This is an old revision of this page, as edited by Dmg37 (talk | contribs) at 12:49, 31 January 2020 (→Life and work: I believe that the present edits are verifiable - please let me know *specific* elements which you believe have not been cited correctly so that I can provide sources.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 12:49, 31 January 2020 by Dmg37 (talk | contribs) (→Life and work: I believe that the present edits are verifiable - please let me know *specific* elements which you believe have not been cited correctly so that I can provide sources.)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) British writerThis article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Sean Noel Bonney (May 21, 1969 – November 13, 2019) was an English poet born in Brighton and brought up in the north of England. He lived in London and, from 2015 up until the time of his death, in Berlin. He was married to the poet Frances Kruk.
His publications include Blade Pitch Control Unit (2005), Baudelaire in English (2008), Document (2009), The Commons (2011), Happiness: Poems After Rimbaud (2011), Letters Against the Firmament (2015), and Our Death (2019).
Life and work
Together with other UK-based poets, Bonney's work marks a progression and continuance of the British Poetry Revival, combining with his abiding interest in left-wing radical movements such as British punk, the Angry Brigade, the Red Army Faktion, the American Black Power movement, Surrealism and revolutionary art in general. Living at various points in Hackney, Hastings and Walthamstow, he was a regular attendee at the Bob Cobbing-led Writers Forum workshop, co-founding the reading series Xing the Line with Jeff Hilson, and co-editing the press Yt Communication with Frances Kruk. Bonney's earlier work in particular showed the influence of Cobbing's concrete poetry aesthetic, most notably in the typewriter-based work in Baudelaire in English; he was also a visual artist, producing collages which often appeared on his blog, Abandoned Buildings, and in his books. Bonney's first full-length book, Blade Pitch Control Unit, collected a number of earlier chapbooks; it was followed by the Baudelaire "translations" and by Document, which collected a series of poems, manifestos and other prose texts written in the preceding years. Informed for much of his career by the changing urban environment of London, and attendant problems of gentrification and social violence and exclusion, this work dealt in part with the British Left's opposition to the Iraq War under Tony Blair, as well as being influenced by the work of the Situationists and by Russian Futurists such as Khlebnikov.
Bonney's next major project was his major sequence of 14 line poems, The Commons, originally subtitled "A Narrative / Diagram of the Class Struggle', which combined contemporary uprisings with the voices of the Paris Commune, the Russian Revolution, the english Civil War and "the cracked melodies of ancient folk songs". Like most of his writing since 2006, the poems-in-progress appeared on his blog, Abandoned Buildings; they were first circulated as PDF by Bonney, and then published as a book by Openned in 2011. The same year, Unkant published Bonney's Happiness: Poems after Rimbaud, a book emerging from his study of Rimbaud's relation to the Paris Commune and his participation in the UK student movement of 2010–2011, which immediately followed the election of a coalition government earlier in 2010. Following a series of "Letters on Poetics", departing from Rimbaud's famous letters to Georges Izambard, Bonney increasingly turned to the letter form: his "Letters on Harmony" and "Letters Against the Firmament", addressed to an unknown, middle-class interlocutor, were eventually collected, along with the newer sequences "Corpus Hermeticum" and "Lamentation", in Letters Against the Firmament (2015).
A scholar of revolutionary poetry, particularly that of the Black Radical Tradition, Bonney undertook a PhD in English at Birkbeck, University of London on the work of Amiri Baraka, supervised by William Rowe. (Elements of this work appear at his blog 'Round Midnight: Notes on Baraka.) In Autumn 2006, he was a guest lecturer at the University of Roehampton. In Autumn 2011 he ran a seminar on Poetry and Revolution at the University of Cambridge. Bonney also played a key role in organising the 2012 Poetry and Revolution conference that took place at Birkbeck, and participated in the 2014 Amiri Baraka conference at the Institute of Contemporary Arts in London. His critical work includes articles on Baraka, Anna Mendelssohn (Grace Lake), and a series of "Notes on Militant Poetics" addressing the work of writers, militants and revolutionaries such as Jean Genet, Ulrike Meinhof, and George Jackson. Another abiding concern was the relation of politics to music, particularly free jazz and other forms of African-American music, as well as the work of Bob Dylan.
Following the completion of his PhD, from 2015 to 2019 Bonney was a postdoctoral researcher at the John F. Kennedy Institute for North American Studies at the Free University of Berlin, conducting a project examining the work of Diane di Prima. His poetry during this time was concentrated in two major projects: the sequence Cancer: Poems after Katerina Gogou, a series of poems after the Greek anarchist poet, actor and activist Katerina Gogou, and Our Death, a series of prose poems which included poems after Charles Baudelaire, Miyo Vistrini and others. Excerpts of these sequences appeared in the pamphlets Cancer (2016) and Ghosts (2017), and were collected in the book Our Death (2019), published shortly before Bonney's passing. Bonney's final poems, posted at his blog, Abandoned Buildings, included the series of anti-fascist poems, Antimatter, reactions to the rise of the Far Right across Europe and America, "Heroes" and "Confession".
