 'Emperor of the Sea' to Air in India". Hancinema. 16 February 2006. Retrieved 16 July 2014.
145. Ramya Kannan (November 2014). "Korean serials, the Tamil way". The Hindu.
146. Subramani, A (1 September 2020). "Korea holding K-Wave to heal lockdown fatigue in India". The Times of India. Retrieved 11 September 2020.
147. Sharma, Riya. "K-Pop bands and dramas are driving Delhiites to learn Korean". The Times of India. Times News Network. Retrieved 12 September 2020.
148. George, Liza (13 September 2019). "Decoding Hallyu, the Korean Wave in India". The Hindu. Retrieved 11 September 2020.
149. Bhatt, Shephali (23 September 2018). "From K-pop to K-drama, Kimchi to K-beauty, Indian youngsters just can't get enough of Korea". The Economic Times. ET Bureau. Retrieved 11 September 2020.
150. SamMobile. "Samsung brings Korean content to its My Galaxy app in India". SamMobile. Retrieved 22 September 2020.
151. Achary, Gouri. "In an Industry first, Dish TV India introduces 'Korean Drama Active' service for its DishTV and D2H users". Business News This Week. Retrieved 12 September 2020.
152. Satviki, Sanjay (1 September 2020). "The Pandemic Got Me Addicted to K-Dramas". Retrieved 12 September 2020.
153. Jha, Lata (10 August 2020). "Covid draws Korean content into Indian view lists, firms' investment bouquet". Livemint. Retrieved 17 August 2020.
154. "Seoul connection: How K-dramas are building a bridge between India and South Korea". Hindustan Times. 14 August 2020. Retrieved 18 August 2020.
155. Aiyappan, Ashameera (6 September 2020). "Hello Hallyu: How Korean wave is the new ball game for audience". The New Indian Express. Express News Service. Retrieved 11 September 2020.
156. Cariappa, Neha. "An Emerging Market for Hallyu: the Growing Indian Fan Base". The Peninsula. Korea Economic Institute. Archived from the original on 1 November 2020. Retrieved 11 September 2020.
157. Das Gupta, Uttaran. "Indian Women Hooked to South Korean Shows". Minority Reporter. Retrieved 9 October 2020.
158. "India TV audience demand for Crash Landing on You (사랑의 불시착)". Parrot Analytics. Retrieved 9 October 2020.
159. Bhattacharjee, Moumita (2 April 2021). "How Bollywood makes a mark in Korean dramas and movies". Bollywood Hungama. Retrieved 5 April 2021.
160. Chabba, Seerat (9 March 2021). "Korean TV dramas find a huge audience in India". Deutsche Welle. Retrieved 7 April 2021.
161. Mane, Anwaya (7 April 2021). "K Dramas dubbed in Hindi; Is it a boon or a bane?". PINKVILLA. Retrieved 7 April 2021.
162. "Korean Dramas Captivate Young People in Nepal". 7 February 2010. Retrieved 21 October 2018.
163. Annette Ekin (11 April 2009). "Nepal's cool kids craving the South Korean cutting edge".
164. Korean Culture and Information Service (KOCIS). "Popular soap 'Daejanggeum' returns to air after 11 years".
165. "K Wave in Sri Lanka". Wordpress. Retrieved 16 October 2014.
166. "The Korean Wave is on its way". Ceylon Today. Archived from the original on 23 September 2015. Retrieved 16 October 2014.
167. "Archived copy" (PDF). Archived from the original (PDF) on 5 October 2016. Retrieved 8 October 2016.{{cite web}}: CS1 maint: archived copy as title (link)
168. "Sri Lanka offers The Korea Post publisher with Plaque of Appreciation for cooperation". 19 July 2017. Retrieved 21 October 2018.
169. "The 'Asian Wave' hits Saudi Arabia". Saudi Gazette. Archived from the original on 6 January 2014. Retrieved 21 April 2013. Egypt and Iran has been the center of the "hallyu" phenomena in the Middle East for a few years now. While Egypt went crazy after the dramas "Autumn in my Heart" and "Winter Sonata," Iran went gaga when its state television aired "Emperor of the Sea" and "Jewel in the Palace".
170. "K-Pop Concerts Head To New Countries As Hallyu Expands". KpopStarz. 2 September 2014.
171. Kim, Youna, ed. The Korean wave: Korean media go global. Routledge, 2013.
172. Onishi, Norimitsu (28 June 2005). "Roll Over, Godzilla: Korea Rules". The New York Times. Retrieved 21 April 2013. South Korea has also begun wielding the non-economic side of its new soft power. The official Korean Overseas Information Service last year gave "Winter Sonata" to Egyptian television, paying for the Arabic subtitles. The goal was to generate positive feelings in the Arab & Berber world toward the 3,200 South Korean soldiers stationed in northern Iraq.
