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Revision as of 05:31, 13 November 2019 by Aechase97 (talk | contribs) (→Later Life)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) For the British writer and broadcaster, see David Goldblatt (writer).

David Goldblatt
HonFRPS
Born(1930-11-29)29 November 1930
Randfontein, South Africa
Died25 June 2018(2018-06-25) (aged 87)
Johannesburg, South Africa
NationalitySouth African
OccupationPhotographer
Years active1948–2018
Notable workOn the Mines (1973), Some Afrikaners Photographed, (1975) The Structure of Things Then (1998)

David Goldblatt HonFRPS (29 November 1930 – 25 June 2018) was a South African photographer noted for his portrayal of South Africa during the period of apartheid as he was deeply connected to the country. Later in his life after apartheid had ended his work was more focused on the country's landscapes, among other things. What differentiates David Goldblatt’s body of work from other anti-apartheid artists is that his lens did not focus primarily on the violence, he focused on photographing the issues that went beyond the violent events of apartheid and reflected the conditions that led up to these events. His forms of protest remain ambiguous to the public eye that traditional documentary photographs do not. For example,"'my dispassion was an attitude in which I tried to avoid easy judgments’, he affirmed. ‘This resulted in a photography that appeared to be disengaged and apolitical, but which was in fact the opposite.'" He has numerous publications to his name.

Early life

Goldblatt was born in Randfontein, Gauteng Province, and was the youngest of the three sons of Eli and Olga Goldblatt. His grandparents arrived in South Africa from Lithuania around 1893, having fled the persecution of Jews there.

Goldblatts father ran a clothing store, where his mother worked as a typist for a clothing company, which Goldblatt speculated that may have been how they met. Goldblatt attended Krugersdorp High School, and graduated from the University of the Witwatersrand with a degree in commerce. Goldblatt also received an honorary doctorate in fine arts from the University of Cape Town in 2001.

Photography

Goldblatt began photographing when he was a teenager, he got his first camera from his father who bought it from Goldblatt's brother who brought home a damaged German Contax camera when he came back from serving in World War II. Though his first photographs were not ground breaking he enlisted the help from a wedding photographer; "He would drape several cameras around my neck so that I looked very professional, and my job was to ensure that no guest with a good camera got a good picture ... I would have to bump or walk in front of them at the critical moment so that my boss was the only person who ended up with good photographs.” A couple years later as his skill developed he sold his fathers clothing shop in 1963, that he took over when his father died in 1962 to become a full-time photographer. He documented developments in South Africa through the period of apartheid until it ended in the 1990s. However he was still making photographs up until his death in 2018.

Throughout his years as a photographer Goldblatt never saw himself as an artist, he was uncomfortable being seen as one. Many agree that he was a documentarian more than he was an artist. Goldblatt has an innovative approach to the documentary photography genre compared to the documentary photographers that came before him. He made a life of photographing the issues that went beyond the events of apartheid and documented the conditions that led to them. Goldblatt never adjusted well to the fine art world, he was never comfortable with it. He went to exhibition openings but secretly hated the attention they threw upon him. He got around the label of being called an artist by simply calling himself a photographer. However he really saw himself as; "I am a self-appointed observer and critic of the society into which I was born, with a tendency to giving recognition to what is overlooked or unseen."

Goldblatt's photography was not obviously politically charged, he claims he is not an activist even though the majority of his friends and other photographers during this time were activists and proud of it, it just was not apart of his views. He in turned was looked down upon and disrespected for not involving himself in activism to which he respected and accepted that.."I wasn't prepared to compromise what I regarded as my particular needs."

During Apartheid, Goldblatt in his work The Transported of KwaNdebele documented the excruciatingly long and uncomfortable twice-daily bus journeys of black workers who lived in the segregated "homelands" northeast of Pretoria. The conditions have not changed that much for workers since, he explains . "The bulk of people who live there still have to travel to Pretoria by road. It's still a very long commute for them every day – two to eight hours,” he says. "It will take generations to undo the consequences of Apartheid."

After apartheid, Goldblatt continued to shoot photographs within South Africa in which he mostly took photos of the landscape among other things.

In the 1990s Goldblatt began working in color, in a sense adapting to the digital age. "I’ve found the venture into color quite exciting ... largely because new technology has enabled me to work with color on the computer as I have done with black and white in the darkroom." In the work he created during apartheid he never photographed in color. In Goldblatt's view he observed that, "the use of colour during apartheid would have been inappropriate. It would have enhanced the beautiful and the personal, whereas black and white photographs to more effectively documented the external dramatic contradictions that defined this earlier period." It was only after working on a project involving blue asbestos in north-western Australia, and "the resulting disease and death", that he "got hooked on doing work in color You can’t make it blue in black and white."