Books
- London Review Bookshop Samplers, No. 2, Face Press, 2019.
- Our Death, Commune Editions, 2019.
- Ghosts, Materials, 2017.
- Cancer: Poems After Katerina Gogou, A Firm Nigh Holistic Press, 2016.
- All This Burning Earth: Selected Writing, Ill Will Editions (online), 2016.
- Letters Against the Firmament, Enitharmon Press, 2015
- Letters: on Harmony, Iodine Press, 2013
- Four Letters, Four Comments, Punch Press, 2012
- Happiness (Poems After Rimbaud), Unkant Publishing, 2011
- The Commons, Openned, 2011
- For the Administration, Crater Press, 2010
- 5 After Rimbaud, Grasp Press, 2010
- Document: Poems, Diagrams, Manifestos: July 7th 2005 - June 27th 2007, Barque Press, 2008
- Baudelaire in English, Veer Books, 2007
- 'from Tracts and Commentaries: A Lecture' (in Pilot: A Journal of Contemporary Poetry, 2007)
- Black Water, Yt Communication, October 2006
- Document: hexprogress, Yt Communication, May 2006
- Blade Pitch Control Unit, Salt Publishing, 2005
- Poisons, Their Antidotes, West House Books, 2003
- Notes on Heresy, Writers Forum, 2002
- The domestic poem, Canary Woof, 2001
- From the book of living or dying, Writers Forum, 1999.
- Astrophil and Stella, Writers Forum, 1999.
- now that all the popstars are dead, damnation publications, 1996
- Marijuana in the breadbin, Doktor Hypno publications, 1992
External links
- Abandoned Buildings (Bonney's blog from 2006-2019, containing most of his poems from this period)
- Gods of the Plague (Bonney's additional blog from 2017 to 2019)
- Poet's Note, 2007 (Toronto: Test Reading Series, September 2007); NB: this resource contains dead links to mp3s which are independently available on the Internet Archive (see other sections of Bonney's Misplaced Pages page for those links)
- Constellations: Sean Bonney: The Commons (Voiceworks, March 2011)
- British Electronic Poetry Centre page
- Sean Bonney's Youtube channel
- Sean Bonney's page at Archive of the Now page
- Sean Bonney's PennSound page
Critical writing
- Round Midnight: Notes and Essays on Militant Poetics (notesonbaraka.blogspot.com, July 2019), three essays
- 'That Thing out There', Afterword to William Rowe, Collected Poems (Crater Press, 2017)
- 'Time Negatives of Variable Universe: On Sun Ra and Amiri Baraka' (Talk, Cesura//Acesso, 2016), (audio of one of the essays published on Bonney's "Round Midnight" blog)
- Queen Mob / King Mab: The Great Silence is Full of Noises (Text of talk given in Berlin, October 2014)
- Revolutionary Equations: Amiri Baraka (1934-2014) (Enclave Review 10, Spring 2014), a longer version of the ICA piece
- 'The Shapers of the Future: Sean Bonney on Amiri Baraka' (ICA, 2014)
- Comets and Barricades: Insurrectionary Imagination in Exile (Mute, 2014) (On Blanqui, Benjamin, Cesaire and Marx)
- From Eternity to Here (Mute, 2013) (On Louise-Auguste Blanqui)
- Notes on Militant Poetics (Abandoned Buildings, 2012-2013)
- Tensions between Aesthetic and Political Commitment in the Work of Amiri Baraka (PhD dissertation, unpublished, University of London, Birkbeck, 2012)
- Note from London (Sous Les Pavés 3, March 2011)
- Essay on Anna Mendelssohn (The Poetry Project Newsletter 226, Feb-March 2011)
- Non-Cognitive Aspects of the City (Pores, A Journal of Poetics Research, Issue 5) (On Free Jazz and Poetry), also published at Berfrois
- "What the Tourists Never See: the Social Poetics of Geraldine Monk", in The Salt Companion to Geraldine Monk, ed. Scott Thurston (Salt, 2007), pp. 62-78
- Some notes on Ulli Freer; his 'Speakbright Leap Passwood' (Readings 1)
- Notes on Commitment: A position paper addressed to the Cambridge Poetry Summit, 11th January 2004 (Quid 12, March 2004), pp. 10-17
- Trout Mask Replica: A Dagger in the Head of Mojo Man, in Academy Zappa: Proceedings of the First International Conference of Esemplastic Zappology , eds. Esther Leslie and Ben Watson (London: SAF Publishing Ltd., 2005), pp. 109–18; originally delivered as a talk at the First International Conference of Esemplastic Zappology (ICE-Z), Theatro Technis, London, 16 January 2004
