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Andrew Drummond (artist)

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New Zealand artist
Andrew Drummond
Born1951
Nelson, New Zealand
NationalityNew Zealand
EducationUniversity of Waterloo, Canada
AwardsNew Zealand Order of Merit 2007

* Listening and Viewing Device Andrew Drummond

Andrew Drummond (born 1951 in Nelson, New Zealand) is a New Zealand painter and sculptor. He attended University of Waterloo in Canada, graduating in 1976. He was a Frances Hodgkins Fellow in 1980.

Career

Drummond tends to focus on process and ritual while contemplating ideas of location. He considers the entanglements of the human body, ecology, and dislocated histories within the landscapes of New Zealand. In the 1970s, he created several documented performance works. Drummond lives and works in Christchurch, New Zealand. He earned his degree in Fine Arts from the University of Waterloo, Canada, and is currently a senior lecturer in sculpture at the University of Canterbury, School of Fine Arts. He is represented by Jonathan Smart gallery in Christchurch, Page Blackie gallery in Wellington and Antoinette Godkin gallery in Auckland.

Honours and awards

In 2007, Drummond was awarded the New Zealand Order of Merit for services to sculpture

Drummond has received the following awards:

Works

Drummond works with a variety of media and materials. His work includes process-based installation, photography, figurative and symbolic imagery. Drummond was included in a number of early exhibitions that featured performance art in New Zealand including ANZART initiated by Ian Hunter in 1981 and the F1 New Zealand Sculpture Project in 1982.

He had an exhibition at the Wellington City Gallery in 1981 titled Andrew Drummond: Works 80.

Public sculpture and commissions

Ramarama, Andrew Drummond

Drummond has received many commissions for both private and public sculptures.

  • 2016/17 Ramarama, Suter Gallery, Nelson
  • 2014/15 Armillary for Air, private commission, Ohinetahi, Governors Bay, Canterbury
  • 2011/12 Rotating Sphere, private commission, South Canterbury, NZ
  • 2007 Vertical Form, Counter Rotating, private commission, Nelson
  • 2006 Vertical Form, Counter Rotating, private commission, Banks Peninsula
  • 2005 Tower of Light, Wellington Sculpture Trust commission for Meridian Energy Wind Project
  • 2004 Cascade, commission for Woollaston Estates, Nelson
  • 2004 for Swinging and Spinning, private commission, Geraldine, Canterbury
  • 2000 Assignation Device, commission by Kiwi Properties for Veto Building, Auckland
  • 1999 Crossroads, commission by Projects Environment for ArtBarns: After Kurt Schwitters
  • 1995 for Beating and Breathing, commission for Robert McDougall Art Gallery, Christchurch
  • 1994 Device for Listening & Viewing, Wellington Sculpture Trust commission, Botanic Garden, Wellington
  • 1990 Stationary Limbs, commission for the Fletcher Trust Collection, Fletcher Challenge House, Auckland

Selected  exhibitions

2010

  • Andrew Drummond: Observation / Action / Reflection Christchurch Art Gallery. Drummond’s  first full survey exhibition of works from 1980 to 2010 curated by Jennifer Hay.

2008

  • Wunderbox Christchurch Art Gallery (group).
  • Mostly Harmless: A Performance Series Govett-Brewster Art Gallery, New Plymouth (group). ( Now Showing: A History of the Govett-Brewster Art Gallery  eds Christina Barton, Wystan Curnow and Jonathan Bywater  Gobvett-Brewster Art Gallery 2016 ISBN 9780908848744  )

2000

  • Intervention: Post Object and Performance Art in 1970 and Beyond Robert McDougall Art Gallery (now Christchurch Art Gallery) - Contemporary Art Annex (group) The exhibition was curated by Jennifer Hay.

1998

1995

  • Andrew Drummond: for beating and breathing Christchurch Art Gallery Annex, Christchurch.

1994

  • Art Now: The First Biennial of Contemporary Art National Art Gallery Wellington. (group) The exhibition was curated by Christina Barton.

1992

  • Between Rocks and Glass Houses City Gallery, Wellington. With architect Noel Lane. Curator Gregory Burke noted in the catalogue that, 'Their installation focuses on the social and environmental considerations of architecture and highlights an interaction between the organic nature of building materials and the symbolic potential of building structures’.

1991

1990

1989

  • Constructed Intimacies Moët & Chandon and New Zealand Arts Foundation tour (group).
  • Andrew Drummond: Images from Another Archaeology Auckland City Art Gallery, Auckland.
  • Putting the Land on the Map: Art and Cartography in New Zealand Since 1840, Govett-Brewster Art Gallery (group) Curated by Wystan Curnow.
  • Landscape and Sculpture Manchester Polytechnic. (group).

1988

  • Exhibits: The Museum Display and the Encyclopedia Plate, National Art Gallery, Wellington (group).
  • Action Replay held by the Govett-Brewster Art Gallery, New Plymouth and Artspace, Auckland in 1988 (group).

1987

  • Drawing Analogies Wellington City Art Gallery (group) The exhibition was curated by Greg Burke.
  • When Art Hits the Headlines, Shed II, National Art Gallery, Wellington (group).
  • Five Sights, Vessels and Containers, Braided Rivers, Dunedin Public Art Gallery.

1985

1982

  • F1 New Zealand Sculpture Project, Wellington (group).
  • New Zealand Drawing; Dunedin Public Art Gallery, Dunedin (group).

1981

  • 1st Australian Sculpture Biennial, La Trobe University, Melbourne, Australia.
  • Works 80 City Gallery, Wellington. Drummond installed nine living willow trees in the gallery along with videos of willows in the wild.

