Anatomy of Monotony - Misplaced Pages

Poem by Wallace Stevens

"Anatomy of Monotony" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium. Unlike most of the poems in this collection, it was first published in 1931, so it is restricted by copyright until 2025 in America and similar jurisdictions, because of legislation like the Sonny Bono Copyright Term Extension Act. However, it is quoted here in full, as justified by fair use for the purpose of scholarly commentary.

Anatomy of Monotony

I
If from the earth we came, it was an earth
That bore us as a part of all things
It breeds and that was lewder than it is.
Our nature is her nature. Hence it comes,
Since by our nature we grow old, earth grows
The same. We parallel the mother's death.
She walks an autumn ampler than the wind
Cries up for us and colder than the frost
Pricks in our spirits at the summer's end,
And over the bare spaces of our skies
She sees a barer sky that does not bend.
II
The body walks forth naked in the sun
And, out of tenderness or grief, the sun
Gives comfort, so that other bodies come,
Twinning our phantasy and our device,
And apt in versatile motion, touch and sound
To make the body covetous in desire
Of the still finer, more implacable chords.
So be it. Yet the spaciousness and light
In which the body walks and is deceived,
Falls from that fatal and barer sky,
And this the spirit sees and is aggrieved.

Interpretation

The poet conceives us as evolving and increasingly civilized products of an earthly process. Indeed the earth itself is growing and growing old, while we sport our complex bodies and venture ever more sophisticated desires. Human experience is a kind of illusion engendered by our evolved sense organs, vulnerable to "the mother's death" and the cold death of the universe. The spirit sees this and is aggrieved, for it would harbor experience in some place that transcends nature, free from the contingencies of earth and universe.

The poem can be read as ironic, as calling into question the pretension of 'the spirit'. This reading is supported by the naturalistic tenor of the Harmonium collection as a whole, and specifically by the parallel of "Invective Against Swans".

Notes

Stevens, H. p. 260

References

Stevens, Holly. Letters of Wallace Stevens. 1966: Alfred A. Knopf

v t e Harmonium by Wallace Stevens
"Earthy Anecdote" "Invective Against Swans" "The Paltry Nude Starts on a Spring Voyage" "The Plot Against the Giant" "Infanta Marina" "Domination of Black" "The Snow Man" "The Ordinary Women" "The Load Of Sugar-Cane" "Le Monocle de Mon Oncle" "Nuances of a Theme by Williams" "Metaphors of a Magnifico" "Ploughing on Sunday" "Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges" "Hibiscus on the Sleeping Shores" "Fabliau of Florida" "Doctor of Geneva" "Homunculus et la Belle Etoile" "The Comedian as the Letter C" "From the Misery of Don Joost" "O Florida, Venereal Soil" "Last Looks at the Lilacs" "The Worms at Heaven's Gate" "The Jack-Rabbit" "Valley Candle" "Anecdote of Men by the Thousand" "The Apostrophe to Vincentine" "Floral Decorations for Bananas" "Anecdote of Canna" "On the Manner of Addressing Clouds" "Of Heaven Considered as a Tomb " "Of the Surface of Things" "Anecdote of the Prince of Peacocks" "A High-Toned Old Christian Woman" "The Place of the Solitaires" "The Weeping Burgher" "The Curtains in the House of the Metaphysician" "Banal Sojourn" "Depression Before Spring" "The Emperor of Ice-Cream" "The Cuban Doctor" "Tea at the Palaz of Hoon" "Disillusionment of Ten O'Clock" "Sunday Morning" "The Virgin Carrying a Lantern" "Stars at Tallapoosa" "Explanation" "Six Significant Landscapes" "Bantam in Pine-Woods" "Anecdote of the Jar" "Palace of the Babies" "Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs" "Jasmine's Beautiful Thoughts Underneath The Willow" "Cortège for Rosenbloom" "Tattoo" "The Bird with the Coppery, Keen Claws" "Life Is Motion" "The Wind Shifts" "Colloquy with a Polish Aunt" "Gubbinal" "Two Figures in Dense Violet Night" "Theory" "To the One of Fictive Music" "Hymn from a Watermelon Pavilion" "Peter Quince at the Clavier" "Thirteen Ways of Looking at a Blackbird" "Nomad Exquisite" "The Man Whose Pharynx Was Bad" "The Death of a Soldier" "Negation" "The Surprises of the Superhuman" "Sea Surface Full of Clouds" "The Revolutionists Stop for Orangeade" "Lunar Paraphrase" "Anatomy of Monotony" "The Public Square" "Indian River" "Tea"

Harmonium by Wallace Stevens

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