- The Is ::: Occupied Territory : Anger Is An Energy (Pores, A Journal of Poetics Research, Issue 2, 2002) (On 9/11)
Editorial Work
- Live from Occupied Lady Mitchell Hall... Exclusions Imminent / Off with their Heads (Cambridge, November 2011)
- the poetry is not in the pity, edited with Frances Kruk (London: yt communication, 2009)
- Sporangiophores: Works by Harry Godwin, Nat Raha, Michael Zand, and SL Mendoza, edited with Frances Kruk (London: yt communication, 2009)
- war pigs: yt communication bulletin: Sept 11 2006, edited with Frances Kruk (Hackney: yt communication, 2006)
- hick moth: yt communication bulletin: 2nd July 2006, edited with Frances Kruk (Hackney: yt communication, 2006)
- hex map: yt communication bulletin: May 31 2006, edited with Frances Kruk (Hackney: yt communication, 2006)
Interviews and Conversations
- Jeffrey Grunthaner, Their Own Pantheon: Sean Bonney Interviewed Bomb magazine, December 2019), audio here
- Sacha Kahir, Colin Hacklander, Farahnaz Hatam, and Sean Bonney, Source the Cause 3 (Poland, October 2018)
- Stephen Collis and Sean Bonney, "We Are An Other: Poetry, Commons, Subjectivity", in Toward. Some. Air.: Remarks on Poetics, eds. Fred Wah and Amy De'Ath (Banff Centre Press, 2015)
- Paal Bjelke Andersen and Sean Bonney, You'd be a Pig not to Answer: a Conversation (Audiatur, 2014)
- Richard Owens, Interview with Sean Bonney, 2012
- David Grundy and Sean Bonney, 'John Coltrane - Live in Seattle: A Discussion' (Eartrip Magazine, 2012)
- Kit Toda, Dan Eltringham and Annie McDermott, Interview with Sean Bonney (The Literateur, February 2011)
- Ian McMillan, Interview of Sean Bonney on the topic of Bill Griffiths, for "The Verb" (BBC Radio 3, 5 February 2010)
- Steve Willey, The Sound of Writers Forum (2010), film featuring interview with Sean Bonney
- Frances Kruk and Sean Bonney, Question and Answer session following reading at Test Reading Series (Mercer Union, Toronto September 2007)
- Interview in Don't Start Me Talking: Interviews with Contemporary Poets, eds. Tim Allen and Andrew Duncan (Salt: 2007)
- Rob Holloway, Interview with Sean Bonney on Resonance FM (London, March 2003)
Audio Recordings & Films
- Anywhere Out of the World (Film by EC Davies and Sacha Kahir, featuring poetry by Sean Bonney, October 2019)
- Sean Bonney and Ulf Mengersen (bass), from the album Test 3 (Garage, Berlin, 29 July 2019)
- Reading at Loophole (Berlin, 8 October 2019), with music
- Reading at Poetry Emergency (Salford, November 2018), Recording 1, Recording 2, Recording 3
- Reading: "Benzodiazepam" (Berlin, 2017)
- Reading: "Music" (Berlin, 2017)
- 'In Hell' (Series of films shot in Berlin, 2017); see also the note on In Hell, at The Revolution is not a Virgin (Union Docs, February 2019)
- Reading at Artichoke (Vierte Welt, Berlin, 4 February 2016), Audio recording, Video recording
- Reading at Normal Bar (Berlin, October 2015)
- Binnsclagg: Radical Marxist Avant-Garde Free Noise and Spoken Word Performance featuring Sean Bonney and Keston Sutherland (March 2015)
- Reading with nick-e melville at Comaradefest II (Rich Mix, London, 25 October 2014)
- Reading at Audiatur (Bergen Kunsthall, Norway, 3-5 April 2014)
- Sean Bonney's Soundcloud page (Contains recordings of 'Letters on Harmony', 'Cancer', 'Ghosts', and others, 2013-2018)
- Afterword to launch of Steve Willey's Elegy (The Village Hall, Shoreditch Works, London, 11 December 2013)
- Reading of Jayne Cortez's "For the Brave Young Students in Soweto" (Dusie website, linked from Delirious Hem, 8 December 2013)
- Reading of "Poem (after Sappho") (Dusie website, linked from Delirious Hem, 8 December 2013)
- Binnsclagg with Sean Bonney, at Club Zygotic (Brighton, 26 April 2013)
- Reading at the Poetry and Revolution Conference (Xing the Line, The Apple Tree Pub, London, 25 May 2012)
- Reading with Keston Sutherland at Maintenant Camarade II (Rich Mix Centre, London, 11 February 2012)
- Sean Bonney on Ben Watson's Blake in Cambridge (Association of Musical Marxists, 2012)
