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Kendo
(剣道 kendō)

Two kendoka in tsuba zeriai
Also known as	Kumdo
Focus	Weaponry
Hardness	Semi-contact
Country of origin	Japan
Creator	Naganuma Sirōzaemon Kunisato (長沼 四郎左衛門 国郷), attributed
Parenthood	kenjutsu
Olympic sport	no
Official website	http://www.kendo-fik.org/

Kendo (剣道, kendō), meaning "Way of the Sword", is a modern Japanese martial art of sword-fighting based on traditional Japanese swordsmanship, or Kenjutsu.

Kendo is a physically and mentally challenging activity that combines strong martial arts values with sport-like physical elements.

The concept and purpose of kendo

In 1975 the All Japan Kendo Federation (AJKF) developed then published the book, The Concept and Purpose of Kendo, the outline of which is below, showing the concept and purpose of the way.

The concept of kendo

Kendo is a way to discipline the human character through the application of the principles of the Katana.

The purpose of kendo

To mold the mind and body.

To cultivate a vigorous spirit,

And through correct and rigid training,

To strive for improvement in the art of Kendo.

To hold in esteem human courtesy and honor.

To associate with others with sincerity.

And to forever pursue the cultivation of oneself.

This will make one be able:

To love his/her country and society.

To contribute to the development of culture

And to promote peace and prosperity among all peoples.

History

Since the earliest samurai government in Japan, during the Kamakura period (1185-1233), sword fencing, together with horse riding and archery, were the main martial pursuits of the military clans. In this period kendo developed under the strong influence of Zen Buddhism. The samurai could equate the disregard for his own life in the heat of battle, which was considered necessary for victory in individual combat, to the Buddhist concept of the illusory nature of the distinction between life and death.

Those swordsmen established schools of kenjutsu (the ancestor of "kendo") which continued for centuries and which form the basis of kendo practice today. The names of the schools reflect the essence of the originator’s enlightenment. Thus the Ittō-ryū (Single sword school) indicates the founder’s illumination that all possible cuts with the sword emanate from and are contained in one original essential cut. The Mutō (swordless school) expresses the comprehension of the originator Yamaoka Tesshu, that "There is no sword outside the mind". The 'Munen Musō-ryū’ (No intent, no preconception) similarly expresses the understanding that the essence of kenjutsu transcends the reflective thought process. The formal kendo exercises known as kata were developed several centuries ago as kenjutsu practice for warriors and are still studied today, albeit in a modified form.

The introduction of bamboo practice swords (shinai) and armour (bōgu) to "ken" training is attributed to Naganuma Sirōzaemon Kunisato during the Shotoku Era (1711-1715). Naganuma developed the use of kendo-gu (bogu) (protective equipment) and established a training method using the shinai.

In addition, the inscription on the gravestone of Yamada Heizaemon Mitsunori's (Ippūsai) (山田平左衛門光徳(一風斎), 1638 – 1718) third son Naganuma Sirōzaemon Kunisato (長沼 四郎左衛門 国郷, 1688–1767), the 8th headmaster of the Kashima Shinden Jikishinkage-ryū Kenjutsu, states that his exploits included improving the bokuto and shinai, and refining the armour by adding a metal grill to the men and thick cotton protective coverings to the kote. Kunisato inherited the tradition from his father Heizaemon in 1708, and the two of them worked hard together to improve the bogu until Heizaemon's death.

This is believed to be the foundation of modern kendo. Kendo began to make its modern appearance during the late 18th century. Use of the shinai and armour made it possible to deliver strikes and thrusts with full force but without injuring one's opponent. These advances, along with the development of set practice formats, set the foundations of modern kendo.

Concepts such as mushin (無心, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)), or "empty mind" are borrowed from Zen buddhism, are are considered essential for the attainment of high-level kendo. Fudōshin (不動心, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)), or "unmoving mind", is a conceptual attribute of the deity Fudo Myo-O, one of the five "Kings of Light" of Shingon Buddhism. Fudōshin, implies that the kendoka cannot be led astray by delusions of anger, doubt, fear, or surprise arising from the opponent’s actions. Thus today it is possible to embark on a similar quest for spiritual enlightenment as followed by the samurai of old.

