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Secret Agent
Theatrical release poster
Directed by	Alfred Hitchcock
Screenplay by	Charles Bennett Alma Reville Ian Hay Jesse Lasky Jr.
Based on	W. Somerset Maugham (story) Campbell Dixon (play)
Produced by	Michael Balcon Ivor Montagu
Starring	Madeleine Carroll Peter Lorre John Gielgud Robert Young
Cinematography	Bernard Knowles
Edited by	Charles Frend
Music by	John Greenwood Louis Levy (director)
Production company	British International Pictures
Distributed by	British International Pictures
Release date	15, June 1936
Running time	86 minutes
Country	United Kingdom
Language	English

Secret Agent is a 1936 British espionage thriller film directed by Alfred Hitchcock, adapted from the play by Campbell Dixon, which in turn is loosely based on two stories in the 1927 collection Ashenden: Or the British Agent by W. Somerset Maugham. The film starred Madeleine Carroll, Peter Lorre, John Gielgud, and Robert Young. Future star Michael Redgrave made a brief, uncredited appearance; he would play the male lead in Hitchcock's The Lady Vanishes (1938). The work was also Michael Rennie's film debut (though an uncredited one).

Typical Hitchcockian themes used in Secret Agent include mistaken identity and murder.

Plot

On 10 May 1916, during World War I, British Captain and novelist Edgar Brodie (Gielgud) returns home on leave, only to discover his obituary in the newspaper. He is brought to a man identifying himself only as "R", who asks him to undertake a secret mission: to identify and eliminate a German agent on his way to Arabia to stir up trouble in the Middle East. Upon agreeing, Brodie is given a new identity (Richard Ashenden), a fake death, and the assistance of a killer known variously as "the Hairless Mexican" and "the General" (Lorre), though he's not bald, Mexican or a general.

Brodie's late "predecessor" thought that the enemy agent was staying at the Hotel Excelsior in neutral Switzerland. When "Ashenden" arrives there, he is surprised to find that "R" has also provided him with an attractive wife, Elsa Carrington (Carroll). Entering their suite, he also encounters her new admirer, fellow hotel guest Robert Marvin (Young), who is only slightly deterred by the arrival of her husband (and continues to flirt with Elsa for much of the film). When they are alone, Ashenden is displeased when Elsa reveals she insisted upon the assignment for the thrill of it.

Ashenden and the General go to contact a double agent, the church organist, only to find him dead. In his hand, however, they find a button, evidently torn off in the struggle. When they go to the casino to meet Elsa, the button is accidentally dropped onto a gambling table. Since it looks the same as his own buttons, an experienced mountaineer named Caypor assumes it is his.

The agents persuade Caypor to help them settle a concocted bet: which one of them can climb higher on a nearby mountain. As the moment approaches, Ashenden finds he is unable to commit cold-blooded murder, but the General has no such qualms and pushes the unsuspecting Caypor off a cliff.

However, a coded telegram informs them that Caypor is not their target. The General finds it very funny, but Elsa becomes terribly distraught when they are told. She decides to quit, despite having told Ashenden that she fell in love with him at first sight. In the lobby, she encounters Marvin. With no destination in mind, she persuades him to take her along with him. Meanwhile, the other two bribe a worker at a chocolate factory (the secret "German spy post office") to show them a very important message received the day before. They discover that it is addressed to none other than Marvin.

They set out in pursuit, taking the same train as Marvin and Elsa. Before they can arrange anything, the train crosses the border into Turkey – enemy territory – and a large number of soldiers board. Despite this, they manage to get Marvin alone in his compartment. Objecting to cold-blooded murder, Elsa draws a pistol. Before Ashenden can do anything, one way or the other, the train is attacked and derailed by airplanes sent by "R". Marvin is pinned in the wreckage, but manages to shoot the General fatally before dying. The "Ashendens" quit the spy business.