173. "Reality Television and Arab Politics". goodreads.com. Retrieved 12 March 2018.
174. Khiun, Liew. ""Hallyu in Singapore: Korean Cosmopolitanism or the Consumption of Chineseness?", in Korea Journal 45:4 (2006): 206–32. With Kelly Fu". {{cite journal}}: Cite journal requires |journal= (help)
175. Khiun, Liew. "روتانا تدشن المسلسلات العالمية" (in Arabic). {{cite journal}}: Cite journal requires |journal= (help)
176. Khiun, Liew. "(روتانا دراما تعرض 6 مسلسلات كورية مترجمة للعربية في سبتمبر)" (in Arabic). {{cite journal}}: Cite journal requires |journal= (help)
177. Khiun, Liew. "مسلسلات كورية وعالمية وعربية للمرة الأولى على روتانا دراما" (in Arabic). {{cite journal}}: Cite journal requires |journal= (help)
178. "Book probes transnational identity of 'hallyu'". The Korea Times. 29 July 2011. Retrieved 22 April 2013. Korean television dramas reinforce traditional values of Confucianism that Iranians find more closely aligned to Islamic culture, implying that cultural proximity contributes to the Islamic Korean wave. "Reflecting traditional family values, Korean culture is deemed 'a filter for Western values' in Iran," the article says.
179. "Foreign broadcasts, DVDs challenge Iran grip on TV". Reuters. 19 January 2011. Retrieved 22 April 2013.
180. IRIB director visits location of South Korean TV series popular in Iran Archived 28 October 2012 at the Wayback Machine, The Tehran Times
181. "IRIB director meets South Korean media officials". IRIB World Service. Archived from the original on 27 October 2012. Retrieved 21 April 2013.
182. "Song Il Gook is a superstar in Iran because of Jumong". Allkpop. Archived from the original on 1 April 2010. Retrieved 21 April 2013.
183. ^ Korean Culture and Information Service (KOCIS). "Korean wave finds welcome in Iraq". korea.net.
184. "'Autumn in My Heart' Syndrome in Egypt". Korean Broadcasting System. Archived from the original on 6 January 2014. Retrieved 21 April 2013.
185. "'Autumn in My Heart' Syndrome in Egypt". Korean Broadcasting System. Archived from the original on 6 January 2014. Retrieved 21 April 2013. 'This drama proved extremely effective in enhancing Korea's international image, which has been undermined by the troop deployment in Iraq ,' added Lee.
186. ^ "Hallyu in Rumänien – ein Phänomen aus Südkorea" (in German). Allgemeine Deutsche Zeitung für Rumänien. Retrieved 15 May 2013.
187. "Roumanie • Mon feuilleton coréen, bien mieux qu'une telenovela". Courrier International (in French). 15 February 2011. Retrieved 4 May 2013.
188. Punathambekar, Aswin; Kumar, Shanti (2015). Television at Large in South Asia. ISBN 978-1-317-70411-9.
189. "Drama on ImaginAsian TV". Archived from the original on 14 October 2006.
190. "[OP-ED] Korean Dramas On Netflix". koogle.tv. Archived from the original on 29 January 2018. Retrieved 21 October 2018.
191. Knock it off: Global treaty against media piracy won't work in Asia Jeff Yang, SFGate, 11 November 2009.
192. "Hello Asia: The success of K-drama". 13 October 2012. Archived from the original on 5 October 2018.
193. "Can fans unravel the Babel of the world's TV dramas?". CNN. 9 June 2014. Retrieved 16 July 2014.
194. "MobiTV.lk – Watch Sri Lankan TV shows on Internet". Archived from the original on 1 September 2019. Retrieved 11 February 2016.
195. "Roopa". Archived from the original on 29 January 2018. Retrieved 11 February 2016.
196. "PPTV网络电视HD – Android Apps on Google Play". PPLive Corporation.
197. "App news and reviews, best software downloads and discovery - Softonic". en.softonic.com.
198. "Winter Sonata". Amazon. Retrieved 16 July 2014.
199. "koreanwiz.org". www.koreanwiz.org.
200. RPP, ed. (4 February 2011). "Ahn Jae Wook, el actor que encantó en Un Deseo a las Estrellas" (in Spanish). Retrieved 10 July 2016.
201. Claire Lee (30 December 2011). The Korea Herald (ed.). "Remembering 'Winter Sonata,' the start of hallyu". and then-Japanese Prime Minister Junichiro Koizumi, who in 2004 famously said, "Bae Yong-joon is more popular than I am in Japan.". Retrieved 10 July 2016.