- Reading with Jeff Hilson at Maintenant (Rich Mix, London, 15 October 2011)
- Reading at Happiness launch (The Blue Posts, London, 6 October 2011), Video 1, Video 2, Video 3
- Reading at The Commons launch, hosted by Openned (Carnivale, London, 21 September 2011)
- Reading at ConVersify: Poetry, Politics and Form (Scottish Poetry Library, Edinburgh, 10 September 2011)
- Reading at the Prague Microfestival (Prague, 16 May 2011), with Czech translation
- Reading at Poetry Marathon (The Serpentine Gallery, London, 17-18 October 2009)
- Reading at The Other Room, with Frances Kruk (Manchester, 5 August 2009]
- Reading at SoundEye Poetry Festival (Cork, Ireland, 4 July 2008)
- Reading at Test Reading Series (Mercer Union, Toronto, 20 September 2007)
- Reading on Resonance FM (London, Winter 2006)
- mysteries of hackney, Three films by Sean Bonney, made on Amhurst Road, N16, early 2006 (Meshworks, 2006): 1, 2, 3
- Reading at SoundEye Poetry Festival (Cork, Ireland, 6 July 2005)
Magazine publications
- Onedit 6
- Onedit 8, from Baudelaire in English
- The Sienese Shredder 3 (2009?), from Baudelaire in English
- Datableed Zine 5, from “Letters in Turmoil”
- Datableed Zine 8, "Still: 7 Love Poems"
Poetry readings
- O scroungers, o gasoline: Collective reading of/for Sean Bonney (Freedom Bookshop, London, 13 February 2020)
- Collective Reading for Sean Bonney (Oakland, 18 January 2020)
- AntiMatter /////// For an Antifascist Poetics (Autonomous Steki Perasma, Athens, 12-13 October 2019), flyer here
- Reading at Loophole (Berlin, 8 October 2019)
- Reading at Garage, with music (Berlin, 20 July 2019)
- Reading at Graveside Orations of Carl Einstein book launch (Hopscotch, Berlin, 13 June 2019)
- Reading at Kotti-Shop (Berlin, 21 May 2019)
- Reading at Loophole (Berlin, 27 February 2019)
- Reading at the Rotunda Museum (Scarborough, 2 February 2019)
- Reading at Poetry Emergency (University of Salford, 21 November 2018)
- Reading at No Money 8 (The Horse Hospital, London, 10 August 2018)
- Reading at Rimbaud in London (The Poetry Library, London, 1 August 2018)
- Reading at The Poetic Groove (Barbiche, Berlin, 12 April 2018)
- Reading at the Cambridge English Faculty (University of Cambridge, 24 February 2018)
- Reading at MayDay Rooms (London, 22 February 2018)
- Reading at Hopscotch Reading Room (Berlin, 2 February 2018)
- Multiple readings at Garage (Berlin, 2018-2019), with music
- Reading at Atlantic Drift launch (Edinburgh International Book Festival, 19 August 2017)
- Reading at "Poetry and Protest" (One Eye Gallery, University of Liverpool, 9 August 2016)
- Reading at the Bad Language Party (T. Chances, London, 7 July 2016)
- Reading at Akademie der Künste (Berlin, 11 June 2016)
- Reading at Topics Books (Berlin, 4 June 2016)
- Reading at University of East Anglia Poetry Festival (Norwich, 23 April 2016)
- Reading at Haus für Poesie (Berlin, 7 April 2016)
- Reading at Artichoke (Vierte Welt, Berlin, 4 February 2016)
- Reading at Beton 7 (Athens, 14 November 2015)
- Reading at the Free Academy, in the ruins of Plato's Academy (Athens, 14 November 2015)
- Reading at the Occupation of the Botanikos Kipos (Athens, 13 November 2015)
- Reading at Normal Bar (Berlin, October 2015)
- Reading at the launch of Derelict Air by Ed Dorn (Enitharmon, London, 2 July 2015)
- Reading at the University of Warwick (Coventry, 11 June 2015)
- Reading at Hi Zero (Brighton, 24 February 2015)
- Reading at Vanguard Poetry (Royal Holloway, London, 2 December 2014)
- Reading at Unamerican Activities (Queen Mary University, London, 22 October 2014)
- Reading at SoundEye Poetry Festival (Cork, Ireland, 13 July 2014)
- Reading at Non-Threatening Theatre Event (T. Chances, London, 12 June 2014)
- Reading at Audiatur (Bergen Kunsthall, Norway, 3-5 April 2014)
- Reading at University of East Anglia (Norwich, February 2014)
- Reading at Amid the Ruins (Daniel Blau Gallery, London, 19 January 2014)
- Reading at Exile Ink (Poetry Café, London, 5 January 2014)
- Reading on Malet Street picket line (Birkbeck College, London, 3 December 2013)
