Misplaced Pages

Atom Egoyan

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by Slaciner (talk | contribs) at 09:07, 26 March 2006 (External links). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 09:07, 26 March 2006 by Slaciner (talk | contribs) (External links)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)
File:Egoyan-aznavour.jpg
Atom Egoyan and wife Arsinee Khanjian at the Golden Apricot Film Festival in Yerevan, Armenia. Photo Copyright (c) 2005, Raffi Kojian.

Atom Egoyan, OC (born July 19, 1960) is a critically acclaimed Canadian filmmaker of Armenian descent. His work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy or other power structures. Stylistically, Egoyan's films often follow non-linear plot-structures, where events are placed out of sequence in order to elicit specific emotional reactions from the audience by withholding key information.

Egoyan was born to Joseph and Shushan Yeghoyan in Cairo, Egypt. He and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their parents in Victoria, British Columbia, Canada. As a teenager, he became interested in reading and writing plays. Significant influences included Samuel Beckett and Harold Pinter. He graduated from Trinity College in the University of Toronto. Egoyan is now based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile.

Egoyan has directed a dozen full-length films, several television episodes, and a few shorter pieces. His early work was based on his own material, and he received some notice for the film Exotica (1994), but it was Egoyan's first attempt at adapted material that resulted in his best-known work, The Sweet Hereafter (1997), which landed him an Academy Award nomination for Best Director. The film Ararat (2002) also generated some publicity for Egoyan, as it was the first major motion picture to deal directly with the Armenian Genocide. Ararat later won the Best Picture prize at the Genie Awards (ironically, he failed to receive a Best Director nomination for the same film).

In 1999, he was made an Officer of the Order of Canada.

Filmography

External links

Categories: