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Ça Ira ([sa i.ʁa]; French: "It'll be fine") is an emblematic song of the French Revolution, first heard in May 1790. It underwent several changes in wording, all of which used the title words as part of the refrain.
Original version
The author of the original words "Ah! ça ira, ça ira, ça ira" was a former soldier by the name of Ladré who made a living as a street singer.
The music is a popular contredanse air called "Le carillon national", and was composed by Bécourt, a violinist (according to other sources: side drum player) of the théâtre Beaujolais. Queen Marie Antoinette herself is said to have often played the music on her harpsichord.
The title and theme of the refrain were inspired by Benjamin Franklin, who was very popular among the French people following his stay as a representative of the Continental Congress from 1776 to 1785. When asked about the American Revolutionary War, he would reportedly reply, in somewhat broken French, "Ça ira, ça ira" ("It'll be fine, it'll be fine").
The song first became popular as a worksong during the preparation for the Fête de la Fédération of 1790 and eventually became recognized as an unofficial anthem of revolutionaries.
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Ah ! ça ira, ça ira, ça ira |
Ah ! It'll be fine, It'll be fine, It'll be fine |
Sans-culotte version
At later stages of the revolution, many sans-culottes used several much more aggressive stanzas, calling for the lynching of the nobility and the clergy.
Ah! ça ira, ça ira, ça ira
les aristocrates à la lanterne!
Ah! ça ira, ça ira, ça ira
les aristocrates on les pendra!
Si on n' les pend pas
On les rompra
Si on n' les rompt pas
On les brûlera.
Ah! ça ira, ça ira, ça ira
les aristocrates à la lanterne!
Ah! ça ira, ça ira, ça ira
les aristocrates on les pendra!
Nous n'avions plus ni nobles, ni prêtres,
Ah ! ça ira, ça ira, ça ira,
L'égalité partout régnera.
L'esclave autrichien le suivra,
Ah ! ça ira, ça ira, ça ira,
Et leur infernale clique
Au diable s'envolera.
Ah! ça ira, ça ira, ça ira
les aristocrates à la lanterne!
Ah! ça ira, ça ira, ça ira
les aristocrates on les pendra!
Et quand on les aura tous pendus
On leur fichera la paille au cul,
Imbibée de pétrole, vive le son, vive le son,
Imbibée de pétrole, vive le son du canon.
Ah! It'll be fine, It'll be fine, It'll be fine
aristocrats to the lamp-post
Ah! It'll be fine, It'll be fine, It'll be fine
the aristocrats, we'll hang them!
If we don't hang them
We'll break them
If we don't break them
We'll burn them
Ah! It'll be fine, It'll be fine, It'll be fine
aristocrats to the lamp-post
Ah! It'll be fine, It'll be fine, It'll be fine
the aristocrats, we'll hang them!
We shall have no more nobles nor priests
Ah! It'll be fine, It'll be fine, It'll be fine
Equality will reign everywhere
The Austrian slave shall follow him
Ah! It'll be fine, It'll be fine, It'll be fine
And their infernal clique
Shall go to the devil
Ah! It'll be fine, It'll be fine, It'll be fine
aristocrats to the lamp-post
Ah! It'll be fine, It'll be fine, It'll be fine
the aristocrats, we'll hang them!
And when we'll have hung them all
We'll stick straw up their arse,
Soaked in oil, long live the sound, long live the sound,
Soaked in oil, long live the sound of the canon.
Post-revolutionary use
The song survived past the Reign of Terror. It was forbidden in 1797 under the Directory.
The ship of the line La Couronne was renamed Ça Ira in 1792 in reference to this song.
At the 1793 Battle of Famars, the 14th Regiment of Foot, the West Yorkshire Regiment, attacked the French to the music of "Ça ira" (the colonel commenting that he would "beat the French to their own damned tune"). The regiment was later awarded the tune as a battle honour and regimental quick march. It has since been adopted by the Yorkshire Regiment.
Friedrich Witt cited this motif in the Finale of his Symphony no. 16 in A major. Although the year of its completion is unknown, it's clear that it was written in the 1790s.