- Reading at Das Weltecho (Chemnitz, 22 October 2013)
- Reading at Poetry and/or Revolution (Berkeley, 5 October 2013)
- Reading at William Rowe Jamboree (London, 28 September 2013)
- Reading at the Library Street Community Centre (Colorama squat, London, 10 January 2013)
- Reading at Feelings (Vogue Fabrics, London, 18 October 2012)
- Reading at SoundEye Poetry Festival (Cork, Ireland, 14 July 2012)
- Reading at the Damn the Caesars: Crisis Enquiry launch (Judith E. Wilson Drama Studio, English Faculty, University of Cambridge, 2 June 2012)
- Reading at the Poetry & Revolution Conference (Xing the Line, The Apple Tree, London, 25 May 2012)
- Reading at Parry Wing 4 (The Farm Tavern, Brighton/Hove, 20 April 2012)
- Reading at Lyric & Polis: A Symposium of Poetry & Poetics (Falmouth University, 17-18 February 2012)
- Reading with Keston Sutherland at Maintenant Camarade II (Rich Mix Centre, London, 11 February 2012)
- Reading at Polyply 16 (The Centre for Creative Collaboration, London, 9 February 2012)
- Reading at a student occupation (Lady Mitchell Hall, University of Cambridge, 23 November 2011)
- Reading at the Judith E. Wilson Drama Studio (English Faculty, University of Cambridge, 17 November 2011)
- Reading at Hi Zero 8 (The Hope, Brighton, 31 October 2011)
- Reading at Happiness launch, hosted by The Association of Musical Marxists (The Blue Posts, London, 6 October 2011)
- Reading at The Commons launch, hosted by Openned (Carnivale, London, 21 September 2011)
- Reading at ConVersify: Poetry, Politics and Form (Scottish Poetry Library, Edinburgh, 10 September 2011)
- Reading at the Hay Poetry Jamboree (Hay-on-Wye, 3 June 2011)
- Reading at the Prague Microfestival (Prague, 16 May 2011)
- Reading at The Blue Bus (The Lamb, London, 15 March 2011)
- Reading at Birkbeck College (London, 11 March 2011)
- Reading at Howl (Allen Ginsberg event) (The Poetry Cafe, London, 5 March 2011)
- Reading at De Montfort University (Leicester, 2 March 2011)
- Reading at Bangor University (Bangor, Wales, 6 December 2010)
- Reading at Vlak launch (Birkbeck College, 29 October 2010)
- Reading at the launch of the Oxford Book of Latin American Poetry in Translation (Birkbeck College, 20 October 2010)
- Reading at Crater Press event (The Old Red Lion, London, 12 October 2010)
- Reading at Maintenant (Rich Mix, London, 24 September 2010)
- Reading at Xing the Line (William IV, London, 22 September 2010)
- Reading at "A Celebration of Anna Mendelssohn" (Birkbeck College, 15 September 2010)
- Reading at Freaklung launch (Morden Tower, Newcastle Upon Tyne, 27 June 2010)
- Reading at the Cambridge Reading Series (Judith E. Wilson Drama Studio, English Faculty, University of Cambridge, 18 June 2010)
- Reading at The Situation Room (London, 12 June 2010)
- Reading at Runnymead International Literary Festival (Royal Holloway, University of London, 16-20 March 2010)
- Reading at Edge Hill University (Ormskirk, 25 February 2010)
- Reading at the launch of Bill Griffiths' Collected Earlier Poems: 1960-1980 (Birkbeck College, London, 17 February 2010)
- Reading at Desperate For Love (Komedia, Brighton, 10 November 2009)
- Reading at Poetry Marathon (The Serpentine Gallery, London, 17-18 October 2009)
- Reading at Diverse Deeds (Cafe Oto, London, 24 September 2009)
- Reading at The Other Room (Manchester, 5 August 2009), photo here
- Reading at Parasol Unit (London, 18 June 2009), with music by Dominic Lash
- Reading at The Foundry (London, 25 March 2009)
- Reading at The Klinker (Tottenham Chances, London, 10 March 2009)
- Reading at Voiceworks 2009 (Wigmore Hall, London, 7 May 2009)
- Reading at Xing the Line (The Leather Exchange, London, 5 March 2009)
- Reading at Desperate For Love (Komedia, Brighton, 3 March 2009)
- Reading at the British premiere of Louis and Celia Zukofsky’s "A"-24 (University of Sussex, 23 January 2009)
- Reading at Abney Park (London, Winter 2008)
- Reading at The Klinker (Maggie's Bar, London, 16 December 2008)