202. The Chosun Ilbo, ed. (12 August 2008). 홍콩인들 "이영애·송혜교 가장 좋아" (in Korean). Retrieved 10 July 2016.
203. Nate, ed. (25 April 2012). "'별은 내가슴에', 리메이크 원하는 드라마 1위" (in Korean). Retrieved 5 September 2015.
204. Claudia Muñoz (9 December 2012). Diario Austral de Valdivia (ed.). "Teleseries coreanas: doramas antes que flores". Retrieved 20 February 2016.
205. 연합뉴스 / Yonhap News, ed. (2 August 2013). <'한류 매력'에 빠진 칠레 "한국 드라마 재미있어요"> (in Korean). Retrieved 20 February 2016.
206. ^ Geum, Bitna (28 January 2015). [M+기획…넌 시청률 믿니①] 시청률 조사의 진화…'어디까지 왔나'. Maeil Business Newspaper (in Korean). Retrieved 19 August 2021.
207. "INTRODUCTION: AGB Nielsen (South Korea)". Retrieved 24 August 2021.
208. Song, Joo-yeon (4 March 2005). 시청률 조사기관 AGB닐슨미디어리서치 출범. JoongAng Ilbo (in Korean). Retrieved 19 August 2021.
209. "닐슨코리아 기업명 표기 관련 안내" [Information on Nielsen Korea company name marking]. The Nielsen Company (in Korean). 24 November 2014. Retrieved 30 August 2021.
210. Chung, Hyun-chae (9 January 2014). "The art of measuring TV viewers' ratings". The Korea Times. Retrieved 19 August 2021.
211. "지상파 시청률" [Terrestrial TV ratings]. BreakNews (in Korean). Retrieved 30 August 2021.
212. "AGB Nielsen Korea" (in Korean). AGB Nielsen Korea. Archived from the original on 8 February 2015. Retrieved 3 June 2014.
213. "최고의 인기 드라마, 시청률 1위 질주". imbc.com. 최고의 인기 드라마, 시청률 1위 질주
214. ^ "역대 시청률 상위10편 중 3편이 '최수종 드라마'" (in Korean). 머니투데이. 스타뉴스. 7 April 2005. Retrieved 8 July 2020.
215. ^ "케이블 드라마는 최수종 천국? 동시간 동시 출연". TV Report (in Korean). TV 리포트. 5 August 2005.
216. 손원제 (10 June 2004). "주말 '국민드라마' 부재시대" [Weekend "national drama" absence period]. The Hankyoreh (in Korean). Retrieved 8 June 2020.
217. 윤여수 (15 June 2015). "[스타 그때 이런 일이] 한류 출발점 '사랑이 뭐길래'". Sports Donga (in Korean). Retrieved 8 June 2020.
218. 최주호 (3 December 2012). "'이병훈 표' <허준> VS <마의>, 같고도 다른 두 드라마". Ohmynews (in Korean).
219. ^ Han Hae-seon (24 June 2017). "[SE★기획:KBS주말극①] '딸부잣집'부터 '아이해'까지..국민드라마 史" [ From "Daughters of a Rich Family" to "My Father is Strange.." National Drama History]. The Seoul Economic Daily (in Korean). Retrieved 8 June 2020.
220. ^ 이동현 (7 September 2007). "[스페셜리포트] 시청률 왕좌에 오른 제왕은 '태조 왕건'". Daily Sports (in Korean).
221. Jung Jin-young (16 August 2014). "시청률 58% '여명의눈동자'가 온다, 60분 드라마로 재편". Newsen (in Korean).
222. 김대령 (12 September 2017). "[20년 전 오늘] 채시라는 '초콜릿 소녀' 시절이 그립지 않다". Sports Seoul (in Korean).
223. Lee Seung Heon (22 March 1999). "보고 또…'여파 9시뉴스 판도 뒤바뀌어". The Dong-a Ilbo.
224. "'파리의 연인' 최종회, 57.6%로 최고 시청률 기록" ['Paris Lovers' final episode, the highest viewership rating at 57.6%]. 연합뉴스 (in Korean). 네이버 뉴스 편집부. Yeonhap News Agency. 16 August 2004. Retrieved 15 June 2020.
225. "K-drama masterpieces (6): 'Jealousy'". Korea.net. 15 December 2016. Retrieved 8 June 2020.
226. 김영목 (19 December 2016). "[추억의 한국 드라마] 질투" [ Jealousy]. Korea Post (in Korean). Retrieved 8 June 2020.
227. ^ 김용호 (6 July 2005). "[포커스]생생 연예가 소식". Newsen (in Korean). 뉴스엔.
