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The trickster figure Reynard the Fox as depicted in an 1869 children's book by Michel Rodange.

In mythology, and in the study of folklore and religion, a trickster is a character in a story (god, goddess, spirit, man, woman, or anthropomorphisation), which exhibits a great degree of intellect or secret knowledge, and uses it to play tricks or otherwise disobey normal rules and conventional behaviour. It is suggested by G. P. Hansen that the term "trickster" was probably first used in this context by Daniel G. Brinton in 1885.

Mythology

Tricksters are archetypal characters who appear in the myths of many different cultures. Lewis Hyde describes the trickster as a "boundary-crosser". The trickster crosses both physical and often breaks societal rules. Tricksters "...violate principles of social and natural order, playfully disrupting normal life and then re-establishing it on a new basis."

Often, the bending/breaking of rules takes the form of tricks or thievery. Tricksters can be cunning or foolish or both. The trickster openly questions and mocks authority. They are usually male characters, and are fond of breaking rules, boasting, and playing tricks on both humans and gods.

All cultures have tales of the trickster, a crafty creature who uses cunning to get food, steal precious possessions, or simply cause mischief. In some Greek myths Hermes plays the trickster. He is the patron of thieves and the inventor of lying, a gift he passed on to Autolycus, who in turn passed it on to Odysseus. In Slavic folktales, the trickster and the culture hero are often combined.

Loki cuts the hair of the goddess Sif.

Frequently the trickster figure exhibits gender and form variability. In Norse mythology the mischief-maker is Loki, who is also a shape shifter. Loki also exhibits gender variability, in one case even becoming pregnant. He becomes a mare who later gives birth to Odin's eight-legged horse Sleipnir.

British scholar Evan Brown suggested that Jacob in the Bible has many of the characteristics of the trickster:

The tricks Jacob plays on his twin brother Esau, his father Isaac and his father-in-law Laban are immoral by conventional standards, designed to cheat other people and gain material and social advantages he is not entitled to. Nevertheless, the Biblical narrative clearly takes Jacob's side and the reader is invited to laugh and admire Jacob's ingenuity–as is the case with the tricksters of other cultures".

In The Trickster and the Paranormal, G. P. Hansen lists Mercury in Roman mythology, and Eshu in Yoruba mythology as examples of the trickster archetype. In a wide variety of African language communities, the rabbit is the trickster. In West Africa (and thence into the Caribbean via the slave trade), the spider (Anansi) is often the trickster.

Archetype

Further information: List of fictional tricksters

The trickster or clown is an example of a Jungian archetype. In modern literature the trickster survives as a character archetype, not necessarily supernatural or divine, sometimes no more than a stock character. Often too, the trickster is distinct in a story by his acting as a sort of catalyst, in that his antics are the cause of other characters' discomfiture, but he himself is left untouched. A once-famous example of this was the character Froggy the Gremlin on the early children's television show "Andy's Gang". A cigar-puffing puppet, Froggy induced the adult humans around him to engage in ridiculous and self-destructive hi-jinks.

In later folklore, the trickster/clown is incarnated as a clever, mischievous man or creature, who tries to survive the dangers and challenges of the world using trickery and deceit as a defense. He also is known for entertaining people as a clown does. For example, many typical fairy tales have the king who wants to find the best groom for his daughter by ordering several trials. No brave and valiant prince or knight manages to win them, until a poor and simple peasant comes. With the help of his wits and cleverness, instead of fighting, he evades or fools monsters and villains and dangers with unorthodox manners. Therefore, the most unlikely candidate passes the trials and receives the reward. More modern and obvious examples of that type include Bugs Bunny and Pippi Longstocking.

In Native American tradition

While the trickster crosses various cultural traditions, there are significant differences between tricksters in the traditions of different parts of the world:

Many native traditions held clowns and tricksters as essential to any contact with the sacred. People could not pray until they had laughed, because laughter opens and frees from rigid preconception. Humans had to have tricksters within the most sacred ceremonies for fear that they forget the sacred comes through upset, reversal, surprise. The trickster in most native traditions is essential to creation, to birth.

Native American tricksters should not be confused with the European fictional picaro. One of the most important distinctions is that "we can see in the Native American trickster an openness to life's multiplicity and paradoxes largely missing in the modern Euro-American moral tradition". In some stories the Native American trickster is foolish and other times wise. He can be a hero in one tale and a villain in the next. In June 2010, a collection of Native American trickster tales were retold in comic form in a graphic novel anthology titled: Trickster: Native American Tales: A Graphic Collection, edited by Matt Dembicki.

In many Native American and First Nations mythologies, the Coyote spirit (Southwestern United States) or Raven spirit (Pacific Northwest) stole fire from the gods (stars, moon, and/or sun). Both are usually seen as jokesters and pranksters. In Native American creation stories, when Coyote teaches humans how to catch salmon, he makes the first fish weir out of logs and branches.

Wakdjunga in Winnebago mythology is an example of the trickster archetype.

Coyote

Main article: Coyote (mythology)
Coyote often has the role of trickster as well as a clown in traditional stories.

The Coyote mythos is one of the most popular among western Native American cultures, especially among indigenous peoples of California and the Great Basin.

According to Crow (and other Plains) tradition, Old Man Coyote impersonates the Creator: "Old Man Coyote took up a handful of mud and out of it made people". He also bestowed names on buffalo, deer, elk, antelopes, and bear. According to A. Hultkranz, the impersonation of Coyote as Creator is a result of a taboo, a mythic substitute to the religious notion of the Great Spirit whose name was too dangerous and/or sacred to use apart from at special ceremonies.