- Reading at The Reality Street Book of Sonnets launch (University of Roehampton, London, 2008)
- Reading at the Small Publishers Fair 2008 (Conway Hall, London, 24-25 October 2008)
- Reading at Veer Books launch (Xing the Line, The Leather Exchange, London, 2 October 2008)
- Reading at SoundEye Poetry Festival (Cork, Ireland, 4 July 2008)
- Reading at the Leather Exchange (London, 5 June 2008)
- Reading at That Grated Van (The Meeting House, Brighton, 7 May 2008)
- Reading at "Bill Griffiths: A Commemoration" (Birkbeck College, London, 17 November 2007)
- Reading at The Programme (Firehouse 13, Providence, Rhode Island, 2 October 2007)
- Reading at Rust Belt Books (Buffalo, New York, 27 September 2007)
- Reading at Test Reading Series (Mercer Union, Toronto, 20 September 2007)
- Reading on Resonance FM (London, Winter 2006)
- Reading at Penned in the Margins (The Spitz, London, 2 November 2006)
- Reading at the Small Publishers Fair (Conway Hall, London, 21 October 2006)
- Reading at Queens' College (University of Cambridge, 2 March 2006), with live music
- Reading at Xing the Line (Poetry Café, London, 9 September 2005)
- Reading at SoundEye Poetry Festival (Cork, Ireland, 6 July 2005)
- Reading at the Poetry Cafe (London, 14 November 2003)
- Reading on Resonance FM (London, March 2003)
- Reading at University College London (London, 4 March 2003)
Talks & Lectures
- AntiMatter /////// For an Antifascist Poetics (Autonomous Steki Perasma, Athens, 12-13 October 2019)
- Contribution to "Art and the Poetics of Praxis in Cognitive Capitalism" (Saas-Fee Summer Institute of Art, Berlin, 16 July 2018)
- In Terrible Flame: Antifascist Cosmology in the late work of Amiri Baraka (English Faculty, University of Cambridge, 24 February 2018)
- Introduction to Benedict Seymour's film Dead the Ends (Anagram Books Distribution, Berlin, 28 January 2018), with Sacha Kahir
- "The Destruction of America: Amiri Baraka in the 1960s" (John F. Kennedy Institute, Freie Universität Berlin, 4 December 2017)
- Contribution to "'A Copia of Words': On Andrea Brady" (Birkbeck College, London, 13 December 2014)
- Afterword to launch of Steve Willey's Elegy (The Village Hall, Shoreditch Works, London, 11 December 2013)
- "Introduction to Linguistically-Experimental Poetry" (Technische Universität Chemnitz, 23 October 2013), with Frances Kruk
- Contribution to "Militant Politics and Poetry" (Birkbeck College, 18 May 2013)
- "Rimbaud, Fanon: the Negation of Imperialist Time" (Matters of Time, Cambridge French Postgraduate Conference, Queens Building, Emmanuel College, University of Cambridge, 28 April 2013)
- Response to screening of Colin Still's film Amiri Baraka: The Muscle In Yr Head (Birkbeck College, London, 14 November 2012)
- "Content Exceeds Phrase: Towards a Radical Poetics", keynote at ConVersify: Poetry, Politics and Form (Edinburgh University, 11 September 2011)
- Introduction to a poetry reading at Middlesex University (London, 12 May 2010)
- Talk on Psychogeography (Birkbeck College, London, May 2005), with Ben Watson
Further reading
- William Rowe, Sean Bonney (1969-2019) by William Rowe (Jacket2, 18 January 2020)
- Ed Simon, The Bard of Capitalist Realism: On Sean Bonney's Poetic Wrath (Poetry Foundation, 13 January 2020)
- Beverly Pérez Rego, In Memoriam ~ Sean Bonney (1969-2019)
- Alessandro Scanu, Unrest in Peace – In memoria di Sean Bonney (SlamPoetry, December 2019)
- Adam Piette, Review of various (Blackbox Manifold 23, Winter 2019), includes a review of Letters Against the Firmament
- Jacob Bard-Rosenberg, Notes to Sean Bonney (1969-2009) (Prolapsarian, December 2019)
- Robert Sheppard, Thoughts i.m. Sean Bonney (Pages, November 2019)
- RIP Sean Bonney (Centre for Poetics, University of Cambridge, November 2019)
- (D’)Après Sean Bonney (Lundi Matin 218, November 2019)
- Timothy Thornton, "A Letter for Sean Bonney" (November 2019)
- David Grundy, Sean Bonney (1969-2019) (Streams of Expression, November 2019)
- Woody Haut, The Poem as an Incendiary Device: Our Death by Sean Bonney (23 November 2019)
