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Aesha Ash

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American ballet dancer and teacher
Aesha Ash
Aesha Ash signing photos in front of a screen that reads "Dare to Dream"Aesha Ash, 2018
Born (1977-12-30) December 30, 1977 (age 46)
Rochester, New York
NationalityAmerican
EducationSchool of American Ballet
Occupations
  • ballet dancer
  • teacher
Years active1995-2009
Children2
Career
Former groupsNew York City Ballet
Béjart Ballet
Alonzo King LINES Ballet
Morphoses/The Wheeldon Company

Aesha Ash (born December 30, 1977) is an American ballet dancer and teacher. She danced numerous leading roles as a member of New York City Ballet's corps de ballet and as a soloist with Béjart Ballet and Alonzo King LINES Ballet, and Morphoses/The Wheeldon Company. Following her retirement from performing, she founded The Swan Dreams Project in 2011 to dispel stereotypes about Black women in ballet. In 2020, she became the first African American female faculty member at the School of American Ballet.

Early life

Ash was born and raised in Rochester, New York. She started ballet, tap and jazz at 5 at a local studio. When she was 10, she switched studio to focus on ballet. At age 13, she traveled to New York City to train at School of American Ballet's summer intensive. She attended the course two more years before being accepted as a full-time student. She won the Mae L. Wien Awards for Outstanding Promise in 1996. She will become the school's associate chair of faculty in summer 2022.

Career

In 1996, after leading the SAB student workshop as the lead in Balanchine's Rubies, Ash joined the New York City Ballet at the age of 18. She was the only black woman in the company at the time and remained in the corps de ballet. During the 1998 City Ballet season, she, Alexandra Ansanelli, Edward Liang and Benjamin Millepied were all profiled by New York Times for their distinction as excellent dancers with the company. While with the company she performed leading roles in Balanchine's The Nutcracker, Who Cares?, Valse-Fantaisie, Le Tombeau de Couperin, Vienna Waltzes, Tchaikovsky Suite No. 3, Square Dance, Coppelia, Midsummer's Night Dream, Symphony in C, and Albert Evans' Haiku and August Bournonville's Bournonville Divertissements as staged by Stanley Williams. Ash departed the company in 2003 following her father's death, having grown tired of facing years of discrimination as well as being encouraged to leave by City Ballet's director, Peter Martins, who informed her that he did not see her career progressing any further than it already had.

That same year, she was introduced to choreographer Maurice Béjart, who invited her to perform with his company, Béjart Ballet in Lausanne, Switzerland, as a soloist. In an interview with Dance Magazine, Ash revealed that she did not enjoy her time at Bejart and left after 2 years because she was constantly being typecast in roles with "fierce, strong energy", and denied the opportunity to revel in her softer side.

She returned to the U.S. in 2005 to perform with Alonzo King LINES Ballet, a contemporary ballet company in San Francisco. Five months after joining the company, she was profiled by KQED, where she acknowledged the difficulty of changing companies, but her willingness to do so in pursuit of greater artistic challenges. Concurrent with this period, she also toured with Christopher Wheeldon's troupe Morphoses/The Wheeldon Company between 2007 and 2008. She retired from dancing at the end of that year.

In 2011, Ash founded the Swan Dream Project to encourage African American children to start ballet. For the project, she was photographed in full ballet attire in order to raise fund for other projects that also promoted diversity in ballet. The project also has a summer camp in Ash's hometown, Rochester, and an after-school program in San Jose, California, where Ash resided. In 2016, she won the Women Making History Award from National Women's History Museum for her works. That same year, she was profiled for her work in The Guardian as "an elite ballerina helping everyone feel welcome onstage." She was also featured in the book The Ballerina's Little Black Book.

In 2015, when the School of American Ballet (SAB) started their diversity committee, Ash was one of the founding members. She taught the school's workshop in California the following year, was an SAB guest faculty member for the 2016-2017 school year, and was the visiting faculty chair between 2018 and 2020. In July 2019, she gave a TEDx talk about the importance of leaving one's comfort zones in order to "find home". Ash was invited to join the permanent faculty of the School of American Ballet in 2019, though she did not accept the position until January

2020, making her the school's first African American female full-time faculty member. Her tenure started in September 2020. Rochester Museum & Science Center celebrated her appointment by declaring her one of its "women who changed the world 'change makers'", along with a dedicated exhibit in her honor. Soon after her appointment, she appeared on the Kelly Clarkson Show where she shared her story, spoke about the challenges she faced as a Black woman in ballet, and invited a young aspiring dancer to visit the New York and to tour the School of American Ballet after the pandemic was lifted. In January 2021, she was invited by Disney's Dreamers Academy to speak about her journey and share her message “to never let anyone define who you are.”

In December 2021, it was announced that Ash will become the School of American Ballet's associate chair of faculty, a newly created position, in summer 2022, while Darla Hoover will be the chair of faculty.

Film

In 2001, Ash appeared in Richard Blanshard's documentary Living a Ballet Dream. Additional appearances include New York City Ballet Work Out II, Sesame Street, and Barbie in the Nutcracker. She also served as Zoe Saldana's dance double during more complex sequences in the 2000 film Center Stage.

Personal life

Ash is married to Natale Ruello, a vice president at Forward Networks, and has two children. They lived in San Jose, California until 2020, then moved to New York when Ash took up her position at the School of American Ballet.