228. ^ "시청률 50% 넘은 드라마 최다 출연자는". StarNews (in Korean). 스타뉴스. 1 November 2005. Retrieved 13 June 2020.
229. 김은별 (2 July 2016). "[토토드] 여름엔 역시 공포! 심은하 주연 90년대 납량특집극 〈M〉" (in Korean). iMBC.com. iMBC연예. Retrieved 26 July 2020.
230. 김재원 (31 July 2019). "[SW이슈] 여름 안방극장 어떻게 변모했나" (in Korean). Sports World. 스포츠월드. Retrieved 26 July 2020.
231. "'장밋빛인생' 과연 '최진실 표 히트 드라마' 기록 깰까" [Will 'Rose Life' really break the record of'Choi Jin-sil'] (in Korean). TV Report. 13 October 2005. Retrieved 10 June 2020.
232. "최진실, '국민요정'에서 '국민아줌마'로 20년" [Jinsil Choi, 20 years from'National Fairy' to'National Aunt'] (in Korean). 오마이뉴스. 5 October 2008. Retrieved 10 June 2020.
233. "주말드라마 시청률50%작가 아니면 명함 내지마?". Mydaily (in Korean). 마이데일리. 13 August 2006.
234. "웨슬리 스나입스 한국인 아내와 홍대 앞 뮤지컬 관람 화제". Newsen (in Korean). 뉴스엔. 9 January 2008.
235. "김지미부터 수애까지...'야왕' 통해 본 한국드라마 악녀열전". Ohmy Star (in Korean). Ohmy News. 6 February 2013.
236. "[기획] '월하의 공동묘지'부터 '루비반지'까지...대한민국 들썩이게 한 복수극 열전". Ohmy Star (in Korean). Ohmy News. 9 December 2013.
237. "March 6, 2007 Nationwide Cable Ratings". Nielsen Korea. 1st (MBC) 특별기획(주몽) 49.7%
238. "March 10, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(하나뿐인내편) 49.4%
239. "[출장토크③] 안재욱 "22년차 영업비밀은 '척'하지 않는 것"". Sports Chosun (in Korean). 스포츠 조선. 26 April 2016.
240. "[20년 전 오늘] 안재욱, '별은 내 가슴에'가 낳은 최고의 ★". Sports Seoul (in Korean). 스포츠 서울. 10 April 2017.
241. "September 16, 2010 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 수목드라마(제빵왕김탁구) 49.3%
242. "깔끔한 마무리 '내 이름은 김삼순', 시청률 50% 돌파" [Clean finish'My name is Kim Sam-soon', 50% viewer rating]. 연합뉴스 (in Korean). 네이버 뉴스 편집부. Yeonhap News Agency. 22 July 2005. Retrieved 16 June 2020.
243. 김태은 (25 March 2006). "'동갑내기' 최수종-정보석, '대조영'서 정면대결". 스타뉴스 (in Korean). 머니투데이.
244. 손남원, 유진모 (2 March 2013). "최민식 한석규 있어 한국영화 관객은 행복하다". n.news.naver.com/entertain/article (in Korean). Naver News. OSEN. Retrieved 26 July 2020.
245. 전찬일, 강유정 (20 November 2019). "잔잔한 듯 폭발적… 90년대 한국영화의 페르소나 '한석규". n.news.naver.com/entertain/article (in Korean). Naver News. 국민일보. Retrieved 26 July 2020.
246. 이슬비 (8 October 2010). "[명드의 재구성] ⑧ 마지막 승부 – 최고의 스포츠 드라마". news.v.daum.net/v (in Korean). xportsnews.com. 엑스포츠뉴스. Retrieved 26 July 2020.
247. 오대성 (21 June 2013). "'응답하라 1994' X세대 등장한 1994년 어떻게 그릴까? [문화·스포츠편]". news.naver.com/main (in Korean). Naver News. 국민일보. Retrieved 26 July 2020.
248. iMBC 편집팀 (14 November 2013). "[응답하라! MBC 드라마①] 1994년 '농구 열풍'의 주역 <마지막 승부>" [ The Last Match, starring in 'Basketball Fever' in 1994.]. enews.imbc.com/News (in Korean). iMBC.com. iMBC연예. Retrieved 26 July 2020.
249. 박태훈 (11 June 2016). "[박태훈의 스포츠+] 23번 마이클 조던…②농구붐 일으켜, 만화 슬램덩크 탄생도". sports.news.naver.com (in Korean). Naver Sports. 세계일보. Retrieved 26 July 2020.
250. "[온에어 스페셜⑤]역대 방송가 드라마 승률 비교...'이브의 모든 것' 1위" (in Korean). E-daily. 2 April 2008.