- Clark Allison, Defeat and War and Prophecy (Stride Magazine, September 2019), Review of Our Death
- Walt Hunter, Forms of a World: Contemporary Poetry and the Making of Globalization (Fordham University Press, 2019)
- Keston Sutherland, Sean Bonney's Hate Poems (Post45 2, July 2019)
- Andrea Brady, Sean Bonney: Poet Out of Time in Communism and Poetry: Writing Against Capital, eds Ruth Jennison and Julian Murphet (Palgrave Macmillan, 2019)
- Jacob Edmond, Make it the Same: Poetry in the Age of Global Media (Columbia University Press, 2019)
- Daniel Eltringham, Commoning Nostalgia" Making "Romantic Sensibility Sustainable" in Contemporary Poetry (2019)
- Ed Luker, Naming and the Riotous: The Socio-Poetics of Sean Bonney's Letters Against the Firmament
- Walt Hunter, A Global “We”? Poetic Exhortations in a Time of Precarious Life (Cultural Critique 98, Winter 2018), pp. 72-94
- Luke Roberts, Stephen Willey, Anna Strong Safford, and Al Filreis, 'Insurrection is Value': Poem Talk 122 (Jacket2, March 2018), discussing Happiness
- Arul Benito Gerard, Review of Letters Against the Firmament (Hix Eros 8, March 2018)
- David Grundy, Introduction to a reading at Cambridge University (March 2018)
- Note on Sean Bonney, The Autonomous Centre of Edinburgh (August 2017)
- James Day, The Edible Book in the Era of Riots (Third Text 30:3-4, 2016)
- Adam Learmonth, Review of Letters Against the Firmament (Dundee University Review of the Arts, April 2017)
- Jasper Bernes, The Work of Art in the Age of Deindustrialization (Stanford University Press, 2017)
- John Bloomberg-Rissman, Review of Cancer: Poems after Katerina Gogou (Galatea Resurrects 27, December 2016)
- Max Porter, Best Book of 2015: Letters Against the Firmament (Granta, December 2016)
- Robert Sheppard, The Meaning of Form in Contemporary Innovative Poetry (Palgrave Macmillan, 2016)
- Simon Perril, "High Late-Modernists or Postmodernists? Vanguard and Linguistically Innovative Poetries since 1960", in The Cambridge Companion to British Poetry, 1945-2010, ed. Edward Larrissey (Cambridge University Press, 2016)
- Fern Richards, Radical Poets at the UAE Poetry Festival (The Norwich Radical, April 2016)
- Woody Haut, Inside the Outside/Outside the Inside: Letters Against the Firmament by Sean Bonney, Poetical Works 1999-2015 by Keston Sutherland (April 2016)
- Steve Spence, Uncompromising (Stride Magazine, February 2016), Review of Letters Against the Firmament
- Ian Davidson and Jo L. Walton, Political Poetry
- Perril, Simon (2015). "'Kinked Up Like It Wants to Bark': Contemporary British Poetry at the Tomb of the Poète Maudit". In Lang, Abigail; Nowell Smith, David (eds.). Modernist Legacies: Trends and Faultlines in British Poetry Today. Palgrave Macmillan. pp. 95–108.
- Jon Clay, ‘A New Geography of Delight’: Communist Poetics and Politics in Sean Bonney’s The Commons (Journal of British and Irish Innovative Poetry 7, September 2015)
- Verity Spott, "A Little Reverie – For Sean Bonney" (Two Torn Halves, 2015)
- Steve Willey, Pedagogy and Influence in the Work of Bob Cobbing (July 2015)
- Steve Willey, On Performing Sean Bonney's Poetry (March 2015)
- David Nowell Smith, On Voice in Poetry: The Work of Animation (Palgrave Macmillan, 2015)
- Robert Sheppard, "Sean Bonney's Letter on Poetics" (Pages, 2014)
- Patricia Farrell, Abstract: The poetics of making a difference in Sean Bonneyʼs Document (London Conference in Critical Thought, Goldsmiths, June 2014)
- Jennifer Cooke, "Public Disorder" and Poetry, 2010-2011 (Revolution and/or Poetry, August 2013); updated as The Poet in British Protest (2010-2013) (Tripwire 7, 2014), pp. 109-122
- Dan Eltringham, 'its 11.58 in London’: Sean Bonney's Urban Commons (The Occupied Times, July 2013)
- Zoë Skoulding, "Misremembered Lyric and Orphaned Music", in The Oxford Handbook of Contemporary British and Irish Poetry, ed. Peter Robinson (Oxford University Press, 2013)
- David Nowell Smith, ‘An Interrupter, a Collective’: Sean Bonney’s Lyric Outrage (Études britanniques contemporaines 45, 2013)
