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Proposed deletion of Gahsa

A proposed deletion template has been added to the article Gahsa, suggesting that it be deleted according to the proposed deletion process. All contributions are appreciated, but this article may not satisfy Misplaced Pages's criteria for inclusion, and the deletion notice should explain why (see also "What Misplaced Pages is not" and Misplaced Pages's deletion policy). You may prevent the proposed deletion by removing the {{dated prod}} notice, but please explain why you disagree with the proposed deletion in your edit summary or on its talk page.

Please consider improving the article to address the issues raised because, even though removing the deletion notice will prevent deletion through the proposed deletion process, the article may still be deleted if it matches any of the speedy deletion criteria or it can be sent to Articles for Deletion, where it may be deleted if consensus to delete is reached. -- Gogo Dodo (talk) 06:19, 31 October 2008 (UTC)

That is the right Gahsa.

See also: Sijo and Gasa (poetry)

Sijo and gasa are closely linked to the development of hangul in the early Joseon period. As hangul was created, akjang was developed as a way to note musical scores using the Korean script. King Sejong himself is credited with a compilation of Buddhist songs.

Sijo (literally current tune) was common in the Joseon period. Although its poetic form was established in the late Goryeo period, it did not become popular until the Joseon period. Many of the sijo reflected Confucian thought; the theme of loyalty is common. Sijo are characterized by a structure of three stanzas of four feet each. Each foot contains three to four syllables except on the third stanza, where the 1st foot is supposed to have 3 syllables and the 2nd foot can have as many as seven. Sijo are thought to have been popular with common people.

Gasa is a form of verse, although its content can include more than the expression of individual sentiment, such as moral admonitions. Gasa is a simple form of verse, with twinned feet of three or four syllables each. Some regard gasa a form of essay. Common themes in gasa were nature, the virtues of gentlemen, or love between man and woman.

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That is the right Gahsa.

Professor Lee Sang-Bo in Korea, literature Pioneering work was the best.

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My disciples have translated a good hard data! —Preceding unsigned comment added by 116.127.73.43 (talk) 03:17, 1 November 2008 (UTC)