This was coupled with new developments in the field of digital scanning and printing. Only when Goldblatt was able to achieve the same "depth" in his colour work that he had previously achieved in his black and white photography, did he choose to explore this field extensively.

Collections and publications

Goldblatt's work is held in major museum collections worldwide. A solo exhibition of his work was held at the Museum of Modern Art in New York City in 1998.

Interest in Goldblatt’s work increased significantly after a travelling exhibition of 51 years of his work (Barcelona, 2001), and the eleventh Documenta (Kassel, 2002). The former, which opened in the AXA Gallery in New York in 2001, offered an overview of Goldblatt’s photographic soeuvre from 1948 to 1999. At Documenta, two projects were shown: black-and-white work depicting life in the middle-class white community of Boksburg in the 1970s and 1980s, as well as examples of later colour work from the series Johannesburg Intersections.

Goldblatt's book South Africa: The Structure of Things Then, published in 1998, offers an in-depth visual analysis of the relationship between South Africa's structures and the forces that shaped them, from the country's early colonial beginnings up until 1990.

Influences

Goldblatt was inspired by photography in magazines such as Life and Picture Post. He learned from magazines such as Life, Look, and Picture Post which helped him with things such as captioning his photographs. Goldblatt also cited writers and visual artists, as his major influences. Among these writers and artists were Jillian Becker, Guy Tillim,Herman Charles Bosman, Nadine Gordimer, Njabulo Ndebele, Ivan Vladislavic and playwright Barney Simon. Herman Charles Bosman specifically helped inspire Goldblatt in his second photo essay titled The South African Tatler. Goldblatt helped influence the work of artist Santu Mofokeng as they studied together during the time of apartheid. Together they helped reinvent documentary and conceptual modes of photography. Which led them to both be prominent figures and influencers within the world of documentary photography. Goldblatts work has also been compared to an artist named Zanele Muholi, even though its a comparison and not a direct influence the comparison between her work and David's is relevant to all her work. Therefore, it feels as though her work is indirectly in conversation with Goldblatt's work.

Later Life

David Goldblatt died on 25 June 2018 in Johannesburg from cancer. However, Goldblatt keep creating photographs up until his death, he founded the Market Photo Workshop in Johannesburg in 1989 and turned no photographer, struggling or famous away from his door. David was always accessible to everyone no matter what, even in his later life. He is survived by his wife, Lily Goldblatt and his children Steven, Brenda and Ronnie; and two grandchildren.

