Self-Portrait 7 is a self-portrait by Hungarian-Indian artist Amrita Sher-Gil, one of several of her self-portraits completed in 1930 in Paris. It shows her as a "vivacious and jovial" character. In the portrait, Sher-Guil's hair falls freely and she is wearing a dress that reveals her shoulders. She appears leaning forward towards the viewer, and looks seductive. It has been likened to Renoir's portrait of the Actress Jeanne Samary (1877), and Raja Ravi Varma's late 19th century painting, Lady Holding a Fruit. It is one of her 19 known self-portraits created in Europe.
See also
References
- Sundaram, p. 798
- ^ Shaw-Johnson, Amanda (2021). Why Now?: The Euro-U.S. Canon Adopts Tarsila do Amaral and Amrita Sher-Gil Almost 90 Years Later (Thesis). UC Davis.
- Dalmia, p.54
- Sundaram, pp. 412-413
Bibliography
- Dalmia, Yashodhara (2013). Amrita Sher-Gil: A Life. Gurugram: Penguin Books. ISBN 978-0-14-342026-2.
- Sundaram, Vivan (2010). Amrita Sher-Gil: A Self-Portrait in Letters and Writings. Vol. 1. New Delhi: Tulika Books. pp. 1–417. ISBN 978-81-89487-59-1.
- Sundaram, Vivan (2010). Amrita Sher-Gil: A Self-Portrait in Letters and Writings. Vol. 2. New Delhi: Tulika Books. pp. 418–821. ISBN 978-81-89487-59-1.
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