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The Revolution Will Not Be Televised

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This is the current revision of this page, as edited by Tomatoswoop (talk | contribs) at 16:27, 28 November 2024 (credit where credit is due to the band is in this astoundingly influential record. will come back for further copyediting/concision later on desktop if no one beats me to it πŸ‘). The present address (URL) is a permanent link to this version.

Revision as of 16:27, 28 November 2024 by Tomatoswoop (talk | contribs) (credit where credit is due to the band is in this astoundingly influential record. will come back for further copyediting/concision later on desktop if no one beats me to it πŸ‘)(diff) ← Previous revision | Latest revision (diff) | Newer revision β†’ (diff) 1971 song performed by Gil Scott-Heron For other uses, see The Revolution Will Not Be Televised (disambiguation).

"The Revolution Will Not Be Televised"
Single by Gil Scott-Heron
from the album Pieces of a Man
A-side"Home Is Where the Hatred Is"
Released1971
Recorded
Genre
Length3:07
LabelFlying Dutchman
Songwriter(s)Gil Scott-Heron
Producer(s)Bob Thiele
Gil Scott-Heron singles chronology
"The Revolution Will Not Be Televised"
(1971)
"The Bottle"
(1974)
Audio sample
"The Revolution Will Not Be Televised"

"The Revolution Will Not Be Televised" is a satirical poem and Black Liberation song by Gil Scott-Heron. Scott-Heron first recorded it for his 1970 album Small Talk at 125th and Lenox, on which he recited the lyrics, accompanied by congas and bongo drums. A re-recorded version, with a 3 piece band, was the B-side to Scott-Heron's first single, "Home Is Where the Hatred Is", from his album Pieces of a Man (1971). This recording was still sparsely instrumented, but now, in addition to drums, featured a driving bassline played by Jerry Jemmott and, somewhat unconventionally, a jazz-infused flute line by Hubert Laws throughout, acting as a countermelody to Heron's passionately delivered spoken word vocal. This sparse and rhythm-driven backdrop to Heron's incisive vocal, held down by Bernard Purdie's tight and explosive funk drumming, and eschewing thick chordal accompaniment, foreshadowed musical developments in hip-hop in the decade to come.

It was also included on his compilation album, The Revolution Will Not Be Televised (1974). All these releases were issued on the Flying Dutchman Productions record label.

The song's lyrics either mention or allude to several television series, advertising slogans and icons of entertainment and news coverage that serve as examples of what "the revolution will not" be or do. The song is a response to the spoken-word piece "When the Revolution Comes" by The Last Poets, from their eponymous debut album, which opens with the line "When the revolution comes some of us will probably catch it on TV".

It was inducted to the National Recording Registry in 2005.

In 2021, it was ranked at No. 258 on Rolling Stone's "Top 500 Best Songs of All Time".

Cultural references in the poem

Each verse has several cultural references:

See also

References

  1. Gorton, TJ (July 30, 2018). "BeatCaffeine's 100 Best Jazz-Funk Songs". BeatCaffeine. Archived from the original on August 25, 2018. Retrieved September 19, 2021.
  2. Al Nasir, Abdul Malik (June 6, 2018). "Jalal Mansur Nuriddin: farewell to the 'grandfather of rap'". The Guardian. Archived from the original on June 21, 2018. Retrieved June 21, 2018.
  3. "The National Recording Registry 2005". The Library of Congress. October 25, 2006. Archived from the original on February 2, 2007. Retrieved February 9, 2007.
  4. "The 500 Greatest Songs of All Time". Rolling Stone. September 15, 2021. Retrieved July 18, 2022.
  5. Taylor, Tom (April 1, 2023). "Every reference in 'The Revolution Will Not Be Televised'". Far Out Magazine. Retrieved June 22, 2023.
  6. Mansnerus, Laura (June 1, 1996). "Timothy Leary, Pied Piper Of Psychedelic 60's, Dies at 75". The New York Times. Archived from the original on November 18, 2021. Retrieved October 2, 2009.
  7. Green, Jonathon (2005). Cassell's Dictionary of Slang. Sterling Publishing. p. 1232. ISBN 978-0-304-36636-1. Archived from the original on November 18, 2021. Retrieved September 1, 2021.
  8. Dex (May 31, 2005). "Why are the police called cops, pigs, or the fuzz?". The Straight Dope. Archived from the original on April 15, 2012. Retrieved April 24, 2012.
  9. "Definition of CONK". Merriam-Webster. Archived from the original on February 22, 2022. Retrieved February 22, 2022.
  10. Marconi, Joe (1999). The Brand Marketing Book. McGraw-Hill Professional. pp. 108–9. ISBN 0-8442-2257-7.
  11. Mahon, Maureen (2020). Black Diamond Queens: African American Women and Rock and Roll. Duke University Press. p. 118. ISBN 978-1-4780-1277-1. Archived from the original on May 22, 2021. Retrieved May 22, 2021.

External links

Gil Scott-Heron
Studio albums
Co-billed with Brian Jackson
with Jamie xx
with Makaya McCraven
  • We’re New Again - A Reimagining By Makaya McCraven (2020)
Live albums
Compilations
  • The Revolution Will Not Be Televised (1974)
  • The Best of Gil Scott-Heron (Arista) (1984)
  • Tales of Gil Scott-Heron (1990)
  • Glory: The Gil Scott-Heron Collection (1990)
  • Ghetto Style (1998)
  • The Gil Scott-Heron Collection: Sampler 1974-1975 (1998)
  • Evolution (And Flashback): The Very Best of Gil Scott-Heron (1999)
  • Save the Children (2004)
  • Anthology: Messages (2005)
  • The Revolution Begins: The Flying Dutchman Masters (2011)
Singles
Other songs
Related topics
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