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Caisson (Asian architecture)

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This is an old revision of this page, as edited by PalaceGuard008 (talk | contribs) at 13:34, 10 October 2007 (Name: the source cited does not disclose "caisson" as being "infrequently used". Caissons (zaojing) continue to be used even in modern buildings.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 13:34, 10 October 2007 by PalaceGuard008 (talk | contribs) (Name: the source cited does not disclose "caisson" as being "infrequently used". Caissons (zaojing) continue to be used even in modern buildings.)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) For other uses, see caisson.
A round caisson in the imperial garden at the Forbidden City

The Caisson (Chinese: 藻井; pinyin: zǎojǐng; lit. 'algae well'), also referred to as a ceiling caisson, caisson ceiling, or zaojing, in East Asian architecture is an archiectural feature typically found in the ceiling of temples and palaces, usually at the centre and directly above the main throne, seat, or religious figure. The caisson is generally a sunken panel set into the otherwise largely flat ceiling. It is often layered and richly decoracted. Common shapes include square, octagon, hexagon, circle, and a combination of these.

Name

A modern caisson in traditional style, in the Grand Hotel, Taipei

The word caisson can refer to any sunken panel placed in the ceiling. For other meanings, see Caisson.

In the case of East Asian architecture, however, caissons are characterised by highly developed conventions as to its structure and placement of an architectural element. In Chinese, they are known as a zaojing. The Chinese word is a combination of zǎo (algae) and jǐng (well) as zaojing were used in wooden structures where fear of fire was common.

Structure

The caisson is a sunken panel placed in the centre of the ceiling. It is raised above the level of the ceiling through the use the dougong (斗栱) structure, which, through interlocking structural members, creates successive levels of diminishing size. Beams may also be used to create a hexagonal or octagonal caisson surrounded by a square border. These beams, and the dougong members, are usually visible, and richly carved and often painted. The zaojing resembles an intricately carved or painted dome, coffer or cupola.

The centre of the caisson is decorated with a large bas-relief carving or painting. Common themes include "two dragons chasing the pearl. Caissons in the throne rooms of the Forbidden City feature a large, writhing dragon, from whose mouth issue a chandelier-like structure called the Xuanyuan Mirror, a series of metal balls which are said to be able to show reflections of evil spirits.

Caissons were originally used to support skylights. However, they became increasingly intricate and formalised, and were in later periods a standard item of interior decoration in formal buildings.

A modern take on the caisson, in the Chiang Kai-shek Memorial Hall in Taipei. this example combines features of the square, octagonal, and round caissons.

Use in other structures

The caisson has been found in tombs of the Han Dynasty dating the use of this architectural feature back at least 2,000 years.

In traditional Chinese architecture, every facet of a building was decorated using various materials and techniques. Simple ceiling ornamentations in ordinary buildings were made of wooden strips and covered with paper. More decorative was the lattice ceiling, constructed of woven wooden strips or sorghum stems fastened to the beams. The most decorative and the most complex ceiling was the caisson. Because of the intricacy of its ornamentation, the caisson was reserved for the ceilings of the most important Chinese buildings such as imperial palaces and Buddhist temple altars.

The Baoguo Monastery in Yuyao in Zhejiang has three zaojing in the ceiling, making it unique among surviving examples of Song architecture. Sanquing Hall (Hall of the Three Purities) is the only Yuan period structure with three zaojing in its ceiling. Zaojing are frequently found in Han Dynasty tombs.

As the caisson became increasingly standard in formal architecture in ancient China, similar structures also appeared in Buddhist grottos, such as in Dunhuang. These sunken panels in the ceiling of grottos would be carved to imitate the dougong-based structure in wooden buildings.

Cultural significance

As well as being decorative, caissons are associated with the element of Water (being an "algae well" or zaojing), and thus is believed to help prevent fire, an important concern in the predominantly wooden buildings of classical Chinese architecture.

Notes

  1. ^ "Caisson ceiling (Zaojing)". peopledaily.com. Retrieved 2007-09-03. {{cite web}}: Cite has empty unknown parameter: |month= (help)
  2. Oxford English Dictionary, (1989) Oxford University Press, caisson
  3. "Zaojing ceiling". taiwanschoolnet.org. Retrieved 2007-09-03. {{cite web}}: Cite has empty unknown parameter: |month= (help)
  4. Yu, Zhuoyun (1984). Palaces of the Forbidden City. New York: Viking. ISBN 0-670-53721-7. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help), pp 253ff
  5. "Caisson ceiling". chinainfoonline.com. Retrieved 2007-09-13. {{cite web}}: Cite has empty unknown parameter: |month= (help)

See also

External links

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