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Revision as of 22:43, 28 November 2024 by Crisco 1492 (talk | contribs) (more)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) 1931 Chinese film| Sing-Song Girl Red Peony | |||||||
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| Traditional Chinese | 歌女紅牡丹 | ||||||
| Simplified Chinese | 歌女红牡丹 | ||||||
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| Directed by | Zhang Shichuan | ||||||
| Screenplay by | Hong Shen | ||||||
| Starring | |||||||
| Production company | Mingxing Film Company | ||||||
| Release date |
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| Country | China | ||||||
Sing-Song Girl Red Peony (simplified Chinese: 歌女红牡丹; traditional Chinese: 歌女紅牡丹; pinyin: Gēnǚ gōng mǔdān)
Plot
The prominent actress Red Peony lives with her abusive husband, supporting his expensive habits through her career. Forced by customary mores to remain in this unhappy relationship, she grows depressed and damages her voice. As her career suffers, her husband continues his spending habits, leading him to sell their daughter to a brothel when he runs out of money. Her freedom is purchased by one of Red Peony's suitors. The husband is soon arrested for involuntary manslaughter. Despite their history, Red Peony forgives him and campaigns for an early release. The husband, touched, begins to strive to become a better man.
Production
Sing-Song Girl Red Peony was directed by Zhang Shichuan for the Mingxing Film Company, with Cheng Bugao acting as assistant director. It was based on a screenplay by Hong Shen. Cinematography was handled by Dong Keyi. Production, which took place over six months, cost 120,000 yuan (equivalent to ¥10,100,000 in 2019).
The cast of Sing-Song Girl Red Peony included Hu Die, Xia Peizhen, Wang Xianzhai, Gong Jianong, Wang Jiting, Tang Jie, Tan Zhiyuan, and Xiao Ying. Hu, who had been one of Mingxing's bankable stars since joining the company in 1928, took the starring role of Red Peony. Having only had experience with silent films, she experienced significant challenges making a sound film. Hu's vocals were later overdubbed by Mei Lanfang, a male Peking opera singer who had risen to prominence playing female roles.
For Sing-Song Girl Red Peony, Mingxing sought to use sound technology, which had gained popularity through imported works. Local productions such as Wild Flower had attempted to use sound to some extent. However, these were only partial sound films, and many contemporary Chinese cinemas lacked the technology to properly screen films with integrated sound. Unable to afford imported equipment from the United States, Mingxing leased a Pathé sound camera and adopted sound-on-disc technology. The film included four extracts from Peking opera, which was popular among contemporary cinema-goers.
The reliance on sound technology for Sing-Song Girl Red Peony created stress for the cast and crew. Many were required to practice the Mandarin language, which had been mandated for national distribution. Zhang regularly used opium to alleviate this stress.
Release and reception
Making its debut at the Strand Theatre on 15 March 1931, the nine-reel Sing-Song Girl Red Peony was well-received by audiences. The film was later distributed to the Dutch East Indies and the Philippines, with prints sold for 16,000 to 18,000 yuan (¥1,350,000 to ¥1,520,000 in 2019).
Sing-Song Girl Red Peony has been considered the first sound film to have been produced in the Republic of China. However, as its dialogue and songs were recorded to a phonograph cylinder, which was played together with the film during showings, the Tianyi Film Company's Spring on Stage (1931) – which used sound-on-film technology – has also been given this label. In subsequent years, silent and sound films continued to be produced simultaneously. Mingxing would only release its final silent film, Season of Falling Flowers, in 1935.
References
- based on the summary by Xiao (1998b)
- ^ Huang 2014, p. 290.
- Xiao 1998b, p. 305.
- ^ Zhang 2004, p. 73.
- Luo, Ye & Zhu 2024, p. 106.
- ^ Yeh 2002, p. 84.
- Britannica, Mei Lanfang.
- Luo, Ye & Zhu 2024, p. 192.
- ^ Xiao 1998a, p. 17.
- Yeh 2002, p. 83.
- Luo, Ye & Zhu 2024, p. 85.
- Huang 2014, p. 290; Zhang 2004, p. 73
- Zhang 2004, p. 46.
- Luo, Ye & Zhu 2024, p. 46; Zhu 2022, p. 41
- Xu 2012, p. 456.
- Huang 2014, p. 296.
Works cited
- Huang, Xuelei (2014). Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922–1938. Leiden: Brill. ISBN 978-90-04-27933-9.
- Luo, Dan; Ye, Tan; Zhu, Yun (2024). Historical Dictionary of Chinese Cinema. Lanham, Maryland: Rowman & Littlefield. ISBN 978-1-5381-5730-5.
- Mei Lanfang. 18 October 2024. Archived from the original on 25 September 2024. Retrieved 28 November 2024.
{{cite encyclopedia}}:|work=ignored (help) - Xiao, Zhiwei (1998). "Chinese Cinema". In Zhang, Yingjin; Xiao, Zhiwei (eds.). Encyclopedia of Chinese Film. New York, London: Routledge. pp. 3–30. ISBN 978-0-415-15168-9.
- Xiao, Zhiwei (1998). "Sing-Song Girl Red Peony". In Zhang, Yingjin; Xiao, Zhiwei (eds.). Encyclopedia of Chinese Film. New York, London: Routledge. pp. 305–306. ISBN 978-0-415-15168-9.
- Xu, Gary (2012). "Chinese Cinema and Technology". In Zhang, Yingjin (ed.). A Companion to Chinese Cinema. Hoboken, New Jersey: Wiley. pp. 449–465. doi:10.1002/9781444355994. ISBN 978-1-4443-5599-4.
- Yeh, Yueh-Yu (2002). "Historiography and Sinification: Music in Chinese Cinema of the 1930s". Cinema Journal. 41 (3): 78–97. doi:10.1353/cj.2002.0012. JSTOR 1225700.
- Zhang, Yingjin (2004). Chinese National Cinema. London: Psychology Press. ISBN 978-0-415-17289-9.
- Zhu, Ying (2022). Hollywood in China: Behind the Scenes of the World's Largest Movie Market. New York: The New Press. ISBN 978-1-62097-219-9.
External links
| Films directed by Zhang Shichuan | |
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| Mingxing Film Company | ||
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