In Chelan myths, Coyote belongs to the animal people but he is at the same time "a power just like the Creator, the head of all the creatures." while still being a subject of the Creator who can punish him or remove his powers. In the Pacific Northwest tradition, Coyote is mostly mentioned as a messenger, or minor power.

As the culture hero, Coyote appears in various mythic traditions, but generally with the same magical powers of transformation, resurrection, and "medicine". He is engaged in changing the ways of rivers, creating new landscapes and getting sacred things for people. Of mention is the tradition of Coyote fighting against monsters. According to Wasco tradition, Coyote was the hero to fight and kill Thunderbird, the killer of people, but he could do that not because of his personal power, but due to the help of the Spirit Chief. In some stories, Multnomah Falls came to be by Coyote's efforts; in others, it is done by Raven.

More often than not Coyote is a trickster, but always different. In some stories, he is a noble trickster: "Coyote takes water from the Frog people... because it is not right that one people have all the water." In others, he is malicious: "Coyote determined to bring harm to Duck. He took Duck's wife and children, whom he treated badly."

In Internet and multimedia studies

In online environments there has been a link between the trickster and Internet trolling. Some have said that a trickster is a type of online community character. Others see trickery online as being as much of a problem as cyberbullying.

In oral stories

Trickster subplot in The Relapse: Tom Fashion, pretending to be Lord Foppington, parleys with Sir Tunbelly Clumsey in a 19th-century illustration by William Powell Frith.

See also

References

  1. Hansen (2001).
  2. ^ Hyde, Lewis. Trickster Makes This World: Mischief, Myth, and Art. New York: Farrar, Straus and Giroux, 1998.
  3. Mattick, Paul (February 15, 1998). "Hotfoots of the Gods". New York Times.
  4. Brown, Evan. The Bible in the Context of World Culture, Ch. 3
  5. Smith, R. L. "Remembering Andy Devine".
  6. Byrd Gibbens, Professor of English at University of Arkansas at Little Rock; quoted epigraph in Napalm and Silly Putty by George Carlin, 2001
  7. Ballinger (1991), p. 21.
  8. "Gold Fever California on the Eve- California Indians", Oakland Museum of California
  9. Melhorn, Gary (2015). The Esoteric Codex: Shapeshifters. Lulu.com. pp. 378–379. ISBN 9781312998193.
  10. Edmonds, Margot; Clark, Ella E. (2003). Voices of the Winds: Native American Legends. Castle Books. p. 5. ISBN 0785817166.
  11. Campbell, J., Fletcher, G. & Greenhill, A. (2002). "Tribalism, Conflict and Shape-shifting Identities in Online Communities." In the Proceedings of the 13th Australasia Conference on Information Systems, Melbourne Australia, 7–9 December 2002
  12. Campbell, J., Fletcher, G. and Greenhill, A. (2009). "Conflict and Identity Shape Shifting in an Online Financial Community", Information Systems Journal, (19:5), pp. 461–478.
  13. Anti-Defamation League (2013). "Cyber-Bullying: Trickery, Trolling, and Threats"

Sources

  • Gates, Henry (2004), Julie Rivkin; Michael Ryan (eds.), "The Blackness of Blackness: A Critique on the Sign and the Signifying Monkey", Literary Theory: An Anthology, Oxford: Blackwell Publishing
  • Earl, Riggins R., Jr. (1993). Dark Symbols, Obscure Signs: God, Self, And Community In The Slave Mind. Maryknoll, New York: Orbis Books. {{cite book}}: Invalid |ref=harv (help)CS1 maint: multiple names: authors list (link)
  • Bassil-Morozow, Helena (2011). The Trickster in Contemporary Film. Routledge.
  • Ballinger, Franchot; Vizenor, Gerald (1985). "Sacred Reversals: Trickster in Gerald Vizenor's 'Earthdivers: Tribal Narratives on Mixed Descent'". American Indian Quarterly. 9 (1, The Literary Achievements of Gerald Vizenor): 55–59. doi:10.2307/1184653. JSTOR 1184653.
  • Ballinger, Franchot (1991). "Ambigere: The Euro-American Picaro and the Native American Trickster". MELUS. 17 (1, Native American Fiction: Myth and Criticism): 21–38. doi:10.2307/467321. JSTOR 467321.
  • Boyer, L. Bryce; Boyer, Ruth M. (1983). "The Sacred Clown of the Chiricahua and Mescalero Apaches: Additional Data". Western Folklore. 42 (1): 46–54. doi:10.2307/1499465. JSTOR 1499465.
  • California on the Eve - California Indians Miwok creation story
  • Joseph Durwin Coulrophobia & The Trickster
  • Hansen, George P. (2001). The Trickster and the Paranormal. Philadelphia: Xlibris. ISBN 1401000827. {{cite book}}: Invalid |ref=harv (help)
  • Koepping, Klaus-Peter (1985). "Absurdity and Hidden Truth: Cunning Intelligence and Grotesque Body Images as Manifestations of the Trickster". History of Religions. 24 (3): 191–214. doi:10.1086/462997. JSTOR 1062254.
  • Lori Landay Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture 1998 University of Pennsylvania Press
  • Paul Radin The trickster: a study in American Indian mythology (1956)
  • Allan J. Ryan The Trickster Shift: Humour and irony in contemporary native art 1999 Univ of Washington ISBN 0-7748-0704-0
  • Trickster's Way Volume 3, Issue 1 2004 Article 3 TRICKSTER AND THE TREKS OF HISTORY
  • Tannen, R. S., The Female Trickster: PostModern and Post-Jungian Perspectives on Women in Contemporary Culture, Routledge, 2007

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