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Alain de Halleux
Born	21 October 1957 (1957-10-21) (age 67) Brussels, Belgium
Nationality	Belgian
Education	UCLouvain (BSc) INSAS – Institut national supérieur des arts du spectacle et des techniques de diffusion (BA)
Occupation(s)	Film director, screenwriter, film producer, author
Years active	1991–present
Website	https://www.alaindehalleux.com/

Alain de Halleux (born 21 October 1957) is a Belgian film director, producer, photographer and screenwriter. His films predominantly focus on the topics of environmental, social, financial, economic and political issues such as Brexit.

Early life and career

Alain de Halleux was born on October 21, 1957, in Brussels, Belgium. He received a bachelor's degree in Chemical Sciences (Nuclear) at Université catholique de Louvain in 1978. During his studies at UCLouvain he viewed Andrei Arsenyevich Tarkovsky ’s Mirror, which inspired him to study cinema. de Halleux went on to study cinema at l’INSAS, Institut National Supérieur des Arts du Spectacle et des Techniques de Diffusion. During his time there he studied the work of Kurosawa such as Dreams and Seven Samurai. After obtaining an INSAS qualification in film directing de Halleux created his film production company Indian Production, choosing the name to honor indigenous peoples’ respect for nature and the Earth.

de Halleux has worked in photojournalism and on his return to Paris from a work related trip he met documentary filmmaker Raymond Depardon. He has cited this meeting as having a great impact on his work.

Filmmaking

Alain de Halleux started his film career working on fiction, later choosing to focus on documentary filmmaking. His 2000 film Pleure pas Germaine (Don't Cry Germaine), a feature-length film about a family of Spanish migrants returning to their country, screened at the Festroia International Film Festival.

Documentary films

de Halleux's documentary film work predominantly focuses on environmental, social, financial, economic and political issues. His 2008 film, R.A.S nucléaire rien à signaler, looked at the effects of outsourcing nuclear plant maintenance on our safety since the privatisation of the electricity markets and was the first in a series of documentaries about nuclear power. Initially released to little fanfare, the film received wider attention when it screened on the Franco-German network Arte.

He went on to direct Chernobyl 4 ever in 2011, in response to his realisation that the post-nuclear disaster situation was far more complex than it appeared. During a screening of the film at the European Parliament de Halleux met a young Japanese researcher who was struggling to save his hometown after the Fukushima Daiichi nuclear disaster. His entreaty for de Halleux to make a documentary film led to the creation of the short film Les Recits de Fukushima (Stories from Fukushima), which released in October 2011. de Halleux continued filming and completed an expanded version in March 2013, Welcome to Fukushima. It premiered at the European Parliament on the second anniversary of the Fukushima nuclear disaster. During the making of Welcome to Fukushima, de Halleux met Tarō Yamamoto, a former actor and surfer turned politician. de Halleux would go on to follow Yamamoto from 2013 until 2018, forming the 2018 documentary Beyond the Waves. The film focuses on Yamamoto's experiences as a member of the House of Councillors as well as Contemporary Politics, nationalism, xenophobia and rearmament in Japan.

de Halleux went on to release La Faute A Personne (No One to Blame) in 2016, a documentary film about the various significant events that led to the collapse of DEXIA bank after the financial crisis. In 2019, de Halleux released The Clock Is Ticking. The film follows Michel Barnier, the chief EU negotiator of Brexit, tracing the various stages of the discussions that led to the agreement, still awaiting ratification, on the withdrawal of the UK from the European Union.

Filmography

References

1. "Alain de Halleux". Alain de Halleux. Retrieved July 15, 2020.
2. "Alain de Halleux". Film-documentaire.fr. Retrieved July 15, 2020.
3. ^ "BREXIT: THE CLOCK IS TICKING, Alain de Halleux". Point du Jour International. Retrieved July 21, 2020.
4. "Allain de Halleux". Dafilms. Retrieved October 22, 2020.
5. Cockrell, Eddie (September 25, 2000). "Don't Cry Germaine". Variety. Retrieved October 22, 2020.
6. "PLEURE PAS GERMAINE Film belge d'Alain de Halleux". Le Monde.fr (in French). July 25, 2001. Retrieved July 21, 2020.
7. Ahn, Joonhong; Guarnieri, Franck; Furuta, Kazuo (August 15, 2017). "What Cultural Objects Say About Nuclear Accidents and Their Way of Depicting a Controversial Industry". Resilience: A New Paradigm of Nuclear Safety: From Accident Mitigation to Resilient Society Facing Extreme Situations. Springer. p. 151. ISBN 978-3-319-58768-4.
8. "Chernobyl (4) Ever". Greens/EFA. Retrieved July 15, 2020.
9. "Welcome to Fukushima". Simple Production. Retrieved July 15, 2020.
10. "Récits de Fukushima : Interview du réalisateur, Alain de Halleux / Vidéo". RTBF TV (in French). March 7, 2012. Retrieved July 15, 2020.
11. "De Japanse Don Quichot die tegen kernwapens vecht". De Tijd (in Dutch). February 27, 2018. Retrieved July 15, 2020.
12. "Beyond the Waves". Flagey. Retrieved July 15, 2020.
13. "Beyond the Waves". Sophimages. Retrieved July 15, 2020.
14. "Eco Matin – Dexia, la faute à personne". La Première (in French). September 12, 2016. Retrieved October 22, 2020.
15. "Beyond The Waves de Alain de Halleux". Cinergie.be. Retrieved July 21, 2020.
16. "Pleure pas Germaine (2000) - IMDb".

External links

• Alain de Halleux on RTBF.
• Alain de Halleux at IMDb
• Official website

• Belgian documentary filmmakers
• 1957 births
• Living people