Publications

Exhibitions

Solo exhibitions

  • David Goldblatt. Photographers' Gallery, London, 1974.
  • David Goldblatt. National Gallery of Victoria, Melbourne, 1975.
  • Photography Place, Sydney, 1975.
  • David Goldblatt. Durban Art Gallery, Durban, South Africa, 1977.
  • David Goldblatt. Market Theatre galleries, Johannesburg, 1978.
  • Johannesburg Art Gallery, 1983.
  • Pretoria Art Gallery, Pretoria, 1983.
  • David Goldblatt. South African National Gallery, Cape Town, 1983.
  • David Goldblatt. Side Gallery, Newcastle-upon-Tyne, 1985.
  • David Goldblatt. Photographers' Gallery, London, 1986.
  • Photographs from South Africa. Museum of Modern Art, New York, 1998.
  • David Goldblatt. Netherlands Architecture Institute, Rotterdam, 1998.
  • David Goldblatt. South African National Gallery, Cape Town, 1999.
  • Structures. Johannesburg Art Gallery, to November 1999.
  • In Boksburg. Krings-Ernst Galerie, Cologne, October 2001 – January 2002.
  • Fifty-One Years, Axa Gallery, New York, 2001; Centro Cultural de Belém, Belém, Lisbon, 2002–2003; Johannesburg Art Gallery, 2005; MACBA, Barcelona (organiser), February–May 2002; Witte de With, Rotterdam, 2002; Modern Art Oxford, Oxford, February–March 2003; Palais des Beaux-Arts, Brussels, April–June 2003; Lenbachhaus, Munich, July–November 2003; Bensusan Museum and Library of Photography, Johannesburg, July–November 2004.
  • Krings-Ernst Galerie, Cologne, 2002.
  • Mostly unseen. Goodman Gallery, Johannesburg, 2002.
  • Intersections. Michael Stevenson Gallery, Cape Town, October 2003; Michael Stevenson Gallery, Johannesburg, 2005. museum kunst palast, Düsseldorf, June–August 2005; Camera Austria, Graz, November 2005 – February 2006. Huis Marseille, Amsterdam, March–May 2007; Berkeley Art Museum, July–August 2007.
  • Asbestos. Michael Stevenson Gallery, Cape Town, October 2003.
  • Particulars & Rural South Africa. Goodman Gallery, Johannesburg, October–November 2003.
  • Galerie Marian Goodman, Paris, 2004.
  • David Goldblatt. Galerie des Franciscains, Le Grand Café, Centre d'art contemporain, Saint-Nazaire, November–December 2004.
  • David Goldblatt. Galería Elba Benítez, Madrid, May–July 2005.
  • David Goldblatt. Goodman Gallery, Johannesburg, 2005.
  • Rencontres d'Arles, Eglise Sainte-Anne, Arles, 2006.
  • Some Afrikaners Revisited. Michael Stevenson Gallery, Cape Town, October–November 2006.
  • Hasselblad Award Winner 2006. Hasselblad Center, Gothenburg, November 2006 – January 2007.
  • Hasselblad Award 2006. Fotografins Hus, Stockholm, February–March 2007.
  • Photographs. Forma, Centro Internazionale di Fotografia, Milan, June–August 2007.
  • Südafrikanische Fotografien 1952–2006. Fotomuseum Winterthur, Winterthur, March–May 2007.
  • Selected works. Marian Goodman Gallery, Paris, May–June 2007. Showing the series Particulars
  • Winner of Hasselblad Award 2006. Brandts Museet for Fotokunst, Odense, September–November 2007.
  • David Goldblatt – Photographs of the last decade. Michael Stevenson Gallery, Cape Town, 2008.
  • David Goldblatt. Galerie Paul Andriesse, Amsterdam, October–December 2008.
  • David Goldblatt. Museu de Arte Contemporânea (Serralves Foundation), Porto, 2008.
  • Joburg. Goodman Gallery, Johannesburg, 2008.
  • David Goldblatt. Västeras Konstmuseum, Västerås, 2008.
  • Intersections Intersected. Michael Stevenson Gallery, Cape Town, 2008; Open Eye Gallery, Liverpool, December 2008 – February 2009; New Museum of Contemporary Art, New York City, July–October 2009; Malmö Konsthall, Malmö, February–May 2009; University Museum of Contemporary Art, University of Massachusetts Amherst, 2011.
  • Fietas. Goodman Gallery, Johannesburg, 2009.
  • In the time of AIDS. Galería Elba Benítez, Madrid, 2009.
  • In Boksburg. Michael Stevenson Gallery, Cape Town, February–April 2009.
  • Some Afrikaners revisited. Oliewenhuis Art Museum, Bloemfontein, 2009.
  • Particulars. Howard Greenberg Gallery, New York City, April–June 2010.
  • South African Photographs: David Goldblatt. Jewish Museum, New York, May–September 2010.
  • Kith, Kin & Kaya. South African Jewish Museum, Cape Town, 2010.
  • TJ: Some things old, some things new and some much the same. Goodman Gallery, Johannesburg, October–November 2010.
  • 'TJ', 1948–2010. Fondation Henri Cartier-Bresson, Paris, January–April 2011.
  • Selected works. Marian Goodman Gallery, Paris, January–February 2011.
  • On the Mines. Goodman Gallery, Johannesburg, October-December 2012.
  • Structures of Dominion & Democracy. Goodman Gallery, Cape Town, November-December 2014.
  • New Pictures 10: David Goldblatt, Structures of Dominion and Democracy. Minneapolis Institute of Art, August 2014–February 2015.
  • David Goldblatt. Centre Pompidou, Paris, February-May 2018.

Group exhibitions

Awards

Collections

Goldblatt's work is held in the following permanent public collections:

References

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  3. Weinberg, Paul. “David Goldblatt: Photographer Who Found the Human in an Inhuman Social Landscape.” The Conversation, 18 May 2019, theconversation.com/david-goldblatt-photographer-who-found-the-human-in-an-inhuman-social-landscape-98984.
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  12. Weinberg, Paul. “David Goldblatt: Photographer Who Found the Human in an Inhuman Social Landscape.” The Conversation, 18 May 2019, theconversation.com/david-goldblatt-photographer-who-found-the-human-in-an-inhuman-social-landscape-98984.
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External links

Laureates of the Hasselblad Award
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