The Dai Nippon Butoku Kai was established in 1895 to solidify, promote, and standardise all martial disciplines and systems in Japan. The DNBK changed the name of Gekiken (Kyūjitai: 擊劍; Shinjitai: 撃剣, "hitting sword") to kendo in 1920. Kendo (along with other martial arts) was banned in Japan in 1946 by the occupying powers. This was part of "the removal and exclusion from public life of militaristic and ultra nationalistic persons" in response to the wartime militarization of martial arts instruction in Japan. Kendo was allowed to return to the curriculum in 1950 (first as Shinai Kyougi "Shinai Competition" and then as Kendo from 1952).

Equipment and clothing

Kendo is practiced wearing traditional Japanese clothing and armour Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (防護, bōgu), using one, or less commonly two shinai. The shinai is meant to represent a Katana, and is made up of four bamboo slats, which are held together by leather fittings. Kendoka also use wooden swords Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (木刀, bokutō) to practice kata. The footwork and the strikes in Kendo are very different from European fencing as the design and balance of the weapon is significantly different. Kendo employs strikes involving both the edge and tip of the shinai.

Protective armour is worn to protect specified target areas on the head, arms and body. The head is protected by a stylised helmet Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (面, men) with a metal grill to protect the face and a hard leather flap to protect the throat. The forearm, wrist, and hand are protected by long, thickly padded fabric gauntlets Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (小手, kote). The body is protected by a wooden breastplate Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (胴, dō) and three vertical fabric faulds Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (垂れ, tare). The clothing worn under the bōgu comprise a jacket (kendogi or keikogi) and a hakama, which is a skirt-like garment separated in the middle to form two wide trouser legs. A cotton towel Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (手拭い, tenugui) is wrapped around the head, under the men, to absorb perspiration and provides a base for the men to fit comfortably. Like some other martial arts, kendoka train and fight barefoot.

Modern practice

Kendo training is quite noisy in comparison to other martial arts or sports. This is because kendōka use a shout, or kiai Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (気合い), to express their fighting spirit when striking. Additionally, kendōka execute fumikomi-ashi (踏み込み足, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)), a stomp of the front foot, when making a strike. Kendo is ideally practiced in a purpose-built dōjō, though standard sports halls and other venues are often used. An appropriate venue has a clean and well-sprung wooden floor, suitable for fumikomi-ashi. Modern kendo techniques comprise both strikes and thrusts. Strikes are only made towards specified target areas Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (打突-部位, datotsu-bui) on the wrists, head or body, all of which are protected by armour. The targets are men, sayu-men or yoko-men (upper left or right side of the men), the right kote at any time, the left kote when it is in a raised position, and the left or right side of the dō. Thrusts Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (突き, tsuki) are only allowed to the throat. However, since an incorrectly performed thrust could cause serious injury to the opponent's neck, thrusting techniques in free practice and competition are often restricted to senior dan graded kendoka.

Once a kendoka begins practice in armour, a practice session may include any or all of the following types of practice.

• Kiri-kaeshi (切-返し, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): Striking the left and right men target points in succession, practising centering, distance, and correct technique, while building spirit and stamina.
• Waza-geiko (技-稽古, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): waza or technique practice in which the student learns and refines that techniques of Kendo with a receiving partner.
• Kakari-geiko (掛-稽古, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): short, intense, attack practice which teaches continuous alertness and readiness to attack, as well as building spirit and stamina.
• Ji-geiko (地-稽古, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): undirected practice where the kendoka tries all that has been learnt during practice against an opponent.
• Gokaku-geiko (互角-稽古, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): practice between two kendoka of similar skill level.
• Hikitate-geiko (引立-稽古, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): practice where a senior kendoka guides a junior through practice.
• Shiai-geiko (試合-稽古, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): competition practice which may also be judged.

