Misplaced Pages

Bohumil Krill

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by 78.26 (talk | contribs) at 04:33, 17 July 2011. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 04:33, 17 July 2011 by 78.26 (talk | contribs)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)
page is in the middle of an expansion or major revampingThis article or section is in a state of significant expansion or restructuring. You are welcome to assist in its construction by editing it as well. This template was placed by 78.26. If this article or section has not been edited in several days, please remove this template.
If you are the editor who added this template and you are actively editing, please be sure to replace this template with {{in use}} during the active editing session. Click on the link for template parameters to use. This redirect was last edited by 78.26 (talk | contribs) 13 years ago. (Update timer)
Contributor note: more sources to come, including material on banking career and family life
Bohumil Krill
Musical artist

Bohumir Kryl (1875-1961) was a Czech-American financial executive and art collector who is most famous as a cornetist, bandleader, and pioneer recording artist for both his solo work and as a leader of popular and Bohemian bands.

Biography

Bohumir Kryl (originally Bohumír Kryl) was born in Hořice, Bohemia near Prague on 2 May 1875. His first instrument was the violin, which he studied at age 10. He spent time performing both the violin and the cornet for a circus band. He also performed as an acrobat with the Rentz Circus, but an accident in 1886 ended this line of work. His father was a sculptor, and Bohumir also studied this art. He emigrated to the United States in 1889, paying the fare in part by performing with the ship’s orchestra. He settled in Indianapolis looking for relatives, and was soon employed as a sculptor by General Lew Wallace and also working on the Soldiers’ and Sailor’s Monument. During this time and joined the When Clothing Company Band, playing the cornet and soloing on this instrument. Before long he was hired byJohn Philip Sousa, but left in 1898 to join Thomas Preston Brooke’s Chicago Marine Band, where he spent the next two years. During this time he studied with Weldon of Chicago’s Second Regiment Band.. In 1901, he joined the Duss Band, which was based at Madison Square Garden, at $800 per-month and became its assistant conductor in 1903. This band, led by Frederick Innes, was not as well known, but he was hired as soloist, and the heavy touring schedule and two solos per concert gained him wide exposure. Studying bandleaders Creatore and Vessela, he adopted a wild hairstyle that became his trademark. He became acquainted with Joseph Jiran, who owned a Czechoslovakian music store in Chicago. With Jiran’s encouragement, he formed his own band in 1906 styled as Kryl’s Bohemian Band by 1910 with the Cimera brothers. This group worked for Columbia, Victor, and Zonophone, recording works by such composers as Smetana, Dvorak, and Safranek. World War I interrupted his musical career, as he was serving in the U.S. Military. With the exception of He dismantled this band in 1931. He later formed a “Women’s Symphony Orchestra” that featured daughter Josephine on violin and daughter Marie on piano. His public musical career ended in the 1930s, when he had difficulties with the American Federation of Musicians. Before his musical retirement, he had travelled more than 1 million miles and soloed more than 12,000 times. He later formed booking agency and a music bureau. He died in Chicago in 1961, leaving an estate valued at over 1 million dollars.

Musical style

Kryl was one of the few musicians who enjoyed successful dual careers as a mainstream musical artist and as an ethnic recording artist. He transitioned from a star soloist with the Sousa outfit to a leader of ethnic Czech music, and made the transition back to the broader national audience. Because of his solo ability, he was branded “the Caruso of the cornet". He was a master of producing pedal tones and the technique of multiphonic effects.

Legacy

Compositions

Partial discography

As soloist

Label Catalog # Title Format Year Notes
Edison 8254 Answer 2-minute wax cylinder 1902
Edison 3833 The Ambassador polka 4-minute celluloid cylinder 1919
Edison 8327 Arbucklenian Polka 2-minute wax cylinder 1902
Edison 822 At the Mill 4-minute wax cylinder 1911 Re-issued on Blue Amberol 1995
Edison 3547 Ben Bolt 4-minute celluloid cylinder 1918
Edison 8253 Carnival of Venice 2-minute wax cylinder 1902
Victor 35298 Carnival of Venice 12-inch 78rpm May 17, 1911 with Kryl's Bohemian Band. take 3 issued
Edison 8609 Cary waltz 2-minute wax cylinder 1903
Edison 8307 Columbia 2-minute wax cylinder 1903
Victor 63578 Děvčátko darovalo mi prstýnek 10" 78rpm May 16, 1911 ethnic series. with Kryl's Bohemian Band. take 2 issued
U.S. Everlasting 1305 Du, Du 2-minute celluloid cylinder 1909
Victor 35195 Grand trio (Attila. Te sol quest'anima) (Verdi) 12" 78rpm May 16, 1911 take 1 issued. Also on Victor 68316
Edison 8308 Inflamatus from Stabat Mater 2-minute wax cylinder 1903
Edison 8663 King Carneval polka 2-minute wax cylinder 1903
Edison 8745 Kryl's favorite 2-minute wax cylinder 1904
Edison 9860 Lvi silon 4-minute celluloid cylinder 1913 Bohemian series
Edison 9861 Na prej 4-minute celluloid cylinder 1913 Bohemian series
Edison 8482 National fantasia 2-minute wax cylinder 1903
Edison 9005 O Promise Me 2-minute wax cylinder 1905
Edison 9812 Orly Polskie 4-minute wax cylinder - Bohemian series, Re-issued on Blue Amberol 9862
Edison 9807 Pode mlejnem 4-minute wax cylinder - Bohemian series, Re-issued on Blue Amberol 9857
Edison 9813 Povidky s. Vidensky lesu 4-minute wax cylinder - Bohemian series, Re-issued on Blue Amberol 9863
Edison 790 Praise Ye 4-minute wax cylinder - Re-issued on Blue Amberol 2054
Edison 8208 Russian fantasia 2-minute wax cylinder 1902
Edison 8418 Sing, Smile, Slumber 2-minute wax cylinder 1903
Edison 8811 Sweet Sixteen waltz 2-minute wax cylinder 1904
Columbia 32033 Utility polka 2-minute wax cylinder 1903
Edison 9808 Zeleny hajove 4-minute wax cylinder - Bohemian series, Re-issued on Blue Amberol 9858

As leader

External links

References

  1. ^ Johnson, Geary. "The Cornet Compendium- The History and Development of the Nineteenth-Century Cornet: WELL-KNOWN SOLOISTS (I-K)". Retrieved 2011-07-14.
  2. ^ Greene, Victor (1992). A Passion for Polka – Old-Time Ethnic Music in America. Berkeley: University of California Press. p. 78. ISBN 0-520-07584-6. {{cite book}}: More than one of |pages= and |page= specified (help)
  3. ^ "Bohumir Kryl (1875 to 1961)". Choice Recordings. Retrieved 2011-07-14.
  4. Greene, Victor (1992). A Passion for Polka – Old-Time Ethnic Music in America. Berkeley: University of California Press. p. 52. ISBN 0-520-07584-6. {{cite book}}: More than one of |pages= and |page= specified (help)
  5. Greene, Victor (1992). A Passion for Polka – Old-Time Ethnic Music in America. Berkeley: University of California Press. p. 79. ISBN 0-520-07584-6. {{cite book}}: More than one of |pages= and |page= specified (help)
  6. ^ Koenigsberg, Allen (1987). Edison cylinder records, 1889-1912: with an illustrated history of the phonograph. APM Press. p. 172.
  7. ^ "Bohumir Kryl (instrumentalist : cornet)". University of California Santa Barbara: Encyclopedic Discography of Victor Recordings. Retrieved 2011-07-16.
Categories: