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Fantasma
Studio album by Cornelius
Released	August 6, 1997 (1997-08-06)
Genre	Shibuya-kei
Length	50:04
Label	Trattoria
Producer	Keigo Oyamada
Cornelius chronology
96/69 (1996) Fantasma (1997) Point (2001)
Singles from Fantasma
"Star Fruits Surf Rider" Released: July 2, 1997 "Free Fall" Released: February 23, 1998 "Chapter 8 – Seashore and Horizon –" Released: May 25, 1998

Fantasma is the third studio album by Japanese musician Cornelius, released on August 6, 1997, on his label Trattoria. Cornelius envisioned the album as "a one-on-one experience between the music and the listener. ... It starts with you entering into the journey and ends with you returning to reality." It peaked at number six on the Oricon Albums Chart and number 37 on the UK Independent Albums Chart. Three singles were issued from the album: "Star Fruits Surf Rider", "Free Fall", and "Chapter 8 – Seashore and Horizon –".

Fantasma was initially received with mixed reviews, but drew more praise in later years as one of the defining works of Shibuya-kei. Critic W. David Marx described Fantasma as "an important textbook for an alternative musical history where Bach, Bacharach, and the Beach Boys stands as the great triumvirate."

The Japanese edition of Rolling Stone ranked Fantasma number 10 on its list of the "100 Greatest Japanese Rock Albums of All Time".

Production

The tracks on Fantasma were written and recorded in the same order they appear on the album, and were produced on magnetic digital reel tape recorders. Cornelius's goal in creating Fantasma was "to take the listener on a personal trip"; he envisioned the album as "a one-on-one experience between the music and the listener. ... It starts with you entering into the journey and ends with you returning to reality." Almost all of the tracks were named after existing bands, including Count Five, the Clash, and Microdisney. Buffalo Daughter's Moog Yamamoto appeared on "Mic Check" and "2010". The Apples in Stereo's Robert Schneider and Hilarie Sidney co-wrote and performed on "Chapter 8 – Seashore and Horizon –", while the High Llamas' Sean O'Hagan (formerly of Microdisney) appeared on "Thank You for the Music".

Fantasma contains numerous homages to Brian Wilson and the Beach Boys' 1966 release Pet Sounds. The album had recently seen a resurgence of interest among musicians and critics, and during the making of Fantasma, Oyamada had read a biography about Wilson. The opening of "Mic Check" (which is a preview of the closing track) musically resembles the Beach Boys' hymn "Our Prayer", while "God Only Knows" was named after their song of the same title. The liner notes of Fantasma also include photos of Oyamada recreating two iconic photographs of Wilson from the Pet Sounds era, with Oyamada posing and dressing as Wilson did in the original photos. Historian Michael Roberts writes, "As the image makes clear, it's the figure of Wilson as producer, as much as musician, that haunts Fantasma and its central trope of the recording studio."

Release

In Japan, the limited edition of Fantasma, which was packaged with stereo earphones, was released via Cornelius's own label Trattoria Records on August 6, 1997. The standard edition of the album was released on September 3, 1997. Fantasma peaked at number six on the Oricon Albums Chart. On March 24, 1998, Fantasma was released in North America and Europe via Matador Records. Due to sample clearance issues, "Monkey" was retitled "Magoo Opening", the same title as the sampled song, and relisted as a cover version. Fantasma peaked at number 37 on the UK Independent Albums Chart. As of 2006, the album had sold more than 300,000 copies worldwide.

Two companion remix albums, FM and CM, were released on November 26, 1998. The former is composed of remixes of Fantasma tracks by Money Mark, the High Llamas, Buffalo Daughter, the Pastels, Damon Albarn of Blur, Unkle, and Coldcut. The latter is composed of remixes by Cornelius of tracks by most of the artists that contributed to FM. FM reached number 39 and CM reached number 40 on the Oricon Albums Chart.

Critical reception

Professional ratings

Review scores
Source	Rating
AllMusic
The Baltimore Sun
Exclaim!	9/10
Pitchfork	8.8/10
Rolling Stone
Select	4/5
Spin	6/10

Stephen Thomas Erlewine of AllMusic praised Fantasma as "one of those rare records where you can't tell what's going to happen next, and it leaves you hungry for more." Stephen Thompson of The A.V. Club said, "Fantasma is a crisp, dynamic, mostly pleasant construction that sounds like the product of one inventive man whose sounds are created and manipulated strictly within the confines of a studio setting." Steve McClure of Billboard called it "a wonderful example of how some of Japan's best pop musicians assimilate Western musical influences and combine them in original, quirky ways."

