Grande Masse des Beaux-Arts

This is an old revision of this page, as edited by MaybeItsBecauseImALondoner (talk | contribs) at 20:51, 12 December 2024 (→Articles). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 20:51, 12 December 2024 by MaybeItsBecauseImALondoner (talk | contribs) (→Articles)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)

You can help expand this article with text translated from the corresponding article in French. Click for important translation instructions.

View a machine-translated version of the French article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Consider adding a topic to this template: there are already 1,685 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|fr|Grande Masse des Beaux-Arts}} to the talk page.
For more guidance, see Misplaced Pages:Translation.

The Grande Masse des Beaux-Arts or Grande Masse is the association of students and alumni of the École Nationale Supérieure des Beaux-Arts and Écoles Nationales Supérieures d'Architecture.

Founded as an association on 12 January 1926, it deposited its statutes eight days later and had its decree on 20 December the same year. Recognised as a utilité publique in 1932, its aim is to create and support links of solidarity between all students and former students and to improve conditions for its members.

It was a central association for student life from 1926 to 1968, organising the École des Beaux-Arts' social life. Since the suppression of the architecture section in the Beaux-Arts by decree number 68-1097 on 6 December 1968, which dealt with the provisional organisation of architecture teaching, the Grande Masse mainly includes architecture students and alumni.

The person elected to preside over the association is called Grande Massière or Grand Massier.

History

Origins

Foundation

'Utilité publique'

Organisation and function

Organisation

Functioning

Logo

In 1929, André Leconte, head of the architecture teaching studio and winner of the prix de Rome in 1927, designed the association's logo. To symbolise the broad scope of its activities, he chose five figures of the major arts, namely (from left to right) architecture, poetry, music, painting and sculpture or according to G. W. F. Hegel's classification architecture, sculpture, painting, music and poetry.

Roles

Grande Masse gala (1930-1967)

Callot building (1933)

Publications

Bulletin

Publishing

Notes

Referring to the four fine arts taught at Paris' École des Beaux-Arts until 1968, namely painting, sculpture, architecture and engraving

References

"Gallica entry".
(in French) Christophe Samoyault-Muller. "Les Grands Massiers : Présidentes et Présidents de 1925 à aujourd'hui".

Bibliography (in French)

Works

"Jean Margerand, « Les Ateliers extérieurs d'Architecture de l'École Nationale supérieure des Beaux-Arts », La Construction Moderne, revue hebdomadaire d'architecture, 48th year, no. 45, 6 August 1933, pp. 666-672".
ENSBA, L'École nationale supérieure des Beaux-Arts, GMBA, Paris, 1937, 32 p.
Marina Sauer, L'entrée des femmes à l'École des beaux-arts: 1880-1923, ENSBA, coll. « Beaux-arts histoire », Paris, 1990, 89 p. ISBN 9782903639723
Musée de la coopération Franco-américaine, Le Voyage de Paris : les Américains dans les écoles d'art, 1868-1918, RMN, Paris, 1990, 85 p . ISBN 9782711823703
Annie Jacques, dir., Les Beaux-Arts, de l'Académie aux Quat'z'arts, anthologie historique et littéraire, ENSBA, Paris, 2001 ISBN 9782840560968
Michel Day, Charrette, Édité à compte d'auteur, Paris, 2001, 150 p.
Jean-Michel Leniaud et Béatrice Bouvier, dir. Les périodiques d'architecture, XVIII-XX siecles : recherche d'une méthode critique d’analyse, École nationale des Chartes, Paris, 2001, 321 p. ISBN 2900791421
Emmanuel Schwartz, Les sculptures de l'École des Beaux-Arts de Paris. Histoire, doctrines, catalogue, Paris, ENSBA, 2004, 232 p. ISBN 978-2840561354
"Jean-Louis Violeau, Les Architectes et Mai 68, Paris, Recherches, 2005, 476 p."
René Beudin, Charrette au cul les nouvôs ! Le parler des architectes, Éditions Horay, coll. « Cabinet de curiosité », Paris, 2006, 104 p. ISBN 2705804382
Max Querrien, Pour une politique de l’architecture. Témoignage d’un acteur (1960-1990), Le Moniteur, Paris, 2008, 240 p. ISBN 978-2281193985
"Juliette Pommier, « La revue Melpomène(1958-1966) : l'architecture chez les étudiants des Beaux-Arts », Société & Représentation, n° 30, février 2010, pp. 157-172".
Michel Denès, « Gazettes, fanzines, bulletins, cahiers, journaux. Les publications introuvables des écoles d'architecture en France (1965–2005) », EAV, 2010, pp. 99–100
Guy Fichez, Le cru des Beaux-Arts, récoltes 1964 et suivantes, Edilivre, 2013, 414 p. ISBN 9782332561671
Véronique Flanet, La belle histoire des fanfares des Beaux-Arts, L'Harmattan, 2015, 250 p. ISBN 978-2-343-06353-9
"Isabelle Conte et Christophe Samoyault-Muller, « La Grande Masse de l'École des Beaux-Arts (1926-1968) : histoire d'une association fédératrice », HEnsA20, Cahier no. 7, November 2019, pp. 11-17".
"Isabelle Conte, « Les femmes et la culture d'atelier à l'École des Beaux-Arts », Livraisons de l'histoire de l'architecture, no. 35, 2018, pp. 87-98".
"Amandine Diener, « Relire Mai 68 et l'enseignement de l'architecture. La longue gestation d'une crise », Métropolitiques, on metropolitiques.eu, 5 July 2018".