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Tomb of the Julii

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Revision as of 15:55, 18 December 2024 by El C (talk | contribs) (Protected "Tomb of the Julii": Addition of unsourced or poorly sourced content: IP/s: you need to be able to produce or reproduce that source in some way, or its contents can't be verified ( (expires 15:55, 22 December 2024 (UTC)) (expires 15:55, 22 December 2024 (UTC))))(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) Part of the Vatican Necropolis
Tomb of the Julii
Detail of the mosaic
Click on the map for a fullscreen view
General information
LocationVatican City
Coordinates41°54′8″N 12°27′12″E / 41.90222°N 12.45333°E / 41.90222; 12.45333

The popularly named "Tomb of the Julii" (Mausoleum "M") survives in the Vatican Necropolis beneath St. Peter's Basilica. The serendipitous discovery near the crypt has a vaulted ceiling bearing a mosaic depicting a solar diety with an aureole riding in his chariot, within a framing of rinceaux of vine leaves. The surrounding Christian iconography, such as other mosaics in this tomb depicting Jonah and the whale, the good shepherd carrying a lamb (the kriophoros motif), and fishermen have led to an interpretation of the deity as Christ, known in this form as "Christus-Sol". Due to these symbols, the tomb is interpreted as an early Christian vault.

This tomb was first discovered in 1574 AD when workmen accidentally broke through the ceiling while conducting some floor alterations in the basilica. The inside was briefly explored and documented before the opening was sealed over once more.

See also

References

  1. Weitzmann, Kurt (1979). Age of spirituality: late antique and early Christian art, third to seventh century; catalogue of the exhibition at the Metropolitan Museum of Art, November 19, 1977 through Febuary 12, 1978. New York, New York, USA: in association with the Princeton University Press. p. 531-532. ISBN 0870991795. When the artists of the mosaics of the tomb of the Julii under St. Peter's (no.467) portrayed Christ with a rayed nimbus, like Helios in a quadrigia ascending to heaven, he was quoting imagery of Sol Invictus, whose cult was favoured by late Roman Emperors.
  2. Beckwith, John (1979). Early Christian and Byzantine art (2nd (integrated) ed.). London, England: Penguin Books. p. 19. ISBN 0140560335.
  3. Evangelist Walsh, John (1985). The Bones of St. Peter: The First Full Account of the Search for the Apostles Body. Garden City, New York: Image Books. p. 15. ISBN 978-1933184753.

Further reading

  • Perler, Othmar 1953, Die Mosaiken der Juliergruft im Vatikan (Universitätsverlag): 34–36


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