Cast

• John Gielgud as Captain Edgar Brodie/Richard Ashenden
• Peter Lorre as The General
• Madeleine Carroll as Elsa Carrington/Mrs. Ashenden
• Robert Young as Robert Marvin
• Percy Marmont as Caypor
• Florence Kahn as Mrs. Caypor
• Charles Carson as "R"
• Lilli Palmer as Lilli
• Howard Marion-Crawford as Karl (uncredited)
• Michael Rennie as Army Captain (uncredited)

Reception

B. R. Crisler of The New York Times disliked the film, praising Peter Lorre for his performance as "one of the most amusing and somehow one of the most wistfully appealing trigger men since Victor Moore," but criticizing technical aspects such as "inexpert camera technique" and "strangely uneven sound recording." He also thought Madeleine Carroll was a "waste" in her role. Variety called the film "good spy entertainment," adding that Hitchcock had "done well at blending the tale's grim theme with deftly fashioned humor, appropriate romantic interplay and some swell outdoor photography." Harrison's Reports declared it "A pretty good espionage melodrama." John Mosher of The New Yorker called it a "good picture," adding, "The 39 Steps was a first-rate English thriller, you may know, and the bright, quick fresh touch that made it good isn't lacking here." The Monthly Film Bulletin praised the "technical quality" of the film and called the acting "good," but thought that the ending was "brief and not very satisfactory" and that it was "often difficult to know quite what is getting at, whether he is making a profound protest against war and senseless murder or just presenting simple melodrama." Writing for The Spectator in 1936, Graham Greene gave the film a poor review, characterizing it as a despoilment of Maugham's Ashenden and dismissing it as "a series of small 'amusing' melodramatic situations". According to Greene, these "melodramatic situations" are built perfunctorily "paying no attention on the way to inconsistencies, loose ends, psychological absurdities and then drop they mean nothing: they lead to nothing". Greene jokes that the element of humour may have at least livened the film with laughter.

The film was voted the fifth best British film of 1936. It currently has a 90% approval rating on Rotten Tomatoes, with Geoff Andrew of Time Out writing, "This thriller may not be one of Hitchcock's best English films, but it is full of startling set pieces and quirky characterisation".

References

1. Crisler, B. R. (13 June 1936). "The Screen". The New York Times: 13.
2. "Secret Agent". Variety: 23. 17 June 1936.
3. "Film review: Secret Agent". Harrison's Reports: 103. 27 June 1936.
4. Mosher, John (13 June 1936). "The Current Cinema". The New Yorker: 67.
5. "Secret Agent". The Monthly Film Bulletin. 3 (29): 83. May 1936.
6. Greene, Graham (15 May 1936). "The Trail of the Lonesome Pine/Secret Agent". The Spectator. (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. pp. 74–75. ISBN 0192812866.)
7. "BEST FILM PERFORMANCE LAST YEAR". The Examiner (LATE NEWS EDITION and DAILY ed.). Launceston, Tasmania. 9 July 1937. p. 8. Retrieved 4 March 2013 – via National Library of Australia.
8. "Secret Agent (1936)". Rotten Tomatoes. Retrieved 21 January 2017.

External links

• Secret Agent at IMDb
• Elisabeth Weis, 1982, The Silent Scream — Alfred Hitchcock's Sound Track (1982), "Expressionism at its Height: Secret Agent" — a discussion of Hitchcoock's use of sound in the film.

• 1936 films
• 1930s romantic thriller films
• British romantic thriller films
• 1930s spy thriller films
• British films
• British spy thriller films
• Films based on multiple works
• English-language films
• British black-and-white films
• Films based on short fiction
• Films based on works by W. Somerset Maugham
• World War I spy films
• Romantic period films
• Films set in Switzerland
• Films set in the Alps
• Foreign films shot in Switzerland
• Films set in 1916
• Films directed by Alfred Hitchcock
• Films produced by Michael Balcon