This is an old revision of this page, as edited by Girolamo Savonarola (talk | contribs) at 11:43, 10 August 2006 (→External links). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 11:43, 10 August 2006 by Girolamo Savonarola (talk | contribs) (→External links)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) 1963 filmHigh and Low | |
---|---|
File:High And Low Poster.jpgHigh and Low Criterion Collection DVD cover | |
Directed by | Akira Kurosawa |
Written by | Eijirô Hisaita Evan Hunter (novel King's Ransom) Ryuzo Kikushima Akira Kurosawa Hideo Oguni |
Produced by | Ryuzo Kikushima Akira Kurosawa Tomoyuki Tanaka |
Starring | Toshirô Mifune Tatsuya Nakadai Kyôko Kagawa |
Music by | Masaru Satô |
Distributed by | Toho Company Ltd. The Criterion Collection |
Release date | March 1963 (Japan) |
Running time | 143 min. |
Language | Japanese |
High and Low (天国と地獄, Tengoku to jigoku, literally "Heaven and Hell") is a 1963 film directed by Akira Kurosawa. It was loosely based on King's Ransom, an 87th Precinct police procedural by Evan Hunter (written under the pseudonym Ed McBain).
High and Low is remarkable, in part, because it very clearly illustrates the divide between the rich and the poor in 1960s-era Japan.
It is filmed entirely in black and white apart from a few seconds when a cloud of pink smoke billows up from the city. As in other Kurosawa films, the director uses an imaginative score to maintain viewer attention, but also makes inventive use of sound to advance the plot and contribute to the mood of a scene.
Plot
High and Low is a play in two acts, clearly distinct from one another in directorial style, lighting and composition. The first act tells of an executive named Kingo Gondo (Toshiro Mifune) who mortgages all he has to stage a leveraged buyout and gain control of the National Shoe Company, with the intent of keeping the company out of the hands of its other incompetent and greedy executives. Then he learns that his son has been kidnapped. Gondo is prepared to pay the ransom, until he learns that the kidnappers have mistakenly abducted the child of Gondo's chauffeur, instead of his own son.
The second act follows police procedure as they put together clues to find the kidnapped child, the ransom money and the kidnapper. The director ventures into the world of the kidnappers, detectives and the lower classes. In this world, the heroes and villains alike have little understanding of Gondo's own personal struggles, merely what is staged for public viewing. In this act Kurosawa uses a more conventional noir directorial style, but without the moral ambiguity one would expect from film noir. The characters have chosen their paths, and though one might empathise for a moment, there are no true antiheroes to be found.
Main cast
- Toshirô Mifune - Kingo Gondo
- Tatsuya Nakadai - Chief Detective Tokura
- Kyôko Kagawa - Reiko Gondo
- Tatsuya Mihashi - Kawanishi, Gondo's secretary
- Isao Kimura - Detective Arai
- Kenjiro Ishiyama - Chief Detective 'Bos'n' Taguchi
- Takeshi Katô - Detective Nakao
- Takashi Shimura - Chief of Investigation Section
External links
This article about a Japanese film or Japanese film–related topic is a stub. You can help Misplaced Pages by expanding it. |
Films directed by Akira Kurosawa | |
---|---|
Films |
|
Related |