Awards

References

  1. Nguyen, Chris (2020-02-29). "'Images had power': Former ballerina uses images to empower women of color, children from underprivileged communities". ABC7 San Francisco. Retrieved 2021-03-01.
  2. "The Mae L. Wien Awards". School of American Ballet. Retrieved August 31, 2020.
  3. Dunning, Jennifer (1996-06-05). "BALLET REVIEW;A Workshop That Ends With a Bang And a Tribute (Published 1996)". The New York Times. ISSN 0362-4331. Retrieved 2021-03-01.
  4. Dunning, Jennifer (1998-05-01). "Pas de Quatre: Hopes of Spring (Published 1998)". The New York Times. ISSN 0362-4331. Retrieved 2021-03-01.
  5. Kourlas, Gia (August 13, 2020). "Aesha Ash Takes Her Place at the Head of the Class". The New York Times. ISSN 0362-4331.
  6. Kourlas, Gia (2007-05-06). "Where Are All the Black Swans? (Published 2007)". The New York Times. ISSN 0362-4331. Retrieved 2021-03-01.
  7. Banner, MaeE G. "Dancer hangs up her NYCB toe shoes". The Saratogian. Retrieved 2021-03-01.
  8. "Does Classicism Have a Color?". Dance Magazine. 2007-06-21. Retrieved 2021-03-01.
  9. Howard, Rachel (2005-10-30). "FINDING HER WAY". SFGATE. Retrieved 2021-03-01.
  10. Kourlas, Gia (2007-05-06). "Where Are All the Black Swans? (Published 2007)". The New York Times. ISSN 0362-4331. Retrieved 2021-03-01.
  11. Spark (2003-09-03). "Aesha Ash". Spark. Retrieved 2021-03-01.
  12. Dunning, Jennifer (2007-10-22). "Tracing Evolution of Works and a Style (Published 2007)". The New York Times. ISSN 0362-4331. Retrieved 2021-03-01.
  13. "How Former New York City Ballet Dancer Aesha Ash Is Encouraging a New Generation of Black Ballerinas". Pointe. 2018-02-23. Retrieved 2021-03-01.
  14. Stahl, Jennifer (January 11, 2017). "Why Aesha Ash is Wandering Around Inner City Rochester in a Tutu". Dance Magazine.
  15. Bahadur, Nina (February 16, 2018). "Ballerina Aesha Ash Is Challenging Stereotypes About Race and Ballet". Self.
  16. "2016 Women Making History Awards". National Women's History Museum. Retrieved August 31, 2020.
  17. "Aesha Ash: the elite ballerina helping everyone feel welcome onstage". The Guardian. ISSN 0261-3077. Retrieved 2021-03-01.
  18. "The Ballerina's Little Black Book". Brown Girls Do Ballet. Retrieved August 31, 2020.
  19. "Aesha Ash Faculty Bio - The School of American Ballet". net.sab.org. Retrieved 2021-03-01.
  20. "Finding Home". TEDxRochester. Retrieved 2021-03-01.
  21. Quijano, Elaine (August 17, 2020). "Aesha Ash is making history at New York City's School of American Ballet". www.cbsnews.com. Retrieved 2021-03-01.
  22. Applebaum, Daniel (2020-09-04). "Aesha Ash Is Bringing Her Boundary-Defying Spirit to SAB As Its First Black Female Full-Time Teacher". Dance Teacher. Retrieved 2021-03-01.
  23. "What Makes It So Difficult to Diversify Ballet Faculties?". Dance Magazine. 2021-02-17. Retrieved 2021-03-01.
  24. "Aesha Ash Is Bringing Her Boundary-Defying Spirit to SAB As Its First Black Female Full-Time Teacher". Pointe. 2020-09-04. Retrieved 2021-03-01.
  25. "New exhibit highlights women who changed the world". NewsCenter. 2020-12-02. Retrieved 2021-03-01.
  26. "Aesha Ash Surprises Aspiring 8-Year-Old Ballerina With Life-Changing Opportunity". www.yahoo.com. Retrieved 2021-03-01.
  27. "Aesha Ash Shares Her Pioneering Journey as a Professional Ballerina to Becoming the First Black Female Permanent Faculty Member at the School of American Ballet". Disney Parks Blog. Archived from the original on January 18, 2021. Retrieved 2021-03-01.
  28. Kourlas, Gia (December 16, 2021). "School of American Ballet Appoints New Leaders". New York Times.
  29. Blanshard, Richard (2001-10-23), Living a Ballet Dream: Six Dancers Tell Their Stories (Short), Maria Kowroski, Aesha Ash, Regina Sobel, Jan Burkhard, retrieved 2021-03-01
  30. "Meet Aesha Ash, the ballerina in the inner cities changing stereotypes about black women". Face2Face Africa. 2020-03-13. Retrieved 2021-03-01.
  31. "A sweet "Nutcracker"". HeraldNet.com. 2008-03-03. Retrieved 2021-03-01.
  32. "Our Favorite Movie Dance Doubles of All Time". Dance Spirit. 2018-02-27. Retrieved 2021-03-01.
  33. Angyal, Chloe (May 11, 2020). "An Oral History of Center Stage". Vulture.
  34. "Why Aesha Ash is Wandering Around Inner City Rochester in a Tutu". Dance Magazine. 2017-01-11. Retrieved 2021-03-01.
  35. Craig, Gary. "Trailblazer Aesha Ash chosen as first Black female full-time faculty at School of American Ballet". Democrat and Chronicle. Retrieved 2021-03-01.
  36. "Aesha Ash". Dance Spirit. 2008-11-06. Retrieved 2021-03-01.
  37. Ferguson, Jill L. "A ballerina who reached her dreams now helps kids reach theirs". Washington Post. ISSN 0190-8286. Retrieved 2021-03-01.
  38. McGraw, H. (2016-03-23). "Women Making History Awards an Evening of Inspiration". American Museum of Women's History Congressional Commission. Retrieved 2021-03-01.

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