This is an old revision of this page, as edited by Johnbod (talk | contribs) at 20:52, 23 November 2019 (add). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 20:52, 23 November 2019 by Johnbod (talk | contribs) (add)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)This article is actively undergoing a major edit for a little while. To help avoid edit conflicts, please do not edit this page while this message is displayed. This page was last edited at 20:52, 23 November 2019 (UTC) (5 years ago) – this estimate is cached, update. Please remove this template if this page hasn't been edited for a significant time. If you are the editor who added this template, please be sure to remove it or replace it with {{Under construction}} between editing sessions. |
In Asian art a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular.
The precise form varies, but is intended to represent the opening flower of the Indian lotus; in some Buddhist legends the baby Buddha emerged from a lotus flower.
The form is first seen asa a base for seated Buddha figures in Gandharan art around the 3rd century CE. It became used for other Buddhist figures, and began to be adopted for Hindu deities.
Notes
- Moore & Klein, 149
References
- Moore, Albert C., Klein, Charlotte, Iconography of Religions: An Introduction, 1977, Chris Robertson, ISBN 0800604881, 9780800604882, google books