Anna Svenborg Billing (1849–1927) was a Swedish painter who is remembered for her landscapes and her still-lifes. After being introduced to painting by her father Tore Billing, she trained under Swedish artists including Kerstin Cardon and became a student of the French painter Georges Jeannin [fr] in Paris. She exhibited there at the Salon in 1884. The collection of Sweden's Nationalmuseum includes works by Billing.
Biography
Born in Stockholm on 28 May 1849, Anna Billing was the daughter of the landscape painter Lars Teodor (Tore) Billing (1816–1892) and his wife, the opera singer Elma Charlotta née Ström (1822–1889). She was first raised in a highly cultural home where as a small child she associated with prominent figures of the times including the actor Nils Almlöf, the painter Joseph Magnus Stäck and the composer Jacopo Foroni. The family then moved abroad, to Düsseldorf, Lucerne and Paris, where she attended various schools. In 1859, they returned to Sweden where she attended where she finally attended schools where she could improve her Swedish.
Billing had set her mind on becoming a painter but her father wanted her to study music. Despite progressing in music thanks to the lessons she received from Carl Book, she received support for her ambition from the artists who visited her home, including August Malmström, Fredrik Scholander, Uno Troili and Alfred Wahlberg). After finally persuading her father to allow her to study art, she studied perspective under Johan Gustaf Köhler and later became a pupil of Kerstin Cardon. In 1880, she went on her first study trip to Paris where she was instructed by the flower painter, Georges Jeannin, returning in 1882 for a further period in his studio as well as with the Swedish painter Elisabeth Keyser.
Her early works were flower paintings in oils, one of which was accepted in 1884 for presentation in the Paris Salon, receiving acclaim from the critics. This resulted in considerable demand for her works. On returning to Sweden, encouraged by Malmström she began to paint landscapes, initially as watercolours. She was elected a member of the Swedish Artists' Association (Svenska Konstnärernas Förening). In 1897, she submitted her painting of birch trees (Bjökar) to the Stockholm exhibition. She went on to paint successful landscapes of Ulriksdal [sv], Tegelhagen, Velamsund and Ulriksdal Palace. In addition to being a painter, she was also an art teacher.
Works by Anna Billing are in the collections of the National Museum in Stockholm and the Gothenburg Museum of Art.
Billing joined Nya Idun, a women's association, in 1887.
Anna Billing died in Stockholm on 4 December 1927.
Gallery
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Hedelmä-asetelma, 1881'
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Motiv från Carolles - Normandie
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Stilleben med solfjäder
References
- ^ Karlsson, Birgit (2 March 2020). "Anna Billing". Svenskt kvinnobiografiskt lexikon. Retrieved 20 May 2021.
- ^ Linden, Gurli (14 June 1899). "Anna Billing" (in Swedish). Idun. Retrieved 20 May 2021.
- "Anna Billing-Svenborg" (in Swedish). Amanda. Retrieved 20 May 2021.
- "Anna Billing". Nya Idun (in Swedish). 2021-11-11. Retrieved 2022-04-21.
External links
Media related to Anna Billing at Wikimedia Commons- Works by Anna Billing on Artnet