In 2007, the Japanese edition of Rolling Stone placed Fantasma at number 10 on its list of the "100 Greatest Japanese Rock Albums of All Time". In 2011, the album was included in LA Weekly's "beginner's guide" to the Shibuya-kei genre. Tokyo Weekender writer Ed Cunningham cited it in 2020 as "a pinnacle" of the genre, and "one of the best-known Shibuya-kei records outside of Japan – if anyone has heard a Shibuya-kei release, it's probably Fantasma." Reviewing the album's 2016 reissue, Patrick St. Michel of Pitchfork said that Fantasma "distills the spirit and process of Shibuya-kei down to its purest essence". Daniel Sylvester of Exclaim! wrote that "Cornelius used entire genre motifs wholesale to deliver one of the most exploratory releases of all time."

Reissue history

On November 3, 2010, a remastered version of Fantasma was released via Warner Music Japan. It was remastered by Yoshinori Sunahara (a former member of Denki Groove). The limited edition includes a bonus CD and a bonus DVD.

On June 10, 2016, Fantasma was reissued in the United States, coinciding with a tour in August, including a date performing at the Eaux Claires festival. The album was released as a limited edition remastered double vinyl LP via Lefse Records and digitally released via Post Modern. The vinyl was pressed at Memphis Record Pressing.

Track listing

All tracks are written by Keigo Oyamada, except where noted

In this hidden track, Eye of Boredoms introduces songs by three acts on his label Shock City (all of which either include him or are pseudonyms), which then play, with each one segueing into the next. In order, they are "Super Nature" by Sound Hero, "Best Brain" by Free Brain, and "Rock Fantastictac" by DJ Question; all of them only appear on this release. The preceding title track on this edition has seven minutes of silence added to the end, for a total length of 7:56.

Personnel

Credits are adapted from the album's liner notes.

Musicians

• Keigo Oyamada (also credited as "The Ape") – performance, arrangement
• Kazumichi Fujiwara – vocals (on "Mic Check", "Star Fruits Surf Rider" and "2010")
• Yoshié Hiragakura – drums (on "Count Five or Six", "Star Fruits Surf Rider" and "Free Fall")
• Kinbara Strings – strings (on "The Micro Disneycal World Tour", "Star Fruits Surf Rider" and "God Only Knows")
• Toyoaki Mishima – keyboards
• Sean O'Hagan – banjo, sampler, chorus (on "Thank You for the Music")
• Robert Schneider – vocals, bass (on "Chapter 8 – Seashore and Horizon –")
• Hilarie Sidney – vocals, drums (on "Chapter 8 – Seashore and Horizon –")
• Moog Yamamoto – scratching (on "Mic Check" and "2010")
• Yuki Yano – theremin (on "The Micro Disneycal World Tour")

Production

• Keigo Oyamada – production, mixing
• Toyoaki Mishima – hard disk manipulation
• Nakai-kun – assistance
• Toru Takayama – mixing, engineering

Design

• Masakazu Kitayama – artwork
• Yumi Nakamura – styling
• Akemi Nakano – styling
• Hiroshi Nomura – photography
• Mitsuo Shindō – artwork
• Hiroko Umeyama – styling

