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Revision as of 00:45, 5 October 2005 by Tenebrae (talk | contribs) (typo)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)Carl Burgos (nee Max Finkelstein) is an American comic book and advertising artist, born April 18 1916, New York City; died 1984. His most famous creation is the original Human Torch in Marvel Comics #1, the first comic published by Timely, predecessor of Marvel Comics.
Even before creating the android Human Torch, Burgos created the robot hero The Iron Skull in Centaur Publishing's Amazing-Man Comics #5 (Sept. 1939). Burgos and others followed Centaur art director Lloyd Jacquet when the latter formed Funnies, Inc., a packager creating comics on demand for publishers. Jacquet's first sale was to the newly formed Timely Comics, for which Marvel Comics #1 (Nov. 1939) would star Burgos' Human Torch as well as Paul Gustavson's pencil-mustached, costumed detective the Angel and Bill Everett's Sub-Mariner, expanding an origin story Everett had created for a never-released promotional comic. A painted cover by veteran science-fiction pulp artist Frank R. Paul featured the Torch.
Burgos' character proved a hit, and quickly went on to headline one of comics' first single-character titles, The Human Torch (premiering fall 1940 with no cover date and as issue #2, having taken over the numbering from the single-issue Red Raven).
Burgos was educated at the National Academy of Design in New York City. He largely left comics in 1942, spending most of the next quarter-century in advertising. He continued to do occasional work in comics: In 1953-54, Burgos draw Human Torch stories and five dramatic, dynamically designed and detailed covers for Young Men #24-28, in which Atlas Comics, the 1950s iteration of Marvel, attempted to revive the dormant superhero field with the Torch, the Sub-Mariner, and Captain America. Burgos also did art for the Atlas humor comics Crazy, Wild and Riot, for the Western comic Annie Oakley, and for horror-science fiction comics including Astonishing, Journey Into Unknown Worlds, Strange Stories of Suspense and Strange Tales of the Unusual. He also did humor for Cracked magazine.
During the late 1950s and early 1960s, Burgos worked for the Pro-Art Company and later for the Belwin Company, where he drew covers for sheet-music books, sometimes assisted by Susan Burgos, one of his two daughters. He also worked for a greeting-card company.
Around this time, Burgos pursued a lawsuit to assert ownership of the Human Torch, whose name and superpowers had been appropriated for The Fantastic Four's Johnny Storm since 1961, but little, if anything, came of this legal action.Template:Fn Burgos nonetheless contributed art to a Johnny Storm Human Torch story in Strange Tales #123 (Aug. 1964), as well as to three Giant-Man stories in Tales to Astonish #62-64 (Dec. 1964-Feb. 1965). Burgos drew himself and writer-editor Stan Lee into the final panel of the Torch story, with this dialog:
Stan (referring to the Torch and the Thing): "There go the greatest guys in the world, Carl." Carl: "Aw, you're just prejudiced, Stan."
Marvel eventually revived Burgos' original Human Torch for present-day stories, starting with The Fantastic Four Annual #4 (Nov. 1966). That same year, Burgos created a short-lived character called Captain Marvel (no relation to either the old Fawcett Comics superhero nor to Marvel's Captain Marvel) for Myron Fass' M.F. Enterprises. Burgos would serve as an editor in the 1970d for Fass' Eerie Publications line of black-and-white, horror-comic magazines.
Burgos' last job was editing for Harris Publications. He died of colon cancer, posthumously winning a 1996 Harvey Award and being inducted into the Jack Kirby Hall of Fame.
Quotes
Fred Hembeck recalling his childhood purchase of Strange Tales #123 : "I found my attention drawn to a longish line of copy located in one of the credit boxes. It read, 'Illustrated by Carl Burgos (who was the first to draw the Torch way back in the Golden Age of Comics!).' Well, there you go — I'm sold yet AGAIN!! Because in a time when the oldest archival material being reprinted by either Marvel or DC came from the mid-to-late fifties ... ANYTHING that was somehow connected to that mysterious and majestic era when the original pantheon of colorfully costumed superheroes was born had my full and complete attention!"
References
- *Template:Fnb Alter Ego #49, June 2005, "The Privacy Act of Carl Burgos" (offline) — Interview with daugter Susan Burgos, who provides Burgos' birth date/name: "I know he had a lawsuit against Marvel Comics. ... I do know that he went to see a lawyer. I assume it was about getting the rights to the Human Torch, and I read in Alter Ego that they settled out of court. I'm sure that's what happened the day he threw away . I have no idea how it was settled or even if it went to court, though I don't think it did" (p. 9).
External Links
- The Timely Comics Story
- Michigan State University Libraries, Special Collections Division, Reading Room Index to the Comic Art Collection: "Bureau" to "Buriko" and "Human Tank" to "Human Zeros"
- Oddball Comics
- Artist Biographies Note: Birthdate given is contradicted by daughter Susan Burgos. (See above, under "References")
- Don Markstein's Toonpedia: The Human Torch
- Don Markstein's Toonpedia: Captain Marvel