251. 고재완 (27 March 2012). "40% '해품달'로 본 역대 시청률 순위, 50%는 불가능?". Sports Chosun (in Korean). 스포츠 조선.
252. "February 9, 2014 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말연속극(왕가네식구들) 48.3%
253. 날아서, 밤하늘을 (11 February 2008). "역대 드라마 시청률 T0P 100". 일상을 기억으로.
254. "역대 드라마 시청률-최고의 드라마는 무엇일까?". 네이버 블로그 | 좋은사진,좋은사람 옹알이스튜디오.
255. "역대 한국 드라마 시청률". 엉뚱발랄놀이터. 15 May 2015.
256. "한국 드라마 역대 시청률 (~2018년)". 네이버 블로그 | fly up high.
257. 김태은 (1 November 2007). "드라마 배경, 방송사는 되고 영화사는 안된다?". StarNews (in Korean). 스타뉴스.
258. "March 3, 2013 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말연속극(내딸서영이) 47.6%
259. "'장밋빛인생' 47% '장밋빛 질주' 계속된다" ['Rose Life' 47%'Rose Sprint' continues]. 스타뉴스 (in Korean). 다음 뉴스 편집부. Monet Today Star News. 13 October 2005. Retrieved 16 June 2020.
260. 박준범 (10 March 2007). "'흥행 보증수표'는 없어도 '시청률 보증수표'는 있다". OSEN (in Korean).
261. "September 9, 2012 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말연속극(넝쿨째굴러온당신) 45.3%
262. "July 26, 2009 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 특별기획(찬란한유산) 45.2%
263. "March 11, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(황금빛내인생) 45.1%
264. "July 2, 2006 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 주말극장(하늘이시여) 44.9%
265. "March 10, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(하나뿐인내편) 9,246
266. "February 4, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(황금빛내인생) 8,366
267. "March 6, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(신사와아가씨) 6,956
268. "September 6, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(한번다녀왔습니다) 6,893
269. "September 9, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(같이살래요) 6,669
270. "September 22, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(세상에서제일예쁜내딸) 6,247
271. "January 31, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(오삼광빌라) 6,145
272. "September 12, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(오케이광자매) 5,823
273. "March 8, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(사랑은뷰티풀인생은원더풀) 5,693
274. "March 27, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 금토드라마(WARINLIFE펜트하우스2) 5,601
275. "January 5, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 월화드라마(WARINLIFE펜트하우스) 5,354
276. "September 18, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(현재는아름다워) 5,300
277. "February 25, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 월화드라마(낭만닥터김사부2) 5,210
278. "February 5, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 주말드라마(삼남매가용감하게) 4,870
279. "November 21, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 수목드라마(동백꽃필무렵) 4,491
280. "April 20, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 금토드라마(열혈사제) 4,325
281. "February 3, 2018 Nationwide Cable Ratings". Nielsen Korea. 2nd (MBC) 주말특별기획(돈꽃) 4,085
282. "March 19, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일연속극(꽃길만걸어요) 3,950
283. "February 14, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 금토드라마(스토브리그) 3,921
284. "October 1, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일연속극(여름아부탁해) 3,897
285. "August 24, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일드라마(기막힌유산) 3,852
286. "June 4, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 금요드라마(WARINLIFE펜트하우스3) 3,778
287. "March 14, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 수목드라마(왜그래풍상씨) 3,692
288. "January 1, 2022 Nationwide Cable Ratings". Nielsen Korea. 2nd (MBC) 금토드라마(옷소매붉은끝동) 3,668
289. "March 1, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일드라마(누가뭐래도) 3,599
290. "February 10, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 일일드라마(비밀의남자) 3,502
291. "January 1, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 일일드라마(내남자의비밀) 3,480
292. "November 1, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일연속극(내일도맑음) 3,478
293. "March 5, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일연속극(비켜라운명아) 3,459
294. "September 12, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일드라마(으라차차내인생) 3,382
295. "February 27, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일연속극(미워도사랑해) 3,330
296. "February 21, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 드라마스페셜(황후의품격THELASTEMPRESS) 3,282
297. "March 14, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 저녁일일극(국가대표와이프) 3,245
298. "November 6, 2021 Nationwide Cable Ratings". Nielsen Korea. 2nd (SBS) 금토드라마(원더우먼) 3,235
299. "January 24, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일드라마(내눈에콩깍지) 3,148