Charts

References

1. ^ Hadfield, James (July 24, 2016). "Keigo Oyamada sees U.S. 'Fantasma' tour as a good warm-up to new Cornelius material". The Japan Times. Retrieved October 30, 2017.
2. "STAR FRUITS SURF RIDER | CORNELIUS" (in Japanese). Oricon. Retrieved December 11, 2020.
3. ^ "international". cornelius-sound.com. Retrieved March 4, 2021.
4. ^ "CORNELIUSのアルバム売り上げランキング" (in Japanese). Oricon. Archived from the original on March 4, 2014. Retrieved October 30, 2017.
5. ^ Lindsay, Cam (August 4, 2016). "Return to the Planet of Cornelius". Vice. Retrieved October 30, 2017.
6. ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved March 12, 2018.
7. ^ McClure, Steve (March 14, 1998). "Up From The Japanese Underground: Cornelius, Buffalo Daughter Offer Pop With An Edge". Billboard. Vol. 110, no. 11. pp. 9, 144. Retrieved December 11, 2020.
8. ^ Lindsay, Cam (November 14, 2007). "Finally! 'The 100 Greatest Japanese Rock Albums of All Time' Listed". Exclaim!. Retrieved October 30, 2017.
9. ^ St. Michel, Patrick (June 11, 2016). "Cornelius: Fantasma". Pitchfork. Retrieved October 30, 2017.
10. Lamm, Olivier (May 17, 2016). "Lefse Records réédite en grande pompe Fantasma de Cornelius, le Sgt Pepper's des années 90". Le Drone (in French). Retrieved March 14, 2018.
11. ^ Fantasma (CD liner notes). Cornelius. Matador Records. 1998. OLE 300-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
12. ^ Roberts 2019, pp. 67–68.
13. Roberts 2019, pp. 65–67.
14. Roberts 2019, p. 67.
15. "Cornelius / Fantasma (限定)". CD Journal (in Japanese). Retrieved October 30, 2017.
16. "Fantasma | CORNELIUS" (in Japanese). Oricon. Retrieved December 11, 2020.
17. "コーネリアス / ファンタズマ". CD Journal (in Japanese). Retrieved October 30, 2017.
18. "FANTASMA | CORNELIUS" (in Japanese). Oricon. Retrieved December 11, 2020.
19. Robson, Daniel (October 19, 2006). "Cornelius pops back with touching sounds". The Japan Times. Retrieved October 30, 2017.
20. "コーネリアス / FM". CD Journal (in Japanese). Retrieved October 30, 2017.
21. "コーネリアス / CM". CD Journal (in Japanese). Retrieved October 30, 2017.
22. Schreiber, Ryan (March 9, 1999). "Cornelius: FM (Fantasma reMixes)". Pitchfork. Retrieved March 12, 2018.
23. Tartan, Suzannah (March 19, 1999). "Journey to the center of Cornelius". The Japan Times. Retrieved October 30, 2017.
24. ^ Erlewine, Stephen Thomas. "Fantasma – Cornelius". AllMusic. Retrieved October 30, 2017.
25. Considine, J. D. (March 26, 1998). "Cornelius: Fantasma (Matador OLE 300)". The Baltimore Sun. Retrieved November 18, 2018.
26. ^ Sylvester, Daniel (June 8, 2016). "Cornelius: Fantasma (Reissue)". Exclaim!. Retrieved October 30, 2017.
27. Salamon, Jeff (April 25, 1998). "Cornelius: Fantasma". Rolling Stone. Archived from the original on September 25, 2009. Retrieved October 30, 2017.
28. Barnes, Mike (August 1998). "Cornelius: Fantasma". Select. No. 98. p. 90.
29. Michel, Sia (May 1998). "Cornelius: Fantasma / Dimitri from Paris: Sacrebleu". Spin. Vol. 14, no. 5. p. 134. Retrieved June 11, 2016.
30. Thompson, Stephen (April 19, 2002). "Cornelius: Fantasma". The A.V. Club. Retrieved October 30, 2017.
31. McClure, Steve (September 26, 1998). "Japan: Critic's Choice". Billboard. Vol. 110, no. 39. p. 118. Retrieved December 11, 2020.
32. Ohanesian, Liz (April 13, 2011). "Japanese Indie Pop: The Beginner's Guide to Shibuya-Kei". LA Weekly. Retrieved May 4, 2018.
33. Cunningham, Ed (March 31, 2020). "A Complete Guide to Shibuya-kei: Tokyo's '90s Music Revival". Tokyo Weekender. Retrieved December 11, 2020.
34. "FANTASMA(初回限定盤) | CORNELIUS" (in Japanese). Oricon. Retrieved December 11, 2020.
35. "コーネリアス『Fantasma』が砂原良徳のリマスターで復活". OKMusic (in Japanese). September 6, 2010. Retrieved March 14, 2018.
36. "コーネリアス「FANTASMA」砂原リマスターの詳細明らかに" (in Japanese). Natalie. October 6, 2010. Retrieved October 30, 2017.
37. Pearce, Sheldon (April 27, 2016). "Cornelius Announces Fantasma Reissue". Pitchfork. Retrieved October 30, 2017.

Bibliography

• Roberts, Martin (2019). Cornelius's Fantasma. Bloomsbury Academic. ISBN 978-1-5013-3017-9.

External links

• Fantasma at Discogs (list of releases)
• Fantasma at MusicBrainz (list of releases)

• 1997 albums
• Cornelius (musician) albums
• Matador Records albums
• 1990s Japanese-language albums