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The theory favored by many Western archeologists is that Japanese are descendants of immigrants from Korea and China who arrived with agriculture around 400 B.C. Since then many aspects of Japanese culture seen today originated from Korea including Buddhism and the Yakuza in the 6th century. Influence from Korean artists can also be seen ranging from the architecture of Buddhist temples to statues, pottery and even Japanese folk music.

Japanese Language

Religion

In 552 AD, King Syong-Myong of the Paekche Kingdom introduced Buddhism to Japan with a laudatory memorial consisting of teachings of Buddhism, an image of Shaka Butsu in gold and copper and several voled of "Sutras".

Over the next centuries, the Paekche became the cultural connection between the Japan and the mainland's progressing civilization. After the initial entrance of, Emperor Kimmei request Korean men who were skilled in divination, calendar making, medicine and literature.

Architecture

During the Asuka Period, Japanese architecture were primarily influenced by the Paekche Kingdom. Japanese nobility, wishing to take advantage of the culture across the sea, imported Korean artists and artisans to build and decorate their first palaces and temples.

Temple Architecture

In 601 AD, Prince Shotoku began the construction of his palace, the first building to have a tiled roof. Next to it he built his temple which became known as the Horyu-ji. He employed workers from Paekche for these two projects. The temple became his personal devotional center where he studied with Hye-che, a Buddhist priest from Koguryo. The temple also housed people who practiced medicine, medical knowledge being another bi-product of Buddhism. Next to the temple there were dormitories which housed student-monks and teacher-monks.

The first Horyu-ji burned to the ground in 670 AD. It was rebuilt and although it is thought to be smaller than the original temple, the Horyu-ji today is much the same as that built by Shotoku.

Pottery

The pottery of the Yayoi culture (300? bc-ad 250?), made by a Mongoloids who came from Korea to Kyūshū, has been found throughout Japan. Two basic kiln types—both still in use—were employed in Japan by this time. The bank, or climbing, kiln, of Korean origin, is built into the slope of a mountain, with as many as 20 chambers; firing can take up to two weeks. In the updraft, or bottle, kiln, a wood fire at the mouth of a covered trench fires the pots, which are in a circular-walled chamber at the end of the fire trench; the top is covered except for a hole to let the smoke escape.

Sculptures

Buddhist Sculptures

Painting

15th Century Ink Painting

Facing slavery and persecution in Korea, many Buddhist-oriented artists started migrating to Japan in the 15th century. Since then they continued to use their Buddhist names instead of their birth names which eventually led to having their origins largely forgotten. These artists eventually married native women and raised children who were oblivious to their historical origins.

Many famous artists in Japan fall into this category. Yi Su-Mun, who left for Japan in 1424 to escape persecution of Buddhists, painted the famous "Catching a Catfish with a Gourd". The famous Shubun of Shokoku-ji, also arrived on the same vessel as Yi Su-Mun.

Notes

1. Diamond, Jared (June 1998). "Japanese Roots". Discover Magazine 19 (6).
2. Robert E. Buswell Jr., ed. Currents and Countercurrents: Korean Influences on the Buddhist Traditions of East Asia. Honolulu: University of Hawaii Press, 2005.
3. Yearbook for Traditional Music, Vol. 15, East Asian Musics (1983), pp. 31-37
4. Carter J., Covell A. (Ed 2001). Korean Impact on Japanese Culture. New Jersey: Hollym International Corporation, pp 44-45.
5. Carter J., Covell A. (Ed 2001). Korean Impact on Japanese Culture. New Jersey: Hollym International Corporation, pp 46.
6. Carter J., Covell A. (Ed 2001). Korean Impact on Japanese Culture. New Jersey: Hollym International Corporation, pp 99.
7. Carter J., Covell A. (Ed 2001). Korean Impact on Japanese Culture. New Jersey: Hollym International Corporation, pp 100.

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