300. "April 17, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 금토드라마(복수대행써비스모범택시) 3,117
301. "February 16, 2019 Nationwide Cable Ratings". Nielsen Korea. 3rd (MBC) 주말특별기획(신과의약속) 3,112
302. "January 14, 2018 Nationwide Cable Ratings". Nielsen Korea. 3rd (MBC) 주말드라마(밥상차리는남자) 3,082
303. "March 26, 2020 Nationwide Cable Ratings". Nielsen Korea. 2nd (KBS2) 일일드라마(우아한모녀) 3,080
304. "December 10, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 일일드라마(빨강구두) 3,074
305. "September 5, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 일일드라마(황금가면) 2,998
306. "July 12, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS1) 일일드라마(속아도꿈결) 2,951
307. "October 22, 2022 Nationwide Cable Ratings". Nielsen Korea. 2nd (SBS) 금토드라마(천원짜리변호사) 2,933
308. "May 15, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 수목드라마(닥터프리즈너) 2,832
309. "January 24, 2023 Nationwide Cable Ratings". Nielsen Korea. 2nd (KBS2) 일일드라마(태풍의신부) 2,820
310. "February 7, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (SBS) 드라마스페셜(리턴) 2,817
311. "April 16, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 일일드라마(미스몬테크리스토) 2,808
312. "April 11, 2020 Nationwide Cable Ratings". Nielsen Korea. 3rd (SBS) 금토드라마(하이에나) 2,789
313. "October 2, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (KBS2) 일일드라마(태양의계절) 2,754
314. "March 31, 2022 Nationwide Cable Ratings". Nielsen Korea. 2nd (KBS2) 저녁일일드라마(사랑의꽈배기) 2,708
315. "May 16, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(부부의세계) 28.371%
316. "December 25, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토일드라마(재벌집막내아들) 26.948%
317. "February 1, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(SKY캐슬) 23.779%
318. "February 16, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(사랑의불시착<본>) 21.683%
319. "Reply 1988 Writes Cable Television History". Stoo Asaie.
320. "January 16, 2016 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 응답하라1988<본> 18.803%
321. "January 21, 2017 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 쓸쓸하고찬란하신도깨비<본> 18.680%
322. "September 30, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 미스터션샤인<본> 18.129%
323. "August 18, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (ENA) 이상한변호사우영우<본> 17.534%
324. "February 14, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(철인왕후조선중전영혼가출스캔들<본>) 17.371%
325. "December 4, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 슈룹<본> 16.852%
326. "August 8, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 주말미니시리즈(결혼작사이혼작곡2) 16.582%
327. "February 29, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(이태원클라쓰) 16.548%
328. "May 2, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(빈센조<본>) 14.636%
329. "June 12, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(우리들의블루스<본>) 14.597%
330. "October 30, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(백일의낭군님<본>) 14.412%
331. "May 28, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 슬기로운의사생활<본> 14.142%
332. "September 16, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 슬기로운의사생활2<본> 14.080%
333. "October 17, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(갯마을차차차<본>) 12.665%
334. "March 12, 2016 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 시그널<본> 12.544%
335. "종영 '품위녀' 12.1%로 자체 최고 기록..무서운 뒷심". Star News (in Korean). 20 August 2017.
336. "August 19, 2017 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(품위있는그녀) 12.065%
337. "September 1, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(호텔델루나<본>) 12.001%
338. "January 29, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 토일드라마(대행사) 11.959%
339. "February 5, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 일타스캔들<본> 11.823%
340. "April 3, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 스물다섯스물하나<본> 11.513%
341. "December 28, 2013 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 응답하라1994 11.509%
342. "January 18, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(슬기로운감빵생활<본>) 11.195%
343. "October 9, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 작은아씨들<본> 11.105%
344. "January 24, 2021 Nationwide Cable Ratings". Nielsen Korea. 2nd (OCN) 경이로운소문<본> 10.999%
345. "March 4, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(왕이된남자<본>) 10.851%
346. Kim, Tong-hyung (25 February 2013). "Childless Comfort looks like TV game-changer". The Korea Times. Retrieved 4 March 2013.