Practitioners

Practitioners of kendo are called kendōka (剣道家), meaning "one who practices kendo", or occasionally kenshi (剣士), meaning "swordsman".

There are estimates that about six million people world-wide practice Kendo, with approximately four million in Japan, one million in Korea, and more in Europe and the United States. The "Kodansha Meibo" (a register of dan graded members of the All Japan Kendo Federation) shows that as of January 2003, there were 1.3 million registered dan graded kendoka in Japan. The number of kendoka not yet graded to a dan level is not included: those kendoka would outnumber considerably the dan graded players.

Competition

In modern kendo the competition Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (試合, shiai), a point Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (有効-打突, yuko-datotsu) is only awarded, in principle, when the attack is made to a target area with Ki, Ken, Tai-Ichi (気剣体-一致), or spirit, sword and body as one. For an attack to be successful, the shinai must strike the specified target soundly, the contact by the shinai must happen simultaneously with the attacker's front foot connecting with floor, and the kendoka must execute a spirited and convincing kiai in coordination with the strike. For a strike to be deemed sound, the point of contact must fall within the top third of the shinai, and the direction of movement of the shinai must be technically correct. Finally, zanshin (残心, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)), or continuation of awareness, must be present and shown throughout the execution of the strike, and the kendoka must be ready to attack again.

In competition, there are usually three referees Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (審判, shinpan). Each referee holds a red flag and a white flag in opposing hands. To award a point, a referee raises the flag corresponding to the colour of the ribbon worn by the scoring competitor. Usually at least two referees must agree for a point to be awarded. The match continues until a pronouncement of the point that has been scored.

The first competitor to score two points wins the match. If the time limit is reached and only one competitor has a point, that competitor wins.

In the case of a tie, there are several options:

• Hiki-wake (引き分け, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): The match is declared a draw.
• Enchō (延長, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): The match is continued until either competitor scores a point.
• Hantei (判定, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)): The victor is decided by the referees. The three referees vote for victor by each raising one of their respective flags simultaneously.

Grades

Technical achievement in modern kendo is measured by advancement in grade, rank or level. The kyū (級, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)) and dan (段, Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help)) grading system is used to indicate one's proficiency in kendo. The dan levels are from first-dan Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (初段, sho-dan) to tenth-dan Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (十, jū-dan). There are usually six grades below first-dan, known as kyu. The kyu numbering is in reverse order, with first kyu Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (一級, ikkyū) being the grade immediately below first dan, and sixth kyu Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (六級, rokkyū) being the lowest grade.

Eighth-dan Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (八段, hachi-dan) is the highest dan grade attainable through a test of physical kendo skills. In the AJKF the grades of ninth-dan Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (九段, kyū-dan) and tenth-dan are no longer awarded, but ninth-dan kendoka are still active in Japanese kendo. International Kendo Federation grading rules allow national kendo organisations to establish a special committee to consider the award of those grades.

All candidates for examination face a panel of examiners. A larger, more qualified panel is usually assembled to assess the higher dan grades.

Kendo examinations typically consist of a demonstration of the skill of the applicants and for some dan grades, also a written exam in some country. The eighth-dan kendo exam is extremely difficult, with a reported pass rate of less than 1 percent.

There are no visible differences in dress between kendo grades; those below dan-level may dress the same as those above dan-level.

Kata

There are 10 Nihon Kendo Kata Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (日本剣道形). These are performed with wooden swords Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (木刀, bokutō). The kata include fundamental techniques of attacking and counter-attacking, and have useful practical application in general kendo. Occasionally, real swords or swords with a blunt edge, called kata-yo Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (形容) or ha-biki Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (刃引), may be used for display of kata.