1978

1977

  • Young Contemporaries Exhibition 1977  Auckland Art Gallery. (group) Drummond presented the installation and performed Onto Skin, a Performance in Three Parts.

Controversy

As part of the Canterbury Society of Arts 1978 festival Platforms, Drummond performed Crucifixion. He was fixed to a diagonally shaped cross while a latex skin was created on his naked body, once formed the skin was shed from his body and he left the stage. Drummond wore a gas mask throughout to protect himself from the ammonia generated by the drying latex, he was also connected to an ECG machine so observers could monitor his emotional state. For the duration of the festival the discarded latex skin was laid out on the cross and exhibited with Polaroid photographs taken during the performance plus other detritus from the performance.

Two people in the audience took offence at the nudity and reported the performance to the police. The police laid charges (under Section 3(d) of the Police Offences Act.), when eventually heard in court the behaviour was found to be 'ill-mannered, in bad taste, crude and offensive', but the charges were dismissed.

See also

References

  1. "Andrew Drummond, New Zealand artist, sculptor from Palmerston North". www.creativegiants.co.nz. Retrieved 27 September 2020.
  2. ^ "Andrew Drummond". govettbrewster. Archived from the original on 9 February 2013. Retrieved 28 December 2012.
  3. ^ "Andrew Drummond". Jonathan Smart Gallery. Retrieved 27 September 2020.
  4. "Andrew Drummond". Page Galleries. Retrieved 5 October 2020.
  5. "Andrew Drummond". Antoinette Godkin gallery. 4 March 2014. Retrieved 5 October 2020.
  6. "New Year Honours List 2007". New Year Honours List 2007. 30 December 2006. Retrieved 12 October 2020.
  7. "Forward Impetus | Sarjeant Gallery Whanganui". Sarjeant Gallery Whanganui. 3 November 2016. Retrieved 8 June 2021.
  8. Fox, Rebecca (3 November 2016). "Fellowship leaves imprint". Otago Daily Times Online News. Retrieved 8 June 2021.
  9. "City Gallery Wellington". City Gallery. Retrieved 8 June 2021.
  10. "Jonathan Smart Gallery – Andrew Drummond". www.jonathansmartgallery.com. Retrieved 12 October 2020.
  11. ^ Drummond, Andrew (2010). Andrew Drummond : observation / action / reflection. Hay, Jennifer, 1968–, Christchurch Art Gallery. Christchurch : Christchurch Art Gallery Te Puna o Waiwhetu. pp. 70–71. ISBN 978-1-877375-19-4. OCLC 660363390.
  12. "Andrew Drummond: Observation, Action, Reflection". Retrieved 17 May 2024.
  13. "Wunderbox". Retrieved 17 May 2024.
  14. ^ Barton, Christina; Curnow, Wystan; Bywater, Jonatan, eds. (2016). Now Showing: A History of the Govett-Brewster Art Gallery. Govett-Brewster Art Gallery. ISBN 9780908848744.
  15. Hay, Jennifer (2000). Intervention: Post Object and Performance Art in 1970 and Beyond. Robert McDougall Art Gallery. pp. 64–71. ISBN 0908874618.
  16. Barton, Christina (1997). "Post-object and conceptual art". Te Ara - the Encyclopedia of New Zealand. Retrieved 17 May 2024.
  17. Dream Collectors. Museum of New Zealand Te Papa Tongarewa. 1998. pp. 184–185.
  18. "Andrew Drummond: For Beating and Breathing". Retrieved 17 May 2024.
  19. Campbell, Joyce; Lloyd, Jillian; Museum of New Zealand, eds. (1994). Art now: the first biennial review of contemporary art; body, site, material; published to accompany and document the exhibition Art Now: The First Biennial Review of Contemporary Art, Museum of New Zealand Te Papa Tongarewa, 11 June - 18 September 1994. Wellington: Museum of New Zealand Te Papa Tongarewa. ISBN 978-0-909010-19-5.
  20. "Between Rocka and Glasshouses" (PDF). City Gallery. Retrieved 17 May 2024.
  21. Tyler, Linda (1991). Cross currents: Contemporary New Zealand and Australian art from the Chartwell Collection: Waikato Museum of Art and History, Te Whare Taonga o Waikato, 14 July-25 August 1991. Waikato Museum of Art and History, Te Whare Taonga o Waikato.
  22. "Constructed Intimacies: Moet Chandon Touring Exhibition". Retrieved 17 May 2024.
  23. "Andrew Drummond: Images from Another Archaeology" (PDF). Retrieved 17 May 2024.
  24. Curnow, Wystan (1989). Putting the Land on the Map: Art and Cartography in New Zealand Since 1840. Govett-Brewster Art Gallery. pp. 61–63. ISBN 0908848013.
  25. "N.Z. sculptors in British symposium The Press (Christchurch)". The Press (Christchurch). 23 August 1989. p. 21.
  26. Burke, Gregory (1987). Drawing Analogies. Wellington City Art Gallery. p. 17.
  27. Barr, Jim; Barr, Mary (1987). When art hits the headlines: a survey of controversial art in New Zealand. National Art Gallery (N.Z.). Wellington: National Art Gallery in association with the Evening Post. ISBN 978-0-9597785-4-0.
  28. Barton, Christina. "Post-object and conceptual art - The rise of post-object art". Te Ara - the Encyclopedia of New Zealand. Retrieved 17 May 2024.
  29. "Works 80". Retrieved 17 May 2024.
  30. "Naked artist makes man cross". The Press (Christchurch). 25 July 1978. p. 1.
  31. "Young Contemporaries 1977" (PDF). 1977. Retrieved 17 May 2024.
  32. "Crucifixion Performance". Art New Zealand. Retrieved 5 October 2020.

External links

Frances Hodgkins Fellows
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