347. "February 24, 2013 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) JTBC특별기획드라마(무자식상팔자) 10.715%
348. "October 24, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 특별기획지리산<본> 10.663%
349. "June 27, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 마인<본> 10.512%
350. "May 1, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 주말미니시리즈(결혼작사이혼작곡3) 10.395%
351. "January 18, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (채널A) 채널A특별기획월화드라마(쇼윈도여왕의집) 10.335%
352. "November 29, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(남자친구<본>) 10.329%
353. "April 26, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 군검사도베르만<본> 10.081%
354. "January 13, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(알함브라궁전의추억<본>) 10.025%
355. "June 28, 2016 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(또오해영<본>) 9.991%
356. "July 4, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (MBN) 종편특별기획드라마(보쌈운명을훔치다) 9.759%
357. "March 19, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 월화드라마(눈이부시게) 9.731%
358. "March 25, 2017 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(힘쎈여자도봉순) 9.668%
359. "February 14, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 주말미니시리즈(결혼작사이혼작곡) 9.656%
360. "January 8, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(환혼빛과그림자<본>) 9.651%
361. "October 4, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(비밀의숲2<본>) 9.408%
362. "January 23, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 토일미니시리즈(엉클) 9.329%
363. "August 21, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(환혼<본>) 9.295%
364. "July 1, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 무법변호사<본> 8.937%
365. "February 11, 2023 Nationwide Cable Ratings". Nielsen Korea. 2nd (TV CHOSUN) 주말미니시리즈(빨간풍선) 8.865%
366. "October 27, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(청춘기록<본>) 8.740%
367. "July 11, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(김비서가왜그럴까<본>) 8.665%
368. "February 1, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(SKY캐슬) 6,508
369. "February 16, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(사랑의불시착<본>) 6,337
370. "December 25, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토일드라마(재벌집막내아들) 6,277
371. "May 16, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(부부의세계) 6,248
372. "February 14, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(철인왕후조선중전영혼가출스캔들<본>) 4,749
373. "September 30, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 미스터션샤인<본> 4,631
374. "August 18, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (ENA) 이상한변호사우영우<본> 4,449
375. "February 29, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 금토드라마(이태원클라쓰) 4,425
376. "December 4, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 슈룹<본> 4,049
377. "September 16, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 슬기로운의사생활2<본> 3,853
378. "May 2, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(빈센조<본>) 3,841
379. "September 1, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(호텔델루나<본>) 3,674
380. "May 28, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 슬기로운 의사생활<본> 3,579
381. "June 12, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(우리들의블루스<본>) 3,419
382. "August 8, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 주말미니시리즈(결혼작사이혼작곡2) 3,344
383. "October 30, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(백일의낭군님<본>) 3,264
384. "January 24, 2021 Nationwide Cable Ratings". Nielsen Korea. 2nd (OCN) 경이로운소문<본> 3,257
385. "October 17, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(갯마을차차차<본>) 3,237
386. "January 18, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(슬기로운감빵생활<본>) 3,063
387. "April 3, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 스물다섯스물하나<본> 3,047
388. "February 5, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 일타스캔들<본> 3,010
389. "January 13, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(알함브라궁전의추억<본>) 2,853
390. "January 29, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 토일드라마(대행사) 2,693
391. "October 9, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 작은아씨들<본> 2,618
392. "October 24, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 특별기획지리산<본> 2,586
393. "November 29, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(남자친구<본>) 2,473
394. "March 4, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(왕이된남자<본>) 2,447
395. "June 27, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 마인<본> 2,429
396. "August 28, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(환혼<본>) 2,410
397. "July 11, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(김비서가왜그럴까<본>) 2,383
398. "April 26, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 군검사도베르만<본> 2,279
399. "January 8, 2023 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(환혼빛과그림자<본>) 2,267
400. "March 19, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (JTBC) 월화드라마(눈이부시게) 2,223
401. "January 18, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (채널A) 채널A특별기획월화드라마(쇼윈도여왕의집) 2,195
402. "October 4, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(비밀의숲2<본>) 2,186
403. "June 9, 2019 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 아스달연대기<본> 2,120
404. "March 4, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 화유기<본> 2,115
405. "July 1, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 무법변호사<본> 2,115
406. "August 9, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(사이코지만괜찮아2부<본>) 2,065
407. "May 1, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 주말미니시리즈(결혼작사이혼작곡3) 2,060
408. "January 23, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 토일미니시리즈(엉클) 2,042
409. "August 30, 2018 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 수목드라마(아는와이프<본>) 2,039
410. "October 27, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(청춘기록<본>) 1,999
411. "August 22, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 악마판사<본> 1,994
412. "September 16, 2018 Nationwide Cable Ratings". Nielsen Korea. 2nd (OCN) 놓치지말아야할소리보이스2<본> 1,957
413. "February 22, 2022 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 월화드라마(고스트닥터<본>) 1,947
414. "July 4, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (MBN) 종편특별기획드라마(보쌈운명을훔치다) 1,940
415. "March 1, 2020 Nationwide Cable Ratings". Nielsen Korea. 1st (tvN) 토일드라마(하이바이마마<본>) 1,915
416. "February 14, 2021 Nationwide Cable Ratings". Nielsen Korea. 1st (TV CHOSUN) 주말미니시리즈(결혼작사이혼작곡) 1,913
417. "February 11, 2023 Nationwide Cable Ratings". Nielsen Korea. 2nd (TV CHOSUN) 주말미니시리즈(빨간풍선) 1,887

Bibliography

• Chosun Ilbo (8 January 2007). "Korean Vs. U.S. Soaps". The Chosun Ilbo. Archived from the original on 9 January 2007. Retrieved 19 December 2011.