Kata one through seven are performed with both partners using a daitō (大刀) or tachi (太刀) style bokutō of around 102 cm. Kata 8–10 are performed with one partner using a daitō and the other using a kodachi Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (小太刀) or shōtō Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (小刀) style bokutō of around 55cm. During kata practice, the participants take the roles of either uchidachi Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (打太刀), the teacher, or shidachi 仕太刀 (しだち), the student. The uchidachi makes the first move or attack in each kata. As this is a teaching role, the uchidachi is always the 'losing' side, thus allowing the shidachi to learn and gain confidence.

Nihon kendo kata were drawn from representative kenjutsu schools and tend to be quite deep and advanced. In some areas the regular training curriculum does not include nihon kendo kata.

In 2003, the introduction of Bokuto Ni Yoru Kendo Kihon-waza Keiko-ho (木刀による剣道基本技稽古法), a set of basic exercises using a bokuto, attempted to bridge this gap. This form of practice, is intended primarily for kendoka up to second dan Error: {{nihongo}}: transliteration text not Latin script (pos 1) (help) (二), but is very useful for all kendo students.

Outside Japan

The International Kendo Federation (FIK) was established in 1970 and in December 2006 admitted their 47th national or regional federation as an affiliate. The World Kendo Championships have been held every three years since 1970.

See also

• Budo Senmon Gakko
• Gendai budō modern Japanese martial arts
• Iaidō Sword drawing
• Jōdō A martial art using staves
• Kenjutsu Classical Japanese sword art
• Kirikaeshi A special exercise in kendo training
• Koryū Old style (Japanese) martial arts
• Kumdo kendo in Korea
• Kyūdō Japanese archery
• Naginata A martial art using a halberd like weapon
• Naginatajutsu Old style naginata
• Seitei Iaido
• Zen Nippon Kendo Renmei Iaido

Notes and references

1. All Japan Kendo Federation’s Perspective of Kendo
2. Sato, Noriaki (1995). Kendo Fundamentals. Tokyo, Japan: All Japan Kendo Federation. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help); Unknown parameter |month= ignored (help)
3. http://www.kendo-fik.org/english-page/english-page2/brief-history-of-kendo.htm/ FIK bief history of kendo.
4. Tamio, Nakamura (2001). "The History of Bogu". Nakamura Tamio. www.kendo-world.com/articles.php?article%5Bid%5D=21&article%5Bpage%5D=2. Retrieved 2008-07-20.
5. "The History of Kendo". All Japan Kendo Federation. www.kendo-fik.org. 2006. Retrieved 2007-09-06.
6. JCS: Documentation Regarding the Budo Ban
7. Matunobu, Yamazaki and Nojima (1989), 剣道 (Kendo), Seibido Sports Series (27), Seibido Publishers, Tokyo (in Japanese)
8. Sasamori, Junzo (1964). This is Kendo. Japan: Charles E. Tuttle. p. 70. ISBN 0-8048-0574-1. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
9. Sasamori, Junzo (1964). This is Kendo. Japan: Charles E. Tuttle. pp. 71–76. ISBN 0-8048-0574-1. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
10. Sato, Noriaki (1995). Kendo Fundamentals. Tokyo, Japan: All Japan Kendo Federation. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help); Unknown parameter |month= ignored (help)
11. The Regulations of Kendo Shiai and Shinpan. Tokyo, Japan: International Kendo Federation. 2006. pp. 94 =. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help); Unknown parameter |month= ignored (help)
12. Standard Rules for Dan/Kyu Examination. Tokyo, Japan: International Kendo Federation. 2006. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help); Unknown parameter |month= ignored (help)
13. Nippon Kendo Kata Instruction Manual. Tokyo, Japan: All Japan Kendo Federation. 29 March 2002. {{cite book}}: Check date values in: |date= (help); Cite has empty unknown parameter: |coauthors= (help)
14. "What is FIK". Retrieved 2007-12-29.

External links

• All Japan Kendo Federation (AJKF) Template:Ja icon
• International Kendo Federation (FIK) Template:En icon

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• Combat sports
• Sport in Japan
• Japanese martial arts
• Japanese swordsmanship
• Gendai budo
• Kendo