- Sophie Robinson, The Oxford Companion to Modern Poetry in English, eds. Jeremy Noel-Tod and Ian Hamilton (Oxford University Press, 2013), p. 61
- Esther Leslie, "Crowds, Clouds, Politics and Aesthetics, Flipping Again" (The Nordic Journal of Aesthetics No. 44–45, 2012–2013), pp. 8-27
- Jacob Edmond, 'Their echoes split us': Sean Bonney rewrites Baudelaire and Rimbaud (Jacket2, December 2012)
- Alison Croggon, Poetry: After Rimbaud, Overland, March 2012
- Steve Spence, Intriguing Minimalism & Anarchist Tendencies (Stride Magazine, March 2012), review of The Commons
- Robin Purves, Review of Happiness: Poems After Rimbaud (Hi Zero 11, February 2012)
- Clive Scott, Literary Translation and the Rediscovery of Reading (Cambridge University Press, 2012)
- John Bloomberg-Rissman, Review of The Commons (Galatea Resurrects 17, December 2011)
- Juliet Wilson, Review of For the Administration (Sabotage Reviews, June 2011)
- Samantha Walton, "Abandoned Buildings: mapping un-space in Sean Bonney's London poetry" (University of Nottingham, Spaces of Alterity, 26 April 2011)
- Richard Owens, Against Police Reality: Sean Bonney on Anna Mendelssohn (Damn the Caesars, March 2011)
- Esther Leslie, Bouleversed Baudelairizing: On Poetics and Terror (Essays on Bonney and Anna Mendelssohn) (Veer Books, 2011)
- Richard Owens, Prison-House of Commons: Sean Bonney Vis-à-Vis Thom Donovan (The Poetry Project Newsletter 225, Dec/Jan 2010/11)
- Ian Davidson, Radical Spaces of Poetry (Palgrave Macmillan, 2010)
- The Commune, Rimbaud and the Paris Commune (19 November 2010)
- Bebrowed's Blog, Sean Bonney and the political poem (6 September 2010)
- Mike Wallace-Hadrill, Some Thoughts in the Vicinity of the Poetry of Sean Bonney (Cambridge Reading Series pamphlet, June 2010), p. 7
- Jeff Hilson, Review of Blade Pitch Control Unit (Canary Woof, March 2010)
- Frances Kruk, "Betrayal and the Maligned Sound of the Cuckoo: A text/music Spin on Collaboration" (Pores, 2009) (on Kruk and Bonney's collaboration on a performance of The Commons)
- Peter Philpott, Entry at Modern Poetry website (September 2009)
- Adrian Clarke, "Sean Bonney's Baudelaire" (Readings 3)
- Shirley Dent, Poets, put up your fists and fight (The Guardian, 3 June 2008)
- Mark Jackson, The Poetry of Sean Bonney: Form and Content in Poisons, their Antidotes (Readings 3, May 2008)
- Various, Discussion of Bonney's Baudelaire poems (Metafilter, July 2007)
- Keith Tuma, Some Younger British Poets (Chicago Review 53:1, Spring 2007)
- Keith Tuma, Note at Meshworks: the Miami University Archive of Writing in Performance (January 2007)
- Jow Lindsay, On the Baudelaire poems (Onedit reviews), originally published in Everyone's Cup of Tea #1 (Bad Press Serials #5, December 2006)
- Delilah Glaxo-Kleitmann & Steve Spence, Review of Blade Pitch Control Unit (On Company Time: Anonymous Poetry Reviews, 2006)
- David Kennedy, Landscapes and Emblems (PN Review 156:30:4, March-April 2004), Review of several books including Poisons, their Antidotes
- Ben Watson, Review of Poisons, their Antidotes (Poetry Review 93:4, Winter 2003-04)
- Andrea Brady, “Sean Bonney, Ben Watson and Stephen Rodefer, reading at the Poetry Café, 14 November 2003“ (British Electronic Poetry Centre, December 2003)
References
- Staff, Harriet. "RIP Sean Bonney (1969–2019)". Poetry Foundation. Retrieved 22 November 2019.
- "Sean Bonney". Poetry Foundation. Retrieved 7 January 2020.
- "Yt Communication blog". web.archive.org. 2012-06-26. Retrieved 2019-12-06.
- "Sean Bonney – Baudelaire in English (2nd Edition) - Veer Books". www.veerbooks.com. Retrieved 2020-01-31.
- Bonney, Sean. (2009). Document : poems, diagrams, manifestos ; July 7th 2005 - June 27th 2007. Barque Press. ISBN 1-903488-65-6. OCLC 727644073.
- "Openned - Print - The Commons - Sean Bonney". www.openned.com. Retrieved 2019-12-06.
- "Sean Bonney". www.jfki.fu-berlin.de (in German). 2016-03-31. Retrieved 2019-12-06.
See also
This article about an English poet is a stub. You can help Misplaced Pages by expanding it. |