Carl Schurz, in volume 1, chapter 14, of his Reminiscences, reported from exile in England that upon Napoleon III's 1851 French coup d'état, "Our French friends shouted and shrieked and gesticulated and hurled opprobrious names at Louis Napoleon and cursed his helpers, and danced the Carmagnole and sang 'Ça ira'."
Russian composer Nikolai Myaskovsky used both "Ça ira" and La Carmagnole in the finale of his Symphony No. 6 in E-flat minor Revolutionary.
Modern adaptations
An alternative "sans-culotte"-like version was sung by Édith Piaf for the soundtrack of the film Royal Affairs in Versailles (Si Versailles m'était conté) (1954) by Sacha Guitry.
The song is featured in the 1999 television series The Scarlet Pimpernel, starring Richard E. Grant. There the lyrics are sung in English as follows:
Ah ça ira, ça ira, ça ira
Over in France there's a revolution
Ah ça ira, ça ira, ça ira
Watch what you say or you'll lose your head
Ah ça ira, ça ira, ça ira
Pass some time, see an execution!
Ah ça ira, ça ira, ça ira
Une deux trois and you fall down dead
Ah ça ira, ça ira, ça ira
Hear the tale of Marie Antoinette-a!
Ah ça ira, ça ira, ça ira
A bloodier sight you have never seen!
The Edith Piaf version is featured in the opening scenes of Ridley Scott's 2023 film Napoleon.
In an opening scene of the novel What Is to Be Done? by Nikolay Chernyshevsky, the protagonist Vera Pavlovna is shown singing a song with ça ira in the refrain, accompanied by a paraphrase outlining the struggle for a socialist utopian future. The 1875 French translator "A.T." produced a four-stanza version on the basis of the paraphrase, which was reproduced in full by Benjamin Tucker in his translation.
The 2024 Summer Olympics opening ceremony in Paris, France was titled Ça Ira. As part of the ceremony, heavy metal band Gojira alongside French-Swiss mezzo-soprano Marina Viotti played a version of the song. Officially named "Mea Culpa (Ah! Ça ira!)", their performance took place from the windows of the Conciergerie and included depictions of a decapitated Marie Antoinette.
See also
References
- "Ça ira". The Oxford Dictionary of Phrase and Fable. Oxford University Press. Retrieved 23 July 2020.
- Chao, Raúl Eduardo (11 August 2016). Damn the Revolution!. Lulu.com. p. 55. ISBN 9781365272226.
- Murphy, Thomas K. (2001). A Land Without Castles: The Changing Image of America in Europe, 1780-1830. Lexington Books. pp. 78–79. ISBN 9780739102206.
- Hanson, Paul R. (2004). Historical Dictionary of the French Revolution. Scarecrow Press. p. 53. ISBN 978-0-8108-5052-1. Retrieved 23 November 2011.
- "The Band of The Yorkshire Regiment". British Army. Ministry of Defence. Retrieved 19 July 2014.
- Nikolay Chernyshevsky, Que faire, translated by A.T. (1875), page 5. Nikolay Chernyshevsky, What's to be done? A romance, translated by Benjamin R. Tucker (1884–86, 4th edition 1909), page 8. Nikolay Chernyshevsky, A vital question; or, What is to be done?, translated by Nathan Haskell Dole and Simon S. Skidelsky (1886), page 4 gives an English translation of the original paraphrase.
- Marshall, Alex (26 July 2024). "What was with that heavy metal band? That was Gojira". The New York Times. ISSN 0362-4331. Retrieved 26 July 2024.
External links
- "Ça ira" sung by Edith Piaf, 1954 (mp3)
- "Ah! das geht ran", German translation of "Ça ira" on YouTube by Gerd Semmer sung by Dieter Süverkrüp [de], 1962
- "Ça ira", original version (mp3)
- "Ça ira" from the Modern History Sourcebook website of Fordham University, includes translation and discussion of lyrics (song title translated as "We Will Win!")
- "Ça ira" . New International Encyclopedia. 1905.
- "Ça ira" . Encyclopedia Americana. 1920.