• Donga 1 (1 August 2013). "Inconvenient truth of the Korean drama industry". The Donga Ilbo. Retrieved 4 June 2014.{{cite web}}: CS1 maint: numeric names: authors list (link)
• Donga 2 (30 September 2013). "Interview with senior actors about Korean dramas". The Donga Ilbo. Retrieved 4 June 2014.{{cite web}}: CS1 maint: numeric names: authors list (link)
• Iwabuchi, Koichi (2008). East Asian pop culture: analysing the Korean wave. Hong Kong University Press. ISBN 978-9622098923.
• Jeon, Won Kyung (2013). The 'Korean Wave' and television drama exports, 1995–2005 (PDF). University of Glasgow.
• Kim, Ju Young (2007). Rethinking Media Flow under Globalisation: Rising Korean Wave and Korean TV and Film Policy Since 1980s (Dissertation) (phd). Centre for Cultural Policy Studies, University of Warwick. Retrieved 5 December 2013.
• Kim, Yang-hee (27 July 2013a). "TV producer's suicide causes troubled industry to reflect". The Hankyoreh. Retrieved 4 June 2014.
• Kim, Yang-hee (4 April 2013b). "The unglamorous lives of Korean drama actors". The Hankyoreh. Retrieved 4 June 2014.
• KOCIS (2011). K-Drama: A New TV Genre with Global Appeal (pdf). KOCIS. ISBN 978-89-7375-167-9. Retrieved 2 June 2014.
• Korea.net (12 March 2012). "Korea's fusion sageuk". Korea.net. Retrieved 19 January 2014.
• Larsen, Tom (24 April 2008). "Whetting U.S. appetite for Korean TV dramas". The Korea Herald via Hancinema. Retrieved 16 January 2011.
• Lee, Yong-cheol (24 January 2014). "The Secret of PERIOD DRAMA". KOFIC. Retrieved 2 June 2014.
• Lee, Diana (2005). "Winter Sonata Drama fever". UNIORB. Archived from the original on 7 December 2013. Retrieved 19 December 2011.
• Oh, Youjeong (2015). "The Interactive Nature of Korean TV Dramas: Flexible Texts, Discursive Consumption, and Social Media". In Lee, Sangjoon; Nornes, Abe Mark (eds.). Hallyu 2.0: The Korean Wave in the Age of Social Media. University of Michigan Press. ISBN 978-0-472-07252-1.
• Robinson, Michael E. (1998). "16: Broadcasting in Korea, 1924–1937: Colonial Modernity and Cultural Hegemony". In Sharon A. Minichiello (ed.). Japan's Competing Modernities: Issues in Culture and Democracy, 1900–1930. University of Hawai'i Press. ISBN 978-0-8248-2080-0.
• Russell, Mark James (2012). Pop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture. Stone Bridge Press. ISBN 978-1-61172-542-1.
• Shim, Doobo (2011). Waxing The Korean Wave (PDF). Asia Research Institute, National University of Singapore. Archived from the original (PDF) on 29 November 2015. Retrieved 13 January 2012.
• Sung, Sang-Yeon (4 February 2008). "The High Tide of the Korean Wave III: Why do Asian fans prefer Korean pop culture?". The Korea Herald. Archived from the original on 24 March 2012. Retrieved 12 January 2012.
• X (November 2009). "영원한 제국 (Eternal Empire) and Chungmuro's Love-Hate for History". Twitch Film. Archived from the original on 2 June 2014. Retrieved 2 June 2014.
• X (14 May 2007). "Sageuk, Korea's 80 Year Long Love for History". Yumcha!. Retrieved 2 June 2014.

v t e Television in South Korea
Programs	Dramas list List of South Korean television series (alphabetical)
Years	1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024

v t e Lists of television series by country
Africa	Egypt South Africa
Asia	China Hong Kong Japan Lebanon North Korea Pakistan Philippines South Korea Syria Taiwan Turkey
Europe	Austria Bulgaria Czech Republic Denmark Finland France Germany Greece Hungary Iceland Italy Macedonia Norway Poland Portugal Romania Russia Slovakia Spain Sweden United Kingdom Wales
North America	The Bahamas Belize Canada in English in French Puerto Rico
Oceania	Australia New Zealand
South America	Brazil Colombia

• South Korean drama television series
• Asian drama
• Television drama