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Eliodoro Bianchi

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Eliodoro Bianchi
Born(1773-05-06)6 May 1773
Cividate al Piano, Italy
Died10 May 1848(1848-05-10) (aged 75)
Palazzolo sull'Oglio, Italy
Occupations
  • opera singer (tenor)
  • vocal pedagogue

Eliodoro Bianchi (6 May 1773 – 10 May 1848) was an Italian operatic tenor and later a prominent singing teacher. Born in Cividate al Piano and trained in Naples under Giacomo Tritto, he made his stage debut in 1793. Amongst the many roles he created during the course of his career were Baldassare in Ciro in Babilonia and the King of Sweden in Eduardo e Cristina, both of which were composed by Rossini expressly for Bianchi's voice. He retired from the stage in 1835 and spent his later years in Palazzolo sull'Oglio where he died at the age of 75.

Life and career

Bianchi was born in Cividate al Piano, a town in the Province of Bergamo, to Claudia née Balestra and Massimo Bianchi. He was the youngest of their nine children. The family moved to Palazzolo sull'Oglio near Brescia in 1775 when Massimo Bianchi was appointed the organist for the town's newly completed cathedral. Bianchi received his early musical training from his father and sang as a boy soprano in local churches. Two of his older brothers also became musicians. Cipriano Bianchi (1765-1835), served as the organist for the Church of Santa Maria Assunta in Calcinate. Odoardo Bianchi was a tenor active in Italian theatres from 1784 to 1791 and later at the Imperial Court in Saint Petersburg.

In his late teens Bianchi was sent to Naples where he studied singing and composition with Giacomo Tritto. He was twenty years old when he began his stage career as a tenor appearing at the Teatro Onigo [it] in Treviso during the Autumn season of 1793 in Tarchi's Ariarate. Over the next four years he sang in the theatres of Padua, Genoa, Modena, Florence, Lucca, and Venice. In 1797, he returned to Naples and appeared in various theatres there until 1801. During this time he sang at the Teatro San Carlo in the premieres of Tritto's Il disinganno, a cantata for three voices and orchestra, and Luigi Capotorti's Enea in Cartagine, a three-act opera seria.

In 1803 he sang for the entire season at La Scala in Milan where he became a favourite with the audience and returned there regularly from 1809 to 1814. Outside of Italy, he appeared in Paris in 1801 in a series of concerts at the Temple de Mars on Rue du Bac and at the Salle Favart. He sang in Vienna in 1805 and in Paris and London in 1806–1807. In 1807, Bianchi married Carolina Crespi, an eighteen-year-old soprano whom he met when they were both singing with the Théâtre-Italien in Paris. The couple had two children, Giuseppina and Angelo, both of whom had careers as musicians.

During the course of his career, Bianchi sang a wide repertoire ranging from opera buffa to opera seria and appeared in numerous world premieres. He began his career primarily singing in opere buffe, but from 1812 he came to prominence in the opera seria genre as well. Rossini composed the roles of Baldassare in Ciro in Babilonia and the King of Sweden in Eduardo e Cristina expressly for Bianchi's voice and also composed special arias for him to sing when he appeared in Aureliano in Palmira. According to Rodolfo Celletti, Bianchi's voice was baritonal in quality with a beautiful timbre, and his singing displayed an excellent technique and eloquent phrasing.

By 1819, Bianchi had also opened a singing school in Milan where his students included Elisa Orlandi and Cesare Badiali. He retired from the stage in 1835. His last performances were in Livorno as Sempronio in Pietro Generali's I baccanali di Roma, one of his signature roles. Bianchi spent his later years in Palazzolo sull'Oglio, his boyhood home. He died there in 1848 at the age of 75 and was buried in the town's cemetery.

Roles created

Roles sung by Bianchi in world premieres include:

Compositions

Bianchi composed a hymn for four voices and orchestra, "Al ciel sia lode", which was performed before King Ferdinand IV aboard Lord Nelson's ship in the Bay of Naples on 10 July 1799. He also wrote a collection of 12 pieces for singing students which was dedicated to Rossini and published posthumously in 1863. According to the Dizionario Biografico degli Italiani, some late 19th-century biographies of Bianchi have mistakenly attributed to him two further works composed by someone with the same name: the one-act comic opera Gara d'amore and a reduction of Wagner's Das Liebesmahl der Apostel for voice and piano, both published by Stabilimento Musicale Francesco Lucca in 1873.

Notes

  1. The Wagner score was published in an Italian translation by Arrigo Boito who was six years old at the time of Bianchi's death. The autograph score of the opera Gara d'amore is dated 19 May 1872, 25 years after Bianchi's death.

References

  1. ^ Frajese, Vittorio (1968). "Bianchi, Eliodoro". Dizionario Biografico degli Italiani, Vol. 10. Online version retrieved 9 January 2020 (in Italian).
  2. Ghidotti, Francesco (10 April 1988). "I Bianchi, una famiglia di filarmonici". La Voce di Palazzolo. Retrieved 10 January 2020 (in Italian)
  3. ^ Regli, Francesco (1860). "Bianchi, Eliodoro". Dizionario biografico dei più celebri poeti ed artisti melodrammatici, tragici e comici, maestri, concertisti, coreografi, mimi, ballerini, scenografi, giornalisti, impresarii, ecc. ecc. che fiorirono in Italia dal 1800 al 1860, pp. 61–62. Enrico Dalmazzo (in Italian)
  4. Formenti, Lorenzo (1793). Indice dei teatrali spettacoli, p. 120. Giovanni Battista Bianchi.(in Italian)
  5. Casaglia, Gherardo (2005). "Eliodoro Bianchi". Almanacco Amadeus. Retrieved 10 January 2020 (in Italian)
  6. Klemm, Gustav Friedrich (1859). Die Frauen, Vol. 5, p. 50. Arnoldische Buchhandlung (in German)
  7. ^ Celletti, Rodolfo (1989). Voce di Tenore, pp. 82–83. IdeaLibri, 1989. ISBN 8870821277
  8. s.n. (17 May 1819). "Ferrara". Gazeta de Lisboa, p. 2 (in Portuguese)
  9. ^ Senici, Emanuele and Cross, Jonathan (eds.) (2004). The Cambridge Companion to Rossini, p. 200. Cambridge University Press. ISBN 0521001951
  10. Unless otherwise indicated, roles in this list are sourced from Casaglia (2005)
  11. Società napoletana di storia patria (1926). Archivio storico per le province napoletane, Vol. 51, p. 375. Detken & Rocholl
  12. ^ Letellier, Robert Ignatius (2016). An Introduction to the Dramatic Works of Giacomo Meyerbeer, pp. 52, 67. Routledge. ISBN 135157664X
  13. Biblioteca Nazionale Braidense. Catalogo nazionale dei manoscritti musicali redatti fino al 1900: "Bianchi, Angelo Eliodoro, Al ciel sia lode". Retrieved 13 January 2020 (in Italian)
  14. OCLC 803852019
  15. Archivio Ricordi. Gara d'amore, ID: PART00329. Retrieved 13 January 2020 (in Italian)
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